Relevant bibliographies by topics / Cambodia Angkor

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Cambodia Angkor'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Cambodia Angkor"

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Ingerpuu, Nele, Kai Vellak, Anders Hagborg, and Lars Söderström. "The Angkor Wat Kingdomliverworts from Cambodia." Nova Hedwigia, Beihefte 150 (July 28, 2020): 293–316. http://dx.doi.org/10.1127/nova-suppl/2020/293.

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Fletcher, Roland, Dan Penny, Damian Evans, et al. "The water management network of Angkor, Cambodia." Antiquity 82, no. 317 (2008): 658–70. http://dx.doi.org/10.1017/s0003598x00097295.

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Meticulous survey of the banks, channels and reservoirs at Angkor shows them to have been part of a large scale water management network instigated in the ninth century AD. Water collected from the hills was stored and could have been distributed for a wide variety of purposes including flood control, agriculture and ritual while a system of overflows and bypasses carried surplus water away to the lake, the Tonle Sap, to the south. The network had a history of numerous additions and modifications. Earlier channels both distributed and disposed of water. From the twelfth century onwards the large new channels primarily disposed of water to the lake. The authors here present and document the latest definitive map of the water network of Angkor.
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Day, M. B., D. A. Hodell, M. Brenner, et al. "Paleoenvironmental history of the West Baray, Angkor (Cambodia)." Proceedings of the National Academy of Sciences 109, no. 4 (2012): 1046–51. http://dx.doi.org/10.1073/pnas.1111282109.

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Formoso, Bernard. "Michael Falser, Angkor Wat. A Transcultural History of Heritage, Vol. 1, Angkor in France, Vol. 2, Angkor in Cambodia." Moussons, no. 36 (November 19, 2020): 279–81. http://dx.doi.org/10.4000/moussons.6978.

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Carter, Alison K., Miriam T. Stark, Seth Quintus, et al. "Temple occupation and the tempo of collapse at Angkor Wat, Cambodia." Proceedings of the National Academy of Sciences 116, no. 25 (2019): 12226–31. http://dx.doi.org/10.1073/pnas.1821879116.

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The 9th–15th century Angkorian state was Southeast Asia’s greatest premodern empire and Angkor Wat in the World Heritage site of Angkor is one of its largest religious monuments. Here we use excavation and chronometric data from three field seasons at Angkor Wat to understand the decline and reorganization of the Angkorian Empire, which was a more protracted and complex process than historians imagined. Excavation data and Bayesian modeling on a corpus of 16 radiocarbon dates in particular demand a revised chronology for the Angkor Wat landscape. It was initially in use from the 11th century CE with subsequent habitation until the 13th century CE. Following this period, there is a gap in our dates, which we hypothesize signifies a change in the use of the occupation mounds during this period. However, Angkor Wat was never completely abandoned, as the dates suggest that the mounds were in use again in the late 14th–early 15th centuries until the 17th or 18th centuries CE. This break in dates points toward a reorganization of Angkor Wat’s enclosure space, but not during the historically recorded 15th century collapse. Our excavation data are consistent with multiple lines of evidence demonstrating the region’s continued ideological importance and residential use, even after the collapse and shift southward of the polity’s capital. We argue that fine-grained chronological analysis is critical to building local historical sequences and illustrate how such granularity adds nuance to how we interpret the tempo of organizational change before, during, and after the decline of Angkor.
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Uchida, E., O. Cunin, I. Shimoda, Y. Takubo, and T. Nakagawa. "AMS Radiocarbon Dating of Wood Samples from the Angkor Monuments, Cambodia." Radiocarbon 50, no. 3 (2008): 437–45. http://dx.doi.org/10.1017/s0033822200053534.

