Relevant bibliographies by topics / Cantos populares americanos

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Academic literature on the topic 'Cantos populares americanos'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Cantos populares americanos"

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Calle Armijos, Francisco Xavier. "Yaravíes Quiteños. Una colección de piezas musicales que suenan desde el pasado." Americanía: Revista de Estudios Latinoamericanos, no. 10 (May 21, 2020): 145–71. http://dx.doi.org/10.46661/americania.4911.

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En 1865 llegó a Quito una comisión científica española en la que figuraba Marcos Jiménez de la Espada. En su visita se interesó por registrar los cantos, danzas y ritmos populares de la región, pidiendo que se le enviara una colección de piezas musicales tradicionales para el Museo de Ciencias Naturales de Madrid. Juan Agustín Guerrero, músico quiteño, después de una profunda investigación y ardua dedicación, transcribió varias melodías y se las envió a Jiménez de la Espada, quien las presentó en Madrid, con el título Yaravíes Quiteños, en el Cuarto Congreso Internacional de Americanistas en 1
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Carlos, Alcides Almidón Ortiz, Amador Vargas Aquije Jorge, and Fredy Rojas Bujaico John. "Educación Intercultural: El problema de la identidad latinoamericana visto desde las estéticas populares." Revista de Filosofía, Centro de Estudios Filosóficos, Universidad del Zulia. Maracaibo - Venezuela 39, no. 101 (2022): 393–405. https://doi.org/10.5281/zenodo.6781090.

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La educaci&oacute;n intercultural es un proyecto epist&eacute;mico, pol&iacute;tico y ontol&oacute;gico <em>otro</em>, destinado a luchar contra la marginalizaci&oacute;n del saber de los pueblos originarios y de los imaginarios colectivos diversos. Empero, esta orientaci&oacute;n no siempre ha sido c&oacute;nsona con la realidad aplastante existente en el contexto latinoamericano, donde las asimetr&iacute;as sociales, la pobreza, corrupci&oacute;n y dem&aacute;s factores adversos, impiden comprender adecuadamente los s&iacute;mbolos propios de la cultura. Por esta raz&oacute;n, la presente in
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Silva, Celso Sisto, and Comissão Editorial Nau Literária. "DO GRIÔ AO VOVÔ: O CONTADOR DE HISTÓRIAS TRADICIONAL AFRICANO E SUAS REPRESENTAÇÕES NA LITERATURA INFANTIL." Nau Literária 9, no. 2 (2013). http://dx.doi.org/10.22456/1981-4526.43352.

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Após um levantamento das funções sociais exercidas pelo tradicional contador de histórias africano (genealogista, guerreiro ou testemunha, historiador, porta-voz, diplomata, mediador de conflitos, tradutor-intérprete, instrumentista, compositor, cantor, professor, exortador da coragem em situações de guerra o competições esportivas, transmissor de notícias, condutor de cerimônias, emissário familiar em situações de corte, casamento, tomadas de posse e funerais), o trabalho se propõe a mostrar como esse artista da palavra vai perdendo suas funções na representação que ganha em várias obras de l
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Books on the topic "Cantos populares americanos"

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Ballads and Songs of Indiana. Brewster Press, 2007.

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Kachun, Mitch. First Martyr of Liberty. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199731619.001.0001.

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First Martyr of Liberty explores how Crispus Attucks’s death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans’ struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. This book traces Attucks’s career through both history and myth to understand how his
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Durham, Clarice. Richard Durham's Destination Freedom. Praeger, 1989. http://dx.doi.org/10.5040/9798216985167.

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The discrimination and stereotyping that black Americans have experienced in the popular arts in the twentieth century is a familiar story to students of popular culture. In literature, music, film, and television the barriers to black characterization and talent created pervasive distortions and stereotypes; yet in no artistic field was the racist pressure against blacks more prevalent than in radio, and into this cultural dimension the least amount of scholarship has been directed. In the light of such discriminatory traditions, the appearance in the late 1940s of the programDestination Free
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Tricarico, Donald. New Second-Generation Youth Culture in the Twilight of Italian American Ethnicity. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040955.003.0006.

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This chapter views the Italian American youth culture known as “Guido” as a collective ethnic adaptation by young people whose immigrant parents settled in New York City, most notably Bensonhurst, after 1945. The ethnogenesis of second-generation youth blended thick Italian ethnicity with styles referenced to popular American culture like disco. New second-generation youth identity constitutes an ethnic agency according to a constructionist model of ethnicity that cannot be subsumed within the narrative of assimilation keyed to the older, mass immigration. Instead, a pronounced turn to consump
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Gough, Peter, and Peggy Seeger. “The Folk of the Nation”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039041.003.0008.

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This chapter provides a definition of folk music. Precise definition of the term folk music has long confounded scholars and been the source of endless debate and controversy; general agreements, either popular or academic are rare, and misunderstandings abound. Folk music in the United States reflects the complex history and diverse ethnic composition of American society. Indeed, academic recognition of these native musical forms preceded the development of the Federal Music Project (FMP); in 1882, Theodore Baker published a scholarly study of American folk music, and in 1910, Theodore Roosev
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Gehring, Wes D. Populism and the Capra Legacy. Praeger, 1995. http://dx.doi.org/10.5040/9798216981527.

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Traditionally identified with screwball comedies, Frank Capra has seldom been considered a conduit for populist concerns and issues. In this book, Gehring examines the influence of both Will Rogers and Frank Capra on modern populist movies, providing important background on Capra's links to the crackerbarrel personality of Rogers. He follows this theme forward, examining the populist roots in such films asThe Electric Horseman,Field of Dreams,Dave,Grand Canyon, and others. A final chapter is a close-up of the contemporary, Capra-like director, Ron Howard. The inclusion of a bibliography and se
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Last, Cassice. Contemporary American Survival Film. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781501393204.

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The Contemporary American Survival Filminvestigates and breaks down the contemporary American Survival Film (fromCast Awayonwards), focusing on film, television, literature and video games. In the contemporary (and highly popular) American survival film, a lone figure is lost, trapped or stuck. Whether a desert island, cramped canyon, floating raft or the Alaskan tundra, the space cuts the characters off from their loved ones, communication technologies, transport or a means of escape. The sun burns flesh, the dry air dehydrates, the lack of food starves, the snow chills bodies and the sharp r
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Carnes, Nicholas. The Cash Ceiling. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691182001.001.0001.

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Why are Americans governed by the rich? Millionaires make up only three percent of the public but control all three branches of the federal government. How did this happen? What stops lower-income and working-class Americans from becoming politicians? This book is a compelling and comprehensive account of why so few working-class people hold office—and what reformers can do about it. It debunks popular misconceptions (like the idea that workers are unelectable or unqualified to govern), identifies the factors that keep lower-class Americans off the ballot and out of political institutions, and
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Lauter, Paul. Canons and Contexts. Oxford University Press, 1991. http://dx.doi.org/10.1093/oso/9780195055931.001.0001.

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This collection of essays places issues central to literary study, particularly the question of the canon, in the context of institutional practices in American colleges and universities. Lauter addresses such crucial concerns as what students should read and study, how standards of "quality" are defined and changed, the limits of theoretical discourse, and the ways race, gender, and class shape not only teaching, curricula, and research priorities, but collegiate personnel actions as well. The book examines critically the variety of recent proposals for "reforming" higher education, and it ca
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Rivers, Isabel. Vanity Fair and the Celestial City. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198269960.001.0001.

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In John Bunyan’s The Pilgrim’s Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? What religious books were read, and how?
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Book chapters on the topic "Cantos populares americanos"

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"Bel Cantos: Henry Pleasants’s The Great American Popular Singers." In Book Reports. Duke University Press, 2020. http://dx.doi.org/10.1515/9781478002123-023.

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Bucuvalas, Tina. "Trio Bel Canto and Takis Elenis (b. 1948)." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0037.

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Performing Greek music for Greek and American audiences with polished vocal harmonies and strong musicianship, the Trio Bel Canto became arguably the most popular Greek American band of all-time.They were founded in 1948, in Greece, but relocated to the U.S. in 1966. Exceptional bouzouki player TakisElenis joined the band in 1971, further enhancing the Trio Bel Canto’s standing. Elenis left the group in 1986 to pursue solo interests.
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Gery, John. "Pound and/ or Franklin." In Cross-Cultural Ezra Pound. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979800.003.0004.

