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Relevant bibliographies by topics / Camus

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Academic literature on the topic 'Camus'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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Journal articles on the topic "Camus"

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Hopenhayn, Daniel. "“ALBERT CAMUS” / “ALBERT CAMUS”." Revista de Estudios Sociales, no. 25 (December 2006): 65–66. http://dx.doi.org/10.7440/res25.2006.07.

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Wilder, Hugh. "Camus." Radical Philosophy Review of Books 5, no. 5 (1992): 61–65. http://dx.doi.org/10.5840/radphilrevbooks199256.

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Conlon, James. "Camus." Modern Schoolman 72, no. 4 (1995): 337–48. http://dx.doi.org/10.5840/schoolman199572422.

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Foxlee, N. "Camus." French Studies 66, no. 1 (December 26, 2011): 109. http://dx.doi.org/10.1093/fs/knr210.

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Lungu-Badea, Georgiana. "Camus." Dialogues francophones 18, no. 1 (March 1, 2012): 213–17. http://dx.doi.org/10.1515/difra-2015-0026.

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Dunwoodie, P. "Albert Camus, 22: Camus et l'Histoire." French Studies 66, no. 3 (July 1, 2012): 421–22. http://dx.doi.org/10.1093/fs/kns100.

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Błaszczyk, Marek. "Revolt in Albert Camus’ works." Świat i Słowo 35, no. 2 (November 26, 2020): 369–74. http://dx.doi.org/10.5604/01.3001.0014.5485.

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The paper presents a critical approach to Buntownik. Ewolucja i kryzys w twórczości Alberta Camusa [The Rebel. Evolution and Crisis in the Works of Albert Camus] by Maciej Kałuża (Kraków 2017). Its goal is, firstly, to present the basic theses described in the dissertation; secondly – to depict them in a broader context of contemporary existential philosophy; thirdly – to encourage the readers to reflect on the issues of revolt in the works by Albert Camus.

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Dunwoodie, Peter, and Philip Thody. "Albert Camus." Modern Language Review 86, no. 2 (April 1991): 480. http://dx.doi.org/10.2307/3730618.

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Bruera, Franca. "Camus multiple." Cahiers de la Méditerranée, no. 94 (June 15, 2017): 143–48. http://dx.doi.org/10.4000/cdlm.8611.

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Knapp, Bettina L., and Alba Amoia. "Albert Camus." World Literature Today 64, no. 1 (1990): 74. http://dx.doi.org/10.2307/40145817.

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Dissertations / Theses on the topic "Camus"

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Ndiaye, Falilou. "Camus, l'africain." Paris 4, 1985. http://www.theses.fr/1985PA040067.

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Reif, Anne-Kathrin. ""Die Welt bietet nicht Wahrheiten sondern Liebesmöglichkeiten" zur Bedeutung der Liebe im Werk von Albert Camus /." [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=964176254.

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Richardson, L. C. "Camus the Athenian : antiquity and identity in the literature of Albert Camus." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1443242/.

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This thesis focuses on the reception of ancient Greece and Rome in the literature of the Nobel Prize-winning novelist, essayist and playwright Albert Camus. It will argue that Camus’ relationship to the ancient world is a confluence of the traditions of European literature and philosophy and the cultural discourses of colonial French Algeria. It also argues that Camus’ interest in the ancient world is representative of broader patterns of reception as a form of identity creation and further explores the specific role this played in colonial societies. Camus wrote essays that engaged strongly with concepts of Greek myths, like Le Mythe de Sisyphe (1942) and L’Homme révolté (1951), in other essays such as l’Été (1953), he wrote more generally about the idea of Greek values as a solution to the problems of modernity. He also wrote a play, Caligula (1942), based on the life of the Roman Emperor as well as early essays about visits to Roman ruins, published in Noces (1938). Greco-Roman antiquity was a continuous presence in his literature and imagination, from his University Diploma to works he was drafting at the time of his death in 1960. This aspect of his work has however received little critical attention. This thesis argues that to understand the importance of the ancient world in Camus’ literature one has to view it as a product of his relationships to his most importance influences and the literary culture in which he wrote. It will discuss Camus as part of a continuum of ideas about the ancient world that is subtly shaped and altered by its use in French Algeria, and how his relationship to Greece and Rome highlights critical aspects in the development of his thought. A study of Camus allows one to explore a number of questions about the lasting fascination with ancient culture in the consciousness of modernity.

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Baciu, Virginia. "Albert Camus in Rumänien." Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2009/2951/.