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In the Angkor monuments of Cambodia, pieces of wood remain (as head frames of doorways, crossbeams, ceiling boards, etc.) in the following 8 monuments: Bakong, Lolei, Baksei Chamkrong, North Khleang, Angkor Wat, Banteay Kdei, Bayon, and Gates of Angkor Thorn. Accelerator mass spectrometry (AMS) radiocarbon dating carried out on 15 wood samples collected from the above 8 monuments revealed that most of the wood samples are original, except for the head frame of a doorway in Baksei Chamkrong, the ceiling boards in the northwest tower, and a crossbeam with pivot hole in the southwest tower of the Inner Gallery of Angkor Wat. The 14C age for the head frame of a doorway in the inner wall under the central tower of North Khleang supports the hypothesis that the inner walls are additions from a later period.
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HATTORI, Hiroki, Shin-ichi NISHIMOTO, Sokuntheary SO, and Takeshi NAKAGAWA. "THE BUILDING PHASES OF GATES AT ANGKOR THOM, CAMBODIA." Journal of Architecture and Planning (Transactions of AIJ) 69, no. 575 (2004): 175–82. http://dx.doi.org/10.3130/aija.69.175_1.

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Uchida, E., Y. Ogawa, N. Maeda, and T. Nakagawa. "Deterioration of stone materials in the Angkor monuments, Cambodia." Engineering Geology 55, no. 1-2 (2000): 101–12. http://dx.doi.org/10.1016/s0013-7952(99)00110-6.

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Southworth, William A. "THE ‘VERENIGING’ AT ANGKOR: FOUR SANDSTONE SCULPTURES FROM CAMBODIA." Aziatische Kunst 42, no. 1 (2012): 18–27. http://dx.doi.org/10.1163/25431749-90000249.

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Tan, Noel Hidalgo, Im Sokrithy, Heng Than, and Khieu Chan. "The hidden paintings of Angkor Wat." Antiquity 88, no. 340 (2014): 549–65. http://dx.doi.org/10.1017/s0003598x00101176.

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The temple of Angkor Wat in Cambodia is one of the most famous monuments in the world and is noted for its spectacular bas-relief friezes depicting ceremonial and religious scenes. Recent work reported here has identified an entirely new series of images consisting of paintings of boats, animals, deities and buildings. Difficult to see with the naked eye, these can be enhanced by digital photography and decorrelation stretch analysis, a technique recently used with great success in rock art studies. The paintings found at Angkor Wat seem to belong to a specific phase of the temple's history in the sixteenth century AD when it was converted from a Vishnavaite Hindu use to Theravada Buddhist.
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Dissertations / Theses on the topic "Cambodia Angkor"

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Chea, Socheat. "« Saugatāśrama », un āśrama bouddhique à Angkor (Ong Mong)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL076.

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À l’ombre des grands temples d’Angkor, la découverte en 1920 d’un petit édicule à stèle nommé Prasat Ong Mong dut paraître un peu anecdotique à son auteur, Henri Marchal. Pourtant, les travaux de George Cœdès, de Georges Trouvé et plus tard de Christophe Pottier allaient montrer que ce petit édifice appartenait à une fondation bouddhique importante, le Saugatāśrama, l’un des quatre grands āśrama fondés par Yaśovarman Ier à la fin du IXe siècle et, que loin d’être isolé, il était implanté au sein d’une vaste enceinte rectangulaire.Curieusement, bien que les textes comme les dimensions du site laissaient présager qu’il s’agissait d’une fondation importante et dynamique, en l’absence de fouille, nous n’en avions jusqu’à présent qu’une vision très partielle. Le culte des divinités, le logement et l’approvisionnement d’une communauté, l’enseignement, la copie de manuscrits, etc. sont pourtant autant d’activités nécessitant un équipement et des infrastructures nombreuses et diversifiéesEn reprenant les archives, en proposant une nouvelle analyse des inscriptions et en confrontant ces sources aux données que nous avons collectées au cours de trois campagnes de fouille, nous nous proposons de faire la lumière sur ce Saugatāśrama. Nous essayons notamment de déterminer les activités qui y prenaient place, les infrastructures qui le caractérisaient et les différentes phases de son occupation, tout en le comparant aux autres Yaśodharāśrama d’Angkor afin de vérifier s’ils suivaient le même plan, quelle que soit leur obédience.Ce travail constitue une étape indispensable pour la compréhension des āśrama de Yaśovarman Ier, grande fondation royale répétitive entreprise au moment de l’installation de la capitale à Yaśodharapura / Angkor et pendant une période charnière pour la constitution de l’empire khmer<br>In the shadow of the great temples of Angkor, the discovery in 1920 of a small stela aedicule named Prasat Ong Mong must have seemed trivial to Henri Marchal, the scholar who first documented the shrine. However, the works of George Cœdes, Georges Trouvé and later Christophe Pottier demonstrated that this small building formed part of an important Buddhist foundation, the Saugatāśrama, one of four great āśramas founded by Yaśovarman I at the end of the ninth century. Far from being an isolated shrine, the aedicule was constructed within a vast rectangular enclosure.Although the texts and large dimensions of the site suggested that it served as an important and dynamic foundation, in the absence of excavation, our understanding of the complex remained woefully incomplete and partial. The worship of divinities, the housing of devotees, the amassing of provisions to sustain the community, religious instruction, and the copying of manuscripts, along with other activities, all required a wide range of equipment and supporting infrastructures.By reexamining the archives, proposing novel interpretations of the inscriptions, and comparing these sources with the archaeological data we collected during three excavation campaigns, the dissertation sheds important new light on the Saugatāśrama. More specifically, we attempt a reconstruction of the activities that took place within the āśrama, the infrastructure that defined the hermitage, and its different phases of occupation. This course of analysis was complemented and enriched by comparing the Saugatāśrama with the other Yaśodharāśrama of Angkor in order to test whether they followed the same plan, regardless of their religious denomination.This work constitutes an essential first step in better understanding the āśrama of Yaśovarman I, a large, royal foundation consisting of numerous and seemingly standardized hermitages established at the time of the capital’s installation in Yaśodharapura / Angkor during the pivotal period of the consolidation of the Khmer Empire
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Bong, Sovath. "The ceramic chronology of Angkor Borei, Takeo province, southern Cambodia." Thesis, University of Hawaii at Manoa, 2003. http://proquest.umi.com/pqdweb?index=0&did=765031411&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1233341321&clientId=23440.

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Galloway, William. "Welcome to the crocodile farm /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/6452.

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Schissler, Eric J. "An examination of Khmer prayer inside the Ta Prohm complex and its implications for Angkor management policy." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/789.

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Day, Mary Beth. "Holocene environmental and hydrologic change in Cambodia : examples from Tonle Sap Lake and Angkor." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708070.

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Roveda, Vittorio. "Narrative reliefs of the SW and NW western corner pavilions of Angkor Wat." Thesis, SOAS, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313427.

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Esposito, Adèle. "Siem Reap, invention et fabrication d'un lieu de tourisme aux portes d'Angkor." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST1170.

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Les façons de concevoir et fabriquer la ville de Siem Reap, située aux portes du site d'Angkor classé au patrimoine mondial (1992), induites ou suscitées par le tourisme, sont l'objet de la recherche. La thèse interroge le rapport conflictuel entre planification et fabrication urbaine : si les plans de la coopération internationale produisent un domaine d'action ainsi qu'un cadre conceptuel à travers lequel le territoire est appréhendé, d'autres logiques et procédures détournent le cadre réglementaire. Dans les discours programmatiques et normatifs élaborés à partir de notions d'origine occidentale, maintenant diffusées à l'échelle internationale, ainsi que dans l'organisation institutionnelle, nous recherchons les failles qui mènent les plans à l'échec. Sans nier les effets de tabula rasa, nous argumentons l'entrée en jeu de différentes formes d'héritage dans les aménagements de l'espace : les représentations des lieux, produites à partir du XIXe siècle, qui influencent les projets d'hôtels et équipements ; les formes et les pratiques mobilisées par les habitants, dont la négociation avec des modèles exogènes aboutit à des compositions originales<br>After Angkor was listed as a World Heritage Site (1992), Siem Reap town which is situated at its doorway experienced intense urban development. The thesis investigates the processes of urban development and architectural design created under the influence of tourism. The research questions the conflicts between planning and urban development. While the plans carried out by international cooperation produce a domain of action and a conceptual framework through which the territory is apprehended, private stakeholders' procedures and objectives succeed in diverting regulations. We show that the faults which cause the failure of the plans have to be sought in the programs and the rules shaped by Western-based notions now disseminated at the international scale. Without denying the tabula rasa of urban landscapes, we argue that different forms of heritage play a part in architectural design and urban transformations: - the representations of places, produced since the 19th century, shape tourism linked projects; - inherited forms and practices mobilized by the inhabitants are negotiated with exogenous models and lead to original urban shapes
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Biard, Sophie. "Les statues issues des fouilles de la Conservation d'Angkor ˸ conservation, restauration, et diffusion de 1908 à nos jours." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA019.

