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Journal articles on the topic 'Canetti, Elias'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hoyng, Peter, and Thomas H. Falk. "Elias Canetti." German Quarterly 67, no. 4 (1994): 596. http://dx.doi.org/10.2307/408700.

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2

Rosenfeld, Sidney, and Edgar Piel. "Elias Canetti." World Literature Today 59, no. 3 (1985): 424. http://dx.doi.org/10.2307/40140922.

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3

Murphy, Harriet, and Thomas H. Falk. "Elias Canetti." Modern Language Review 90, no. 3 (1995): 812. http://dx.doi.org/10.2307/3734409.

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4

Cocalis, Susan L., and Thomas H. Falk. "Elias Canetti." World Literature Today 68, no. 4 (1994): 807. http://dx.doi.org/10.2307/40150681.

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5

Gentis, Roger. "Sur Elias Canetti." Chimères 17, no. 1 (1992): 155–70. http://dx.doi.org/10.3406/chime.1992.1852.

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6

Lorenz, Dagmar C. G., and Richard H. Lawson. "Understanding Elias Canetti." German Quarterly 65, no. 3/4 (1992): 514. http://dx.doi.org/10.2307/407660.

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7

Frank, Margit. "Om Elias Canetti." Nordisk Judaistik/Scandinavian Jewish Studies 9, no. 1 (1988): 21–30. http://dx.doi.org/10.30752/nj.69424.

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8

Evans, Christine Ann, and Richard H. Lawson. "Understanding Elias Canetti." South Atlantic Review 57, no. 4 (1992): 148. http://dx.doi.org/10.2307/3199857.

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9

Esformes, Maria. "The Sephardic Voice of Elias Canetti." European Judaism 33, no. 1 (2000): 109–17. http://dx.doi.org/10.3167/ej.2000.330114.

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One of the most fascinating memoirs to appear in recent years is that of Elias Canetti, recipient of the 1981 Nobel Prize in Literature. his three-volume spiritual and intellectual autobiography is a complex and insightful rendering of his personal background and his creative development as a novelist, philosopher, and social critic. However, Canetti's autobiography is much more than a compelling account of the development of a great artist – it is a portrait of the tragic character of an entire era that witnessed the destruction of cultures and the way of life o many Jewish communities throug

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10

Göbel, Helmut. "Edgar Piel,Elias Canetti." Arbitrium 3, no. 1 (1986): 316–18. http://dx.doi.org/10.1515/arbi.1986.3.1.316.

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11

Ferguson, Stuart. "Elias Canetti and Multiculturalism." Poetica 29, no. 3-4 (1997): 532–95. http://dx.doi.org/10.30965/25890530-0290304009.

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12

Jones, D. A. N. "Tongue, Ear, Eyes: Elias Canetti." Grand Street 6, no. 1 (1986): 212. http://dx.doi.org/10.2307/25006942.

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13

Donahue, William Collins, and David Darby. "Critical Essays on Elias Canetti." German Quarterly 75, no. 3 (2002): 354. http://dx.doi.org/10.2307/3072748.

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14

Falk, Thomas H., and David Darby. "Critical Essays on Elias Canetti." World Literature Today 74, no. 4 (2000): 858. http://dx.doi.org/10.2307/40156216.

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15

Lorenz, Dagmar C. G., and Friederike Eigler. "Elias Canetti. Verwandlung. Identitat. Machtausubung." German Quarterly 63, no. 2 (1990): 327. http://dx.doi.org/10.2307/406381.

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16

Detsch, Richard, Friedbert Aspetsberger, and Gerald Stieg. "Elias Canetti: Blendung als Lebensform." German Studies Review 9, no. 3 (1986): 664. http://dx.doi.org/10.2307/1429945.

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17

Aron, Irene. "Elias Canetti - Um destino judaico." Revista USP, no. 23 (November 30, 1994): 152. http://dx.doi.org/10.11606/issn.2316-9036.v0i23p152-159.

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18

Rosenfeld, Sidney, and Michael Hulse. "Essays in Honor of Elias Canetti." World Literature Today 61, no. 4 (1987): 628. http://dx.doi.org/10.2307/40143864.

