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Relevant bibliographies by topics / Cambridge Camden Society

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Academic literature on the topic 'Cambridge Camden Society'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Cambridge Camden Society"

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Slinn, E. Warwick. "BROWNING’S BISHOP CONCEIVES A TOMB: CULTURAL ORDERING AS CULTURAL CRITIQUE." Victorian Literature and Culture 27, no. 1 (1999): 251–67. http://dx.doi.org/10.1017/s1060150399271148.

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ON FEBRUARY 18, 1845, Robert Browning sent a poem entitled “The Tomb at Saint Praxed’s” to the acting editor of Hood’s Magazine. He writes: “I pick it out as being a pet of mine, and just the thing for the time — what with the Oxford business, and Camden society and other embroilments” (DeVane and Knickerbocker 35–36). Because of this letter, the immediate historical context for the poem has commonly been taken as the Oxford (Tractarian) movement and Newman’s retraction in 1843. The Cambridge Camden Society (not the London antiquarian society of the same name, which is sometimes thought to be

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2

Crook, J. Mordaunt. "Benjamin Webb (1819-85) and Victorian Ecclesiology." Studies in Church History 33 (1997): 423–57. http://dx.doi.org/10.1017/s0424208400013383.

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We begin in Trinity College, Cambridge, in May 1839. It is 10 o’clock at night and three undergraduates named Neale, Webb, and Boyce are trying to persuade one of their dons, Archdeacon Thorp, to become senior member of a new society. They refuse to leave until he agrees. The Cambridge Camden Society is born. J. M. Neale becomes President, Benjamin Webb Secretary, and E.J. Boyce Treasurer. Within a year they are joined by another Trinity man with influence in a much wider sphere, Beresford Hope. By 1843 the membership list includes two archbishops, sixteen bishops, thirty-one peers and M.P.s,

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HAIGH, CHRISTOPHER. "CATHOLICISM IN EARLY MODERN ENGLAND: BOSSY AND BEYOND." Historical Journal 45, no. 2 (2002): 481–94. http://dx.doi.org/10.1017/s0018246x02002479.

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The loyal opposition: Tudor traditionalist polemics, 1535–1558. By Ellen A. Macek. New York: Peter Lang, 1996. Pp. xvi+299. ISBN 0-8204-3059-5. £36.00.Rethinking Catholicism in Reformation England. By Lucy E. M. Wooding. Oxford: University Press, 2000. Pp. x+305. ISBN 0-19-820865-0. £40.00.Robert Parsons and English Catholicism, 1580–1610. By Michael L. Carrafiello. London: Associated University Presses, 1998. Pp. 186. ISBN 1-57591-012-8. £27.00.The Society of Jesus in Ireland, Scotland, and England, 1541–1588: ‘our way of proceeding’. By Thomas M. McCoog SJ. Leiden: E. J. Brill, 1996. Pp. xxi

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4

Brine, Judith. "The Religious Intentions of the Cambridge Camden Society and Their Effect on the Gothic Revival." Fabrications 2, no. 1 (1991): 4–18. http://dx.doi.org/10.1080/10331867.1991.10525051.

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5

Quiney, Anthony. "‘Temples…Worthy of his Presence’: The Early Publications of the Cambridge Camden Society. Edited by ChristopherWebster." Archaeological Journal 161, no. 1 (2004): 264–65. http://dx.doi.org/10.1080/00665983.2004.11020607.

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Turner, Emily. "“On Wooden Churches”: William Scott and the Colonial Church." Religion and the Arts 18, no. 3 (2014): 297–324. http://dx.doi.org/10.1163/15685292-01803001.

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The use of wood in Gothic Revival buildings was a contentious issue in the middle of the nineteenth century. Because of the need in the British colonies to use timber in church construction due to financial and material restraints, a re-examination of wood as a building medium consistent with the principles of the Revival became necessary. For the Cambridge Camden Society, the breakthrough in understanding timber as a truly ecclesiological material came in an essay by Rev. William Scott entitled “On Wooden Churches” (1848), which traced the historical and symbolic features of wood in ecclesias

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7

Craith, Mícheál Mac. "Henry Piers's Continental Travels, 1595–1598. Brian Mac Cuarta SJ, ed. Camden Fifth Series 54. Cambridge: Cambridge University Press; London: Royal Historical Society, 2018. xiv + 238 pp. $79.99." Renaissance Quarterly 73, no. 1 (2020): 372–73. http://dx.doi.org/10.1017/rqx.2019.596.

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8

Vincent, Nicholas. "A Monastic Community in Local Society: The Beauchief Abbey Cartulary. Edited by DavidHey, LisaLiddy and DavidLuscombe. Camden Society, 5th series, volume xl. Cambridge University Press for the Royal Historical Society. 2011. x + 304pp. £45.00." History 98, no. 331 (2013): 430–31. http://dx.doi.org/10.1111/1468-229x.12017_3.

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9

Smith, Frederick E. "Henry Piers’s Continental Travels, 1595–1598, ed. Brian Mac Cuarta, Cambridge, New York: Cambridge University Press for The Royal Historical Society (Camden Fifth Series 54), 2018, pp. xiv + 328, £44.99, ISBN: 9781108496773." British Catholic History 35, no. 2 (2020): 221–23. http://dx.doi.org/10.1017/bch.2020.19.

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Bettley, James. "Some Architectural Aspects of the Role of Manuals in Changes to Anglican Liturgical Practice in the Nineteenth Century." Studies in Church History 38 (2004): 324–38. http://dx.doi.org/10.1017/s0424208400015904.