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Les statues d’Angkor sont aujourd’hui internationalement connues. Cette notoriété est une construction historicisée, qui commence au début du XXe siècle avec la naissance de l’archéologie, la création de musées et l’importation des techniques de conservation et de restauration au Cambodge. Ces pratiques et ces structures se développent avec la mise en place du protectorat français par le biais d’une institution de recherche scientifique : l’Ecole Française d’Extrême-Orient (EFEO), dont dépend la Conservation d’Angkor fondée en 1908. Les sculptures retrouvées dans les ruines d’Angkor sont d’abord rassemblées, créant un corpus d’œuvres déposées, au sein duquel sont prélevées des objets diffusés par la suite, créant ainsi plusieurs collections dans le pays et à l’étranger. Après la décolonisation, le Cambodge se réapproprie les collections restées sur son territoire, ainsi que les structures de gestion du patrimoine héritées du protectorat (en particulier le musée national à Phnom Penh), tout en aménageant la pérennité de la présence de l’EFEO à Angkor. Le développement des institutions nationales et françaises pour la gestion du patrimoine cambodgien connaît une interruption brutale avec la guerre civile qui frappe le pays dans les années 1970. La sortie difficile de ce conflit favorise le pillage ; le Cambodge doit trouver des solutions pour l’endiguer, et permettre le retour des œuvres volées. La reconstruction d’après-guerre est très largement soutenue par l’aide internationale. Celle-ci investit aussi dans le domaine du patrimoine, offrant à Angkor et à ses sculptures une promotion sans précédent, ainsi que de nouvelles structures pour l’exposition de ces dernières. Les évolutions politiques du Cambodge au XXe et au XXIe siècle conditionnent l’évolution des pratiques de la conservation, de la restauration et de la diffusion appliquées aux statues d’Angkor<br>Nowadays, Angkorian statues are world renowned. Their fame being triggered in the early 20th century with the birth of archaeology, the creation of museums and the implementation of conservation and restoration techniques in Cambodia. These practices and structures spread throughout the country during the establishment of the French protectorate. This culminated in the creation of an institution of scientific research: The Ecole Française d’Extrême-Orient (EFEO) and its dependent Conservation d’Angkor created in 1908. The sculptures found in the ruins of Angkor temples were initially brought together, creating a corpus of deposits, in which artifacts were placed into various collections within the country and abroad. Following decolonization, responsibility for the collections was returned to Cambodia. This hand over was underpinned by the legacy of institutions created under the French protectorate, in particular the National Museum. At the same time, Cambodia arranged the sustainability of EFEO work in Angkor. The Civil War that afflicted the country in the late 70’s brutally interrupted the development of national and French institutions for the management of Cambodian heritage. The struggle to emerge from this conflict furthered the wide spread looting of many precious artefacts. Cambodia had to find solutions to prevent this ongoing problem, and to retrieve its stolen artworks. The country received International help to support post-conflict reconstruction. This assistance also involved in the field of heritage management of Angkor and its sculptures, and the creation of new venues for their exhibition. The change in the political landscape of Cambodia throughout the 20th and early 21th century has heavily influenced the evolution of conservation, restoration, and diffusion practices applied to Angkorian statues
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Provost-Roche, Ludivine. "Les derniers siècles de l’époque angkorienne au Cambodge [env.1220 - env.1500]." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030024.

