Relevant bibliographies by topics / Camilo José Cela

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Camilo José Cela'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Camilo José Cela.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Camilo José Cela"

1

Alborg, Concha, and Lucile C. Charlebois. "Understanding Camilo Jose Cela." Hispanic Review 69, no. 1 (2001): 114. http://dx.doi.org/10.2307/3247282.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Roberts, Gemma, Raquel Asun, and Camilo Jose Cela. "Camilo Jose Cela, La colmena." Hispanic Review 54, no. 2 (1986): 233. http://dx.doi.org/10.2307/473917.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Miller, Stephen, and Janet Perez. "Camilo Jose Cela Revisited: The Later Novels." South Central Review 19, no. 2/3 (2002): 109. http://dx.doi.org/10.2307/3189876.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Navajas, Gonzalo, and Carmen Ortiz Ramos. "Voces narrativas y personajes en "Mazurca para dos muertos" de Camilo Jose Cela." Hispanic Review 58, no. 1 (1990): 139. http://dx.doi.org/10.2307/473182.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Aguirre, Enrique Ballon, and Angel Diaz Arenas. "Teoria practica semiotica. Revision interdisciplinaria y aproximacion pragmatica a la obra de Camilo Jose Cela." Hispanic Review 62, no. 1 (1994): 157. http://dx.doi.org/10.2307/474460.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Miller, Stephen. "The Artistic Experimentation of Camilo Jose Cela: An Interview with the Writer in Texas on August 16, 1992." South Central Review 10, no. 1 (1993): 12. http://dx.doi.org/10.2307/3190279.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Bento, Paulo Tiago. "Substantial authenticity, (post/)modernity and transformation of otherness: the second trip of Camilo Jose Cela to the Alcarria." Journal of Tourism and Cultural Change 15, no. 1 (December 11, 2015): 37–58. http://dx.doi.org/10.1080/14766825.2015.1117479.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Alburquerque García, Luis. "A propósito de Judíos, moros y cristianos: el género 'relato de viajes' en Camilo José Cela." Revista de literatura 66, no. 132 (December 30, 2004): 503–24. http://dx.doi.org/10.3989/revliteratura.2004.v66.i132.131.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"Understanding Camilo Jose Cela." Choice Reviews Online 35, no. 10 (June 1, 1998): 35–5547. http://dx.doi.org/10.5860/choice.35-5547.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Camilo Jose Cela revisited: the later novels." Choice Reviews Online 38, no. 05 (January 1, 2001): 38–2647. http://dx.doi.org/10.5860/choice.38-2647.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Camilo José Cela"

1

ABENA, ONOMO. "La "narration dialectique" dans "la colmena" de camilo jose cela : 1951." Montpellier 3, 1988. http://www.theses.fr/1988MON30014.

Full text
Abstract:
La colmena decrit la misere sociale des habitants d'un quartier de madrid en 1943. Les themes evoques sont d'ordre economique, culturel et politique. En s'appuyant sur la dialectique comme systeme argumentatif articulant le tissu textuel l'ecrivant fait egalement appel a d'autres techniques narratives pour transcrire la realite sociale. Notre etude s'attache surtout a l'analyse du fonctionnement des divers reseaux de sens qui s'investissent et s'entrechoquent dans le roman. Toutefois, la realite est souvent escomptee ou tout simplement gommee. Nous avons conclu que ce systeme d'ecriture est du a la censure qui influence considerablement les ecrivains de l'apres - guerre et les pousse, sans qu'ils s'en rendent compte, a utiliser des techniques narratives efficaces qui voilent le ton critique du roman. Publie a buenos aires en 1951, la colmena est un roman revolutionnaire, donc subversif puisqu'oppose a l'ecriture panegyrique du moment. C'est lui qui inaugure le roman socialiste du milieu du siecle en espagne
La colmena describes the social misery that reogned amongst the inhabitants of one quarter in madrid of 1943. The analysis is carried out from the point of view of economy, culture and politics. By using dialectic as the argumentative pattern which structures the text, the author alsotakes advantage of the other narrative technics to describes society. We mainly concern ourselves with the analisis of the various networks of meaning which spead and fostle together skipped out, if not simply rubbed out. We came to the conclusion this was due to the censorship which deeply influenced post - war writers and led them, unwittingly, to devise other narrative technics with a view to disgui sing the critical tone of their writings. Published in buenos aires in 1951, la colmena is revolutionary novel and as such was regarded as subsersive be- cause it sets against the panegyric writing of that time. It triggered off the socialist novelof the 1950's in spain
APA, Harvard, Vancouver, ISO, and other styles
2

Mendogo, Misongui Dieudonné. "La última producción literaria de Camilo José Cela 1983-1988 /." Madrid : Universidad nacional de educación a distancia, 1992. http://catalogue.bnf.fr/ark:/12148/cb35732941f.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Aznar, Pastor María del Carmen. "L'écriture du voyage dans l'oeuvre de Camilo José Cela." Montpellier 3, 2000. http://www.theses.fr/2000MON30056.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Merino, Eloy Eduardo. "El nuevo Lazarillo de Camilo J. Cela : política y cultura en su palimpsesto /." Lewinston (N.Y.) : the E. Mellen press, 2000. http://catalogue.bnf.fr/ark:/12148/cb391762576.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Oliveira, Jany Alfaia de. "Estilhaços da Guerra Civil Espanhola na narrativa "La Colmena", de Camilo José Cela." Universidade Federal do Amazonas, 2013. http://tede.ufam.edu.br/handle/tede/3987.

Full text
Abstract:
Submitted by Alisson Mota (alisson.davidbeckam@gmail.com) on 2015-06-02T18:08:50Z No. of bitstreams: 1 Dissertação - Jany alfaia de Oliveira.pdf: 1228328 bytes, checksum: 94f43d162f7bd82cc6ebdd4f4030b6cb (MD5)
Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2015-06-02T18:45:30Z (GMT) No. of bitstreams: 1 Dissertação - Jany alfaia de Oliveira.pdf: 1228328 bytes, checksum: 94f43d162f7bd82cc6ebdd4f4030b6cb (MD5)
Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2015-06-02T18:46:54Z (GMT) No. of bitstreams: 1 Dissertação - Jany alfaia de Oliveira.pdf: 1228328 bytes, checksum: 94f43d162f7bd82cc6ebdd4f4030b6cb (MD5)
Made available in DSpace on 2015-06-02T18:46:54Z (GMT). No. of bitstreams: 1 Dissertação - Jany alfaia de Oliveira.pdf: 1228328 bytes, checksum: 94f43d162f7bd82cc6ebdd4f4030b6cb (MD5) Previous issue date: 2013-07-29
CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
La presente disertación aborda los impactos de la Guerra Civil Española en la narrativa La Colmena, de Camilo José Cela. Novela española que ganó el premio Nobel de Literatura e inauguró el realismo de los años 50, una denuncia del conflicto bélico. En ese Periodo intelectuales de todo tipo eran liberales, simpatizantes de la izquierda, o de ella militantes, de modo que fueron incompatibles con el franquismo. El resultado de la propia guerra fue dramático para la cultura. De esta manera, propone trazar un paralelo entre el periodo que ahogó el país en una grave depresión, política, económica, social y cultural, así como también presenta la opinión de críticos literários acerca de la novela en cuestión. Finalmente presenta el análisis de algunos personajes que fueron divididos en cuatro grupos: traperos, triunfadores, sujetados y mercantes del cuerpo. El trabajo se apoya en las referencias teóricas de: Gonzalo Sobejano, Ángel Basanta y Raquel Asún.
A presente dissertação aborda os impactos da Guerra Civil Espanhola na narrativa La Colmena, de Camilo José Cela, romance espanhol que ganhou o prêmio Nobel de Literatura e inaugurou o realismo dos anos 50. Nesse período, intelectuais de todo tipo eram liberais, simpatizantes da esquerda, ou dela militantes, de modo que foram incompatíveis com o franquismo. O resultado da própria guerra foi dramático para a cultura. Deste modo, propõe traçar um paralelo entre o período que afundou o país numa grave depressão política, econômica, social e cultural, assim como também apresenta a opinião de críticos literários acerca do romance em tela. Por fim, apresenta a análise de alguns personagens que foram divididos em quatro grupos: trapeiros, triunfadores, sujeitados e mercantes do corpo. O trabalho se apóia nas referências teóricas de: Gonzalo Sobejano, Ángel Basanta e Raquel Asún.
APA, Harvard, Vancouver, ISO, and other styles
6

Nabeta, Frank. "O triunfo da inércia:- poder, violência e alienação em \'La Colmena\' de Camilo José Cela." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-08082007-143624/.

Full text
Abstract:
Após a Guerra Civil Espanhola (1936-1939), conflito que durou quase três anos e culminou com a vitória das forças conservadoras fascistas e o estabelecimento da ditadura do general Francisco Franco, a Espanha atravessou um período de extrema miséria e desolação, período também conhecido como \"años de hambre\". Camilo José Cela retrata as mazelas sociais deste período em uma narrativa repleta de ironia e cinismo em La Colmena, romance que abriu portas para o realismo social na década de 50. Na obra de Cela, a perspectiva fragmentada da realidade, a reprodução dos valores conservadores e o conformismo disseminados no cotidiano constroem um quadro de inércia e desolação sociais, onde cada indivíduo é obrigado a aceitar a condição em que se encontra, tentando sobreviver por mais um dia em uma sociedade alienada e violenta.
After the Spanish Civil War (1936-1939), which lasted nearly three years and culminated in the victory of the conservative fascist forces and the establishment of General Franco\'s dictatorial regime, Spain experienced times of extreme poverty and despair known as \"años de hambre\". In La Colmena, Camilo José Cela depicts the social maladies of that time through a narrative where irony and cynicism abound. The novel cleared the way for social realism in the 50\'s. In Cela\'s work the fragmented perspective of reality, the reproduction of conservative values and the resignation disseminated in everyday life paint a portrait of inertia and social despair, where each individual is obliged to accept the conditions in which they find themselves and tries to survive one more day in a violent and alienated society.
APA, Harvard, Vancouver, ISO, and other styles
7

Nana, Georges. "Les rapports intergénériques dans l'oeuvre de Camilo José Cela : roman, nouvelle et récit de voyage." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30068.

Full text
Abstract:
La nouvelle et les genres brefs en général occupent une proportion écrasante dans la production littéraire de Camilo José Cela dont on connaît mieux les récits de voyage et les romans. Pourtant, la poétique de la nouvelle dépasse les frontières de ce genre et informe l'oeuvre entière de cet auteur. Ce constat invite à examiner quelles relations se tissent par ce biais entre les différents genres, par delà les spécificités génériques. Pour ce faire, on se penche d'abord sur la notion de genre littéraire et on s'interroge sur la position adoptée par l'écrivain lui-même sur cette question. Les paratextes, lieux privilégiés de la réflexion métanarrative, ne cessent de récuser le cloisonnement de la littérature en catégories étanches et les positions normatives. Aussi bien dans le roman que dans le récit de voyage et le roman, C. J. Cela développe une poétique du fragment et de la discontinuité. Ses oeuvres se construisent sur la base d'unités narratives brèves disposées selon le principe de la parataxe. Cette organisation visible dans la présentation typographique des oeuvres est renforcée par l'intégration de marériaux divers qui constituent autant d'éléments de discontinuité dans les textes. Si C. J. Cela nomme "apuntes", c'est-à-dire "notes", ses nouvelles, cette appellation pourrait être aussi appliquée au roman qui évacue toute véritable intrigue et au récit de voyage qui le réduit au minimum. En l'absence d'une véritable intrigue qui puisse remplir la fonction de force centripète dans le récit, l'épisode et le tableau l'emportent sur la trame, le détail occupe le premier plan tandis que la stylisation réduit à quelques traits le monde représenté. Quelle que soit l'appartenance générique d'une oeuvre, son écriture est marquée du sceau du "dire bref" dont participe encore l'oralité du discours. Cet art de la briéveté imprime un style unique aux oeuvres de cet écrivain
Camillo José Cela's travel narratives and novels are very well known. However, the short story and other short literary works, that occupy a considerable proportion of his writing, shape his poetics. In his works, the poetics of the short story go beyond the boundaries of this genre and give meaning to the author's entire production. This statement invites one to examine which connections exist between the different genres beyond the generic specificities. To accomplish this, one focuses first on the notion of literary genre and one examines Cela's position with regard to this question. The paratext, privileged domain of the metanarrative discourse, constantly rejects normative postures and the separation of literature into establishes categories. In the travel narrative as well as in the novel, C. J. Cela exhibits a poetic of fragment and discontinuity. His works are constructed using brief narrative elements arranged according to the principe of the paratexis. This structure, evident in the typographic presentation of the works, is reinforced by the integration of diverse materials which constitue so many components of discontinuity in the text. If Cela calls his short stories "apuntes", that is, "notes", this label could also be applied to the novel, which renounces any real plot, and to the travel narrative which reduces the plot to the minimum. In the absence of a true plot which might serve as a centripetal force in the narrative, the episode and the scene trump the plot. Detail and anecdote ocupy the first place while stylization reduces the universe that he paints to a few touches. Whatever the generic connection of a work, C. J. Cela's writing style is characterized by the concise discourse in which the oral speech is a substantial component. This practice of brevity brands a style unique to this writer's literary creation
APA, Harvard, Vancouver, ISO, and other styles
8

