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Dissertations / Theses on the topic 'Canada, fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Hedler, Elizabeth. "Stories of Canada : national identity in late-nineteenth-century English-Canadian fiction /." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/HedlerE2003.pdf.

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2

McNamara, Josephte Isabel. "Fact or fiction : L'Histoire du Canada and its influence on French Canadian novels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ39925.pdf.

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3

Vanderploeg, Emily. ""Be there first thing"." Thesis, Swansea University, 2012. https://cronfa.swan.ac.uk/Record/cronfa42921.

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This thesis is a work of creative fiction accompanied by a critical/reflective essay. The dissertation is a novel (Be There First Thing) comprising thirteen chapters, each in the style of a short story, that give glimpses into the life of the protagonist, Lily Sled, beginning when she is eleven-years-old and ending when she is near thirty-years old. The first seven of these chapters are set in southern Ontario, Canada, while the last six are set in and around Swansea, Wales, employing a juxtaposition of place and the theme of the foreigner via linguistic and cultural similarities. The structur

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4

Stringam, Jean. "Canadian short adventure fiction in periodicals for adolescents, Canada, England, the United States, 1847-1914." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/NQ34842.pdf.

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5

Dyer, Klay. "Parody and the horizons of fiction in nineteenth-century English Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/NQ32443.pdf.

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6

Abram, Zachary. "Knights of Faith: The Soldier in Canadian War Fiction." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34613.

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The war novel is a significant genre in twentieth-century Canadian fiction. Central to that genre has been the soldier’s narrative. Canadian war novelists have often situated the soldier’s story in opposition to how war has functioned in Canadian cultural memory, which usually posits war as a necessary, though brutal, galvanizing force. This dissertation on how novelists depict the Canadian soldier represents a crucial opportunity to examine Canadian cultures of militarization and how Canadian identity has been formed in close identification with the mutable figure of the soldier. The most sop

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7

Fernández, Sandy M. (Sandy Michele). "Notes from a Latina in Canada : criticism and stories." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68087.

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While writing in English by Hispanas has been in publication for decades, it is only in the last few years that the writing and its attendant criticism have attracted mainstream attention in the United States. The purpose of this work is to provide an introduction to different facets of Hispana writing. The first section of the work, an essay titled, "Emerging Criticism and Themes in Hispana Literature," provides an up-dated overview of issues within Hispana literary criticism and major themes within the writing itself. The latter part of that essay uses as its framework Tey Diana Rebolledo's

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8

Lundgren, Jodi. "Narrative aesthetics, multicultural politics, and (trans)national subjects : contemporary fictions of Canada /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9523.

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9

Muller, Kathryn V. "The Two Row Wampum : historic fiction, modern reality." Master's thesis, Université Laval, 2004. http://hdl.handle.net/20.500.11794/17832.

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10

Bowman, Christopher M. "Gallery of the Past: Writing Historical Fiction with 19th Century Photography in Canada and Australia." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/365910.

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This thesis, consisting of a novel and dissertation, explores the writing of historical fiction, and the use of photography as research in visualising the several settings that the characters inhabit. As the novel is set in the late 19th century, the conventions of Victorian-era photography came to the forefront of the research. The story sees two fictional brothers leave their home on Vancouver Island in Canada, each traveling alone, and each with a different weight on his heart. They find themselves in towns with very real, and very documented, histories, and this is where my research into p

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11

Baker, Suzanne Lynda. "Clowning seriously: The political force of magic realism in postcolonial fiction from Australia and Canada." Thesis, Baker, Suzanne Lynda (1997) Clowning seriously: The political force of magic realism in postcolonial fiction from Australia and Canada. PhD thesis, Murdoch University, 1997. https://researchrepository.murdoch.edu.au/id/eprint/52961/.

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The primary objective of this thesis is to demonstrate that the discursive mode of magic realism can contribute to the political force of postcolonial texts. This is achieved through detailed readings of contemporary works of fiction, written in English, from Australia and Canada. While the term ‘magic realism’ has been in use for more than seventy years, in recent times it has gained increasing currency in the critical discourses of Western literature. Commonly associated with the literature of the Latin American region, with Gabriel Garcia Marquez’s novel One Hundred Years of Solitude genera

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12

Harman, Deborah C. "Constructing canons, creating Canadians, an examination of Canadian fiction on high school curricula." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0004/MQ36461.pdf.

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13

Anderson, Robyn Lisa, and n/a. "The decolonisation of culture, the trickster as transformer in native Canadian and Maori fiction." University of Otago. Department of English, 2003. http://adt.otago.ac.nz./public/adt-NZDU20070508.145908.

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The trickster is a powerful figure of transformation in many societies, including Native Canadian and Maori cultures. As a demi-god, the trickster has the ability to assume the shape of a variety of animals and humans, but is typically associated with one particular form. In Native Canadian tribes, the trickster is identified as an animal and can range from a Raven to a Coyote, depending on the tribal mythologies from which he/she is derived. In Maori culture, Maui is the trickster figure and is conceptualised as a human male. In this thesis, I discuss how the traditional trickster is contexua

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14

Hagiwara, Tomoko. "Children in fiction and reality, the British Colonies in North America and Canada in the nineteenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ26919.pdf.

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15

Hagiwara, Tomoko 1939 Carleton University Dissertation Canadian Studies. "Children in fiction and reality, the British colonies in North America and Canada in the nineteenth century." Ottawa.:, 1997.

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16

Freeze, Eric. "Ridgeview : a collection of short stories /." Ohio University / OhioLINK, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1090936908.

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17

Roupakia, Lydia Efthymia. "Multicultural Questions, Family Matters : Gender, Generation and Ethics in some Contemporary Fiction by Women in Canada and England." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508685.

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18

Sabatini, Sandra. "Making babies, representations of the infant in 20th century Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60564.pdf.

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19

Leeke, Jane. "A novel reading : literature and pedagogy in modern Middle East history courses in Canada and the United States." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98549.

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The purpose of this study is to explore how the Arabic novel can and does challenge the conventional characterization of what constitutes constructive Middle East historiography. The thesis draws on a case study of undergraduate history course syllabi in order to highlight a number of crucial issues related to Arabic literature and the production of modern Middle East history. My analysis of the syllabi concludes that in general, Arabic novels in translation are part of a varied group of resources selected by a professor in order to complement the "official" histories provided by textbooks and

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20

Chalykoff, Lisa. "Space and identity formation in twentieth-century Canadian realist novels : recasting regionalism within Canadian literary studies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56523.pdf.

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21

Spergel, Julie. "Canada's "second history": the fiction of Jewish Canadian women writers." Hamburg Kovač, 2009. http://d-nb.info/997540079/04.

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22

Pauly, Susanne. "Madness in English-Canadian fiction." [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=961035455.

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23

Van, Horne Mary. "CARVING A PLACE IN THE CANADIAN IMAGINATION: (RE)WRITING CANADA'S FORGOTTEN HISTORY IN A SELECTION OF CHINESE CANADIAN HISTORICAL FICTION." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27668/27668.pdf.

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24

Leperlier, Henry. "Canadian science fiction, a reluctant genre." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0033/NQ61856.pdf.

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25

Leperlier, Henri. "Canadian science fiction a reluctant genre." Thèse, Université de Sherbrooke, 1998. http://savoirs.usherbrooke.ca/handle/11143/2707.

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Cette dissertation vise à une comparaison des littératures de sciences-fiction canadienne anglaise et canadienne française, principalement sous forme de roman ou de nouvelles publiées dans des anthologies. Elle consiste en une introduction générale du phénomène de la science-fiction en général et au Canada. Elle commence par dresser un historique de l'émergence de la science-fiction au Canada, des facteurs ayant favorisé son apparition et des conditions de sa création. Cet historique est suivi d'un examen des relations ambivalentes entre la science-fiction canadienne et la science. Une section

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26

Leperlier, Henri. "Canadian science fiction: A reluctant genre." Sherbrooke : Université de Sherbrooke, 1999.

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27

Hutchison, Lorna. "Strategies of the grotesque in Canadian fiction." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100627.

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In this study of narration, feminist theory, and grotesque Canadian fiction, my aim is to provide a narrative model with which to read characters portrayed as both female and monstrous in a way that criticism on the grotesque does not. I provide two systems for the methodology of this study: via negativa, a well-established philosophical system of definition by negation, which shows the strength of the grotesque to represent a subject that is inherently paradoxical; and a narrative model called the "middle voice," which I developed to examine narratives that confuse or render ambiguous the ide

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28

Woods, Randy (Randy C. ). 1968 Carleton University Dissertation Canadian Studies. "A typological analysis of Canadian science fiction." Ottawa.:, 1993.

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29

Kellar, Pinard Katrina. "Settler Feminism in Contemporary Canadian Historical Fiction." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39608.

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Canada has seen a veritable explosion in the production and popularity of historical fiction in recent decades. Works by women that present a feminist revision of national narratives have played a key part in this phenomenon. This thesis discusses three contemporary Canadian historical novels: Gil Adamson’s The Outlander (2007), Ami McKay’s The Birth House (2006), and Margaret Atwood’s Alias Grace (1996). By examining these novels through a settler colonial lens and with a specific interest in the critique of settler feminism, this thesis offers readings that can reveal how feminism operates w

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30

Mullen, Amanda. "Mythic migrations: Recreating migrant histories in Canadian fiction." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/29240.

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This thesis examines the work of five Canadian writers who use their fiction to recreate an immigrant past and to mythologize an originary moment in Canada: a migrant's arrival and settlement in a new land. Mordecai Richter's Solomon Gursky Was Here (1989), Sky Lee's Disappearing Moon Cafe (1990), Jane Urquhart's Away (1993), Lawrence Hill's Any Known Blood (1997), and Nino Ricci's trilogy, Lives of the Saints (1990), In a Glass House (1993), and Where She Has Gone (1997) each express a nostalgic longing for an authenticating mythology that will give a previously silenced ethno-cultural group

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31

Canton, Licia. "The question of identity in Italian-Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ43473.pdf.

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32

Lemay, Christian. "Pour une érotologie de la fiction québecoise contemporaine." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/29028.

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L'objet de cette thèse est de faire apparaître, à partir d'oeuvres representatives de la littérature romanesque québecoise des années 1960 à 1996, l'évolution du récit érotique en tant que genre utilisant une structure narrative particulière, ainsi que des procédes littéraires qui mettent en valeur l'ingéniosité de l'auteur et son pouvoir sur le lecteur. La problèmatique essentielle de la représentation des scènes, de leur évolution, des jeux de statut, ainsi que de l'autodérision est au centre de nos préoccupations. La conception du texte, sa construction aussi, modifient considérablement l'e

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33

Arguin, Maurice. "Le roman québécois de 1944 à 1965 symptômes du colonialisme et signes de libération /." Québec : Centre de recherche en littérature québécoise, Université Laval, 1985. http://catalog.hathitrust.org/api/volumes/oclc/15581996.html.

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Présenté à l'origine comme thèse (de doctorat de l'auteur--Université Laval) sous le titre: Symptômes du colonialisme et signes de libération dans le roman québécois, 1944-1965.<br>Comprend un index. Bibliogr.: p. 205-217.

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34

Wilcox, Mary Elizabeth. "Canadian cultural identity, disillusionment, and isolation in contemporary realistic Canadian young adult fiction." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/23505.

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This study explores Canadian cultural identity in a selection of contemporary realistic dark-themed Canadian Young Adult (YA) fiction: The Lottery by Beth Goobie, The Space Between by Don Aker, The Beckoners by Carrie Mac, and Swimming in the Monsoon Sea by Shyam Selvadurai. Using close reading, these adolescent novels are analyzed for the “bleak” themes of disillusionment and isolation. The themes are compared to corresponding trends in American YA literature, including self-reflection, ambiguous endings, the role of violence, absent parents, and the forms of the socially and psychologically

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35

Gardiner, Heather. "The portrayal of old age in English-Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ27927.pdf.

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36

Gordon, Neta. "Charted territory, women writing genealogy in recent Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2002. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ65674.pdf.

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37

Morel, Pauline. "Rag bags: Textile crafts in Canadian fiction since 1980." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32559.

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The very impetus of this study — to examine the representations of craft in literature — defies the functional binaries so long attributed to art and craft. This study examines the literary formulations of textile crafts and their makers in Canadian works of fiction at the turn of the twenty-first century. Included are three Canadian novels published after 1990: Margaret Atwood's Alias Grace (1996), Austin Clarke's The Polished Hoe (2002) and Rohinton Mistry's A Fine Balance (1995). Through close analysis

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38

Reid, Michelle. "National identity in contemporary Australian and Canadian science fiction." Thesis, University of Reading, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413934.

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39

Galletly, Sarah. "Work, class and gender in Canadian fiction, 1890s-1920s." Thesis, University of Strathclyde, 2012. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=25538.

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40

Seiler, Tamara Palmer. "Stories from the margin, insider fictions of immigrant and ethnic experience in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0011/NQ34830.pdf.

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41

Hill, Colin. "The modern-realist movement in English-Canadian fiction, 1919-1950." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19471.

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This dissertation offers the first comprehensive examination of realism in English-Canadian fiction of the early twentieth century. It argues for the existence of a "modern-realist" movement that is Canada's unique and unacknowledged contribution to the collection of international movements that makes up literary modernism. This argument involves a detailed analysis of the aesthetics, aims, preoccupations, and techniques of the modern realists, a reexamination of the oeuvres of the movement's most prominent writers, and a critical reevaluation of the "modernity" of Canada's three most signific

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42

Wang, Mei-Chuen. "Narrative, genre and national myth in postmodern Canadian historical fiction." Thesis, Cardiff University, 2010. http://orca.cf.ac.uk/54365/.

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This thesis investigates the expansion and continuing proliferation of Canadian historical fiction during the past three decades, and makes a case for reading a number of these novels as postmodern historical fiction. Characterized by the postmodern tendency to problematize history and cross genre boundaries, the novels discussed here are nevertheless rooted in their Canadian context. To establish a theoretical framework, the thesis reviews the reconfiguration of history in contemporary critical theories and its impact on the writing of history and historical fiction, and investigates the deba

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43

Cook, Victoria Maria. "Transnational space and the discourse of multiculturalism : contemporary Canadian fiction." Thesis, University of Central Lancashire, 2010. http://clok.uclan.ac.uk/2962/.

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This thesis engages in a study of the construction of identity as “process” in four contemporary English-Canadian novels. The novels under discussion are: Cereus Blooms at Night, by Shani Mootoo; Life of Pi, by Yann Martell; Fugitive Pieces, by Anne Michaels; and Childhood, by Andre Alexis. It offers a transnational model of analysis in relation to each of the novels, which enables the investigation of the “multiple” and “fluid” cultural identities in the four examples of contemporary Canadian fiction under scrutiny.

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44

Flavell, Helen. "Writing-between : Australian and Canadian ficto-criticism /." Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051222.114143.

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45

Lesk, Andrew. "The play of desire Sinclair Ross's gay fiction /." Ottawa : National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/NQ60597.pdf.

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46

Guenther, Bruce Lloyd. "An enigmatic and contentious novel towards a thematic synthesis and a literary appraisal of Rudy Wiebe's M̲y̲ l̲o̲v̲e̲l̲y̲ e̲n̲e̲m̲y̲ /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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47

Balsom, Edwin James. "Dialogic regional voices, a study of selected contemporary Atlantic-Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0005/NQ42471.pdf.

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48

Selby, Sharon Dawn. "Myth, memory, and narrative : (re)inventing the self in Canadian fiction." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/6318.

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In this dissertation, I examine how the themes of memory, storytelling, and the construction of narrative identity develop in the works of Canadian authors Alistair MacLeod, Michael Ondaatje, and Jane Urquhart. As a means of delving more deeply into these themes, I focus on the specific narrative strategies that all three writers employ in the expression of the relationship between the individual and his/her community, as well as between physical and psychological realities. For the narrative voices in these authors’ works—given the different ways they envision and encode communal identity as

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49

Rudd, Alison. "'Demons from the deep' : postcolonial Gothic fictions from the Caribbean, Canada, Australia and New Zealand." Thesis, University of Northampton, 2006. http://nectar.northampton.ac.uk/2962/.

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This thesis explores the field of Postcolonial Gothic, initially through an examination of theories of the Gothic and the postcolonial and their points of intersection. Homi Bhabha’s notion of the ‘unhomely’ as the paradigm for postcolonial experience, particularly with regard to migrancy and Julia Kristeva’s concept of the abject are identified as particularly productive for a Postcolonial Gothic framework, which is then applied to a survey of the way the Gothic is figured on the individual and the Local, regional or national levels in the context of Caribbean, Canadian, Australian and New Ze

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50

Sandrock, Kirsten A. "Gender and region : maritime fiction in English by Canadian women, 1976-2005 /." Augsburg : Wissner, 2009. http://d-nb.info/99550590X/04.

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