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1

Hart, Maarten 't. Johann Sebastian Bach. [S.l.]: Joan Records, 2000.

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2

Nieden, Hans-Jörg. Die frühen Kantaten von Johann Sebastian Bach: Analyse, Rezeption. München: Katzbichler, 2005.

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3

Rich, Alan. Johann Sebastian Bach: Play by play. San Francisco: HarperCollins, 1995.

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4

Dürr, Alfred. Die Kantaten von Johann Sebastian Bach mit ihren Texten. 5th ed. München: Deutscher Taschenbuch Verlag, 1985.

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5

Die Kantaten von Johann Sebastian Bach mit ihren Texten. 5th ed. München: Deutscher Taschenbuch Verlag, 1985.

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6

Die Bach-Kantaten: Einführungen zu sämtlichen Kantaten Johann Sebastian Bachs. Leipzig: Evangelische Verlagsanstalt, 2006.

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7

Simon, Carl Geoffrey. Musical iconography in the sacred cantatas of Johann Sebastian Bach. Ann Arbor, Mich: University Microfilms International, 1990.

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8

Chafe, Eric Thomas. Analyzing Bach cantatas. New York: Oxford University Press, 2000.

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9

Christoph, Wolff, ed. The world of the Bach cantatas. New York: Norton, 1997.

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10

Die Zahl im Kantatenwerk Johann Sebastian Bachs. Neuhausen-Stuttgart: Hänssler, 1986.

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11

Die Ritornell-Arien der Weimarer Kantaten Johann Sebastian Bachs 1714-1716. Köln: Dohr, 2007.

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12

Simpfendörfer, Gottfried. Jesu, ach so komm zu mir: Johann Sebastian Bachs Frömmigkeit im Spiegel seiner Kantaten. Berlin: W. de Gruyter, 1994.

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13

The cantatas of J.S. Bach: With their librettos in German-English parallel text. Oxford: Oxford University Press, 2005.

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14

Johann Sebastian Bachs Choraltextkantaten: Kompositorische Struktur und Stellung im Kantatenwerk. Kassel: Bärenreiter, 2011.

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15

1685-1750, Bach Johann Sebastian, and Lutherische Liturgische Konferenz Deutschlands, eds. Die Kantaten Johann Sebastian Bachs im Gottesdienst: Eine Arbeitshilfe. Neuhausen-Stuttgart: Hänssler-Verlag, 1985.

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16

Vom Kaffeehaus zum Fürstenhof: Johann Sebastian Bachs Weltliche Kantaten. Hildesheim: Georg Olms Verlag, 2014.

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17

Texte zur Leipziger Kirchen-Music: Zum Verständnis der Kantatentexte Johann Sebastian Bachs. Wiesbaden: Breitkopf & Härtel, 1993.

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18

1950-, Unger Melvin P., ed. Handbook to Bach's sacred cantata texts: An interlinear translation with reference guide to Biblical quotations and allusions. Lanham, Md: Scarecrow Press, 1996.

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19

Renate, Steiger, ed. Sehet! Wir gehn hinauf gen Jerusalem: Johann Sebastian Bachs Kantaten auf den Sonntag Estomihi. Göttingen: Vandenhoeck & Ruprecht, 1992.

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20

Unger, Melvin P. Handbook to Bach's sacred cantata texts: An interlinear translation with reference guide to Biblical quotations and allusions. Lanham, MD: Scarecrow, 1996.

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21

Biblical quotation and allusion in the cantata libretti of Johann Sebastian Bach. Lanham, MD: Scarecrow Press, 1997.

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22

Renate, Steiger, ed. Johann Sebastian Bachs Choralkantaten als Choral-Bearbeitungen: Bericht über die Tagung Leipzig 1990 : Referate, Diskussionen, Materialien. Heidelberg: Internationale Arbeitsgemeinschaft für theologische Bachforschung, 1991.

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23

Bamberg, Joachim. Die Botschaft der Kantate: Eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Tübingen: Köhler, 2004.

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24

Bach's choral music: A listener's guide. New York: Amadeus Press, 2009.

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25

Jones, Gordon. Bach's choral music: A listener's guide. New York: Amadeus Press, 2009.

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26

J. S. Bach's Johannine theology: The St. John passion and the cantatas for spring 1725. New York: Oxford University Press, 2011.

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27

A woman's voice in baroque music: Mariane von Ziegler and J. S. Bach. Aldershot, Hampshire, England: Ashgate, 2008.

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28

Eikelboom, Arie. Vier cantates van Johann Sebastian Bach toegelicht: Wachet auf, ruft uns die Stimme, BWV 140, Gott, wie dein Name, so ist auch dein Ruhm, BWV 171, Erhalt uns, Herr, bei deinem Wort, BWV 126, Du Hirte Israel, höre, BWV 104. Delft: Eburon, 2008.

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29

Eikelboom, Arie. Vier cantates van Johann Sebastian Bach toegelicht: Wachet auf, ruft uns die Stimme, BWV 140, Gott, wie dein Name, so ist auch dein Ruhm, BWV 171, Erhalt uns, Herr, bei deinem Wort, BWV 126, Du Hirte Israel, höre, BWV 104. Delft: Eburon, 2008.

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30

Bobb, Barry L. Johann Sebastian Bach. St. Louis, MO: Concordia Pub. House, 2011.

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31

Hoffmann, Winfried. Johann Sebastian Bach. Leipzig: Bibliographisches Institut, 1988.

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32

Macia, Jean-Luc. Johann Sebastian Bach. Arles: Actes sud, 2005.

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33

Johann Sebastian Bach. Stuttgart: Reclam, 1993.

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34

Johann Sebastian Bach. Philadelphia: Fortress Press, 1985.

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35

Marschall, Richard. Johann Sebastian Bach. Nashville, Tenn: Thomas Nelson, 2011.

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36

CHAFE. ANALYZING BACH CANTATAS. Oxford University Press USA, 2003.

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37

Bach, Johann Sebastian. Cantatas No. 30-31 (Kalmus Edition). Alfred Publishing Company, 1985.

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38

Music, Alfred. Cantatas Nos. 201, Phoebus and Pan ; Cantata No. 202, Weichet Nur, Betrubte Schatten ; Cantata No. 203, Amore Traditore: German, Italian Language Edition, Miniature Score. Alfred Publishing Company, Incorporated, 1985.

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39

Johann Sebastian Bach. Die Kantaten. Bärenreiter Verlag, 1999.

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40

Bach, Johann Sebastian. Cantatas No. 20-22: Miniature Score, Kalmus Edition. Alfred Publishing Company, 1985.

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41

(Composer), Johann Sebastian Bach, and Walter Carroll (Editor), eds. First Lessons in Bach - Book 2: Piano Solo. G. Schirmer, Inc., 1986.

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42

Die Welt der Bach-Kantaten, 3 Bde., Bd.2, Johann Sebastian Bachs weltliche Kantaten. Metzler, 1997.

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43

Cantata No. 203: Amore Traditore, Kalmus Edition. Alfred Publishing Company, 1985.

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44

Bach, Johann Sebastian. Bach: Fuge. Konemann UK Ltd, 2000.

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45

Music, Alfred. Cantata No. 204 -- Ich Bin in Mir Vergnugt: Soprano Solo. Alfred Publishing Company, Incorporated, 1985.

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46

Bach, Johann Sebastian. Cantata No. 210: O Holder Tag, Erwunschte Zeit, Kalmus Edition. Alfred Publishing Company, 1985.

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47

Bach, Johann Sebastian. Cantata No. 199: Mein Herze Schwimmt Im Blut, Kalmus Edition. Alfred Publishing Company, 1999.

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48

Cantata No. 98: Was Gott Tut, Das Ist Wohlgetan, Kalmus Edition. Alfred Publishing Company, 1985.

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49

Cantatas Nos. 209-211: Non Sa Che Sia Dolore (Soprano); 210, O Holder Tag (Soprano); 210a, O Angenehme Melodei (Soprano); 211, Schweight Stille, Plaudert Nicht (Soprano, Ten (Kalmus Edition). Alfred Publishing Company, 1985.

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50

Music, Alfred. Cantatas Nos. 80-82, Incl. No. 82, Ich Habe Genug: German Language Edition, Miniature Score. Alfred Publishing Company, Incorporated, 1985.

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