Windahl, Eva. "Las picaduras de abeja : Un análisis retórico del humor en La Colmena de Camilo José Cela." Thesis, Högskolan Dalarna, Spanska, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-18396.

Full text
Abstract:
El presente trabajo tiene el objetivo de analizar los rasgos humorísticos y figuras retóricas en La Colmena de Camilo José Cela. La tesina se basa en las teorías de la superioridad, de la descarga, de la incongruencia y las teorías sociológicas y antropológicas según el estudio de José Antonio Llera. Nuestra investigación ha examinado particularmente el humor negro, grotesco y la ironía presente en la obra de Cela. Hemos podido concluir y afirmar que Cela usa el humor y la ironía a través de descripciones grotescas las cuales forman parte de su critica social y como mecanismo de defensa. Hemos establecido que el autor usa el humor para reflejar su propia elección subjetiva de la realidad de la posguerra. Finalmente hemos constatado que el humor es algo añadido lo cual se muestra a través de sus comentarios omniscientes.
APA, Harvard, Vancouver, ISO, and other styles
9

Forsberg, Kirsi. "La resucitación de las voces : Un estudio narratológico de Mazurca para dos muertos de Camilo José Cela." Thesis, Stockholm University, Department of Spanish, Portuguese and Latin American Studies, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-28441.

Full text
Abstract:

Para estudiar cómo se presenta la relación entre Ficción e Historia o entre Ficción y Memoria del pasado reciente en la novela contemporánea de lengua castellana, se ha optado por Mazurca para dos muertos de Camilo José Cela, que toca la época de la Guerra Civil española. El objetivo es hacer un análisis sobre las voces narrativas; para esto se ha usado un método narratológico. Se ha partido de la premisa de que la novela en cuestión es una construcción de una polifonía de voces que abarca el dialogismo. Se mantiene la hipótesis de que la diversidad de voces y el dialogismo se hallan inmersos en los testimonios directos de los acontecimientos acaecidos durante la Guerra Civil, de los que, sin embargo, se obtiene una perspectiva limitada: cada una de las voces se distingue, pero existe una relación o conexión temática entre ellas. La historia se enfoca desde una visión y un punto de vista de un primer narrador desde donde se aborda el conjunto de la historia; este utiliza numerosos modalizadores para orientar a los lectores en su dirección de opinión. Así elabora el discurso a partir de la información recabada desde las voces narrativas que completan el punto de vista del primer narrador desde diferentes perspectivas. Por eso se sostiene, en las conclusiones, que el diálogo y la polifonía son un modo de organización estructural, pero que, también, sirven como herramientas con las que se enfoca la historia desde el ángulo subjetivo de un narrador. Se subraya, además, lo magistral logrado en la trancripción de una realidad oral y la representación verosímil de la historia.