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19

Bergmann, Martin S. "Crowds And Power. By Elias Canetti." Journal of the American Psychoanalytic Association 33, no. 1 (1985): 235–37. http://dx.doi.org/10.1177/000306518503300114.

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20

Heyne, Elisabeth. "Thanato-Laboratorien. Theorien von Tod und Sterben und Elias Canettis Buch gegen den Tod." Kulturwissenschaftliche Zeitschrift 4, no. 1 (2020): 67–86. http://dx.doi.org/10.2478/kwg-2019-0007.

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AbstractAlthough visual culture of the 21th century increasingly focuses on representation of death and dying, contemporary discourses still lack a language of death adequate to the event shown by pictures and visual images from an outside point of view. Following this observation, this article suggests a re-reading of 20th century author Elias Canetti. His lifelong notes have been edited and published posthumously for the first time in 2014. Thanks to this edition Canetti's short texts and aphorisms can be focused as a textual laboratory in which he tries to model a language of death on exper

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21

Cohen, Yaier. "ELIAS CANETTI: EXILE AND THE GERMAN LANGUAGE." German Life and Letters 42, no. 1 (1988): 32–45. http://dx.doi.org/10.1111/j.1468-0483.1988.tb01285.x.

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22

Schaller-Fornoff, Branka. "Interkulturalität und Intertextualität. Elias Canetti und Zeitgenossen." Informationen Deutsch als Fremdsprache 36, no. 2-3 (2009): 283–86. http://dx.doi.org/10.1515/infodaf-2009-2-368.

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23

Skenderija-Bohnet, Nikolina. "Wozu Gerettet? Die Zungenvariationen bei Elias Canetti." Oxford German Studies 50, no. 1 (2021): 3–16. http://dx.doi.org/10.1080/00787191.2021.1891777.

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24

Preece, Julian. "Ungedruckte Erinnerungen an Elias und Veza Canetti." Zeitschrift für Germanistik 31, no. 3 (2021): 551–58. http://dx.doi.org/10.3726/92170_551.

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25

Donahue, William Collins. "Elias Canetti—Rudolf Hartung: Briefe, Autobiographisches und Fotos. Aus dem Nachlass von Elias Canetti ed. by Bernhard Albers." Journal of Austrian Studies 46, no. 3 (2013): 154–57. http://dx.doi.org/10.1353/oas.2013.0053.

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26

El Filali, Adil. "The Representation(s) of Morocco in Elias Canetti’s The Voices of Marrakesh." International Journal of Linguistics, Literature and Translation 3, no. 6 (2020): 205–10. http://dx.doi.org/10.32996/ijllt.2020.3.6.20.

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Elias Canetti’s (2009) the Voices of Marrakesh depicts a set of cultural features about Marrakesh city, Morocco. In such travel writing text, different are the issues of representation about the country which are discursively figured in negative perspectives. Relatedly, the gaze of the Westerner theoretically and practically helps target the extent to which the Moroccan landscape and identity are constructed. At this point, debates about the nature of concepts like the ‘civilized’, the ‘primitive’, and the ‘savage’ are very common and form the intellectual background for the travel writer. The

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27

Jaran, Mahmoud. "ELIAS CANETTI E TONI MARAINI A MARRAKECH: UN VIAGGIO NELLA MEMORIA." Revista Internacional de Culturas y Literaturas, no. 14 (2013): 28–42. http://dx.doi.org/10.12795/ricl.2013.i14.03.

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Nel presente articolo, si prendono in esame due opere di due autori decisamente lontani l’uno dall’altra, ma che si incontrano negli stessi luoghi nei loro sentimenti. La prima opera è “Le voci di Marrakech” (1968), dello scrittore bulgaro di famiglia ebrea e premio Nobel per la Letteratura, Elias Canetti, mentre la seconda è “Ultimo tè a Marrakech”, un diario di viaggio uscito nel 2000, della scrittrice e poetessa italiana, Toni Maraini. Entrambi questi viaggi nel mondo arabo, sono ritratto socioculturale del Marocco contemporaneo, conditi da squarci di vita quotidiana, i quali in modi e form

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28

Hyun Sook Shin. "Wahrnehmung oder Erkenntnis? Das Sehen bei Elias Canetti." Koreanische Zeitschrift für Germanistik 49, no. 2 (2008): 151–70. http://dx.doi.org/10.31064/kogerm.2008.49.2.151.

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29

Orsina, Giovanni. "Le spine del potere. Tangentopoli secondo Elias Canetti." VENTUNESIMO SECOLO, no. 39 (April 2017): 113–36. http://dx.doi.org/10.3280/xxi2016-039007.

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30

Meyer, Christine. "Écritures de l'exil chez Elias et Veza Canetti." Études Germaniques 252, no. 4 (2008): 855. http://dx.doi.org/10.3917/eger.252.0855.

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31

Hyun Sook Shin. "Schrecken und Grauen im Drama: Elias Canetti.『Hochzeit』." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 35 (2007): 159–80. http://dx.doi.org/10.30947/zfdsl.2007..35.159.

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32

Roberts, David, Dagmar C. G. Lorenz, and Elias Canetti. "A Companion to the Works of Elias Canetti." Modern Language Review 101, no. 2 (2006): 590. http://dx.doi.org/10.2307/20466872.

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33

Suzanne Smith. "Elias Canetti and T. S. Eliot on Fame." Philosophy and Literature 34, no. 1 (2010): 145–60. http://dx.doi.org/10.1353/phl.0.0083.

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34

Brighenti, Andrea Mubi. "Elias Canetti and the counter-image of resistance." Thesis Eleven 106, no. 1 (2011): 73–87. http://dx.doi.org/10.1177/0725513611407451.

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35

Ganev, Venelin I. "The Separation of Party and State as a Logistical Problem: a Glance at the Causes of State Weakness in Postcommunism." East European Politics and Societies: and Cultures 15, no. 2 (2001): 389–420. http://dx.doi.org/10.1177/0888325401015002008.

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36

Barnouw, Dagmar, Carl Hanser Verlag, and Elias Canetti. "Huter der Verwandlung: Beitrage zum Werk von Elias Canetti." German Quarterly 60, no. 1 (1987): 145. http://dx.doi.org/10.2307/407191.

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37

Matos-de-Souza, Rodrigo. "(DE)FORMATION JOURNEY IN THE ELIAS CANETTI AUTOBIOGRAPHY NARRATIVE." Revista de Estudos em Educação e Diversidade - REED 2, no. 3 (2021): 287–97. http://dx.doi.org/10.22481/reed.v2i3.8180.

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This article addresses the Elias Canetti’s autobiography from a formative point of view searching for another meaning for the trip concept, in which desire and pleasure are not present, as one would expect from a sightseeing tour or trekking, but a journey that, involuntary and forcibly, crosses the individual, (de)forming them. Accordingly, the refuge, the escape, the self-exile, they relate a path of personal tragedies that gains other meanings when narrated. Elias Canetti’s autobiographical narrative is divided in three volumes – “The tongue set free”, “The torch in my ear” and “The play of

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38

Kiss, Endre. "Társadalmi trauma szisztematikus helyéről. Elias Canetti pszichológia és politika között." Kaleidoscope History 10, no. 19 (2019): 252–61. http://dx.doi.org/10.17107/kh.2019.19.252-261.

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39

Robertson, Ritchie, and Piet van Meeuwen. "Elias Canetti und die bildende Kunst von Breugel bis Goya." Modern Language Review 84, no. 4 (1989): 1036. http://dx.doi.org/10.2307/3731263.

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40

Roy, David J. "Editorial • Elias Canetti, 1905-1994 A Resistance Fighter against Death." Journal of Palliative Care 28, no. 4 (2012): 243–44. http://dx.doi.org/10.1177/082585971202800401.

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41

Landa, Jutta, and Richard H. Lawson. "Understanding Elias Canetti (Understanding Modern European and Latin American Literature)." German Studies Review 16, no. 1 (1993): 159. http://dx.doi.org/10.2307/1430275.

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42

Bodnar, Roseli, and Márcia Regina Schwertner. "UM OLHAR CANETTIANO SOBRE O UNIVERSO FAMILIAR E SOCIAL." Revista Observatório 4, no. 5 (2018): 634–47. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n5p634.

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Este estudo propõe um olhar sobre a dramaturgia do escritor búlgaro Elias Canetti (1905- 1994), prêmio Nobel de Literatura em 1981. A peça escolhida para análise é O casamento (Hochzeit), de 1932, a qual revela uma visão tragicômica e crítica do mundo e do sujeito modernos[1]. O texto dramático de Canetti, ao flertar com o psicodrama, impregna os diálogos das personagens com crueza e uma pesada realidade humana. Nesta abordagem, ao enfocarmos o processo criativo e estético e os temas desenvolvidos na peça em análise, partimos do pressuposto de que não há como falar da obra do autor sem remeter

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43

Donahue, William Collins. "Briefe an Georges by Veza and Elias Canetti (review)." Journal of Austrian Studies 45, no. 1-2 (2012): 183–85. http://dx.doi.org/10.1353/oas.2012.0042.

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44

Poirier, Nicolas. "La violence du pouvoir : Elias Canetti, théoricien critique de la puissance." Revue du MAUSS 55, no. 1 (2020): 115. http://dx.doi.org/10.3917/rdm.055.0115.

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45

Folks, Jeffrey J. (Jeffrey Jay). "Edgar Allan Poe and Elias Canetti: Illuminating the Sources of Terror." Southern Literary Journal 37, no. 2 (2005): 1–16. http://dx.doi.org/10.1353/slj.2005.0017.

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46

Fetz, Bernhard. "Hüterin der Verwandlung: Elias Canetti und die Wiener Freundin Cilli Wang." Oxford German Studies 50, no. 1 (2021): 78–93. http://dx.doi.org/10.1080/00787191.2021.1891791.

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47

Portinaro, Pier Paolo. "Masse, Krieg und Gericht: Elias Canetti im Jahrhundert der politischen Justiz." Oxford German Studies 50, no. 1 (2021): 34–46. http://dx.doi.org/10.1080/00787191.2021.1891784.

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48

Barova, Alena G. "Intertext Functioning in the Novel by E. Canetti «Blinding»." Proceedings of Southern Federal University. Philology 2020, no. 2 (2020): 156–60. http://dx.doi.org/10.18522/1995-0640-2020-2-156-160.

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An attempt is made to study intertext and its functions in the novel «Blinding» by Elias Canetti. Itis shown that intertext is one of the techniques for creating a grotesque and parody in a work. Including various literary traditions in the text, thewriter expresses the attitude to the prevailing reality and draws a picture of society in connection with the vision of the world.

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49

Matos de Souza, Rodrigo. "Como Um Escritor É Lido? Sobre a Apropriação de Elias Canetti pelas universidades brasileiras." Plumilla Educativa 14, no. 2 (2014): 225–38. http://dx.doi.org/10.30554/plumillaedu.14.763.2014.

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Este trabalho pretende abordar os movimentos recepcionais das obras de Elias Canetti no Brasil, e seus processos de apropriação pelas Humani-dades ora como objeto, ora como referencial teórico, ora como ilustração, reportando a importante contribuição de seus escritos autobiográficos como campo de estudo dos processos (auto)formativos. Do ponto de vista metodológico, para a elaboração deste artigo, foi desenvolvido um levantamento das entradas de nosso autor nos principais bancos de dados nacionais, este levantamento foi organizado tendo em vista as categorias de Apropriação Incidental, Apropr

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50

Pérez de la Fuente, María Belén. "Traducir el nivel narrativo: la indirekte Rede en Die Blendung, de Elias Canetti." Hermēneus. Revista de traducción e interpretación, no. 20 (December 13, 2018): 457–82. http://dx.doi.org/10.24197/her.20.2018.457-482.

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Es bien sabido que la traducción literaria requiere un estudio y unas estrategias de traducción específicas. En este sentido, uno de los rasgos distintivos más pertinentes lo constituye el nivel narrativo, compuesto por las estrategias que el autor pone en marcha para transformar una historia en una obra literaria. Teniendo en cuenta los últimos avances en narratología trataremos el problema del estilo indirecto desentrañando las dificultades que presenta su traducción en el par de lenguas alemán-español. Para ello, analizamos tanto su dimensión gramatical como formal, haciendo hincapié en las

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