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Journal articles on the topic 'Canmore Festival of Photography'

Author: Grafiati
Published: 28 February 2023

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1

Foo, Cynthia. "Scotiabank CONTACT Photography Festival." Afterimage 42, no. 2 (2014): 2–3. http://dx.doi.org/10.1525/aft.2014.42.2.2.

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Liu, Xiaoxia. "Pingyao international photography festival (2001-2020)." photographies 14, no. 1 (2021): 165–80. http://dx.doi.org/10.1080/17540763.2020.1847175.

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Nielipiński, Władysław. "Ireneusz Zjezdzalka Greater Poland Photography Festival." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Edukacja Plastyczna. Fotografia 9 (2014): 61–87. http://dx.doi.org/10.16926/ep.2014.09.03.

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MacDougall, David. "Humanities Research Centre Documentary Film Festival/Film and Photography Conference." Visual Anthropology Review 5, no. 2 (2010): 27–30. http://dx.doi.org/10.1525/var.1989.5.2.27.

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Hartono, Hendri, and Nunnun Bonafix. "Images Capturing in Photography of Chinese Cultural Festival in Indonesia." Advanced Science Letters 23, no. 1 (2017): 67–71. http://dx.doi.org/10.1166/asl.2017.7143.

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Lloreta Pané, Natàlia. "Eureka! Panoramic Festival or the creative relationship between photography and cinema." Barcelona Investigación Arte Creación 6, no. 3 (2018): 350. http://dx.doi.org/10.17583/brac.2018.3431.

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In our western collective imagination, we live on this romantic idea that the great inventions of humanity are a result of a moment of divine inspiration that makes the eureka echo throughout seas, mountains and valleys. And maybe it's not like that. That moment of putting into practice that longed invention, that ingenious idea, that moment in which everything works must be wonderful, almost magical, but above all the sensation must be like that of those who conquer the top of a mountain: yes, finally!
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Onipede, Kayode. "Festival, Identity and Social Integration." Fieldwork in Religion 12, no. 1 (2017): 78–102. http://dx.doi.org/10.1558/firn.28640.

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This study examines the “historical” role of the New Yam Festival in the social integration of Moba people over time, aiming to supplement the dearth of scholarly work on the festivals that had fostered inter-group relations through cultural identity among the Ekiti-Yoruba people of southwest Nigeria. Using a hybrid historical and anthropological research method, which includes oral interviews, participant observation, photography and video and tape recordings to document and elicit data, the study discusses the political and social interaction of the EkitiYoruba social group through the New Y
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Paul, John. "A Festival of Kinship, Defiance, and Ethnic Survival." Journal of Festive Studies 1, no. 1 (2019): 78–105. http://dx.doi.org/10.33823/jfs.2019.1.1.29.

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In the fall of 2016, I traveled to North Dakota as an invited guest of the Standing Rock Sioux Tribe to document the emergent encampment of American Indians and their allies who had gathered to protest the construction of the Dakota Access Pipeline. This work explores some of these lived protests and the festival-like realities (as well as the strengths and criticisms of the "festival” notion) that were produced in such protestive actions. Ultimately, this article has three goals. First, it seeks to document, via photographs and text, some of the mobilization efforts of protesters against a se
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Del Rosario, Peter Jerome B. "Hermeneutic analysis of the San Isidro Pahiyas Festival as a development communication medium in Lucban, Quezon, Philippines." Journal of Hospitality and Tourism Insights 2, no. 2 (2019): 203–20. http://dx.doi.org/10.1108/jhti-01-2019-0002.

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Purpose Only few festival studies in the Philippines attempted to examine the capability of festivals as folk media to communicate development. The purpose of this paper is to analyze the development-oriented activities and messages in the San Isidro Pahiyas Festival in Lucban, Quezon. Design/methodology/approach The researcher conducted participant observation, ethnographic photography, key informant interview and record review. A historical analysis of the festival’s background, thematic analysis of its list of programs, visual analysis of the photographs guided by Barthes’ (1964) semiology
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Bray, Anne. "The Community Is Watching, and Replying: Art in Public Places and Spaces." Leonardo 35, no. 1 (2002): 15–21. http://dx.doi.org/10.1162/002409402753689263.

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The author describes her public-art projects and installa-tions, in which she has em-ployed various combinations of video, photography, audio, sculpture and performance, often in collaboration with artist Molly Cleator. The pieces spectacularize unresolved conflicts between the artists regarding what is personally truthful as compared to what society dictates, especially concerning the “three deviants”: women, art and nature. The artists question who defines these related realities and how. The author has also offered hundreds of artists a forum called L.A. Freewaves, a media arts organization
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Azaglo, Alex Kwasi, and Agbeyewornu Kofi Kemevor. "Design components in the celebration of Hogbe festival of Battor traditional area in Ghana." Journal of African History, Culture and Arts 2, no. 2 (2022): 75–82. http://dx.doi.org/10.57040/jahca.v2i2.109.

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Festivals are regarded as one of the most important elements in the formation of culture. This means that in order for a town to accomplish its cultural development goals, the festival should be a focal point. The Battor Traditional Area celebrates the Hogbe festival to commemorate their escape from Notsie, Togo, to their current abodes in Ghana's Volta Region. The paper seeks to identify and describe the design elements and principles that contribute to the festival's success and pageantry. The study employed qualitative research, using Hogbe festival as a case study. The qualitative research
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Eades, Michael, Kathryn Lord, and Claudia Cooper. "‘Festival in a Box’: Development and qualitative evaluation of an outreach programme to engage socially isolated people with dementia." Dementia 17, no. 7 (2016): 896–908. http://dx.doi.org/10.1177/1471301216658158.

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We co-designed and piloted ‘Festival in a Box’, an outreach programme to enable socially isolated people with dementia to engage with and enjoy cultural activities in their homes. It comprised 3–4 weekly home visits, each led by a professional artist to create art works using materials brought in ‘the box’. Activities included music, poetry, pottery, crafts and photography. We qualitatively interviewed 13 participants (6 people with dementia, 4 artists, 3 befrienders). Six participants with dementia completed, enjoyed and engaged with the planned visits. Main themes were: engagement, reflectio
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Conze, Linda. "Filling the Frame: Photography of May Day Crowds during the Early Nazi Era." Journal of Modern European History 16, no. 4 (2018): 463–86. http://dx.doi.org/10.17104/1611-8944-2018-4-463.

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Filling the Frame: Photography of May Day Crowds during the Early Nazi Era When one thinks of festive crowds under National Socialism, the state-orchestrated events at Berlin's Tempelhofer Feld, the Bückeberg or at the Reichsparteitagsgelände in Nuremberg are what first come to mind. But apart from the huge festival grounds, festive crowds also came together on sports fields and town squares all over Germany. They were certainly smaller in number, yet the presence of the many was clearly also of great ritual importance in small towns and rural communities. Whenever they came together, a camera
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Castellote, Jess, and Tobenna Okwuosa. "Lagos Art World: The Emergence of an Artistic Hub on the Global Art Periphery." African Studies Review 63, no. 1 (2019): 170–96. http://dx.doi.org/10.1017/asr.2019.24.

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Abstract:The global geography of art has changed greatly in recent years. Whereas global art hubs were formerly found only in the West, they now exist in locations all over the world, including Africa. Though some art worlds in Asia and Latin America have been studied in recent times, there is insufficient empirical data on art worlds in Africa. This is a study of the Lagos art world, which shows how an “art system,” with all of its attendant structures and agents, has emerged in the city of Lagos, Nigeria, in the last few years. Lagos reflects the dynamics of globalization and is building up
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Wulandari, Sari. "Pendekatan Parodi, Simbolik dan Metafora pada Karya Seni Jogja International." Humaniora 4, no. 1 (2013): 465. http://dx.doi.org/10.21512/humaniora.v4i1.3455.

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Ngayogyakarta Negari Exhibition 2012 is part of the Festival of Arts 2012 Ngayogyakarta Hadiningrat Negari held in commemoration of the 2.5-century founding of Ngayogyakarta and 100 years of the birth of Sri Sultan Hamengkubuwono IX, followed by 124 artists Yogyakarta, both painting, photography, sculpture, audio visual, and installation as well which displayed the works of Sri Sultan Hamengkubuwono IX and Yogyakarta themed. Jogja International work sculpture by sculpture artist, Dunadi, is one of the few works of sculpture on display in this activity, similar to superhero Spider-Man but weari
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Meaden, G. Terence. "Drombeg Stone Circle, Ireland, analyzed with respect to sunrises and lithic shadow-casting for the eight traditional agricultural festival dates and further validated by photography." Journal of Lithic Studies 4, no. 3 (2017): 5–37. http://dx.doi.org/10.2218/jls.v0i0.1919.

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A new survey of Drombeg Stone Circle and accurate analysis of shadow effects beginning at particular sunrises of the calendar year has led to a breakthrough in the understanding of lithic symbolism and the intentions behind the construction of this and other Irish monuments including Knowth and Newgrange that also have astronomical alignments. At Drombeg specific standing stones play critical roles at sunrise for all eight of the festival dates as known traditionally and historically for agricultural communities and as now inferred for prehistoric times following the present observation-based
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Ferro, Simone, and Meredith W. Watts. "Traditionalism and Modernity: Choreography and Gender Portrayal in the Brazilian Popular Dance Bumba-meu-boi." Congress on Research in Dance Conference Proceedings 2012 (2012): 51–62. http://dx.doi.org/10.1017/cor.2012.6.

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Dancers in the Brazilian folk celebration Bumba-meu-boi once performed in simple, repetitive, and predominantly circular movements. This structure promotes multigenerational participation, increases community interaction, and maintains a semi-intact historical legacy. Nevertheless, many groups are currently adopting choreographic steps and patterns familiar from popular entertainment culture and urban Carnival celebrations. This evolution is uneven, with many of the nearly 300 groups that perform in the federal state of Maranhão maintaining the older practices. Nevertheless, for groups embraci
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Sennikova, Veronika V. "TOMSK CHILDREN'S AND YOUTH FILM FESTIVALS AND STUDIOS: THE EXPERIENCE OF CHILDREN AND YOUTH CINEMA REVIVAL." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 43 (2021): 126–38. http://dx.doi.org/10.17223/22220836/43/9.

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Regional film festivals are part of the film process and play a special role in the formation and preservation of national and cultural identity. The author of the article refers to the regional children's cinema festival. This topic is relevant because children's filmmaking is given very little attention in the space of contemporary culture (These are films made by the children themselves). We characterize this cinema as the artistic practice of “small cinema with great meaning”. The purpose of research – to identify the specific features of the cinema, as a product of children's creativity.
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Zhang, Xia, Danning Xu, and Ni Zhang. "Research on Landscape Perception and Visual Attributes Based on Social Media Data—A Case Study on Wuhan University." Applied Sciences 12, no. 16 (2022): 8346. http://dx.doi.org/10.3390/app12168346.

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With the rapid rise of social media, the photo-taking behavior of tourists and their uploaded photos provide a new perspective to explore landscape visual characters. In this study, we provide methodological advancements for assessing landscape visual quality based on content analysis of user-generated photographs. The purpose is to demonstrate an empirical method for evaluating visual indicators reflected in photographs through a case study application. This research takes the core cultural landscape area of Wuhan University as the research scope. The photographs shared on a famous Chinese so
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Sarumaha, Petra Selsia Krisnawati, and A. A. Ngr Anom Kumbara. "Revitalisasi Ritual Sampang Sandro Sebagai Daya Tarik Wisata." Humanis 24, no. 1 (2020): 53. http://dx.doi.org/10.24843/jh.2020.v24.i01.p07.

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This study discusses about Gili Indah village which has a sampang sandro ritual. lately this ritual is almost extinct because the activity as a salt farmer did not ensure in society's economy, so they switch to other professions. Those switching profession indirectly causes the loss of unique ritual of that. Local government are trying to revitalize sampang sandro ritual to used as an alternative tourist attraction. Based on the background study above, this study focus on (1) How are the revitalization of sampang sandro ritual in Gili Indah village? (2) How the implication of revitalization of
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Pijarski, Krzysztof. "Gesture And Photography. A Performative Symposium." Widok. Teorie i Praktyki Kultury Wizualnej, no. 12 (2015). http://dx.doi.org/10.36854/widok/2015.12.916.

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The slightly modified programmatic statement of the performative symposium Gesture And Photography, organized on October 21st and 22nd 2013 at the Zachęta National Gallery of Art in Warsaw, as a part of the festival Warsaw Photo Days 2013 (http://warsawphotodays.com).
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Savnal, Ketaki. ""IT LOOKS BETTER ON INSTAGRAM": NETWORKED PHOTOGRAPHY AND PUBLIC ART IN MUMBAI." AoIR Selected Papers of Internet Research, September 15, 2021. http://dx.doi.org/10.5210/spir.v2021i0.12037.

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In this paper, I discuss networked photography practices and selfie cultures at the Kala Ghoda Arts Festival, an annual cultural festival in Mumbai, to demonstrate how global digital visual cultures are translated in the urban Indian context, and offer new ways of thinking about the conceptualisation and experience of art, the city and the resident. I argue that the desire for networked photography that animates the assemblage of installations, artists, visitors, curators, camera technologies and social networking sites, alters ideas of space and place, and object production and meaning making
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Onipede, Kayode Joseph, and O. F. Phillips. "Ode Festival." Fieldwork in Religion 16, no. 2 (2021). http://dx.doi.org/10.1558/firn.21293.

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This article examines the role of traditional festivals in citizens’ consciousness of identity, solidarity and integration, with particular attention to the Ode festival, which is dedicated to the worship of the Obalatan deity in Oye-Ekiti. It supplements the scant literature on traditional festivals that have fostered social solidarity and intergroup relations through cultural identity among the Yorùbá people of southwest Nigeria. The study harnesses sociology, cultural anthropology and historical research methodology resources, including oral interviews, participant observation, photography,
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Morère, Julie. "Fashion Photography and Festival Culture: What Glastonbury’s Space Does to the Imagination." Études britanniques contemporaines, no. 47 (November 1, 2014). http://dx.doi.org/10.4000/ebc.1861.

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Holloway, Ron. "Berlinale 2001 Report." Kinema: A Journal for Film and Audiovisual Media, April 10, 2001. http://dx.doi.org/10.15353/kinema.vi.964.

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INTERNATIONAL FILM FESTIVAL BERLIN 2001 IT fit the 2001 Berlinale (7-18 February 2001) like a glove: Stanley Kubrick's 2001 -- A Space Odyssey as the closing night presentation. For back at the 1981 Berlinale, when Martin Scorsese delivered a fiery, passionate lecture on "Color Fading," he cited 2001 in particular to underscore the dilemma of colour preservation. Thanks to his efforts, and those of dedicated film archivists, Stanley Kubrick's 2001: A Space Odyssey (1968) has now been restored to its original pristine colour photography -and was the undeniable hit of the Berlinale. When one rec
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Sun, Heng. "Little Wish Little Wish (小小的渴望(艺术节版)". Migration, Mobility, & Displacement 2, № 2 (2016). http://dx.doi.org/10.18357/mmd22201616119.

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<p>Since 1978, many rural Chinese have migrated to cities for new opportunities. According to national statistics, in 2009 there were about 200 million migrant workers in China, as well as about 100 million children who have been affected by migration, including migrant children and left-behind rural children. The Beijing Migrant Workers Home (Home) is a labour NGO established to make the issue of children affected by migration visible in Chinese society, while empowering migrant children through communication.</p><p><em>Little Wish </em>was produced by Sun Heng,
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Vázquez Valdés [1], Verónica. "Recordar Es Vivir: Memoria Y Fotografí­a De Dí­as De Muertos De La Sierra Norte De Puebla." Xihmai 14, no. 27 (2019). http://dx.doi.org/10.37646/xihmai.v14i27.309.

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ResumenEste artí­culo trata sobre la fotografí­a y los dí­as de muertos en una localidad de la Sierra Norte de Puebla, en México. Se presenta una descripción etnográfica del lugar para comprender el contexto sociocultural de los altares y se menciona el análisis de dos secuencias fotografí­as sobre la festividad del Dí­a de Muertos mediante un modelo tetradimensional semiótico para describir e interpretar dicha celebración.Palabras clave: memoria, fotografí­a, muerte, altares, totonacos. AbstractThis article is about photography and the days of the dead in a town in the Sierra Norte de Puebla
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Pearce, Hanne. "Summerlost by A. Condie." Deakin Review of Children's Literature 6, no. 1 (2016). http://dx.doi.org/10.20361/g2c02t.

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Condie, Ally. 2016. Summerlost. New York: Dutton Children’s Books. Print.Cedar’s Mother has brought Cedar and her brother to Iron Creek, her hometown, for the summer. They have bought a house that her mother intends to rent over the rest of the year and keep it for them as a summer home. For Cedar, this is not just any ordinary summer vacation. Only a year ago, her father and brother Ben were killed in a car accident with a drunk driver. Haunted by memories of a father and brother no longer with them, the family is struggling to move forward, each of them dealing with the changes and the grief
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Karmila, Karmila. "PERKEMBANGAN DESTINASI WISATA PANTAI TAIPA KECAMATAN LEMBO KABUPATEN KONAWE UTARA (1993 – 2017)." Jurnal Penelitian Pendidikan Sejarah UHO 4, no. 2 (2019). http://dx.doi.org/10.36709/jpps.v4i2.9890.

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ABSTRAK: Fokus dari penelitian ini adalah (1) apa latar belakang taipa dijadikan sebagai objek wisata pantai? (2) bagaimana usaha pemerintah dalam mempromosikan wisata pantai taipa kecamatan lembo kabupaten konawe utara? (3) bagaimana perkembangan destinasi wisata pantai taipa kecamatan lembo tahun 1993-2017?. Metode yang digunakan dalam penelitian ini adalah metode sejarah menurut Helius Sjamsuddin dengan langkah-langkah sebagai berikut: (a) Heuristik (pengumpulan sumber), yang dilakukan dengan teknik pengamatan, wawancara dan studi dokumen, (b) Kritik, yang dilakukan melalui kritik eksternal
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Karmila, Karmila, and H. Jamiludin. "PERKEMBANGAN DESTINASI WISATA PANTAI TAIPA KECAMATAN LEMBO KABUPATEN KONAWE UTARA (1993 – 2017)." Jurnal Penelitian Pendidikan Sejarah UHO 4, no. 2 (2019). http://dx.doi.org/10.36709/jpps.v4i2.9892.

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ABSTRAK: Fokus dari penelitian ini adalah (1) apa latar belakang taipa dijadikan sebagai objek wisata pantai? (2) bagaimana usaha pemerintah dalam mempromosikan wisata pantai taipa kecamatan lembo kabupaten konawe utara? (3) bagaimana perkembangan destinasi wisata pantai taipa kecamatan lembo tahun 1993-2017?. Metode yang digunakan dalam penelitian ini adalah metode sejarah menurut Helius Sjamsuddin dengan langkah-langkah sebagai berikut: (a) Heuristik (pengumpulan sumber), yang dilakukan dengan teknik pengamatan, wawancara dan studi dokumen, (b) Kritik, yang dilakukan melalui kritik eksternal
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Pearce, Hanne. "News, Awards and Annoucements." Deakin Review of Children's Literature 6, no. 1 (2016). http://dx.doi.org/10.20361/g2zs4s.

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Summer Reading ListsWith summer in full swing, there are a number of summer reading lists available to help find great books for your kids. The Canadian Children’s Book Centre (CCBC) list includes a great number of titles arranged by topic matter, reading level and age level. The CCBC has also recently launched of a new online edition of Best Books for Kids & Teens, an online version of the CCBC’s semi-annual selection guide to the best Canadian books for children and young adults. Other reading lists worth noting include the Association for Library Service to Children (ALSC) list for 2016
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Drummond, Rozalind, Jondi Keane, and Patrick West. "Zones of Practice: Embodiment and Creative Arts Research." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.528.

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Introduction This article presents the trans-disciplinary encounters with and perspectives on embodiment of three creative-arts practitioners within the Deakin University research project Flows & Catchments. The project explores how creative arts participate in community and the possibility of well-being. We discuss our preparations for creative work exhibited at the 2012 Lake Bolac Eel Festival in regional Western Victoria, Australia. This festival provided a fertile time-place-space context through which to meet with one regional community and engage with scales of geological and histori
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Lawrence, Robert. "Locate, Combine, Contradict, Iterate: Serial Strategies for PostInternet Art." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1374.

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We (I, Robert Lawrence and, in a rare display of unity, all my online avatars and agents)hereby render and proclaim thisMANIFESTO OF PIECES AND BITS IN SERVICE OF CONTRADICTIONAL AESTHETICSWe start with the simple premise that art has the job of telling us who we are, and that through the modern age doing this job while KEEPING UP with accelerating cultural change has necessitated the invention of something we might call the avant-garde. Along the way there has been an on-again-off-again affair between said avant-garde and technology. We are now in a new phase of the new and the technology und
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Meakins, Felicity, and Kate Douglas. "Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1979.

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Me? "I" am everywhere. The 'self' permeates contemporary culture. Through capitalist individualism and conservative politics, 'self' must be considered first above the needs of the group - "looking after no. 1". In therapeutic, religious and consumerist discourses of self-improvement, self-help or self-actualisation, 'self' is obscured; an entity which needs to be sought and found, changed or accommodated, an entity which one needs to become "in touch with". Within these permutations "self" carries the assumption of its own existence, as either a stable, unchanging entity or as a contextually
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Goggin, Gerard. "Conurban." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1946.

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Conurbation [f. CON- + L. urb- and urbs city + -ation] An aggregation of urban areas. (OED) Beyond the urban, further and lower even than the suburban, lies the con-urban. The conurban: with the urban, partaking of the urbane, lying against but also perhaps pushing against or being contra the urban. Conurbations stretch littorally from Australian cities, along coastlines to other cities, joining cities through the passage of previously outlying rural areas. Joining the dots between cities, towns, and villages. Providing corridors between the city and what lies outside. The conurban is an accre
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Mesch, Claudia. "Racing Berlin." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1845.

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Bracketed by a quotation from famed 1950s West German soccer coach S. Herberger and the word "Ende", the running length of the 1998 film Run Lola Run, directed by Tom Tykwer, is 9 minutes short of the official duration of a soccer match. Berlin has often been represented, in visual art and in cinematic imagery, as the modern metropolis: the Expressionist and Dadaist painters, Walter Ruttmann, Fritz Lang and Rainer Werner Fassbinder all depicted it as the modernising city. Since the '60s artists have staged artworks and performances in the public space of the city which critiqued the cold war o
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Peoples, Sharon Margaret. "Fashioning the Curator: The Chinese at the Lambing Flat Folk Museum." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1013.

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IntroductionIn March 2015, I visited the Lambing Flat Folk Museum (established 1967) in the “cherry capital of Australia”, the town of Young, New South Wales, in preparation for a student excursion. Like other Australian folk museums, this museum focuses on the ordinary and the everyday of rural life, and is heavily reliant on local history, local historians, volunteers, and donated objects for the collection. It may not sound as though the Lambing Flat Folk Museum (LFFM) holds much potential for a fashion curator, as fashion exhibitions have become high points of innovation in exhibition desi
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Matthews, Nicole. "Creating Visible Children?" M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.51.

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I want to argue here that the use of terms like “disabled” has very concrete and practical consequences; such language choices are significant and constitutive, not simply the abstract subject of a theoretical debate or a “politically correct” storm in a teacup. In this paper I want to examine some significant moments of conflict over and resistance to definitions of “disability” in an arts project, “In the Picture”, run by one of the UK’s largest disability charities, Scope. In the words of its webpages, this project “aims to encourage publishers, illustrators and writers to embrace diversity
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Laforteza, Elaine M. "Cute-ifying Disability: Lil Bub, the Celebrity Cat." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.784.

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Introduction Feline Hitler look-alikes. Dogs attired in hats and bow-ties. Rabbits wearing lace bonnets. Images of these animals abound on the Internet with a host of websites paying homage to their cuteness. Emphasising the cuteness of non-human animals by anthropomorphising them is a common trend online, but there is also another side to the human relationship with other animals that has created a different category of cuteness. The blogger, Tiffiny Carlson, remarks that there has been an “onslaught of virtual love for disabled animals” who are not dressed to look like humans or imagined as
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Piotrowski, Marcelina. "Data Desire in the Anthropocene." M/C Journal 21, no. 3 (2018). http://dx.doi.org/10.5204/mcj.1412.

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Data desire flows through protest in the Anthropocene. Citizen science, participation in online discussion forums, documentary film production, protest selfies, glacier recession GPS photography, poster making, etc., are just some of the everyday data proliferation efforts comprising resistance to environmental degradation and destruction. These practices – visualisation, datafication, writing, sign making, archiving geological memory, etc., are, I want to argue, produced pleasurably, especially as modes of emerging as ‘subjects’ in relation to the chaos, chaotic affects, and unprecedented pac
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Barry, Derek. "Wilde’s Evenings." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2722.

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 According to Oscar Wilde, the problem with socialism was that it took up too many evenings. Wilde’s aphorism alludes to a major issue that bedevils all attempts to influence the public sphere: the fact that public activities encroach unduly on citizens’ valuable time. In the 21st century, the dilemma of how to deal with “too many evenings” is one that many citizen journalists face as they give their own time to public pursuits. This paper will look at the development of the public citizen and what it means to be a citizen journalist with reference to some of the writer’s o
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Barry, Derek. "Wilde’s Evenings: The Rewards of Citizen Journalism." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.29.

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According to Oscar Wilde, the problem with socialism was that it took up too many evenings. Wilde’s aphorism alludes to a major issue that bedevils all attempts to influence the public sphere: the fact that public activities encroach unduly on citizens’ valuable time. In the 21st century, the dilemma of how to deal with “too many evenings” is one that many citizen journalists face as they give their own time to public pursuits. This paper will look at the development of the public citizen and what it means to be a citizen journalist with reference to some of the writer’s own experiences in the
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