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Cet ouvrage concerne le Cambodge à la fin de la période dite « angkorienne » (801-1431), soit de la disparition de Jayavarman VII (env. 1220) à l’abandon d’Angkor (1431) ; il s’attache en particulier au dernier siècle de cette période documenté par l’épigraphie (env. 1220 – env. 1327). Le faible nombre de sources épigraphiques, a souvent fait désigner cette période comme obscure. Cependant si ces sources ne fournissent qu’une chronologie dynastique discontinue puisqu’elle est interrompue pendant cinquante ans, elles mettent en lumière deux bouleversements majeurs dans l’histoire religieuse du Cambodge: l’essor du bouddhisme theravâda et une réaction iconoclaste due à des adeptes d’un sivaïsme particulièrement sectaire. C’est en confrontant les données de l’épigraphie à celles de l’histoire de l’art (peu utilisée jusqu’à présent) que l’on a visé à améliorer la connaissance de la période concernée. Un premier volet épigraphique (présentation critique des textes, datation de monuments par la présence d’inscriptions datées) est suivi d’un autre dédié à l’histoire de l’art (analyse de monuments dont le décor peut être attribué à la fin de la période angkorienne, définition des grandes tendances de l’art « post-Bayon »). On s’est ensuite attaché à brosser le paysage politique et religieux du Cambodge d’alors, en combinant ces sources. En définitive ce travail qui enrichit largement le corpus des monuments attribuables à la période étudiée, apporte des éléments de réponse aux problématiques, mettant notamment en lumière la radicalisation des mouvements religieux en présence et l’esprit de concurrence qui les anime<br>This study deals with Cambodia during the end of the so-called “angkorean period”, that is to say between Jayavarman the VIIth disappearance and Angkor desertion by the royal court. It emphasizes the last century of that period documented by inscriptions (ca.1220-ca.1327). Due to the few inscriptions related to that period, it has often been deemed as an “obscure” one. As a matter of fact epigraphic data allow only to a discontinuous dynastic chronology with an interruption of fifty years. However they turn to light two important changes concerning religious history of Cambodia: on one hand, the rapid development of Theravâda Buddhism, and on the other an iconoclastic reaction due to saivite sectarian adepts. It is by collating epigraphic and art history data (that last having been quite neglected up to now), that this research want to contribute enlarge the knowledge of last Angkorean centuries. A first part deals with inscriptions (critical presentation then dating monuments through dated inscriptions); it is followed by a second one dedicated to art history [analysis of iconographic and decorative patterns attributable to the end of Angkorean period, artistic characteristics of “post-Bayon” art]. Then political and religious Cambodian context is depicted through the use of those two kinds of data. To summarize, that study which widely enlarges the monumental corpus of the dealt with period, brings answers to several issues and especially about the radicalization of concerned religious trends and about their rivalry
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Vincent, Brice. "Samrit. Étude de la métallurgie du bronze dans le Cambodge angkorien (fin du XIe – début du XIIIe siècle)." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030032.