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John Gery takes Philadelphia as his starting point, but less for Pound’s ties to Jefferson than for his mostly unexplored associations with Benjamin Franklin’s sensibility. When looking for early American counterparts to the prominent figures who populate The Cantos, from Sordello to Confucius, Pound looked first to Jefferson, then to John Adams as his American icons, despite Franklin’s public prominence. Although Pound does refer to Franklin some twenty times in The Cantos, he underplays his role. “Given Franklin’s prominent reputation for his imagination, unorthodox manner, wily and sometime
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Palomares-Salas, Claudio. "1968." In Mexican Canto Nuevo. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197772737.003.0004.

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Abstract Chapter 4 marks Canto Nuevo’s birth during the 1968 student movement. It explores the emergence of a repertoire of national militant songs focused on the Mexican context but in tune with the Latin American Militant Song movement. Following Jorge Velasco’s previous studies, the chapter explores three ways in which singers, singer-songwriters, and groups used songs during the student movement: first, by collecting popular militant songs; second, by resignifying these songs using the contrafacta; and third, by creating an original militant song repertoire. At this moment, the first Canto
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Wilder, Alec. "Outstanding Individual Songs." In American Popular Song. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190939946.003.0012.

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Hundreds of individuals have contributed to the American Songbook, many of whom did not even consider themselves songwriters. They might have been bandleaders. arrangers, instrumentalists, singers, or rank amateurs. Some wrote only a handful of notable songs, some just one or two. Songs that would likely elicit a puzzled look if their authors were revealed include “April Showers,” “Just Friends,” “I’m Getting Sentimental over You,” “How High the Moon,” “Moonlight in Vermont,” and “You Make Me Feel So Young.” True, the artist who made the song famous is likely to come to mind immediately, but t
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Ayers, Edward L. "Cyberspace, U.S.A." In American Places. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195130263.003.0001.

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Abstract I write not of Thomas Jefferson’s town, where I live, nor of the American South to which I have devoted my working life. Rather, I write of a new American place, one we cannot see but whose effects we increasingly feel: “cyberspace.” That place, simultaneously metaphorical and tangible, has touched every part of the United States. Information surges along networks of copper and glass, weaving ever tighter webs across the country and the world. Those networks define a space at once empty and densely populated, desolate and hopeful. By its very nature, cyberspace is the space among othe
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Suri, Jeremi. "The strange career of nation-building as a concept in US foreign policy." In American Foreign Policy. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526116505.003.0002.

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The opening chapter of the volume approaches the peculiar US vocation for nation-building on a global scale from the perspective of domestic experience. Jeremi Suri uses the study of the post-Civil War South by C. Vann Woodward to provide for non-Americans a sense of the ideological interstices and remarkable longevity of this feature of American “exceptionalism”. Writing outside of the idiom but with full sympathy for its constituent parts and continuities, Suri describes a deep US civic culture that celebrates self-governance, popular sovereignty and open trade on an uninterrupted continuum
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Finn, S. Margot. "Can “Taste” Be Separated from Social Class?" In Food Fights. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469652894.003.0005.

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For the last two decades the United States has witnessed the rise of the “foodie” movement, and yet this movement has not brought about widespread change among general American population. Margot Finn argues that this apparent contradiction can be explained by the fact that most food conscientiousness is elitist; it is driven not by any underlying progressive ideology, but by a desire of culturally elite consumers to distinguish themselves from the general populace. Thus, taste, cannot be separated from social class.
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Erar, Oya Tunçay. "The Truman Show: A Different American Dream." In Architecture in Cinema. BENTHAM SCIENCE PUBLISHERS, 2024. http://dx.doi.org/10.2174/9789815223316124010019.

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Truman Burbank, a child who was adopted before he was born by a film company, had been brought up on Seahaven Island, a large and completely humandesigned plateau. On the island, Truman is the only ‘real’ person. Not only the surrounding environment but his mother, father, wife, and best friend are all part of the fiction as “actors.” The interplay between real and fiction is in fact being watched by millions of different countries in the world. Everything used in the show, all products, are objects of advertisement and for sale. We see in the movie that everything in the real world has a pric
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Ehriander, Helene. "“The Only Thing You Can’t Do Is Hear” 1." In Children, Deafness, and Deaf Cultures in Popular Media. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496842046.003.0007.

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Set in the 1990s and engaging with issues current at that time, Hurt Go Happy tells two interconnected and thematically analogous stories: first, the struggle of deaf protagonist Joey Willis to be allowed to learn sign language and, second, twentieth-century experiments to teach American Sign Language to chimpanzees. The novel engages with the oralist/manualist debate and contends that being deaf and not being permitted to learn sign language is to be suspended between two cultures and denied agency. In its description of the different means of communication the novel gives voice to those who
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Conference papers on the topic "Cantos populares americanos"

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Silva, Adriano Queiroz da, Maria Cristina Abbate, Aline Pilon Maurício da Silva, et al. "Prevenção combinada “ao vivo para as populações mais vulneráveis à epidemia de vírus da imunodeficiência humana em contexto de pandemia." In XIII Congresso da Sociedade Brasileira de DST - IX Congresso Brasileiro de AIDS - IV Congresso Latino Americano de IST/HIV/AIDS. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/dst-2177-8264-202133p150.

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Introdução: A Coordenadoria de Infecções Sexualmente Transmissíveis/Aids da cidade de São Paulo tem diversas esferas de diálogo com a sociedade civil, como organizações não governamentais, coletivos e lideranças das populações prioritárias e/ou mais vulneráveis ao vírus da imunodeficiência humana. Apesar de a COVID-19 ter colocado novas rotinas à população, como o isolamento e o distanciamento social, encontros sexuais ainda continuam acontecendo, por meio de aplicativos de encontros para homens que fazem sexo com homens, festas de jovens, sobretudo nas periferias da cidade, e o trabalho sexua
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BISWAL, AGNI K., ANKUSH NANDI, HUNG WANG, and ANIRUDDH VASHISTH. "ULTRASONIC WELDING OF GLASS FIBER REINFORCED VITRIMER COMPOSITES." In Proceedings for the American Society for Composites-Thirty Eighth Technical Conference. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/asc38/36527.

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The welding of composites has become a crucial step in the production of complex composite parts. Typically, various welding and joining techniques are used to manufacture composite assemblies. However, ultrasonic welding is one of the most popular methods for welding thermoplastic composites and cannot be used for composites with a thermosetting matrix. This study employed ultrasonic welding process for fiber-reinforced polymer composites with a dynamic covalent adaptive network (CAN). We used a thermosetting polymeric network with an associative dynamic CAN, commonly known as vitrimers; the
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Irani, Mazda. "Prediction of Flow Control Devices Performance in SAGD Producers Subjected to Sand Impact Erosion." In SPE Canadian Energy Technology Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/212766-ms.

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Abstract Over the last decade, the Steam Assisted Gravity Drainage (SAGD) thermal recovery process has been successfully commercialized in a range of applications located in the oil sands of Western Canada. Prevention or remediation of SAGD production wells due to slotted liner erosion or high gas/steam production later in the life of the well pair requires a change in basis of design of the completion that is compatible with specific well challenges of these applications and facilitates drainage control while overcoming additional pressure drops due to impaired or plugged-off sand control. Fl
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A. Buzzetto-Hollywood, Nicole, Austin J. Hill, and Troy Banks. "Early Findings of a Study Exploring the Social Media, Political and Cultural Awareness, and Civic Activism of Gen Z Students in the Mid-Atlantic United States [Abstract]." In InSITE 2021: Informing Science + IT Education Conferences. Informing Science Institute, 2021. http://dx.doi.org/10.28945/4762.

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Aim/Purpose: This paper provides the results of the preliminary analysis of the findings of an ongoing study that seeks to examine the social media use, cultural and political awareness, civic engagement, issue prioritization, and social activism of Gen Z students enrolled at four different institutional types located in the Mid-Atlantic region of the United States. The aim of this study is to look at the group as a whole as well as compare findings across populations. The institutional types under consideration include a mid-sized majority serving or otherwise referred to as a traditionally w
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