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Journal articles on the topic 'Canadians in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Gerson, Carole. "Making a Difference: Canadian Women Writers and the Fiction of Social Change." Papers of The Bibliographical Society of Canada 60 (March 21, 2023): 1–31. http://dx.doi.org/10.33137/pbsc.v60i1.39213.

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In January 1944, when the influential Toronto critic William Arthur Deacon lamented the absence of a Canadian “equivalent of ‘Uncle Tom’s Cabin’” because Canadians are “still pioneering, still afraid of ourselves intellectually and emotionally,”[1] little did he know that a significant candidate was on the horizon. Gwethalyn Graham’s second novel, Earth and High Heaven, which appeared later that year, launched an analysis of anti-Semitism that was quickly embraced by cultural arbiters and the general public in both Canada and the United States. This essay situates the production and reception

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2

Gonçalves, Vansan. "Japanese-Canadian wartime history through Joy Kogawa’s Obasan." Grau Zero – Revista de Crítica Cultural 1, no. 1 (2016): 225. http://dx.doi.org/10.30620/gz.v1n1.p225.

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This article intends to investigate the narration of historical facts under new perspectives trough the novel Obasan, from the Japanese-Canadian author Joy Kogawa. The choice of the mentioned novel is due to the fact that it enables the observation of the manners the concepts of identity, memory and representation interact to portray new representations of a determined people by the reinterpretation of historical facts. Throughout the article it will be analyzed the varied narrative strategies Joy Kogawa employs to represent new versions of facts related to Japanese Canadians and their internm

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3

Ljungberg, Christina. "Wilderness from an ecosemiotic perspective." Sign Systems Studies 29, no. 1 (2001): 169–86. http://dx.doi.org/10.12697/sss.2001.29.1.11.

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"Wilderness" is a concept which has undergone a radical change in recent years. Owing to the scale of global destruction of the wilderness and its various ecosystems, the idea of wilderness has been transformed from its original negative sense as an Other into a matter of public concern. This as replaced the understanding of "wilderness " not only as a place but as a category closely linked with the development of buman culture. As the result of human practice and representation, nature is thus also political Models and concepts of nature in the creative arts can be indicative of a certain cul

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4

Baranwal, Dr Ratnesh. "Margaret Atwood: A Sound Ecologist." SMART MOVES JOURNAL IJELLH 8, no. 9 (2020): 74–83. http://dx.doi.org/10.24113/ijellh.v8i9.10766.

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This paper is an attempt to explore the ecological issues in Margaret Atwood’s novels. She happens to raise her voices against the demolition of the forests, advocating very strongly to pay attention to ecological principles for the preservation of the environment for the future generation. She tends to express her deep sense of anxiety over the ecological issues as depicted in The Handmaid’s Tale (1985) and again in the stories and fables of Wilderness Tips (1991) and Good Bones (1992). Her novel – Surfacing (1972) begins and ends with the forest starting like a detective story. Her most sign

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5

Knight, Deborah. "Metafiction, Pararealism and the "Canon" of Canadian Cinema." Articles divers 3, no. 1 (2011): 125–46. http://dx.doi.org/10.7202/1001184ar.

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Critical thinking about the English-Canadian and Quebec cinemas has focused lo a large degree on the realist tendencies of our fiction filmmaking-tendencies, it is argued, which fiction filmaking has, historically inherited from Canadian documentary film practices. But in recent fiction filmmaking, Canadian filmmakers have moved beyond social realism. Indeed, the emergence in English-Canada and Quebec of filmmaking that is metafictional and pararealist — in films like Léa Pool's La Femme de l'hôtel, Bruce McDonald's Roadkill and Patricia Rozema's White Room — gives us occasion not only to reth

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6

Carmona Rodríguez, Pedro. ""En Route" : narratives of travel and displacement in contemporary Canadian writing." Journal of English Studies 3 (May 29, 2002): 21. http://dx.doi.org/10.18172/jes.67.

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From a fictional as well as a theoretical point of view, the present interest in travel is a consequence of the increasing relevance of postcolonial discourses and the ongoing processes of cultural transference and globalisation. These phenomena have resulted in a re-conceptualisation of notions of identity, location, place and site, which foster, in turn, the rethinking of terms like home, margin and periphery. Most of these have been targeted by post-structuralist and postcolonial theories in their attempt at disrupting unified and imperialist conceptions of subjectivity and place. In Canadi

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7

Cormier, Matthew. "The Destruction of Nationalism in Twenty-First Century Canadian Apocalyptic Fiction." American, British and Canadian Studies 35, no. 1 (2020): 5–22. http://dx.doi.org/10.2478/abcsj-2020-0014.

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Abstract This article argues that, since the turn of the twenty-first century, fiction in Canada – whether by English-Canadian, Québécois, or Indigenous writers – has seen a re-emergence in the apocalyptic genre. While apocalyptic fiction also gained critical attention during the twentieth century, this initial wave was tied to disenfranchised, marginalized figures, excluded as failures in their attempts to reach a promised land. As a result, fiction at that time – and perhaps equally so in the divided English-Canadian and Québécois canons – was chiefly a (post)colonial, nationalist project. Y

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8

GODEANU-KENWORTHY, OANA. "Fictions of Race: American Indian Policies in Nineteenth-Century British North American Fiction." Journal of American Studies 52, no. 1 (2016): 91–113. http://dx.doi.org/10.1017/s0021875816001948.

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This article explores the hemispheric and transatlantic uses of race and empire as tropes of settler-colonial otherness in the novelThe Canadian Brothers(1840) by Canadian author John Richardson. In this pre-Confederation historical novel, Richardson contrasts the imperial British discourse of racial tolerance, and the British military alliances with the Natives in the War of 1812, with the brutality of American Indian policies south of the border, in an effort to craft a narrative of Canadian difference from, and incompatibility with, American culture. At the same time, the author's critical

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9

Nardout-Lafarge, Élisabeth. "Le rendez-vous des fictions." Dossier 37, no. 2 (2012): 53–66. http://dx.doi.org/10.7202/1008575ar.

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L’article se penche sur la réécriture et l’amplification du roman de Jean Vaillancourt Les Canadiens errants (1954) que constitue le roman de Richard Hétu, Rendez-vous à l’Étoile (2006). Les distorsions observées dans la reprise du roman de 1954 par le roman de 2006, la contextualisation à laquelle donne lieu la transformation de Jean Vaillancourt en personnage de fiction, de même que l’expansion que prend dans Rendez-vous à l’Étoile la figure, pourtant discrète dans Les Canadiens errants, d’Ernest Hemingway permettent de lire le roman de Richard Hétu comme une tentative de restituer une intel

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10

Berner, Robert L., Thomas King, and Constance Rooke. "Canadian Fiction Magazine: An Anthology of Canadian Native Fiction." American Indian Quarterly 14, no. 4 (1990): 432. http://dx.doi.org/10.2307/1184993.

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11

Byrne, Mary Ellen. "Obasan: More than One Telling/ More than One Reading." Teaching English in the Two-Year College 30, no. 1 (2002): 30–37. http://dx.doi.org/10.58680/tetyc20022036.

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In her 1981 novel Obasan, the Japanese Canadian writer Joy Kogawa recounts the saga of the internment and relocation of Japanese Canadians during and after the Second World War by juxtaposing the "factual" historic telling against the personal, "fictional" telling. This experimental approach opens multiple and diverse pathways to us as instructors of literature.

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12

Lane, Richard J. "New Canadian Fiction." University of Toronto Quarterly 82, no. 3 (2013): 375–90. http://dx.doi.org/10.3138/utq.82.3.1.

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Staines, David. "New Canadian Fiction." University of Toronto Quarterly 82, no. 3 (2013): 390–400. http://dx.doi.org/10.3138/utq.82.3.2.

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Lane, Richard J. "New Canadian Fiction." University of Toronto Quarterly 81, no. 3 (2012): 514–29. http://dx.doi.org/10.1353/utq.2012.0035.

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15

Lorre, Christine. "Secrets and Lies, Stories and Truth in Wayson Choy’s Paper Shadows." Commonwealth Essays and Studies 24, no. 1 (2001): 79–90. http://dx.doi.org/10.4000/1248o.

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After briefly exposing the links between biography, fiction and autobiography in Wayson Choy’s work, this paper analyzes how the author reasserts in his autobiography, Paper Shadows, the premise that underlies his novel about the Chinese-Canadian community, The Jade Peony: that the truth about one’s history, a necessary element to personal balance and development in adult life, is best searched for not in hard facts but in narratives of fictive status, namely stories of ghosts, mysteries and secrets kept.

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Wójcik-Czerwińska, Marta. "Plotting Against Oil in American and Canadian Non-fiction // Conspirando contra el petróleo en la no-ficción americana y canadiense." Ecozon@: European Journal of Literature, Culture and Environment 8, no. 2 (2017): 175–88. http://dx.doi.org/10.37536/ecozona.2017.8.2.1068.

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Abstract Stephanie LeMenager, literature professor and author of Living Oil: Petroleum Culture in the American Century (2014), opens her study of America’s relationship with the resource by asserting that reports of its death have been exaggerated. Oil not only drive American modernity, but also inspire writers to explore it, in both fiction and non-fiction. While “petrofiction,” fiction with oil at its core, has received critical attention, certain new developments in non-fictional writing centred on petroleum call for more consideration. This article, therefore, probes representations of oil

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17

Marmor, Ted. "Fact, Fiction, and Faction: The Politics of Medical Care Re-form in Canada as It Appears South of the Border." Canadian Journal on Aging / La Revue canadienne du vieillissement 14, no. 2 (1995): 426–36. http://dx.doi.org/10.1017/s0714980800011910.

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RÉSUMÉUne perspective internationale est requise pour mieux situer le débat sur l'avenir du régime d'assurance-maladie universel (RAMU) canadien. Les débats canadiens seront de toute façon influencés par les débats transnationaux, en particulier par la situation américaine telle qu'interprétée par les médias de masse. Les canadiens doivent donc être attentifs aux distorsions que font subir au RAMU canadien les reportages américains. La deuxième partie de ce commentaire affirme que dans une perspective comparative, le Canada a réussi à équilibrer les coûts, la qualité et l'accès aux soins. En t

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18

Zhang, Xinyu. "Þannig er saga okkar“: Um sagnritunarsjálfsögur og skáldsöguna Hundadaga eftir Einar Má Guðmundsson." Íslenskar kvikmyndir 19, no. 2 (2019): 249–73. http://dx.doi.org/10.33112/ritid.19.2.10.

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The ambiguity between reality and fiction haunts Einar Már Guðmundsson’s novel Hundadagar (Dog Days, 2015), as it is a fictional narrative about factual, historical figures and events, such as Jörgen Jörgensen, Rev. Jón Steingrímsson, Finnur Magnússon and Guðrún Johnsen, while the same can be said about many other novels labeled as postmodernism. Canadian literary scholar Linda Hutcheon coined the concept of historiographic metafiction to describe fictions as such, which are “intensely self-reflexive”, while “paradoxically lay claim to historical events and personages”. Hutcheon suggests that

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19

Nandha, Aparna, and Sanra Reji. "Haunted by the Past: Understanding History and the Aftermath of War in Michael Ondaatje’s Anil’s Ghost." arcadia 58, no. 1 (2023): 1–15. http://dx.doi.org/10.1515/arcadia-2023-2004.

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Abstract This article explores the spectral presence of the past in the form of skulls and emotional trauma in a story about a country ravaged by a protracted war. It analyzes Anil’s Ghost (2000), a novel by Michael Ondaatje, a Sri Lankan Canadian writer renowned for constructing revisionist and fictional historiographic narratives. The novel speaks about a phase of the ethno-nationalist civil war in contemporary Sri Lanka, and the article expounds on the deconstruction and understanding of war and history as represented in this piece of fiction. In deprecating a unilateral and cohesive repres

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20

Howells, Coral Ann, and David Ketterer. "Canadian Science Fiction and Fantasy." Yearbook of English Studies 25 (1995): 349. http://dx.doi.org/10.2307/3508927.

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21

Colombo, John Robert. "Canadian Science Fiction and Fantasy." Science Fiction Studies 12, Part 3 (1985): 348–49. https://doi.org/10.1525/sfs.12.3.0348.

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22

SINGH, JUHI BIRLA AND NEETU. "Atwoods The Handmaid Tale: Dystopian and Science Fiction." WORLD JOURNAL OF APPLIED SCIENCE AND RESEARCH 10-11, no. 01-02 (2021): 51. https://doi.org/10.59467/wjasr.2021.10-11.51.

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Science fiction includes such a wide range and subgenres that it is notoriously difficult to define. Many authors, editors, and critics over the years since science fiction, become clearly separate from other genres. Definitions of related terms such as Science Fantasy speculative fiction, and tabulation are included where they are intended as definitions of aspects of science fiction because they illuminate related definitions-J.O. Bailey 1947. A piece of scientific fiction is a narrative of an imaginary invention or discovery in the natural sciences and consequent adventures and experiences.

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SINGH, JUHI BIRLA AND NEETU. "Atwoods The Handmaid Tale: Dystopian and Science Fiction." WORLD JOURNAL OF APPLIED SCIENCE AND RESEARCH 10-11, no. 01-02 (2021): 51. https://doi.org/10.59467/wjasr.2020-21.10-11.51.

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Science fiction includes such a wide range and subgenres that it is notoriously difficult to define. Many authors, editors, and critics over the years since science fiction, become clearly separate from other genres. Definitions of related terms such as Science Fantasy speculative fiction, and tabulation are included where they are intended as definitions of aspects of science fiction because they illuminate related definitions-J.O. Bailey 1947. A piece of scientific fiction is a narrative of an imaginary invention or discovery in the natural sciences and consequent adventures and experiences.

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24

Dali, Keren, and Lana Alsabbagh. "Access to translated fiction in Canadian public libraries." Reference Services Review 42, no. 4 (2014): 569–602. http://dx.doi.org/10.1108/rsr-07-2014-0027.

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Purpose – This paper aims to investigate the quality of access to translated fiction published between 2007 and 2011 in six large Canadian public libraries, answering the question about what public libraries can do to help acquaint their readers with international translated fiction. Design/methodology/approach – The article uses the method of bibliographic data analysis based on 2,100 catalog records. Findings – As the results demonstrate, enhanced bibliographic catalog records deliver a wealth of information about translated fiction titles and facilitate meaningful subject access to their co

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25

Pedro Miguel Carmona-Rodríguez. "Neither Chuckwagons, nor Saskatoons, and a Missing Marlboro Man: Postcolonialism, Regionalism and the Ineffable Canadian West." Miscelánea: A Journal of English and American Studies 52 (December 23, 2015): 31–49. http://dx.doi.org/10.26754/ojs_misc/mj.20157203.

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Contemporary transnational and transcontinental trends of theory enable a mandatory analysis of how region and regionalism have been fundamental in the solidification of the Canadian national ethos, making locality and globality go hand in hand. Negotiating the meaning of regional identities is therefore a consequence of the processes of globalisation, which have been affecting how we (de)construct the nation. This paper addresses how a vested representation in fiction from the Canadian west and the prairies helped keep at bay the spectrum of fragmentation that threatened the hermetic body of

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Kovačević, Branka. "Intertextuality in the short story "The Death of Robert Browning" by Jane Urquhart." Reci Beograd 14, no. 15 (2022): 82–101. http://dx.doi.org/10.5937/reci2215082k.

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The aim of this paper is to explore the intertextual dialogue and its meaning that is continuously articulated as cultural heritage in the prose of the well-known Canadian writer Jane Urquhart. By including the famous Victorian poet Robert Browning in the plot of her short story "The Death of Robert Browning," Urquhart highlights the postmodern tendency to express the basic human need to mythologize and perpetuate illusions about death. In a broader context, as an author from Canada, she emphasizes the difference between reality and fiction by revising historical facts through various textual

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27

Altaf, Sana, and Aqib Javid Parry. "Nalo Hopkinson’s Midnight Robber: Blending technology and fantasy in a dystopian narrative." Technoetic Arts 22, no. 1 (2024): 133–44. http://dx.doi.org/10.1386/tear_00126_1.

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In the contemporary postmodern era, the boundaries that once rigidly separated well-established genres have become more fluid, resulting in what scholars Raffaella Baccolini and Tom Moylan call ‘genre-blurring’. This phenomenon of incorporating elements from diverse genres represents a challenge to dominant ideologies and expands the possibilities within fictional texts. The dystopian fiction written by feminist writers towards the end of the twentieth century and beyond significantly exemplifies this form of hybrid textuality. In doing so, these writers seek to renovate the dystopian genre by

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28

Jones, Manina. "Rewriting Apocalypse in Canadian Fiction (review)." University of Toronto Quarterly 76, no. 1 (2007): 619–21. http://dx.doi.org/10.1353/utq.2007.0127.

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29

Reed, Sabrina, George Woodcock, Robert Lecker, Jack David, and Ellen Quigley. "George Woodcock's Introduction to Canadian Fiction." World Literature Today 68, no. 3 (1994): 578. http://dx.doi.org/10.2307/40150465.

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30

Hamill, Tony, Colleen Cunan, and Edward Mullaly. "Six Canadian Plays, Escape Acts: Seven Canadian One-Acts." Canadian Theatre Review 77 (December 1993): 88–89. http://dx.doi.org/10.3138/ctr.77.020.

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Short plays – possibly like short stories, their undervalued counterpart in fiction – do not carry much weight in the theatrical main stream. For every Overlaid, there are dozens of shallow dabblings in situation, emotion or character. This is one reason why they seem to find their niche more in high school drama festivals than on the professional main stages.

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31

Yun, Claudia Sangmi. "Canadian Science Fiction for Children and Young Adults: Focusing on Novels from the 1980s." Korean Society for Teaching English Literature 26, no. 3 (2022): 135–51. http://dx.doi.org/10.19068/jtel.2022.26.3.05.

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The present study overviews Canadian science fiction for children and young adults in its early history. Canada’s multiculturalism is a great resource for diversity on their literary works, but at the same time, it often turns into concerns on their national identity. Canadian novels portray this unique trait in their stories with three major features. By contrasting the technology-dominated society with the nature-friendly one, they ultimately aim for an idyllic society. Also, the works express distrust of technology and progress with concerns about negative effects on the global environment.

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32

Gardner, Carli. "Mash-up, Smash-up: Mixing Genres and Mediums to Rewrite History in Do Not Say We Have Nothing." Contemporary Kanata: Interdisciplinary Approaches To Canadian Studies, no. 1 (September 26, 2021): 7–12. http://dx.doi.org/10.25071/2564-4661.17.

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In Madeleine Thien’s novel Do Not Say We Have Nothing, a historical photograph of three protestors at Tiananmen Square is directly inserted into the fictional text. The goal of my research is to start a scholarly conversation on this work by exploring the relationship between the historical image and the fictional text to establish Thien’s novel as postmodern. Drawing on postmodernist theories, this paper applies the works of prominent thinkers in the field to ask how the collision of genres and mediums (history and fiction; image and text), in Do Not Say We Have Nothing renders the novel post

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33

Loriggio, Francesco. "Italian Canadian italophone fiction: The works of Nino Famà." Forum Italicum: A Journal of Italian Studies 55, no. 3 (2021): 805–24. http://dx.doi.org/10.1177/00145858211049099.

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Within the Italian Canadian literary corpus, fiction written in Italian has occupied a special spot. Because Italian Canadian authors have written primarily in English or, secondarily, in French, works by italophone writers have had an even more meagre circulation than that, already itself quite reduced, enjoyed by their anglophone or francophone counterparts. Yet, despite this limitation or perhaps also because of it, Italian Canadian italophone is nonetheless literature which does raise important issues. Focusing on the short stories and novels of Nino Famà, this article traces those issues

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34

Cranton, Patricia. "Reflection Through Fiction." EDUCATIONAL REFLECTIVE PRACTICES, no. 1 (June 2012): 21–34. http://dx.doi.org/10.3280/erp2012-001002.

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If we can learn to recognize ourselves and position ourselves in stories, we can identify beliefs, assumptions, and social norms that shape the way we see ourselves and the world around us. This has the potential for reflection and, in some cases, transformative learning. In this paper, I illustrate the process of positioning ourselves in stories using four Canadian short stories. I include the voices of participants who were engaged in a 12 week course on learning through fiction.

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35

Duchesne, Scott. "Invisible Realms: Canadian Speculative Drama." Canadian Theatre Review 131 (June 2007): 27–32. http://dx.doi.org/10.3138/ctr.131.004.

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Science has never been a popular subject for Canadian playwrights. Prior to the 1960s, few if any Canadian plays of note dealt directly with topics in science, and, with a handful of exceptions – albeit some of them very prominent exceptions (in particular, John Mighton) – few contemporary Canadian playwrights have dealt directly with issues rooted in technology. There have been even fewer examples of Canadian playwrights consistently producing work in the genre in which science and technology have always flourished as subjects: science fiction or, more specifically in this article, speculativ

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36

Goldman, Marlene. "Autobiography in the Anthropocene. A Geological Reading of Alice Munro." European Journal of Life Writing 9 (December 28, 2020): BE75—BE92. http://dx.doi.org/10.21827/ejlw.9.37326.

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In the autobiographical stories of Nobel Prize award-winning author Alice Munro, questions of ontology and mortality are inextricably connected to matters of space and place. Fundamental existential dilemmas expressed in Munro’s corpus – signaled by the title of her second short story collection Who Do You Think You Are? – are linked to basic questions concerning orientation. Although autobiographical fiction frequently interweaves concerns about identity and deceased parents with recollections of ancestral spaces, as the literary critic Northrop Frye famously stated, the question ‘Where is he

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37

Vernon, Karina. "The Outside of the Inside: Blackness and the Remaking of Canadian Institutional Life." Cambridge Journal of Postcolonial Literary Inquiry 7, no. 3 (2020): 258–65. http://dx.doi.org/10.1017/pli.2020.10.

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This paper reads Black Canadian literary fiction for what it reveals about the ironic place of blackness in Canadian universities. It weaves together this literary analysis with the author’s first-person account of classroom practice in order to illuminate the risks involved for Black scholars and students currently teaching, learning, and producing knowledge within Canadian institutional structures.

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Carmona-Rodríguezna-Rodríguez, Pedro Miguel. "Canadian Fictions of Globality: Introduction." Revista Canaria de Estudios Ingleses, no. 78 (2019): 9–14. http://dx.doi.org/10.25145/j.recaesin.2019.78.001.

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Carmona-Rodríguez, Pedro Miguel. "Canadian Fictions of Globality: Introduction." Revista Canaria de Estudios Ingleses, no. 78 (2019): 9–14. http://dx.doi.org/10.25145/j.recaesin.2019.78.01.

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40

Napierkowski, Tom. "Polish[ed]: Poland Rooted in Canadian Fiction." Polish American Studies 76, no. 2 (2019): 91–92. http://dx.doi.org/10.5406/poliamerstud.76.2.0091.

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41

Carriere, Marie J. "Making Babies: Infants in Canadian Fiction (review)." University of Toronto Quarterly 74, no. 1 (2004): 515–16. http://dx.doi.org/10.1353/utq.2005.0045.

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42

Toufexis, Jesse. "“Westmount’s Sinai”: Projecting a Jewish Landscape onto Montreal through Fiction." Canadian Jewish Studies / Études juives canadiennes 31 (May 18, 2021): 148–58. http://dx.doi.org/10.25071/1916-0925.40216.

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For Canadian Jewish authors, every peak and every valley, every lake and every island, every forest and every plain, is a potential locus for mythic energy. In this brief article, I wish to offer a glimpse into the implicit means by which Jewish authors project a specifically Jewish landscape onto their surroundings. Through a short study of Chava Rosenfarb’s Edgia’s Revenge and Leonard Cohen’s The Favourite Game, I will explore both authors’ uses of Mount Royal and the Laurentian Mountains as sacred spaces in the tradition of earlier Jewish stories involving mountains and wilderness. These si

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43

Ratsoy, Ginny. "Dramatic Discourse at Talonbooks: Narratives on the Publisher-Author Relationship." Canadian Theatre Review 101 (January 2000): 25–28. http://dx.doi.org/10.3138/ctr.101.005.

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The emergent interest in Canadian literary studies in the role of publishing can be seen as a reflection of confidence in the value of Canadian literature. It can also be seen as a continuation of an ongoing attention to the complex dynamics involved in creation, production and readership of text. Both the Spring 1997 issue of Open Letter, devoted to an examination of Coach House Press, and Sam Solecki’s 1998 Imagining Canadian Literature: The Selected Letters of Jack McClelland, for example, by the very act of chronicling the histories of their respective presses, assume the validity of the f

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Gadpaille, Michelle, and Tjaša Mohar. "Celebrating the Precise, the Paradoxical and the “Pret-ty-Trick-y” in Alice Munro’s Fiction." ELOPE: English Language Overseas Perspectives and Enquiries 19, no. 1 (2022): 9–12. http://dx.doi.org/10.4312/elope.19.1.9-12.

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45

Atkins, Annette, and Carol Fairbanks. "Prairie Women: Images in American and Canadian Fiction." Journal of American History 73, no. 4 (1987): 1033. http://dx.doi.org/10.2307/1904098.

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46

Baker, Neal. "Syncretism: A Federalist Approach to Canadian Science Fiction." Extrapolation 42, no. 3 (2001): 218–31. http://dx.doi.org/10.3828/extr.2001.42.3.218.

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47

Armitage, Susan, and Carol Fairbanks. "Prairie Women: Images in American and Canadian Fiction." American Historical Review 92, no. 2 (1987): 497. http://dx.doi.org/10.2307/1866791.

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Kohl, Seena B., and Carol Fairbanks. "Prairie Women Images in American and Canadian Fiction." Western Historical Quarterly 18, no. 2 (1987): 200. http://dx.doi.org/10.2307/969587.

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Burmaster, Orvis, and Carol Fairbanks. "Prairie Women: Images in American and Canadian Fiction." Rocky Mountain Review of Language and Literature 42, no. 1/2 (1988): 82. http://dx.doi.org/10.2307/1347443.

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Davidson, Arnold E. "Canadian Science Fiction and Fantasy (review)." MFS Modern Fiction Studies 38, no. 4 (1992): 952–53. http://dx.doi.org/10.1353/mfs.0.1364.

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