Relevant bibliographies by topics / Canadian Music Centre - Catalogs

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Conference papers

Academic literature on the topic 'Canadian Music Centre - Catalogs'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Canadian Music Centre - Catalogs.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Canadian Music Centre - Catalogs"

1

Whittle, James. "Violet Archer's Formative Years: A Bibliographical Catalogue of Her Compositions, 1932–43." Canadian University Music Review 16, no. 1 (2013): 145–95. http://dx.doi.org/10.7202/1014421ar.

Full text
Abstract:
This chronological catalogue of Violet Archer's earliest completed compositions, including works written from 1932 to 1943, is based on manuscripts in her possession and on deposit at the University of Calgary Library, as well as published scores and reproductions of manuscripts in the University of Alberta Library and the libraries of the Canadian Music Centre. It provides the date of composition for each work and summarizes the supporting evidence, including dates found on manuscripts, the types of paper used, entries on lists of works compiled by the composer, and dates of first and early p
APA, Harvard, Vancouver, ISO, and other styles
2

Morey, Carl. "Canadian Music: A Personal Perspective." Articles 33, no. 2 (2015): 7–17. http://dx.doi.org/10.7202/1032692ar.

Full text
Abstract:
In this article the author reflects on musical life in Canada, drawing on experiential perspectives while growing up in Toronto and his career for three decades as a faculty member in musicology at the Faculty of Music at the University of Toronto. References to pivotal musical institutions (Canadian League of Composers, CBC, Canadian Music Centre, among others) and historical documents such as Ernest MacMillan’sMusic in Canada,Marshall McLuhan’sGutenberg Galaxy,and George Grant’sLament for a Nationprovide contextual frameworks for these perspectives.
APA, Harvard, Vancouver, ISO, and other styles
3

Wendzich, Tessandra, and Bernard W. Andrews. "Composing Together II: The Development of Musical Ideas with Teachers and Students." Journal of the Canadian Association for Curriculum Studies 18, no. 1 (2020): 133–34. http://dx.doi.org/10.25071/1916-4467.40496.

Full text
Abstract:
Contemporary Canadian pieces are uncommonly performed and studied in school music programs due to their complex nature. The Ottawa-Carleton District School Board and the Canadian Music Centre commissioned composers to write a piece of educational music in a multi-year, multi-site research project entitled Making Music: Composing with Young Musicians. The musical pieces were written in collaboration with teachers and students. The following research question was addressed: How can musical ideas be conceptualized and developed with students and teachers? Through composition reports, the composer
APA, Harvard, Vancouver, ISO, and other styles
4

Graves, Sarah F., Jessica T. Dempsey, Graham S. Bell та ін. "The JCMT Legacy Release: SCUBA-2 850 μm Coadds and Catalogs". Astrophysical Journal Supplement Series 275, № 2 (2024): 43. https://doi.org/10.3847/1538-4365/ace76b.

Full text
Abstract:
Abstract We present the James Clerk Maxwell Telescope (JCMT) 850 μm Legacy Release, containing uniformly reduced, coadded tiles, and catalogs of detected emission, for the 850 μm data from all Submillimetre Common User Bolometer Array 2 (SCUBA-2) observations taken between 2011 February 2 and 2020 August 1. This release provides the fastest and easiest way to identify uniformly determined 850 μm detections and calibrated fluxes for any position observed by the JCMT. The coadded observations include 11,722 hr of observing time and cover 1516 square degrees of the sky, with detections of contigu
APA, Harvard, Vancouver, ISO, and other styles
5

Sallis, Friedemann. "Deconstructing the Local: The Aesthetic Space and Geographic Place of Oskar Morawetz's String Quartet no. 5 "A Tribute to Wolfgang Amadeus Mozart" (1991)." Canadian University Music Review 24, no. 1 (2013): 7–29. http://dx.doi.org/10.7202/1014669ar.

Full text
Abstract:
The oppositional notions of centre and periphery, mainstream and margin, and universal and local have long been important criteria for the scholarly study of Western music. Indeed they are often taken for granted. This paper will take a critical look at the relationship obtaining between art music the notion of a national music. The object of study is taken from among the works of the Canadian composer (of Czech origin) Oskar Morawetz. The point is not to deny that music can be legitimately associated with a given place but rather to examine how these complex, problematic relationships are cre
APA, Harvard, Vancouver, ISO, and other styles
6

Höstman, Anna. "HEADLESS MUSICAL SEEDS AND GESTURES WITH ADJECTIVES: AN INTERVIEW WITH KEIKO DEVAUX." Tempo 76, no. 299 (2021): 5–17. http://dx.doi.org/10.1017/s0040298221000619.

Full text
Abstract:
AbstractKeiko Devaux (b. 1982) is a Canadian composer, originally from British Columbia, who now lives in Montréal. She began her musical career in piano-performance studies as well as composing, touring and recording several albums in independent rock bands. Her concert music is widely performed throughout Canada and Europe. From 2016–18, Keiko was the composer in residence of Le Nouvel Ensemble Moderne. She joined Salvatore Sciarrino's masterclasses at L'Accademia Musicale Chigiana in Siena, Italy, between the years 2017 and 2019. Keiko was commissioned by music@villaromana festival, Florenc
APA, Harvard, Vancouver, ISO, and other styles
7

Pegley, Karen, and Catherine Graham. "Visualizing the Music." Canadian Theatre Review 109 (January 2002): 73–77. http://dx.doi.org/10.3138/ctr.109.014.

Full text
Abstract:
One of Canada’s most famous opera productions recently returned to the stage of the Hummingbird Centre in Toronto after an eight-year odyssey of touring that has brought the Canadian Opera Company acclaim from critics around the world. First mounted in Toronto in 1993, Robert Lepage’s staging of Bluebeard’s Castle and Erwartung has travelled to New York, Edinburgh (where it won the prestigious £50 000 Scotsman Hamada prize for drama and music), Melbourne, Geneva, Hong Kong, Vancouver, and Cincinnati. As is by now well-known, Lepage bases his theatrical creation on the use of “resources,” rangi
APA, Harvard, Vancouver, ISO, and other styles
8

Lane, Harry, Claire Hopkinson, and Wayne Strongman. "Life Beyond the Premiere: Process and Purpose at Tapestry Music Theatre." Canadian Theatre Review 96 (September 1998): 50–55. http://dx.doi.org/10.3138/ctr.96.008.

Full text
Abstract:
When Elsewhereless, the new opera by Atom Egoyan and Rodney Sharman (originally presented at Toronto’s Buddies in Bad Times Theatre in April-May 1998), reopened at the National Arts Centre in Ottawa in July, it was said to be the first Canadian opera to be performed in the Centre since the 1960s. The same production of Elsewhereless will also be presented in Vancouver in early 1999 and is scheduled for several European festivals. At a time when new operas and music theatre works all too easily disappear from view after their premieres, the already assured life of this work is salutary. While E
APA, Harvard, Vancouver, ISO, and other styles
9

Whiting, Steven M. "Un-settling Scores: A Review of Michael H. Kater's Composers of the Nazi Era: Eight Portraits." German Politics and Society 19, no. 3 (2001): 80–93. http://dx.doi.org/10.3167/104503001782486371.

Full text
Abstract:
After Different Drummers (1992) and The Twisted Muse (1997), MichaelH. Kater has presented Composers of the Nazi Era: Eight Portraits, as“the last in a trilogy on the interrelationship between sociopoliticalforces on the one side, and music and musicians in the Third Reich,on the other” (264). The author is Distinguished Research Professorof History at the Canadian Centre for German and European Studies(York University). The author of the present review, a musicologist,must express his gratitude to Professor Kater for helping tomake it professionally unacceptable to restrict oneself anymore to
APA, Harvard, Vancouver, ISO, and other styles
10

Woloshyn, Alexa. "Norma Beecroft. 2015. Conversations with Post World War II Pioneers of Electronic Music. Self-published with assistance from the Canadian Music Centre. E-book." Intersections: Canadian Journal of Music 36, no. 1 (2016): 103. http://dx.doi.org/10.7202/1043873ar.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Canadian Music Centre - Catalogs"

1

Hamilton, Sarah J. "An annotated bibliography of Canadian music for oboe, oboe d'amore and English horn found in the Canadian Music Centre." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1235580996.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Trew, Johanne. "The Rodolphe Mathieu Collection at the National Library of Canada : an annotated catalogue." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63839.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Canadian Music Centre - Catalogs"

1

Maxwell, Karen A. A guide to solo Canadian trombone literature available through the Canadian Music Centre. Edited by Shand Patricia Martin. Canadian Music Centre, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Centre, Canadian Music. Canadian operas: An annotated catalogue of operas and staged vocal works by Canadian composers in the Canadian Music Centre. Canadian Music Centre, British Columbia Regional Office, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Centre, Canadian Music. Canadian choral music catalogue. 4th ed. Canadian Music Centre = Centre de musique canadienne, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Centre, Canadian Music. Canadian orchestral music catalogue. Canadian Music Centre = Centre de musique canadienne, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

(Ireland), Contemporary Music Centre. Library catalogue 1993: The music collection of the contemporary Music Centre Dublin. Contemporary Music Centre, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Library, Australian Music Centre. Piano music: Scores held at the Australian Music Centre Library. Australian Music Centre, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Centre, Australian Music. Vocal music: Scores held at the Australian Music Centre Library. Australian Music Centre, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Canadian Legal Information Centre. Plain Language Centre. Plain Language Resource Centre catalogue. Multiculturalism and Citizenship Canada], 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Centre, Australian Music. Orchestral music: Scores held at the Australian Music Centre Library. Australian Music Centre, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Centre, Australian Music. Brass music. Australian Music Centre, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Conference papers on the topic "Canadian Music Centre - Catalogs"

1

Bakker, Twila. "Pond Study: An Exploration of the Details Below the Surface of Ann Southam’s Spatial View of Pond." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.031b.

Full text
Abstract:
The late Canadian composer, Ann Southam (1937–2010) is often paraphrased for linking her minimalist-process music with the life-sustaining processes common in women’s work. Those were actions that occurred daily for survival, including activities such as knitting and weaving. In much of her so-called “minimalist” output, Southam herself wove together two different compositional sensibilities – twelve-tone music and minimalism – with the commonality of their underlying processes. Utilising compositional documents from the Ann Southam Fonds housed at the Banff Centre for Arts and Creativity in B
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Canadian Music Centre - Catalogs' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography