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Books on the topic 'Capitu (Motion picture)'

Author: Grafiati

Published: 26 July 2024

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1

Berti, F., and Silvia Fornari. Socio-movies: Capire la società con il cinema. Ospedaletto-Pisa: Pacini editore, 2013.

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2

Goffredo, Fofi, ed. Dieci anni difficili: Capire con il cinema, parte seconda, 1975-1985. [Firenze]: Casa Usher, 1985.

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3

Robbins, Tim. Dead man walking. London: Faber, 1996.

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4

Simmons, Rudd, Tim Robbins, and Jon Kilik. Dead man walking. Santa Monica, CA: MGM Home Entertainment, 1995.

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5

Robbins, Tim. Dead man walking: The shooting script. New York: Newmarket Press, 1997.

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6

Neubert, Ingo. The Chair (1962): Eine Analyse. Trier: Wissenschaftlicher Verlag Trier, 1996.

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7

Murray, Lisa. The Capitol Theatre restoration. Sydney: Council of the City of Sydney, 2003.

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8

Morris, Sarah. Sarah Morris: Modern worlds. Oxford: Museum of Modern Art, 1999.

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9

contributor, Funcke Bettina, Avary Roger contributor, and White Cube (Gallery), eds. Sarah Morris: Bye bye Brazil. London: White Cube, 2013.

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10

Morris, Sarah. Sarah Morris: Lesser panda. London: White Cube, 2008.

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11

Morris, Sarah. Sarah Morris: 7/6-13/8/2000, Kunsthalle Zürich. Edited by Bürgi Bernhard and Kunsthalle Zürich. Zürich: Die Kunsthalle, 2000.

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12

Morris, Sarah. Sarah Morris: Bar nothing. London: Jay Jopling/White Cube, 2004.

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13

Morris, Sarah. Sarah Morris. Zürich: Kunsthalle, 2000.

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14

Morris, Sarah. Sarah Morris: Capital ; [with stills from the film "Capital" and fifteen color plates ; on occasion of the exhibition "Correspondence" at the Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart - Berlin, May 31 - July 15, 2001]. Köln: Oktagon, 2001.

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15

Mei shu chang yu " yi shu jia " jiao se de jian gou: Dui Minguo qian qi (1912-1937) Shanghai mei shu huo dong de she hui xue yan jiu = The "Artist" role construction in the art field : a sociological study on the art activities of Shanghai during the Republic of China (1912-1937). Shanghai Shi: Shanghai da xue chu ban she, 2010.

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16

Stutterheim, Kerstin. Studien Zum Postmodernen Kino: David Lynchs Inland Empire und Bennett Millers Capote. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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17

Stutterheim, Kerstin. Studien Zum Postmodernen Kino: David Lynchs Inland Empire und Bennett Millers Capote. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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18

Stutterheim, Kerstin. Studien Zum Postmodernen Kino: David Lynchs Inland Empire und Bennett Millers Capote. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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19

Studien Zum Postmodernen Kino: David Lynchs 'Inland Empire' und Bennett Millers 'Capote'. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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20

Lights, Camera, Execution!: Cinematic Portrayals of Capital Punishment. Rowman & Littlefield Publishers, Incorporated, 2019.

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21

The Death Penalty in American Cinema Cinema and Society. I.B.Tauris & Co Ltd, 2013.

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22

Cine y pena de muerte: Diez análisis desde el derecho y la moral. Valencia: Tirant lo Blanch, 2003.

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23

C'era una volta il Capitol: Gli anni d'oro del Cineforum, 1968-1983. Reggio Emilia: Diabasis, 1999.

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24

Marks of Toil: Work and Disfigurement in Literature, Film and Philosophy. McFarland & Company, Incorporated Publishers, 2014.

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25

Smyth, J. E. The Fourth Warner Brother. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.003.0002.

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Abstract:

Bette Davis crafted her career in opposition to conventional images of femininity, battling for equal treatment and pay, and by the end of the 1930s, the media, her fans, and the Hollywood industry itself paid tribute to “Queen Bette.” While Harry, Sam, and Jack Warner concealed their repressive studio practices behind the mask of a family brand, as “the fourth Warner Brother” Davis shrewdly promoted filmmaking’s capacity for transparency, realism, and equality, from her public contract dispute in 1936 to her unconventional roles and off-screen persona. While a number of actresses kept their distance from long-term studio contracts, Davis put her “team player” capital to good use. As president of the Academy of Motion Picture Arts and Sciences, president of the Hollywood Canteen, and public Democrat, she built networks of working women inside Hollywood and inspired her female fans to develop their independent political voice and faith in equal rights.

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26

Markup of H.R. 5803; H.R.5893, Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2008; and H.R. 5972, U.S. Capitol Police Administrative Technical Corrections Act of 2008: Hearing before the Committee on House Administration, House of Representatives, One Hundred Tenth Congress, second session, held in Washington, DC, May 7, 2008. Washington: U.S. G.P.O., 2008.

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27

Sarah Morris: CAPITAL Letters Rear Better for Initials. Verlag der Buchhandlung Walther Konig, 2016.

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28

Morris, Sarah, Ronald Jones, and Claude Monet. Sarah Morris: Capital. Oktagon, 2002.

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29

Sarah Morris: Beijing. Verlag der Buchhandlung Walther Konig, 2010.

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