APA, Harvard, Vancouver, ISO, and other styles
10

Ballard, Genny D. "The implied reader in the hispanic children's literature of the "EnCuento" series." Lexington, Ky. : [University of Kentucky Libraries], 2005. http://lib.uky.edu/ETD/ukyhpst2005d00315/GDB.pdf.

Full text
Abstract:
Thesis (Ph. D.)--University of Kentucky, 2005.
Title from document title page (viewed on November 1, 2005). Document formatted into pages; contains v, 209 p. : ill. Includes abstract and vita. Includes bibliographical references (p. 196-208).
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Camilo José Cela"

1

Warner, Fernando Andrade. Camilo Jose Cela; La familia de Pascual Duarte. Mexico, D.F: Fernandez Editores, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Old Spain and new Spain: The travel narratives of Camilo José Cela. Madison: Fairleigh Dickinson University Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Tudela, Mariano. Camilo José Cela. Madrid: Grupo Libro 88, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Understanding Camilo José Cela. Columbia, S.C: University of South Carolina Press, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Far, José Antonio Ponte. Camilo José Cela: Su arte literario. Olerios, A Coruña [Spain]: Editorial Tambre, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Para leer a Camilo José Cela. Madrid: Palas Atenea, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Frontín, J. L. Giménez. Camilo José Cela: Texto y contexto. Barcelona: Montesinos, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Camilo José Cela: Evocación de un escritor. Málaga [Spain]: Analecta Malacitana, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Wasserman, Carol. Camilo José Cela y su trayectoria literaria. Madrid: Playor, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Viajes, diálogos e ideas con Camilo José Cela. [Barcelona]: Ediciones Carena, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Camilo José Cela"

1

Wild, Gerhard. "Cela Trulock, Camilo José." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3061-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Grossegesse, Orlando, and Gerhard Wild. "Camilo José Cela Trulock." In Kindler Kompakt: Spanische Literatur, 20. Jahrhundert, 120–24. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05523-1_20.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Grossegesse, Orlando. "Cela Trulock, Camilo José: San Camilo 1936." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3065-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Roloff, Volker. "Camilo José Cela · La Colmena." In Der spanische Roman, 367–89. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03605-6_18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Wild, Gerhard. "Cela Trulock, Camilo José: La colmena." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3063-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Aschenbrenner, Alois. "Cela Trulock, Camilo José: La Catira." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3064-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Grossegesse, Orlando. "Cela Trulock, Camilo José: Mazurca para dos muertos." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3066-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Grossegesse, Orlando. "Cela Trulock, Camilo José: La familia de Pascual Duarte." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3062-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Neuschäfer, Hans-Jörg. "Camilo José Cela: La familia de Pascual Duarte (1942) Provokation und Besänftigung der Zensur." In Klassische Texte der spanischen Literatur, 209–16. Stuttgart: J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-05277-3_23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Bou, Enric. "Viagens na Minha Terra. Esplorazioni iberiche della prossimità (cibo e thanaturismo)." In Studi Iberici. Dialoghi dall’Italia. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-505-6/005.

Full text
Abstract:
The chapter takes as starting point a famous book by Almeida Garrett, Viagens na Minha Terra (1846), one of the first books to explore a nearby reality in the Iberian area, a mixed genre work, fundamental in the construction of the Portuguese national identity through the author’s journey to Portugal. It is an internalised landscape from which many historical or fantastic episodes arise related to themes that the author expresses: the violence of war, the joke of the gothic novel, anti-religious criticism about the parasitism of the friars. The purpose of this article is to reflect on several examples of proximity travel written by Iberian authors: José Pla, Viaje en autobús (1942), Camilo José Cela, Viaje a la Alcarria (1946) and José Saramago, Viagem a Portugal (1981). These travel books take advantage of the travelogue feature: to travel, but also to express opinions, analysis and criticisms with the eyes of the essayist, so that the result is much more than a simple guide, with the advantage that travellers are profound connoisseurs of the reality they visit.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Camilo José Cela"

1

Ruiz-Apilánez, Borja, Eloy Solís, Vicente Romero de Ávila, Carmen Alía, Irene García-Camacha, and Raúl Martín. "Spatial distribution of economic activities in heritage cities: The case of the historic city of Toledo, Spain." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5164.

Full text
Abstract:
Spatial distribution of economic activities in heritage cities: The case of the historic city of Toledo, Spain. Borja Ruiz-Apilánez¹, Eloy Solís¹, Vicente Romero de Ávila², Carmen Alía¹ ¹Universidad de Castilla-La Mancha, Escuela de Arquitectura. Avda. Carlos III, s/n ES-45071 Toledo ²Universidad de Castilla-La Mancha. Escuela de Ingenieros de Caminos. Avda. Camilo José Cela, s/n ES-19071 Ciudad Real E-mail: borja.ruizapilanez@uclm.es, eloy.solis@uclm.es, vicente.romeroavila@uclm.es, carmen.alia@alu.uclm.es Keywords (3-5): Urban Economics, Space Syntax, Heritage Cities, Spain Conference topics and scale: Urban form and social use of spacePrevious studies have shown: (a) that Space Syntax theories and tools can be helpful to explain pedestrian flows and the spatial distribution of economic activities in cities and other human settlements (Chiaradia et al., 2009; Perdikogianni, 2003; Vaughan et al., 2013), and (b) that the economy of many heritage cities highly depends on tourism (Ashworth and Tunbridge, 2000; Kemperman et al., 2009). Assuming that, in this particular type of human settlements, heritage buildings such as the cathedral, the town hall, and other similar constructions operate as tourist attractors, this research investigates to what extent the location of these buildings, together with the two main syntactic properties of the elements of the street network—integration and choice—can describe the spatial distribution of economic activities in touristic heritage cities, using the UNESCO Heritage site of Toledo, Spain, as case study. In order to investigate this question, each segment of the street network has been characterized with four main values: (1) economic activity, (2) spatial integration, (3) spatial choice, and (4) heritage intensity. The first value, economic activity, represents the presence or absence of economic activity in the buildings that are accessible through each corresponding street segment. The second value, spatial integration, accounts for the integration values that each segment has at two different scales—the neighborhood and the whole city. The third value, spatial choice, considers the choice values that each segment has, again, at these two scales. The fourth value, heritage intensity, reflects the proximity of listed building to each individual street segment. Street audits were used to record the economic activities taking place in the ground floors and upper floors of the buildings within the historic city. Space Syntax analysis was used to determine the different integration and choice values for each street segment; and GIS tools were used to establish their heritage intensity. Afterwards, statistical analysis was employed to investigate the relationships among these four variables, showing how the distribution of economic activity in the street network of the historic city of Toledo can be well explained by the other three variables—spatial integration, spatial choice and heritage intensity.References Ashworth, G.J., Tunbridge, J.E. (2000) The Tourist-historic City: Retrospect and Prospect of Managing the Heritage City. Routledge. Chiaradia, A., Hillier, B., Schwander, C., Wedderburn, M. (2009) ‘Spatial Centrality , Economic Vitality / Viability. Compositional and Spatial Effects in Greater London’, in Proceedings of the 7th International Space Syntax Symposium. 1–19. Kemperman, A.D.A.M., Borgers, A.W.J., Timmermans, H.J.P. (2009) ‘Tourist shopping behavior in a historic downtown area’. Tourism Manaement. 30, 208–218. Perdikogianni, I. (2003) ‘Heraklion and Chania: A study of the evolution of their spatial and functional patterns’, in 4th International Space Syntax Symposium. London, p. 19.1-19.20. Vaughan, L., Dhanani, A., Griffiths, S. (2013) ‘Beyond the suburban high street cliché - A study of adaptation to change in London’s street network: 1880-2013’. Journal of Space Syntax 4.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Camilo José Cela' for particular source types:
Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography