Relevant bibliographies by topics / Cantilène de sainte Eulalie

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Cantilène de sainte Eulalie'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Cantilène de sainte Eulalie"

1

Bretel, Paul. "Les Séquences de Sainte Eulalie." French Studies 59, no. 3 (July 1, 2005): 380–81. http://dx.doi.org/10.1093/fs/kni145.

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2

Maury, Jean, and Jacques-Henri Frayssenge. "L'abri du Roc Troué (Sainte-Eulalie-de-Cernon, Aveyron)." Bulletin de la Société préhistorique française 89, no. 7 (1992): 202–16. http://dx.doi.org/10.3406/bspf.1992.9522.

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3

Soutou, André. "Les moulins des Templiers à Sainte-Eulalie de Cernon (Aveyron)." Annales du Midi : revue archéologique, historique et philologique de la France méridionale 103, no. 195 (1991): 369–78. http://dx.doi.org/10.3406/anami.1991.2308.

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4

Leupin, Alexandre. "« Arte callidissima et occulta » : la Séquence de sainte Eulalie en ancien français." Romania 109, no. 436 (1988): 447–71. http://dx.doi.org/10.3406/roma.1988.1893.

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5

Poulain, Thérèse. "La faune de l'Abri du Roc Troué (Sainte-Eulalie-de-Cernon, Aveyron)." Bulletin de la Société préhistorique française 89, no. 7 (1992): 219–23. http://dx.doi.org/10.3406/bspf.1992.10534.

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Poulain, Thérèse. "La faune du gisement de Roc Troué - Sainte-Eulalie-de-Cernon (Aveyron)." Bulletin de la Société préhistorique française 89, no. 7 (1992): 223–24. http://dx.doi.org/10.3406/bspf.1992.10535.

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7

Durliat, Marcel. "Un nouveau regard sur la châsse de sainte Eulalie à la cathédrale de Barcelone." Bulletin Monumental 153, no. 1 (1995): 80. http://dx.doi.org/10.3406/bulmo.1995.3551.

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8

Higounet-Nadal, Arlette. "L'inventaire des biens de la commanderie du temple de Sainte-Eulalie du Larzac en 1308." Annales du Midi : revue archéologique, historique et philologique de la France méridionale 1, no. 1 (1989): 252–59. http://dx.doi.org/10.3406/anami.1989.2902.

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9

Fillâtre , Virginie Le. "Le ruissellement sur le site protohistorique du Puech de Mus (Sainte-Eulalie-de-Cernon, Aveyron, France)." Quaternaire, no. 22/2 (June 1, 2011): 201–9. http://dx.doi.org/10.4000/quaternaire.5932.

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10

Erroux, Jean. "Diagnose de quelques débris de végétaux de l'abri du Roc Troué (Sainte-Eulalie-de-Cernon, Aveyron)." Bulletin de la Société préhistorique française 89, no. 7 (1992): 218–19. http://dx.doi.org/10.3406/bspf.1992.10533.

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Dissertations / Theses on the topic "Cantilène de sainte Eulalie"

1

Carcenac, Antoine-Régis. "La Commanderie du Temple de Sainte Eulalie de Larzac : recherche d'histoire économique et sociale milieu XIIe-début XIVe siècle." Toulouse 2, 1987. http://www.theses.fr/1987TOU20083.

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Appuyee sur une solide assise fonciere, la commanderie de sainte eulalie a exerce une veritable domination sur le plateau du larzac et les regions voisines. Dans un pays essentiellement rural, elle a contribue a developper l'elevage ovin en vue de la production laitiere et de l'industrie fromagere. Les hommes sont surtout des paysans, domines par une aristocratie riche et puissante qui a favorise la progression de l'ordre du temple
With a strong landed foundation, the sainte eulalie's commandery exercised a real domination on the larzac and the arounding area. In a mostly rural country, sainte eulalie contributed to develop the sheep-farming with a view to the milk production and to the cheese industry. The men are mostly peasants, dominated by a rich and powerful aristocracy, that have favorized the progression of the temple order
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2

Carcenac, Antoine-Régis. "La Commanderie du temple de Sainte Eulalie de Larzac recherche d'histoire économique et sociale, milieu 12e-début du 14e siècle /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37603612r.

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3

Powe, Norma Faye. "Sculpture of the cathedral cloister, Elne." 1989. http://catalog.hathitrust.org/api/volumes/oclc/21992299.html.

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Books on the topic "Cantilène de sainte Eulalie"

1

Santa Eulalia, mito y realidad: Figuración y hermenéutica del texto. Oviedo: Universidad de Oviedo, 2010.

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2

Alcaraz, Josefa López. Los juramentos de Estrasburgo y La cantilena de Santa Eulalia: Comentario filológico de los dos primeros textos franceses. [Murcia]: Universidad de Murcia, 1994.

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3

Carcenac, Antoine-Régis. Les Templiers du Larzac: La commanderie du temple de Sainte-Eulalie de Larzac. Nîmes: C. Lacour, 1994.

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4

Carcenac, Antoine-Régis. Les Templiers du Larzac: La commanderie du temple de Sainte-Eulalie de Larzac. Nîmes: C. Lacour, 1994.

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5

Roger, Berger, and Brasseur Annette, eds. Les séquences de Sainte Eulalie. Genève: Droz, 2004.

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6

Marie-Pierre, Dion, Bibliothèque municipale de Valenciennes, and ACCES (Organization : Lille, France), eds. La Cantilène de sainte Eulalie: Actes du colloque de Valenciennes, 21 mars 1989. Lille: Agence régionale des services et de coopération de la lecture et de la documentation sonore et audiovisuelle, 1990.

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7

La Cantilene de sainte Eulalie: Actes du colloque de Valenciennes, 21 mars 1989. Bibliotheque municipale de Valenciennes, 1990.

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8

Bernard, Delvaille, ed. Mille et cent ans de poésie française: De la séquence de Sainte Eulalie à Jean Genet. Paris: R. Laffont, 1991.

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Book chapters on the topic "Cantilène de sainte Eulalie"

1

Lote, Georges. "Chapitre IV. La cantilène de sainte eulalie." In Histoire du vers français. Tome I, 117–26. Presses universitaires de Provence, 1991. http://dx.doi.org/10.4000/books.pup.1799.

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2

"1. Une émotionologie virginale : la Séquence de sainte Eulalie." In Talent / maltalent, 67–92. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.csm-eb.4.2018008.

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3

Greene, Virginie. "Le travail du style dans la séquence de sainte Eulalie." In Effets de style au Moyen Âge, 125–34. Presses universitaires de Provence, 2012. http://dx.doi.org/10.4000/books.pup.18977.

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4

Lorblanchet, Michel. "The Horse in the Palaeolithic Parietal Art of the Quercy: Outline of a Stylistic Study." In Palaeolithic Cave Art at Creswell Crags in European Context. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199299171.003.0016.

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The discovery of the engravings at Church Hole brings numerous and precious newelements that renew our knowledge of Palaeolithic parietal art. In particular, it poses the problem of styles in the closing phase of the Palaeolithic. As a comparison, I will present here an outline of the evolution of styles in the Palaeolithic parietal art of the Quercy between about 27,000–28,000 and 12,000–13,000 years ago. In order to clearly highlight the value of such an evolution, I shall begin by comparing various horse figures, since these are the dominant subjects in all phases of this long period. I shall start by comparing the equids of the cave of Roucadour with those (likewise unpublished) of the cave of Combe Nègre 1 (Lot), and then those of the caves of Sainte-Eulalie and Pergouset (Lot), and I shall end by recalling the characteristics of the horses of Pestillac and Lagrave which illustrate the end of the parietal Magdalenian in our region. I will make one last comparison with the portable art of the abri Murat (Lot) which yielded horse depictions in an azilian level. The cave of Roucadour, vast and of easy access, is in the northern part of the Causse de Gramat (Lot). Its total length is about 300 m, and it constituted a very attractive site for man during a large part of prehistory. During the neolithic and protohistory, a habitation (excavated by A. Niederlender and then by J. Gasco) was installed in front of the cave entrance. The deep galleries were also used in the same period, since quantities of pottery, burials, and bronze objects were discovered there. In 1962, two speleologists, Pierre Taurisson and Jean Paul Coussy, discovered parietal paintings and engravings in a lateral gallery. The cave was classed as a historical monument in 1964. The study and recording of the engravings were entrusted to the abbé André Glory, assisted by his collaborator, the abbé Jean-Louis Villeveygoux; the discoverers themselves also seem to have lent their help at the start. André Glory, who was then an engineer in the CNRS, had just finished tracing the decoration of Lascaux. He carried out four campaigns of recording at Roucadour from 1964 to 1965 (Glory 1964, 1966). A tragic road accident in 1966 cost him and his assistant their lives.
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Journal articles
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