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Active pendant près d’un millénaire, la métallurgie du bronze khmère se distingue par une remarquable continuité et par la production aussi bien d’images sacrées que d’objets les plus divers et le plus souvent cultuels. Cette tradition métallurgique sera appréhendée dans le cadre de notre thèse à travers l’analyse d’une période de production spécifique comprise entre la fin du XIe et le début du XIIIe siècle, celle-ci ayant l’intérêt d’avoir fourni la plupart des vestiges en bronze jusqu’ici conservés. Sans négliger les approches "classiques" généralement retenues pour étudier les bronzes khmers, ce travail aura pour principal objectif de caractériser les savoir-faire techniques alors maîtrisés par les bronziers angkoriens. Après un nécessaire ancrage historique au sein d’un royaume khmer dominé par la dynastie de Mahīdharapura et par plusieurs grands centres politico-religieux dont Yaśodharapura / Angkor, la production étudiée sera présentée dans ses grandes lignes sous deux angles complémentaires, typologique et fonctionnel. L’épigraphie khmère sera ensuite sollicitée afin de fournir des premiers éléments quant aux pratiques et aux savoirs métallurgiques attestés au cours de l’époque angkorienne, à la fois pour le bronze, ou saṃrit en vieux khmer, et pour d’autres métaux. Un corpus raisonné de 167 statues et objets en bronze, issus de plusieurs collections muséales et soumis à diverses techniques d’examen et d’analyse, aidera enfin à reconstruire les séquences de travail de la chaîne opératoire présidant à la réalisation d’un bronze. Parmi celles-ci, les pratiques de fonte, bien documentées grâce aux résultats apportés par de récentes analyses élémentaires, feront l’objet d’un développement particulier<br>Active for almost a millennium, Khmer bronze metallurgy is characterized by a remarkable continuity and by the production of sacred images as well as of objects of the most varied kind, but usually for ritual practices. This metallurgical tradition will be considered in the framework of our thesis through the analysis of a specific period of production that lies between the late eleventh and early thirteenth century, the latter having the advantage of providing the most numerous bronze remains conserved thus far. Without neglecting the "classical" approaches generally used to study Khmer bronzes, this work will serve primarily to characterize the technical know-how then mastered by Angkorian bronze craftsmen. After a necessary anchorage in history in a Khmer kingdom dominated by the Mahīdharapura dynasty and several major political and religious centers including Yaśodharapura / Angkor, the studied production will be presented in two complementary perspectives, typological and functional. Khmer epigraphy will then be solicited to provide the first elements on metallurgical knowledge and practices attested during the Angkorian period, both for bronze, or saṃrit in Old Khmer, as well as for other metals. An annotated corpus of 167 images and objects in bronze, from several museum collections and subject to various technical examinations and analyses, will finally aid in rebuilding the workflows of the chaîne opératoire governing the production of a bronze. Among these, foundry practices, well-documented by the results provided by recent elemental analyses, will be the object of deeper study
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Books on the topic "Cambodia Angkor"

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Cambodia & Angkor. Archipelago Press, 2003.

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Henshūshitsu, Chikyū no Arukikata, ed. Wugeku, Jianbuzhai: Angkor Wat & Cambodia. Mo ke chu ban gu fen you xian gong si, 2015.

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1932-, Smithies Michael, ed. The site of Angkor. Oxford University Press, 1998.

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Finot, Louis. Ruins of Angkor, Cambodia in 1909. Edited by Dieulefils P. Published and distributed by River Books, 2001.

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Behnke, Alison. Angkor Wat. Twenty-First Century Books, 2009.

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Behnke, Alison. Angkor Wat. Twenty-First Century Books, 2009.

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translator, Lu Yan, and Daiyamondo Biggusha, eds. Jianpuzhai he Wuge si: Cambodia & Angkor Wat. Zhongguo lü you chu ban she, 2015.

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Brukoff, Barry. Temples of Cambodia: The heart of Angkor. Vendome Press, 2010.

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Brukoff, Barry. Temples of Cambodia: The heart of Angkor. Vendome Press, 2011.

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Ibbitson, Jessup Helen, ed. Temples of Cambodia: The heart of Angkor. Vendome Press, 2010.

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Book chapters on the topic "Cambodia Angkor"

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Evans, Damian, and Arianna Traviglia. "Uncovering Angkor: Integrated Remote Sensing Applications in the Archaeology of Early Cambodia." In Satellite Remote Sensing. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-90-481-8801-7_9.

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Fortier, M. "Teaching Radiology at the Angkor Hospital for Children in Siem Reap, Cambodia." In Radiology Education. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-68989-8_20.

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Roy, Rajeev. "10. Angkor Rice – 50,000 Cambodian farmers growing for export." In Commercial and Inclusive Value Chains. Practical Action Publishing Ltd, 2015. http://dx.doi.org/10.3362/9781780448671.010.