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Lincoln, Lissa. "Le juste chez Camus /." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38224.

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Literary criticism has traditionally associated the work of Albert Camus with a very specific conception of literature. His more "philosphical" works (namely, his essays) are thus seen as demonstrations of the "message" that his truly literary works seek to transmit. As such, Le Mythe de Sisyphe and L'Homme revolte are considered to provide the driving themes (l'Absurde and la Revolte) of the author's fictive writings. This image (that of the "romancier a message") becomes problematic, however, in face of Camus' intransigent refusal to surrender to any form of dogma. Indeed, for the author, this possibility of surrender constitutes the greatest threat to la Revolte, representing its potential capitulation into Revolution and Terror. We believe that this notion of literature as a vehicle for philosophical beliefs is precisely the concept against which Camus was fighting.
Through the theme of "le juste", or more specifically the question of how we know what is just, Camus challenges this idea of literature and the act of writing. By exposing the mechanisms of self-justification underlying all universal values (and hence of all transcendental "truths" upon which they are necessarily based) the writer reveals them to be social and discursive constructs which permit and perpetuate the imposition of norms in a given domaine, including that of literature. This study proposes to examine Camus' rapport with this element of self-justification in literature, and the ways in which he calls the latter into question.

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Marashi, Ardian. "Les vérités d'Albert Camus." Rennes 2, 2002. http://www.theses.fr/2002REN20066.

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Jeune, Camus disait : "ce qui compte, c'est d'être vrai, et cela comprend tout". Adulte, la vérité est devenue le principe unifiant de sa vie et de son œuvre, le centre d'où tout part et où tout revient. Le fil des vérités permet justement de se maintenir au centre du phénomène camusien et de redéfinir son œuvre ainsi que sa personnalité en fonction de ce critère essentiel. L'ouvrage comprend quinze chapitres, regroupés en cinq sections : 1) Vérités premières, où Camus est présenté dans son environnement intime, au fur et à mesure que se créent en lui les mythes familiers et que s'inscrivent dans son œuvre les symboles algériens, maternels, paternels, reflétant sur la totalité des écrits une sensibilité et une vision du monde particulières ; 2) Vérités métaphysiques, section qui s'attaque au cycle de l'absurde : Le Mythe de Sisyphe ou l'absurde comme notion ; l'Etranger ou l'absurde incarné en des personnages et des situations révélatrices ; Caligula et Le Malentendu, ou l'absurde comme action brute aux proportions spectaculaires. Chez l'écrivain Camus, l'absurde est aussi une question de style, de coloriage ; 3) Vérités historiques, section consacrée aux œuvres de la révolte : L'Homme révolté ou la définition de la révolte en ses étapes successives ; Les Justes et L'Etat de siège, où la révolte culmine la mort. Le jeu subtil sur la polysémie du mythe de Prométhée fait en sorte que ce cycle regorge de vérité situées aux limites de la contradiction ; 4) Vérités mytiques, section où l'art de créer des mythes chez Camus est étudié en comparaison avec les formes mythiques anciennes. Comment un récit réaliste devient un chef-d'œuvre de fiction, et comment le mythe, s'incrustant dans le quotidien, mime le réel en profondeur et en diversité, La Peste nous en fait la révélation ; 5) Vérités de l'art, section qui propose une approche esthétique de l'œuvre : Camus était avant tout un artiste du langage et on essai de découvrir quels procédés lui ont permis de devenir l'écrivain de référence qu'on connaît
The very important thing for Camus was the research of verity, so well as the verity became the unifying principale of his both life and work, the center where everything turned around. The verities of Albert Camus reveal, in fact, what is substantive in the life of this autor, what is consistent in his thought and what is relevant in his art. This thread of verities permits just to keep at the center of camusian phenomenon and to redefine his work as well as his personality in the function of this essential criterion. This thesis consists in fifteen chapters, regrouped in five sections : original, metaphysical, hisorical, mythical and artistic verities : the analysis concerns the integral Camus's work : essays, fictions, theatre, in order to give an account as equitable as possible on the manner he uses to think, to write and to play. The subtle management of the polysemy of antic, biblical or original myths and parabolas, like Sisyphus, Prometheus, the Stranger, the Plague, the Fall, results in verities situated within the limits of contradiction : The Plague, for instance, is the example on how a realistic chronicle becomes a masterpiece of fiction and how the myth, encrusted in the everyday routine, reproduces and almost replaces the reality in its very depths and diversities dimensions. Before all, Camus was an artist of the language and our first preoccupation was to elucidate by which methods and especially by which techniques and proceedings of style him becomes the writer of reference that we know

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Thierion, Chantal. "L'Oeuvre lyrique d'Albert Camus." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376188837.

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Cardozo, Elloit. "‘That rug really tied the room together’: Knitting Dudeism and Camusian Philosophy into a Larger Tapestry." Thesis, University of Mumbai, 2017. http://hdl.handle.net/10919/94575.

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Even though parallels between the philosophy of Albert Camus and The Big Lebowski have been drawn repeatedly, a sustained enquiry into several possible dimensions of the matter is yet to have been conducted.This dissertation makes an attempt to conduct the aforementioned enquiry in some detail. In doing this, the study will try to analytically compare Camusian philosophy and Dudeism and bring out the similarities between them. This does not imply that there are no differences between the two; but the focus of this study is the similarities and not the differences. Dudeism, for the purpose of this study, will not be restricted to The Dude and the literature written on The Dude and Dudeism. It will also be expanded to accommodate certain other parts of the larger discourse of Ethan and Joel Coen’s filmography as well as a few other parts of The Big Lebowski itself. It is crucial, however, to “draw a line in the sand” (Walter, The Big Lebowski) at the very outset. In embarking on a comparative analysis between Camusian philosophy and Dudeism, this study does not intend to propose that one of them is influenced by the other and “what-have-you” ("The Editorial Preface" 12). Instead, it simply attempts to point out some of the discursive elements that they share with each other as well as with several of the sub-discourses they comprise of. The analysis in the dissertation that follows is split into three major chapters: 1. ‘Well, I’ll tell you what I’m blathering about’: An analytical frame of reference. 2. ‘You can’t be worried about that shit, life goes on, man’: Life, Death and Absurdity in Camus and Dudeism. 3. ‘Somebody this square community won’t give a shit about’: Camus’ Absurd Man and Dudeism The first chapter, “‘Well, I’ll tell you what I’m blathering about’: An analytical frame of reference”, provides an analytical framework for the discussions that follow in the rest of the dissertation. It is further divided into three sections. The first section lays out a basic understanding of a few fundamental ideas of Dudeism for the readers. The second section discusses a few important aspects of the philosophy of Albert Camus. The third section briefly establishes the connections between Dudeism and the philosophy of Camus which are examined in greater detail later in the study. The second chapter, “‘You can’t be worried about that shit, life goes on, man’: Life, Death and Absurdity in Camus and Dudeism” looks at Camus’ takes on Life, Death and Absurdity while also pointing out the parallels they seem to strike with Dudeism. The chapter is further divided into four sections. The first section examines strands of Camusian thought, especially the Absurd in the other films of Ethan and Joel Coen before establishing a connection to The Big Lebowski. The second section explores the attitudes towards Death in Camusian philosophy and Dudeism. The third section compares the ideologies of Life in the works of Camus and Dudeism. The fourth and final section explores parallels between Camus’ novel The Stranger and The Stranger: the cowboy narrator of The Big Lebowski. The third chapter picks up on the Camusian trope of the Absurd Man and its relation to Happiness in both: the works of Camus as well as the discourses of Dudeism. It comprises of three sections. The first section explores the notion of Alienation in Camusian philosophy and Dudeism and looks at how it eventually leads to the trope of the Absurd Man in Camus. The second section explores Camus’ creation of the Absurd Man through the Cycle of the Absurd and looks at how it fits into Dudeism. The third and final section delves into a comparison of the Absurd Man’s quest for Happiness in Camus and Dudeism.
M.A. Honours with Research in English

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Albes, Wolf-Dietrich. "Albert Camus und der Algerienkrieg : die Auseinandersetzung der algerienfranzösischen Schriftsteller mit dem "directeur de conscience" im Algerienkrieg, 1954-1962 /." Tübingen : M. Niemeyer, 1990. http://catalogue.bnf.fr/ark:/12148/cb354551724.

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Haouet, Mohamed-Kameleddine. "Les objets dans l'oeuvre narrative d'Albert Camus /." Tunis : Faculté des sciences humaines et sociales : ALIF, Éd. de la Méditerranée, 1994. http://catalogue.bnf.fr/ark:/12148/cb37040978k.

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Books on the topic "Camus"

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Maillard, Michel. Camus--. [Paris]: Nathan, 1993.

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Sherman, David. Camus. Malden, MA: Wiley-Blackwell, 2009.

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Mairowitz, David Zane. Introducing Camus. 3rd ed. Thriplow: Icon, 2007.

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Brosman, Catharine Savage. Albert Camus. Detroit: Gale Group, 2001.

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Rhein, Phillip H. Albert Camus. Boston, Mass: Twayne Publishers, 1989.

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Thody, Philip. Albert Camus. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19906-8.

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Thody, Philip Malcolm Waller. Albert Camus. New York: St. Martin's Press, 1989.

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Évrard, Franck. Albert Camus. Paris: Ellipses, 1998.

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Jean-Baptiste, Péretié, ed. Camus brûlant. Paris: Stock, 2013.

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Alain, Korkos, and Appignanesi Richard, eds. Introducing Camus. New York, NY: Totem Books, 1998.

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Book chapters on the topic "Camus"

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Wild, Gerhard. "Camus, Albert." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2982-1.

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Thunecke, Inka. "Camus, Albert." In Metzler Philosophen Lexikon, 161–63. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_59.

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McCarthy, Patrick. "Albert Camus." In The Craft of Literary Biography, 216–31. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_14.

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Arnold, Werner, Margarete Bormann, and Knut Nievers. "Albert Camus." In Kindler Kompakt Französische Literatur 20. Jahrhundert, 96–102. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05533-0_19.

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Bormann, Margarete. "Albert Camus." In Kindler Kompakt Kriminalliteratur, 119–21. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05537-8_28.

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Hillmann, Günther, and Brunhilde Wehinger. "Albert Camus." In Kindler Kompakt: Philosophie 20. Jahrhundert, 122–24. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05539-2_24.

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Hayden, Patrick. "Situating Camus." In Camus and the Challenge of Political Thought: Between Despair and Hope, 1–20. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137525833_1.

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Thunecke, Inka. "Camus, Albert." In Philosophen, 35–38. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02949-2_9.

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Szakolczai, Arpad. "Albert Camus." In Post-Truth Society, 96–104. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003225553-9.

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Wilson, Robert N. "Albert Camus." In The Study of Lives, 348–63. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781351302562-19.

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Conference papers on the topic "Camus"

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Chan, Cody Leeheng, and Kwun-Lon Ting. "Extended Camus Theory and Higher Order Conjugated Curves." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-97104.

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Abstract According to Camus’ theorem, for a single DOF 3-body system with the three instant centers staying coincident, a point embedded on a body traces a pair of conjugated curves on the other two bodies. This paper discusses a fundamental issue not addressed in Camus’ theorem in the context of higher order curvature theory. Following the Aronhold-Kennedy theorem, in a single degree-of-freedom three-body system, the three instant centers must lie on a straight line. This paper proposes that if the line of the three instant centers is stationary (i.e. slide along itself), on the line of the instant centers a point embedded on a body traces a pair of conjugated curves on the other two bodies. Another case is that if the line of the three instant centers rotate about a stationary point, the stationary point embedded on the body also traces a pair of conjugated curves on the other two bodies. The paper demonstrates the use of instantaneous invariants to synthesize such a three-body system leading to a conjugate curve-pair generation. It is a supplement or extension of the Camus’ theorem. The Camus’ theorem may be regarded as a special singular case, in which all three instant centers are coincident.

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Goodall, John R., Anita D'Amico, and Jason K. Kopylec. "Camus: Automatically mapping Cyber Assets to Missions and Users." In MILCOM 2009 - 2009 IEEE Military Communications Conference. IEEE, 2009. http://dx.doi.org/10.1109/milcom.2009.5380096.

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Deng, Xue Yuan, and James M. W. Brownjohn. "Development of a Computer Aided Model Updating System (CAMUS)." In International Conference on Computing in Civil Engineering 2005. Reston, VA: American Society of Civil Engineers, 2005. http://dx.doi.org/10.1061/40794(179)136.

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Aekyung Moon, Hyoungsun Kim, Kangwoo Lee, and Hyun Kim. "Designing CAMUS based Context-Awareness for Pervasive Home Environments." In 2006 International Conference on Hybrid Information Technology. IEEE, 2006. http://dx.doi.org/10.1109/ichit.2006.253563.

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Lehtinen, Mari. "Prosody and punctuation in The Stranger by Albert Camus." In ExLing 2006: 1st Tutorial and Research Workshop on Experimental Linguistics. ExLing Society, 2019. http://dx.doi.org/10.36505/exling-2006/01/0036/000036.

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de Villers, Yves M., and Jean-Robert Simard. "CAMUS: an infrared, visible, and millimeter-wave radar integration system." In SPIE's International Symposium on Optical Science, Engineering, and Instrumentation, edited by Bjorn F. Andresen and Marija Strojnik. SPIE, 1998. http://dx.doi.org/10.1117/12.328070.

