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Journal articles on the topic 'Canon'
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Trujillo-Silva, Joaquín Mateo. "Canon vs. Cannon: a desmontagem Müller." ANAMORPHOSIS - Revista Internacional de Direito e Literatura 5, no. 2 (December 17, 2019): 333–55. http://dx.doi.org/10.21119/anamps.52.333-355.
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O artigo propõe que a intertextualidade dos materiais em “Die Hamletmaschine” possa ser lida a partir de diferentes máquinas (ou maquinações) presentes em “Hamlet” e que são desmontadas na peça pós-dramática de Heiner Müller. Assim, a própria história e o teatro mesmo, isto é, o significado final de um dramaturgo politicamente engajado, passam por esse procedimento de desmontagem, ao qual, no fundo, é o do próprio príncipe na peça de Shakespeare. Como dramaturgo, por sua vez, o príncipe é um programador, um legislador, um escritor de constituições, um escritor tensionado pela política contemporânea.
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Elliott, Robin. "CanCon and the Canon." Canadian University Music Review 23, no. 1-2 (March 6, 2013): 201–13. http://dx.doi.org/10.7202/1014524ar.
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Canadian music is almost completely absent from university-level textbooks used in this country, most of which are published in the United States. Canadian content typically is added to a music history survey course, if at all, at the end of the chronological account. This article argues for a different approach, one in which Canadian content is integrated into the survey course from the medieval era to the present day. Introductory courses in ethnomusicology could also include Canadian music materials at many different points.
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Mai, Anne-Marie. "Canons and Contemporary Danish Literature." Folia Scandinavica Posnaniensia 19, no. 1 (June 1, 2016): 109–32. http://dx.doi.org/10.1515/fsp-2016-0009.
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Abstract This article deals with recent Danish literature in the light of the discussion about canons occasioned by the publication of the two ministerial canons: Undervisningskanon (Educational Canon, 2004) and Kulturkanon (Cultural Canon, 2006). The article argues that recent Danish literature challenges traditional work categories and the concept of the author on which the two canons are based, and discusses which works and texts in recent Danish literature ought to belong to a future canon.
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Cook, Karen M. "Canon Anxiety?" Journal of Sound and Music in Games 1, no. 1 (January 1, 2020): 95–99. http://dx.doi.org/10.1525/jsmg.2020.1.1.95.
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Canons—of music, video games, or people—can provide a shared pool of resources for scholars, practitioners, and fans; but the formation of canons can also lead to an obscuring or devaluing of materials and people outside of a canon. The four authors in this colloquy interrogate issues of canons relating to video game music and sound from a variety of perspectives. Each author considers an aspect of canonization and argues for a wider purview. In “Rewritable Memory: Concerts, Canons, and Game Music History,” William Gibbons examines the ways in which concerts of video game music may create canons and reinforce particular historical narratives. In “On Canons as Music and Muse,” Julianne Grasso views the music originally presented in a video game as itself a type of canon and argues that official and fan arrangements of original game music may provide windows into lived experiences of play. In “The Difficult, Uncomfortable, and Imperative Conversations Needed in Game Music and Sound Studies,” Hyeonjin Park highlights issues of diversity and representation in the field of video game music and sound studies, with respect to the people and music that make up the subjects of the field, the people who produce scholarship in the field, and the people who engage with game music and sound. In “Canon Anxiety?” Karen Cook pulls together various issues of academic canons to question the scope, focus, and diversity of the growing field in which the Journal of Sound and Music in Games exists.
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Romanenko, Ksenia. "The Transformation of the Canon, the Struggle With the Canon, the Re-creation of the Canon as the Basis of Fanfiction Culture." Philosophy. Journal of the Higher School of Economics VI, no. 2 (March 31, 2022): 168–88. http://dx.doi.org/10.17323/2587-8719-2022-2-168-188.
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To understand the transformation of canons and the struggle with them, we may productively explore fanfiction, a particular reader's, viewer's, and author's practice, within non-professional and non-commercial texts based on the plots and heroes of other people's works. Fanfiction is a paradoxical phenomenon: it is wholly based on a specific canon — collectively selected film and literary texts, moves by worship, emotional attachment, and attention, while initially working as a criticism of the canons and changing the canons. Canon is not only a research concept but also an intra-cultural designation of the original work as the basis of a fan text. Fans also create their canon — “fanon”, a set of characteristic plot solutions and ways to change characters established in fanfiction. The article examines the intersections of the cultural canon of high and popular culture, the national literary canon, and the canon and the fanon in the understanding of fans with different types of attitudes to the canons — disintegration, transformation, struggle, re-creation. The argument is based on a critical analysis of the research literature with a focus on metaphors that help authors describe the relationship of fiction writers with the canons and on the experience of empirical research about fanfiction devoted to samples of popular culture (“Harry Potter” franchise, “Doctor Who” series, “Sherlock” series, and others), fanfiction and sequels to novels by Jane Austen, the British writer of the 19th century, and fanfiction devoted to Russian classical literature.
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Hunter, J. Paul. "Canon of Generations, Generation of Canons." Modern Language Studies 18, no. 1 (1988): 38. http://dx.doi.org/10.2307/3194699.
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Głodkowska, Joanna. "DZIECKO W „LUDZKIM CENTRUM AKSJOLOGICZNYM” RÓŻNE PERSPEKTYWY WYJAŚNIENIA KANONÓW WCZESNEGO WSPOMAGANIA ROZWOJU DZIECKA." Men Disability Society 3, no. 37 (October 31, 2017): 35–58. http://dx.doi.org/10.5604/01.3001.0010.8013.
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The article’s focus is to identify and theoretically present canons that are specific generalizations about the assessment and rehabilitation area constituted by early childhood development support. It refers to the following interdisciplinary theoretical concepts and empirical analyses: positive psychology, pedagogical personalism, optimal functioning theory, developmental task concept, and social support theory. In the light of the above concepts and analyses, the following canons become theoretically and empirically anchored: (1) a happy childhood canon, (2) a subjective treatment canon, (3) a safe environment canon, (4) a developmental success canon, and (5) an intervention professionalism canon. Their framing suggests that there exist already substantial resources in this area that make it possible to systematize this stage of human development considered the most precious one that is the period from birth to 6 years of age.
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KÄRJÄ, ANTTI-VILLE. "A prescribed alternative mainstream: popular music and canon formation." Popular Music 25, no. 1 (January 2006): 3–19. http://dx.doi.org/10.1017/s0261143005000711.
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This article applies the processes of canon formation suggested by Philip V. Bohlman in The Study of Folk Music in the Modern World to the historiography of popular music. Bohlman distinguishes between at least three different types of folk music canon: a small group canon, a mediated canon and an imagined canon. Adjusting Bohlman's ideas to the case of popular music, a reformulation is proposed in the form of an alternative canon, a mainstream canon, and a prescribed canon. The unstable power relations implied by the juxtaposition of different canons are considered, as well as the cumulative aspect of canon formation. The article also looks for each type of canon in the media through which historical knowledge is transmitted, and considers the tendency to narrate the historiography of marginal musics with more ephemeral media than the printed word.
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Gavryliuk, Nadiya. "Canon, Classics, Tradition: Demarcation Of The Terms." Messages, Sages and Ages 2, no. 2 (December 1, 2015): 48–55. http://dx.doi.org/10.1515/msas-2015-0011.
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Abstract The canon is a concept with a long history. The religious canon was eventually re-established on secular grounds, where it was comprehended in the categories of official literary (general) and personal (individual) canons, educational canon (reading lists) being correlated to the concept of tradition (canon as selective tradition) and the classics (canon as synchronicity, the classics as diachronicity). These aspects have different features in each national literature, particularly in Ukrainian literature. The necessity of standards and hierarchical classifications remains important after postmodernism, when new concepts, such as corps, collection, postcanon, succeed or keep up with the concept of the canon.
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Bjurström, Erling. "Whose Canon? Culturalization versus Democratization." Culture Unbound 4, no. 2 (June 1, 2012): 257–74. http://dx.doi.org/10.3384/cu.2000.1525.124257.
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Current accounts – and particularly the critique – of canon formation are primarily based on some form of identity politics. In the 20th century a representational model of social identities replaced cultivation as the primary means to democratize the canons of the fine arts. In a parallel development, the discourse on canons has shifted its focus from processes of inclusion to those of exclusion. This shift corresponds, on the one hand, to the construction of so-called alternative canons or counter-canons, and, on the other hand, to attempts to restore the authority of canons considered to be in a state of crisis or decaying. Regardless of the democratic stance of these efforts, the construction of alternatives or the reestablishment of decaying canons does not seem to achieve their aims, since they break with the explicit and implicit rules of canon formation. Politically motivated attempts to revise or restore a specific canon make the workings of canon formation too visible, transparent and calculated, thereby breaking the spell of its imaginary character. Retracing the history of the canonization of the fine arts reveals that it was originally tied to the disembedding of artists and artworks from social and worldly affairs, whereas debates about canons of the fine arts since the end of the 20th century are heavily dependent on their social, cultural and historical reembedding. The latter has the character of disenchantment, but has also fettered the canon debate in notions of “our” versus “their” culture. However, by emphasizing the dedifferentiation of contemporary processes of culturalization, the advancing canonization of popular culture seems to be able to break with identity politics that foster notions of “our” culture in the present thinking on canons, and push it in a more transgressive, syncretic or hybrid direction.
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Serrano-Muñoz, Jordi. "Canon Breeds Canon." Archiv orientální 89, no. 2 (September 30, 2021): 339–63. http://dx.doi.org/10.47979/aror.j.89.2.339-363.
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In this article, I explore the relationship between the reproduction of hegemonic discourses of national representation in the reception of literature in translation and processes of canonization. I argue that World Literature as a paradigm hinders our efforts of overcoming the burdens of canonization. As a case study, I analyze the implications of building and reproducing a canon of Japanese literature in translation in the United States for the way Japan has been represented in public discourse in the last thirty years. I will focus on the reception of Murakami Haruki as the contemporary representative of the canon of Japanese literature in translation. My goal is to examine how the circumstances of Japanese literature in translation perpetuate mechanisms of canonization in their engagement and legitimation of an ongoing logic of representation that is non-confrontational with agents in power. I aim to test the extent to which studying the reception of East Asian literature in translation can help us promote a broader discussion on the appropriateness of such frameworks in our understanding of the contemporary literary phenomenon.
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Desler, Anne. "History without royalty? Queen and the strata of the popular music canon." Popular Music 32, no. 3 (September 13, 2013): 385–405. http://dx.doi.org/10.1017/s0261143013000287.
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AbstractAlthough canon formation has been discussed in popular music studies for over a decade, the notion of what constitutes ‘the popular music canon’ is still vague. However, considering that many scholars resent canon formation due to the negative effects canons have exerted on other academic fields, analysis of canon formation processes in popular music studies seems desirable: awareness of these processes can be a valuable tool for scholars’ assessment of how their academic choices contribute to canon formation. Based on an examination of the reception history of Queen in the popular mainstream, music criticism and academia, this article argues that a universally valid popular music canon does not exist and that canon formation in popular music is based on the same criteria as in the ‘high’ arts, i.e. transcendence, historical importance and ‘greatness’, although the latter is replaced by ‘authenticity’ in the popular music context. While canons can be theorised in various ways, a model that distinguishes between canonic strata according to listeners’ relationship to music is particularly useful as it reveals the relative importance of the three canonic criteria within different strata and how they are applied.
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Anenson, T. Leigh, and Jennifer Gershberg. "Clashing Canons and the Contract Clause." University of Michigan Journal of Law Reform, no. 54.1 (2021): 147. http://dx.doi.org/10.36646/mjlr.54.1.clashing.
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This Article is the first in-depth examination of substantive canons that judges use to interpret public pension legislation under the Contract Clause of the U.S. Constitution and state constitutions. The resolution of constitutional controversies concerning pension reform will have a profound influence on government employment. The assessment begins with a general discussion of these interpretive techniques before turning to their operation in public pension litigation. It concentrates on three clashing canons: the remedial (purpose) canon, the “no contract” canon (otherwise known as the unmistakability doctrine), and the constitutional avoidance canon. For these three canons routinely employed in pension law, there has been remarkably little research on their history, evolution, or impact. This study spotlights the methodology that underlies these diverse and complicated judgments. Illuminating actual judicial practices lets us better comprehend when, how, and why these canons function. It puts us in a position to choose the most appropriate canon(s) and to offer improvements on their operation. It also allows us to relate the role of canons to other kinds of legal reasoning. Significantly, studying these canons fills a void in state statutory interpretation as well as contributes to a better understanding of state court enforcement of the Contract Clause that has received scarcely any attention.
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Nicolau, Felix. "Redeeming the Canon: Transdisciplinary Collocations." Linguaculture 10, no. 1 (June 10, 2019): 11–28. http://dx.doi.org/10.47743/lincu-2019-1-0131.
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The canon in the English speaking world has been remolded under the influence of later developments in technology and media. Posthumanism and Communication and Performance Studies push forward the demythization – initiated by the Cultural Studies – of the aesthetic isolationism of the New Criticism. The new developments do not dispute the primacy of the aesthetic/truthful criteria used for informing the canon, but they disclose the fact that we cannot ignore the complexity of contemporary society. My study envisages new approaches in selecting items for the new arch-canon, with reference to specialized canons and also personal canons. How much is utopia and how much is dystopia in building an arch-canon in the English speaking world? Can we create a canon which will serve pure communicative purposes instead of the customary colonialist ones?
The canon is subject to fashion too, but fashions know inner delimitations. Every time a certain fashion is resurrected, it displays new encodings, too, superposed to the old ones. Nothing in history has been resumed between the same coordinates. A trustworthy canon cumulates many fashions and combines them into a multi-discourse super-fashion. But, in the end, the canon cannot contest the perishable ingredient in its composition. Even Harold Bloom acknowledged that when he selected only twenty-six writers to support his point of view. What raises the canon above the run-of-the-mill fashion is that it never wanes entirely; it simply substitutes some of its components, modernising its structure. The canon is an ever-lasting system endowed with the ability to eliminate and draft values in accordance with cultural imperatives. At the same time, the survivalist representation of the canon is limited, as its main mission is to safeguard and propose values. That is why the canon has to be formed with an eye to the updated chart of values; otherwise it would completely miss its momentum and power of influence.
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Moretti, Alberto. "Todo canon, el canon." Análisis Filosófico 30, no. 1 (May 1, 2010): 35–59. http://dx.doi.org/10.36446/af.2010.134.
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En la consideración de numerosos asuntos y respecto de muy variadas exposiciones, el uso de expresiones como "filosófica" sugiere que debemos remitirnos a procederes, preguntas o exigencias especiales. Rabossi propone un modo de caracterizar el sentido con que usamos esas expresiones y, sobre esa base, concluye que la filosofía tal como se la practica desde hace doscientos años pretende ser una disciplina profesional pero no puede serlo debido a la índole de la preceptiva que la constituye (el Canon). En este artículo se examinan sus argumentos y se sostiene que, aunque no parecen suficientes para la conclusión a la que apuntan, hay razones para modificarlos de cierto modo que conducen a ese resultado.
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Heyman, George. "Canon Law and the Canon of Scripture." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 2, no. 2-3 (March 14, 2008): 209–25. http://dx.doi.org/10.1558/post.v2i2.209.
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Meerten B. ter Borg argued that canons function as a means of social control. The success of a canon follows not from the assent or agreement of the populace, but rather from the embedded quasi-personal relationship that produces a sense of belonging and identity. The objectified canon takes over this quasi-personal feature, which guarantees a canon’s sanctity. Calling scripture or law “canonical” thus transcendentalizes a text and allows it to retain a sacred quality that in turn effects social control through a shared sense of belonging. This thesis is confirmed and elaborated through a review of the conceptions of canon operative in the Catholic Church during the thirteenth, the sixteenth, and the late nineteenth and twentieth centuries. In all these periods, the Catholic Church modified its conception of the canonical nature of both its scriptures and its laws in order to strengthen corporate identity and to establish order and control within and without its perimeter.