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The evangelical Francis Close, rector of Cheltenham and Dean of Carlisle, pithily observed in 1844 that ‘Romanism is taught Analytically at Oxford [and] Artistically at Cambridge … it is inculcated theoretically, in tracts, at one University, and it is sculptured, painted, and graven at the other’. The two forces to which he was referring – the Oxford Movement and the Cambridge Camden Society – emerged within a few years of each other, in 1833 and 1839 respectively. Although they were very different in the ways in which they achieved their ends, they were essentially products of the same Zeitg

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Dissertations / Theses on the topic "Cambridge Camden Society"

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Adelmann, Dale Lawrence. "The contribution of Cambridge and the ecclesiological (late Cambridge Camden) society to the revival of Anglican choral worship, 1839-62." Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/272966.

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Kenneally, Rhona Richman. "The tempered gaze : medieval church architecture, scripted tourism, and ecclesiology in early Victorian Britain." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19609.

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This dissertation explores how architecture is valorized by the cultural artifacts, both visual and text-based, which present and describe it. It examines aspects of the Gothic Revival in early Victorian Britain, to consider the assimilation of models of evolving architectural discourse by one organization with specialized interest in its promotion, and adaptations of that discourse in the realm of popular culture. The dissertation focuses on the ideology of the Cambridge Camden Society, from its inception in 1839 through to 1850. The Society advocated an appreciation of Gothic churches both f

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McBride, Stephen Richard. "Bishop Mant and the Down and Connor and Dromore Church Architecture Society : the influence of the Oxford and Evangelical movements, the Cambridge Camden Society and the Gothic Revival on the Church of Ireland and its architecture in Ulster 1838 - 1878." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318793.

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Books on the topic "Cambridge Camden Society"

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1941-, Elliott John, and Webster Christopher, eds. "A church as it should be": The Cambridge Camden Society and its influence. Shaun Tyas, 2000.

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"A Church as It Should Be": The CAmbridge Camden Society and Its Influence. Paul Watkins Publishing, 2001.

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3

Hardpress. Hierurgia Anglicana, or Documents and Extracts Illustrative of the Ritual of the Church in England after the Reformation: Edited by Members of the Ecclesiological Late Cambridge Camden Society. HardPress, 2020.

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4

'Temples ... worthy of His presence', the early publications of the Cambridge Camden Society: The complete texts of eight important pamphlets published between 1839 and 1843 with a critical analysis. Spire Books, 2003.

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5

Fay, Jessica. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816201.003.0014.

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Drawing together themes from Chapters 1–5, the epilogue suggests that the poetry and prose Wordsworth produced between 1806 and 1822 might be seen, in retrospect, to anticipate the work of groups such as the Oxford Tract Movement and the Cambridge Camden Society. The widespread Victorian revival of enthusiasm for monasticism and ruined abbeys, antiquarianism, and ecclesiology makes sense of the Victorian ‘taste’ for poems such as The White Doe and The Excursion. And yet, as the book has shown, Wordsworth resists conventional medievalist and antiquarian activity in deference to the silence of t

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Book chapters on the topic "Cambridge Camden Society"

1

Kirchhelle, Claas. "Becoming an Activist: Ruth Harrison’s Turn to Animal Welfare." In Palgrave Studies in the History of Social Movements. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-62792-8_3.

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AbstractThis chapter focuses on Harrison’s life prior to writing Animal Machines. Together with her siblings, Harrison was brought up in close contact to Britain’s cultural elite. After attending schools in London, Harrison commenced her university studies in 1939. The outbreak of war had a transformative impact on her life. Harrison was evacuated to Cambridge where she likely came into contact with ethologist William Homan Thorpe. She converted to Quakerism and subsequently enrolled in the Friends’ Ambulance Unit. The Quaker principles of non-violence, humanitarianism, and bearing witness to injustice would serve as important reference points throughout Harrison’s campaigning. After the war, she completed her studies in the dramatic arts but abandoned a potential career as a theatre producer. In 1954, she married architect Dexter Harrison. Similar to many Quakers, Harrison’s humanitarian concerns motivated her to become involved in the Campaign for Nuclear Disarmament and protest perceived technological, moral, and environmental threats to society.

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Hope, A. J. Beresford. "The aims of the Cambridge Camden Society." In Reform and Intellectual Debate in Victorian England. Routledge, 2016. http://dx.doi.org/10.4324/9781315637648-23.

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3

Adelmann, Dale. "The Ecclesiological late Cambridge Camden Society 1850-55: champions of choral service." In The Contribution of Cambridge Ecclesiologists to the Revival of Anglican Choral Worship 1839-62. Routledge, 2019. http://dx.doi.org/10.4324/9780429440700-3.

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4

King, James. "A Heretic in Training (1919–1922)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414500.003.0003.

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This chapter details events in Roland Penrose's life from 1919 to 1922. On 18 January 1919, a mere ten days after returning to England from the war, Roland enrolled at Queen's College, Cambridge. Roland's creativity was stimulated in his new environment but the effects of the war lingered on. Although he labelled the large charcoal drawings of men and monsters he had begun to draw as expressive of ‘romantic yearnings’, they really ‘came struggling out of darkness, symbolic but with that urgent yet forbidden aspect of sex, still too incomprehensible and dangerous for me to admit except in naïvely veiled appearances’. As a respite from academic study, Roland and his brothers joined the Marlowe Society, which, he claimed, ‘provided a release from puritanical taboos’.

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