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Ying, Yuxin, Fuzhen Zhuang, Yongchun Zhu, Deqing Wang, and Hongwei Zheng. "CAMUS: Attribute-Aware Counterfactual Augmentation for Minority Users in Recommendation." In WWW '23: The ACM Web Conference 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3543507.3583538.

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Figliolini, Giorgio, Hellmuth Stachel, and Jorge Angeles. "The Role of the Orthogonal Helicoid in the Generation of the Tooth Flanks of Involute-Gear Pairs With Skew Axes." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-34932.

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Camus’ concept of Auxiliary Surface (AS) is extended to the case of involute gears with skew axes. In the case at hand, we show that the AS is an orthogonal helicoid whose axis a) lies in the cylindroid and b) is normal to the instant screw axis of one gear with respect to its meshing counterpart; in general, the helicoid axis is skew with respect to the latter. According to the spatial version of Camus’ Theorem, any line attached to the AS, in particular any generator g of AS itself, can be chosen to generate a pair of conjugate flanks with line contact. While the pair of conjugate flanks is geometrically feasible, as they always share a line of contact and the tangent plane at each point of this line, there are poses where the flanks even have a common Disteli axis. Then there is a G2-contact at the striction point and the two surfaces penetrate each other. The outcome is that the surfaces are not realizable as tooth flanks. Nevertheless, this is a fundamental step towards the synthesis of the flanks of involute gears with skew axes.

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Salsabila, Indiana, and Joesana Tjahjani. "Absurdity and The Significance of the Idea of Death in Albert Camus’ L’Étranger." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294765.

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Do, Hyun Min, Yong-Shik Kim, Bong Keun Kim, Tamio Tanikawa, Kohtaro Ohba, Janarbek Matai, Young-Ho Suh, Hyoung Sun Kim, Jae-Yeong Lee, and Wonpil Yu. "Connection methodology for two ubiquitous robot spaces - connection of RT-Middleware and CAMUS." In 2008 IEEE/ASME International Conference on Advanced Intelligent Mechatronics (AIM). IEEE, 2008. http://dx.doi.org/10.1109/aim.2008.4601626.

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Reports on the topic "Camus"

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Davis, Judy. In Search of Roots: A Study of Camus' Autobiographical Le Premier Homme. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6761.

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Adams, C., T. Arsenlis, A. Bailey, M. Bergman, J. Brase, J. Brenner, L. Camara, et al. Campus Capability Plan. Office of Scientific and Technical Information (OSTI), June 2017. http://dx.doi.org/10.2172/1374521.

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Birkeland, Jennifer, Kevin Kim, and Jeanette Petti. Cornell Tech Campus. Landscape Architecture Foundation, 2021. http://dx.doi.org/10.31353/cs1780.

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Shepodd, Timothy, and Tamara Knudsen. Caltech campus executive LDRD. Office of Scientific and Technical Information (OSTI), January 2013. http://dx.doi.org/10.2172/1088101.

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Lederman, L. M., and L. C. Teng. A one-campus SSC. Office of Scientific and Technical Information (OSTI), April 1987. http://dx.doi.org/10.2172/6178445.

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Mosey, Whitney LC. PNNL Campus Master Plan. Office of Scientific and Technical Information (OSTI), September 2012. http://dx.doi.org/10.2172/1051992.

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LINFIELD RESEARCH INST MCMINNVILLE OR. Scaling the Campus Intranet. Fort Belvoir, VA: Defense Technical Information Center, December 1997. http://dx.doi.org/10.21236/ada385251.

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Perkins, Claire, and Kayla Goode. U.S. AI Summer Camps. Center for Security and Emerging Technology, August 2021. http://dx.doi.org/10.51593/20210014.

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Summer camps are an integral part of many U.S. students’ education, but little is known about camps that focus on artificial intelligence education. This data brief maps out the AI summer camp landscape in the United States and explores the camps’ locations, target age ranges, price, and hosting organization type.

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Wu, Haorui, Siyu Ru, Chandra Funk, and Kyle Breen. On-campus and off-campus student housing cooperation: a systematic review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, April 2024. http://dx.doi.org/10.37766/inplasy2024.4.0010.

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Keuhl, David, Carlton Eley, and Scott Koops. Oakdale Campus Environmental Plan : An Environmental Supplement to the Oakdale Campus Master Plan. University of Iowa, May 1997. http://dx.doi.org/10.17077/5xop-7ke5.

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