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Chandler, David. "Cambodia After Angkor." In A History of Cambodia. Routledge, 2018. http://dx.doi.org/10.4324/9780429495519-5.

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"Angkor (Siem Reap, Cambodia)." In Asia and Oceania. Routledge, 2012. http://dx.doi.org/10.4324/9780203059173-15.

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Chandler, David. "Kingship and Society at Angkor." In A History of Cambodia. Routledge, 2018. http://dx.doi.org/10.4324/9780429495519-3.

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"The fascination for Angkor Wat and the ideology of the visible." In Expressions of Cambodia. Routledge, 2006. http://dx.doi.org/10.4324/9780203966891-14.

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"When ancient glory meets modern tragedy: Angkor and the Khmer Rouge in contemporary tourism." In Expressions of Cambodia. Routledge, 2006. http://dx.doi.org/10.4324/9780203966891-13.

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Desbat, Armand, Tho Thon, and Em Socheata. "Guide to understanding Khmer stoneware characteristics, Angkor, Cambodia." In EurASEAA14 Volume II: Material Culture and Heritage. Archaeopress Publishing Ltd, 2020. http://dx.doi.org/10.2307/j.ctv1zcm1tq.10.

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"1. Buddhism in Cambodia: From Its Origins to the Fall of Angkor." In Cambodian Buddhism. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824861766-002.

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Conference papers on the topic "Cambodia Angkor"

1

Kersalé, Patrick. "At the Origin of the Khmer Melodic Percussion Ensembles or “From Spoken to Gestured Language”." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-5.

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Frescoes representing melodic percussion orchestras have recently appeared in the central sanctuary of the Angkor Wat temple. They prefigure two orchestras existing today in Cambodia: the pin peat and the kantoam ming. These two ensembles are respectively related to Theravada Buddhism ceremonies and funerary rituals in the Siem Reap area. They represent a revolution in the field of music because of their acoustic richness and their sound power, supplanting the old Angkorian string orchestras. This project analyzes in detail the composition of the fresco sets and establishes a link with the structure of Khmer melodic percussion orchestras. The analysis of some graphic details, related to other frescoes and bas-reliefs of Angkor Wat, also makes it possible to propose a dating. The study embodies one of an anthropological ethnomusicology, while also incorporating a discourse analysis, so to frame the uncovering of new historiographers of music and instrumentation, so to re describe musical discourses, more so to shed new light on melodic percussion of Angkorian music.
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Yamada, S., M. Araya, Y. Toyoshima, S. Tachino, and T. Miyatani. "Study on the accumulation process of residual displacement by applying DDA in the Angkor monument, Cambodia." In STREMAH 2009. WIT Press, 2009. http://dx.doi.org/10.2495/str090301.

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YAMADA, SHUNSUKE, MASATO ARAYA, AKIHITO YOSHIDA, and TAKESHI OHISHI. "STRUCTURAL STABILITY EVALUATION STUDY APPLYING A WIND TUNNEL TEST AND MONITORING OF BAYON MAIN TOWER, ANGKOR THOM, CAMBODIA." In STREMAH 2017. WIT Press, 2017. http://dx.doi.org/10.2495/str170251.

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Needham, Susan, та Karen Quintiliani. "Prolung Khmer (ព្រល ឹងខ្មែរ) in Sociohistorical Perspective". У GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-1.

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In this article we selectively review Cambodia’s history through the lens of Prolung Khmer (ព្រលឹងខ្មែរ, meaning “Khmer Spirit” or “Khmer Soul”), a complex, multivalent ideological discourse that links symbols and social practices, such as Angkor, Buddhism, Khmer language (written and spoken), and classical dance, in an essentialized Khmer identity. When Cambodians began arriving in the United States in 1975, they immediately and self-consciously deployed Prolung Khmer as a means for asserting a unique cultural identity within the larger society. Through diachronic and ethnographic analyses of Prolung Khmer, we gain a holistic understanding of how it serves as an ideological metaphor for Khmer culture.
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