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Edwards, Quentin. "The Canon Law of the Church of England: Its Implications for Unity." Ecclesiastical Law Journal 1, no. 3 (July 1988): 18–23. http://dx.doi.org/10.1017/s0956618x00007080.
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Among lawyers who profess to know their way about the labyrinth of the Church of England's legal foundations there is a debate whether there are two subjects or one – are ecclesiastical law and canon law the same? As some purists contend that canon law is more restricted in its scope I shall take, for convenience and perhaps accuracy, the description ecclesiastical law, which certainly comprehends, or should comprehend, canon law. The ecclesiastical law of the Church of England is derived from six sources (1) papal and domestic canon law, (2) ecclesiastical common law, (3) the relevant parts of the Corpus Juris Civilis, (4) parliamentary statutes, (5) Measures of the Church Assembly and the General Synod, (6) the Canons.
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Šeina, Viktorija. "Literary canon studies: methodological guidelines." Literatūra 61, no. 1 (December 20, 2019): 11–24. http://dx.doi.org/10.15388/litera.2019.1.1.
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The article presents for the Lithuanian audience an interdisciplinary approach of literary canon studies that integrates diverse methods of various disciplines (sociology of literature and culture, literary and cultural history, teaching of literature, text reception and aesthetic response history, memory and media research and bibliography studies). The most intense development of literary canon studies can be observed in Western Europe and the United States in the last decade of the 20th century. This was due to the fact that the scholars engaged in the field of postcolonialism, gender studies and neo-Marxism gave it a strong impulse by initiating a debate about insufficient representation of some social groups (women, racial or ethnic minorities and people from lower social strata) in high school curricula in the USA. The debate was expanded into theoretical polemics of whether the canon is formed by means of objective aesthetic criteria or, on the contrary, canon depends on the social contract. Methodologically, investigations of literary canon that are genetically related to the tradition of sociology of culture seem to be the most productive, while this perspective provides an apparatus for a detailed investigation of relations between specific interests of literary field and wider national, social or group interests.The framework of this article is based on the studies of John Guillory, Renate von Heydebrand and Simone Winko. Their essential starting point is the understanding of the canon as a sociocultural process in which the political elite selects a corpus of significant texts in accordance with tradition and formulates practices that ensure the transmission of those texts for future generations. Therefore, canon formation turns to be a strategy based on complex relations of evaluation, cognition and actions that aims to conserve this selected knowledge and transmit it to future generations. The structure of the canon is directly related to the notion of literature and literariness; a society (or its group) defines its canon by considering what they recognize as valuable.Unlike religious canons, which can only be constructed by theologians, there are a lot of canonizing institutions (schools, universities, literary criticism, theatre repertoire, book market, libraries, etc.) involved in the formation of literary canons. They do not create any well-balanced system of the canon but rather conduct diverse practices of canonization. We can distinguish a micro and macro level in the process of canon formation. The micro level contains a lot of separate actions of canonization that propel the canonization process which enables the canon formation at macro level. Origin, stabilization and transformation of literary canon are multidimensional processes, thus it is essential not to lose sight of the interaction of separate dimensions.
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Borić, Aras. "Anthological Canonizations of the Recent Bosnian-Herzegovinian Poetry." Društvene i humanističke studije (Online) 7, no. 2(19) (May 20, 2022): 45–62. http://dx.doi.org/10.51558/2490-3647.2022.7.2.45.
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This work considers the question of canon as a „place of power“ and the position of literature in relation to the ideological dictates of the so-called „social reality“. In this sense, it discusses the general social, cultural, and poetic patterns on which the canon is based, that is, the canons in the most representative anthologies of recent Bosnian-Herzegovinian poetry in the last thirty years. Understanding canonization as a model of ideological impact in the production of „literary facts“, the paper explores the attitude of anthologists towards the composite integrity of Bosnian-Herzegovinian literature and at least three poietic formulas involved in the struggle for „cultural meaning“ („poetry of re-ethnicization“, „poetry of false universalism“, „poetry of differences“). The literary canon, monolithic in socialist society and reduced by political censorship, was first nationalized and later, especially in the post-war period, decentralized and turned into alternative canons. Anthologies of Bosnian- Herzegovinian poetry distinctly follow the mentioned evolution, and in that way contribute to the stratification of the canon and the breaking of its „hegemony“.
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Parpală, Emilia. "Alternative Canons. Postmodern Canon-formation in Romanian Poetry." Interlitteraria 17 (December 1, 2012): 180. http://dx.doi.org/10.12697/il.2012.17.14.
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Owen, John M. "The Canon and the Cannon: A Review Essay." International Security 23, no. 3 (January 1999): 147–78. http://dx.doi.org/10.1162/isec.23.3.147.
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Owen, John M., and Michael W. Doyle. "The Canon and the Cannon: A Review Essay." International Security 23, no. 3 (1998): 147. http://dx.doi.org/10.2307/2539341.
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Nikčević-Batrićević, Aleksandra, and Miloš D. Đurić. "Coping With Canon/Canons: Women Poets and the Literary Context." Armenian Folia Anglistika 11, no. 1 (13) (April 15, 2015): 135–46. http://dx.doi.org/10.46991/afa/2015.11.1.135.
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The aim of this paper is to revisit literary canon, focusing on some of the most relevant texts and books that have been published within the corpus of Anglo-American studies. Then our attention is shifted to the works of American women authors and their views on the literary canon. Different generations of Montenegrin women poets and their reflections on their status in the literary canon, as well as on the advantages of applying feminist literary theory and criticism in improving their position in the aforementioned literary tradition have also been discussed.
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Schaffer, Talia. "Canon." Victorian Literature and Culture 46, no. 3-4 (2018): 594–97. http://dx.doi.org/10.1017/s1060150318000335.
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Hens, Harry. "Canon." Maatwerk 10, no. 4 (August 2009): 7. http://dx.doi.org/10.1007/bf03088167.
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Primus, Richard A. "Canon, Anti-Canon, and Judicial Dissent." Duke Law Journal 48, no. 2 (November 1998): 243. http://dx.doi.org/10.2307/1373107.
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Bucaioni, Marco. "Entre inércia do Cânone Literário e ataques à “italianidade” contribuições para um estado da arte em Itália." Cadernos de Literatura Comparada, no. 43 (2020): 193–214. http://dx.doi.org/10.21747/21832242/litcomp43a12.
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Theoretical reflections from recent decades on literary canons’ formation and the necessity of their re-formulation arrived also in Italy. The reception of these ideas, however, seems to be particularly weak in that country, to the extent that we can say that these strategies, in general, failed to reach their objective. A more prudential attitude – if not an openly conservative one – in maintaining the traditional canons has triumphed. The main objective of this article will be to provide and problematize elements on canon reno-vation in Italy and to contribute to a discussion on the necessity of and the resistance to canon renovation.
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Gibbons, William. "Rewritable Memory: Concerts, Canons, and Game Music History." Journal of Sound and Music in Games 1, no. 1 (January 1, 2020): 75–81. http://dx.doi.org/10.1525/jsmg.2020.1.1.75.
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Canons—of music, video games, or people—can provide a shared pool of resources for scholars, practitioners, and fans; but the formation of canons can also lead to an obscuring or devaluing of materials and people outside of a canon. The four authors in this colloquy interrogate issues of canons relating to video game music and sound from a variety of perspectives. Each author considers an aspect of canonization and argues for a wider purview. In “Rewritable Memory: Concerts, Canons, and Game Music History,” William Gibbons examines the ways in which concerts of video game music may create canons and reinforce particular historical narratives. In “On Canons as Music and Muse,” Julianne Grasso views the music originally presented in a video game as itself a type of canon and argues that official and fan arrangements of original game music may provide windows into lived experiences of play. In “The Difficult, Uncomfortable, and Imperative Conversations Needed in Game Music and Sound Studies,” Hyeonjin Park highlights issues of diversity and representation in the field of video game music and sound studies, with respect to the people and music that make up the subjects of the field, the people who produce scholarship in the field, and the people who engage with game music and sound. In “Canon Anxiety?” Karen Cook pulls together various issues of academic canons to question the scope, focus, and diversity of the growing field in which the Journal of Sound and Music in Games exists.
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Grasso, Julianne. "On Canons as Music and Muse." Journal of Sound and Music in Games 1, no. 1 (January 1, 2020): 82–86. http://dx.doi.org/10.1525/jsmg.2020.1.1.82.
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Canons—of music, video games, or people—can provide a shared pool of resources for scholars, practitioners, and fans; but the formation of canons can also lead to an obscuring or devaluing of materials and people outside of a canon. The four authors in this colloquy interrogate issues of canons relating to video game music and sound from a variety of perspectives. Each author considers an aspect of canonization and argues for a wider purview. In “Rewritable Memory: Concerts, Canons, and Game Music History,” William Gibbons examines the ways in which concerts of video game music may create canons and reinforce particular historical narratives. In “On Canons as Music and Muse,” Julianne Grasso views the music originally presented in a video game as itself a type of canon and argues that official and fan arrangements of original game music may provide windows into lived experiences of play. In “The Difficult, Uncomfortable, and Imperative Conversations Needed in Game Music and Sound Studies,” Hyeonjin Park highlights issues of diversity and representation in the field of video game music and sound studies, with respect to the people and music that make up the subjects of the field, the people who produce scholarship in the field, and the people who engage with game music and sound. In “Canon Anxiety?” Karen Cook pulls together various issues of academic canons to question the scope, focus, and diversity of the growing field in which the Journal of Sound and Music in Games exists.
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Park, Hyeonjin. "The Difficult, Uncomfortable, and Imperative Conversations Needed in Game Music and Sound Studies." Journal of Sound and Music in Games 1, no. 1 (January 1, 2020): 87–94. http://dx.doi.org/10.1525/jsmg.2020.1.1.87.
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Canons—of music, video games, or people—can provide a shared pool of resources for scholars, practitioners, and fans; but the formation of canons can also lead to an obscuring or devaluing of materials and people outside of a canon. The four authors in this colloquy interrogate issues of canons relating to video game music and sound from a variety of perspectives. Each author considers an aspect of canonization and argues for a wider purview. In “Rewritable Memory: Concerts, Canons, and Game Music History,” William Gibbons examines the ways in which concerts of video game music may create canons and reinforce particular historical narratives. In “On Canons as Music and Muse,” Julianne Grasso views the music originally presented in a video game as itself a type of canon and argues that official and fan arrangements of original game music may provide windows into lived experiences of play. In “The Difficult, Uncomfortable, and Imperative Conversations Needed in Game Music and Sound Studies,” Hyeonjin Park highlights issues of diversity and representation in the field of video game music and sound studies, with respect to the people and music that make up the subjects of the field, the people who produce scholarship in the field, and the people who engage with game music and sound. In “Canon Anxiety?” Karen Cook pulls together various issues of academic canons to question the scope, focus, and diversity of the growing field in which the Journal of Sound and Music in Games exists.
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Campbell, James. "The Use of the Term ‘Pastoral’ in the 1983 Code of Canon Law with Reference to the 1917 Code." Ecclesiastical Law Journal 20, no. 2 (May 2018): 173–84. http://dx.doi.org/10.1017/s0956618x18000054.
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This article compares the use of the term ‘pastoral’ in the canon law of the Western Latin Church as it occurred in the 1917 Pio-Benedictine Code of Canon Law and then in the revised Code of 1983. This is because the revised Code increased the use of the term ‘pastoral’ and I wish to see if its meaning had changed and, if so, in what way. Hence, the article considers how ‘pastoral’ occurred in the 1917 Code and then in the equivalent canons in the 1983 Code. There follows comparison with the earlier canons, which were sources for the 1983 canons to see if the term has changed in meaning and, if so, what that change is. I am interested to track the use of ‘pastoral’ because it has become ubiquitous in the churches and in society and has different meanings and expectations associated with it. As far as canon law and ecclesiastical law generally are concerned, it is interesting to consider how the term is used and this article is a contribution to an understanding of ‘pastoral’ in the law of the Roman Catholic Church.
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Avtonomov, V. "Abstraction as a Mother of Order?" Voprosy Ekonomiki, no. 4 (April 20, 2013): 4–23. http://dx.doi.org/10.32609/0042-8736-2013-4-4-23.
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The article deals with the relation between assumptions of economic theories and their political implications. Two canons of economic science are being analyzed according to the degree of abstraction. A hypothesis is that the more abstract formal canon is connected with a liberal kind of economic policy whereas the more concrete canon presupposes an active state intervention in economic affairs. Several attempts at integrating both canons are studied separately (Marshall, Schumpeter, Eucken). Historic evidence is more or less consistent with the hypothesis stated above, but there happens to be one important exclusion: the general equilibrium theory is so abstract that it can imply opposite policies.
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Larre, Tamara. "Misguided Inferences? The Use of Expressio Unius to Interpret Tax Law." Alberta Law Review 51, no. 3 (May 11, 2014): 497. http://dx.doi.org/10.29173/alr47.
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This article explores how the interpretive canon of expressio unius has been used by the courts when interpreting the Income Tax Act, and discusses the canon’s place within the landscape of statutory interpretation of income tax law. The article reviews the existing literature to describe the canon, the assumptions on which the canon relies, and the reasons in favour of and against the canon’s use. The ultimate conclusion is there is some value in the interpretive tool, but it should be used only to prompt interpreters to ask questions instead of prompting them to draw conclusions. While canons of interpretation are generally considered textualist in nature, expressio unius type reasoning is often used as a way of taking into account the context of a particular provision. Another problem apparent in the case law is that the canon, also called implied exclusion, is often confused with the canon of implied exception. The article also examines court decisions that apply or reject the use of expressio unius when interpreting the Income Tax Act. Finally, the article proposes factors that should be considered when determining whether expressio unius should be used in a particular tax case.
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Bossman, David M. "When is a Canon not a Canon?" Biblical Theology Bulletin: Journal of Bible and Culture 44, no. 3 (July 22, 2014): 122. http://dx.doi.org/10.1177/0146107914540486.
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Crabbe, Brecht. "In Search of a Theology of Canonical Penal Law: An Interpretation of Canon 1311 §2 Through Pope Francis's Writings on Mercy and Justice." Jurist: Studies in Church Law and Ministry 80, no. 1 (2024): 197–226. http://dx.doi.org/10.1353/jur.2024.a929956.
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abstract: Pascite gregem Dei is not only a significant reform of Book VI but also a landmark in the Church's theological understanding of her own penal law. However, a clear theology of penal canon law is still lacking today. This article aims to contribute to this gap by understanding the new canon 1311 §2 through Pope Francis's writings on mercy and justice. According to Pope Francis, justice is served when law is not self-referential but serves its higher purposes. For penal canon law, canon 1311 §2 demonstrates what its higher purposes are: restoration of justice, reform of the offender, and repair of scandal. Moreover, each of these three penal aims is rooted in mercy, according to Pope Francis. A shift is happening in legal doctrine. The restoration of justice is increasingly understood as being aimed towards compensation for victims. Some canon lawyers even seem to believe that this penal aim is the most important of all. Lastly, this theological interpretation of the three penal aims reforms our understanding of mercy. Mercy is not, as was sometimes suggested, a "soft" penal law or a mere lenience towards the offender. Rather, it is the proportionate fulfilment of all three penal aims of canon 1311 §2. This is demonstrated by many other canons in the new Book VI, which often refer back to these same penal aims.
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Yankus, Alla I. "J.S. Bach’s Canons BWV 1087: More on Musical Emblematics." Contemporary Musicology, no. 1 (2022): 78–104. http://dx.doi.org/10.56620/2587-9731-2022-1-078-104.
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The article focuses on 14 canons by J.S. Bach, BWV 1087, written by the composer in the printed copy of the Clavierübung IV (Goldberg Variations) under the title Various Сanons on the First Eight Foundation Notes of the Preceding Aria. The article compares this cycle with the canons from the Goldberg Variations. In particular, it explores the information accompanying the canons. Every third Goldberg Variation is called Canon. This first group of canons is marked by an imitative sequential form of variation with a completely open and fixed musical text. The second group of Fourteen Canons is marked by specific encryption. Here, the notation does not contain the complete melodic material: the melodic material given is the foundation for the full text of the composition to be derived by means of, inter alia, titles and a set of signs that serve as a guide to their reading. Each of the 14 encrypted canons features an eight-sound soggetto as an initial construction of the bass melody from the Goldberg Variations theme, the Aria. As a canon-forming voice on the whole, in part or as a cantus firmus, an eight-sound theme is the audible and visible basis of all the canons in question. Due to its brevity and constructive isolation, the theme is perceived entirely and at once. The analysis of the encrypted canons BWV 1087 revealed parallels to the three constituent parts of an emblem: the word (a motto) is the soggetto, the image is the musical text of the canon as a voluminous and polysemantic entity subject to decoding, and, finally, a signature that allows you to “read the depicted”. The latter, in case of the canons, implies hearing the decrypted whole and understanding the accompanying signs and explanations.
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Barker, James W. "Eusebian Canon Ten in Codex Fuldensis." Vigiliae Christianae 76, no. 2 (March 1, 2022): 144–68. http://dx.doi.org/10.1163/15700720-bja10045.
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Abstract Eusebius of Caesarea innovated a system for locating Gospel parallels by sorting hundreds of sections into ten canons. Two centuries later, Victor of Capua produced Codex Fuldensis, a Vulgate New Testament replacing the separate Gospels with a harmony and the Eusebian apparatus. Whereas Eusebius’s Canon X demarcated unparalleled material, Victor’s scribe repeatedly wrote Canon X within episodes occurring in other Gospels. I argue that these paratextual solecisms illuminate the production of the codex. Victor occasionally wrote a single section number in the margin of his Vorlage to direct his scribe. The scribe then mislabeled the passage as Canon X. In later centuries, copies of the Fuldensis harmony reflect various attempts to correct these mistaken references. Paratextual criticism offers a new way to sort the Latin descendants of the Fuldensis text.
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Petrak, Marko. "Kanonsko pravo i hrvatski pravni sustav (II). Codex Iuris Canonici i suvremeno hrvatsko pravo." Zbornik Pravnog fakulteta u Zagrebu 70, no. 5 (November 24, 2020): 675–708. http://dx.doi.org/10.3935/zpfz.70.5.04.
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This article analyzes the relationship between canon law as the legal system of the Catholic Church, to which a majority of Croatian citizens belong, and the Croatian legal system, focusing on the issue of canon law (ius canonicum) as a source of law in the Croatian legal system on the basis of concordatarian law (ius concordatarium), i.e. the four international treaties between the Holy See and the Republic of Croatia. As regards canon law, in this contribution the author takes into account only its most important source: the Code of Canon Law (Codex Iuris Canonici – CIC) of 1983, the undoubtedly most important codification of religious law in the world. Following the systematization of CIC into seven books, the author highlights particular provisions of the said treaties, which introduced into the Croatian legal system a series of institutes and provisions of canon law as binding normative contents. In addition, the author concludes that the Code represents a relevant conceptual and normative common framework for all provisions of the international treaties between the Holy See and the Republic of Croatia based on canon law or its institutes. To be more precise, a closer analysis of the provisions of the treaties between the Holy See and the Republic of Croatia leads to the conclusion that CIC has, in its totality, become a relevant source of law in the Croatian legal system. The author also refers to relevant Croatian scholarly literature on canon law, and in particular to the case-law of Croatian state courts which involves the application of certain canons of the Code, pointing out good examples of such application, and providing a critical view of particular cases in which, in the author's opinion, the courts made certain errors in the interpretation and application of some aspects of canon law. Finally, the research suggests that the significance of canon law, particularly Codex iuris canonici as its primary source, in the Croatian legal system is undoubtedly increasing, which is why its deeper understanding both by legal doctrine and by the legal practice is becoming a necessity.
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Fefelova, Iulia G. "Two Rare Canons to John the Baptist." Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies 3 (2021): 7–33. http://dx.doi.org/10.31860/2712-7591-2021-3-7-33.
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The article presents a study and a publication of two rare canons to John the Baptist. The canon with the opening words “Plodonosen tsvetets” (“A fertile flower ”) is known in two versions. One of them is found in two fourteenth-century manuscripts located in the Russian State Archive of Ancient Acts (Fonds 381, Nos. 114 and 116). The other survived in just one copy – a seventeenth-century manuscript in the Kirillo-Belozerskoe collection (No. 232/489) in the National Library of Russia. This version is peculiar in that it is a combination of the original troparia of this canon and the troparia borrowed from the canon “Molchanie starche” (“Elder’s silence”), which the Studite typikon assigned to the Afterfeast of the Nativity of the Forerunner. The second canon, which according to its character can be called “rejoicing”, is known from the only manuscript of a sixteenth-century psalter in the Solovetskoe collection (No. 762/872) in the National Library of Russia. It consists of common greetings – the anaphoric chairetismoi.
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Emre, Merve, and Justin A. Sider. "Introduction: Thirty Years after Cultural Capital." Genre 56, no. 1 (April 1, 2023): 1–13. http://dx.doi.org/10.1215/00166928-10346769.
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Abstract This essay considers the status of John Guillory's Cultural Capital thirty years after its publication. Responding to an ongoing crisis in the humanities (which seems never to have passed) and to the “canon wars” of literary studies in the 1980s and 1990s, Cultural Capital refocused the debate about literary canons and aesthetic value away from contests of judgment in order to describe the social and institutional contexts of canon formation. What emerges from Guillory's Bourdieusian framework is a brilliant account not only of the process of canon formation but also of the professional anxieties that attend arguments about canonicity and representation. The essay explores the structure of Guillory's argument and considers why this work has been largely absent in recent debates about the state of the profession and the discipline of literary studies. The essay then introduces each contribution to this special issue, which seeks to bring Guillory's theory of canon formation back into contemporary debates about the future of literary studies, the politics of cultural representation, and the state of the humanities in crisis.
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Jagose, Rusi. "Catholic Canon Law and Homosexuality: An Assessment of the Natural Law Justification for Homosexual Intolerance." Victoria University of Wellington Law Review 54, no. 3 (December 6, 2023): 709–38. http://dx.doi.org/10.26686/vuwlr.v54i3.8788.
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The Catholic Church is a global power capable of influencing the development of domestic law in multiple jurisdictions. This influence can be obvious, such as where politicians vote according to a religiously formed conscience. The influence of the Church can also be more subtle. At the heart of several social conventions is a collection of traditional societal norms that originated within the boundaries of the Catholic canon law. In many states these conventions have developed naturally due to advancements in modern philosophical and scientific thought. However, in states with strong Catholic or Christian traditions, societal development is prone to stagnation due to conflicts between the official canons, the more liberal canons and societal development. One example where this conflict is most obvious is the canon law surrounding homosexuality. The official position of the canon law is conservative. Homosexuality is treated as a disease-like condition requiring strict abstinence to achieve spiritual enlightenment. The foundation for this position derives from natural law theory. Natural law theorists repel suggestions for reform based upon the idea that the rules stemming from natural law theory are either divine in origin or are articulations of naturally existing goods. I make the appraisal that the natural law foundation to the conservative position collapses when the true historical origins and motivations for the traditional position are revealed. When the origins of the canon law are no longer regarded as "divine in nature", the law can be more receptive to societal development.
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Cowell, Pattie, Jane Tompkins, Judith Fetterley, Lucy M. Freibert, and Barbara A. White. "Canon Fodder." Women's Review of Books 3, no. 7 (April 1986): 21. http://dx.doi.org/10.2307/4019833.
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Sanchez, Andrew. "Canon Fire." Cambridge Journal of Anthropology 36, no. 2 (September 1, 2018): 1–6. http://dx.doi.org/10.3167/cja.2018.360202.
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Despite sustained critical attention to the politics of knowledge, contemporary anthropology disproportionately engages with ideas produced by academics based in European and North American universities. The ‘decolonizing the curriculum’ movement speaks to core areas of anthropological interest while making a critical comment on the academic structures in which anthropologists produce their work. The articles in this collection interrogate the terms on which academic work engages with its own history, and ask how the production of knowledge relates to structures of race, gender and location. The collection considers the historical, political and institutional context of the ‘decolonizing the curriculum’ movement, the potential impact that the movement might make on education and research, and the major challenges facing it.
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Dunne, John, Liam Lynch, Catherine Brophy, and Mary Leland. "Canon Fodder." Books Ireland, no. 96 (1985): 142. http://dx.doi.org/10.2307/20625608.
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Moseley, Charles R. W. D. "Shakespeare's Canon." Early Modern Culture Online 8, no. 1 (June 23, 2022): 23–37. http://dx.doi.org/10.15845/emco.v8i1.3712.
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This essay is concerned with how Shakespeare himself might have thought about a canon. What for him were the books that, to use A. S. Byatt’s phrase, “every writer had to know in order to know who they are”? One part of that question is easy: the books that every grammar school boy had beaten into him: Livy, Virgil, Ovid, Horace and so on. But how does a writer of his time, and, for that matter, of his calibre, negotiate their legacy?
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Easton, Steacy. "Country Canon." Journal of Popular Music Studies 33, no. 3 (September 1, 2021): 22–25. http://dx.doi.org/10.1525/jpms.2021.33.3.22.
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Burke, Jim. "Canon Fodder." English Journal 82, no. 2 (February 1993): 56. http://dx.doi.org/10.2307/819705.
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Atlas, Allan W., and Richard Sherr. "Canon Fodder." Musical Times 143, no. 1879 (2002): 62. http://dx.doi.org/10.2307/1004604.
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Atherton, John. "Canon Questions." Cahiers Charles V 14, no. 1 (1992): 157–72. http://dx.doi.org/10.3406/cchav.1992.1071.
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Wilson, Mick. "Canon-Fodder?" Circa, no. 92 (2000): 26. http://dx.doi.org/10.2307/25563578.
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