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1

Berti, F., and Silvia Fornari. Socio-movies: Capire la società con il cinema. Pacini editore, 2013.

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2

Zhou, Zijun. Zhongguo dian ying chan ye zi ben hua jin cheng yan jiu: The research on the capitalization course of Chinese film industry. Zhongguo jing ji chu ban she, 2019.

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3

Simmons, Rudd, Tim Robbins, and Jon Kilik. Dead man walking. MGM Home Entertainment, 1995.

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4

Neubert, Ingo. The Chair (1962): Eine Analyse. Wissenschaftlicher Verlag Trier, 1996.

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5

Murray, Lisa. The Capitol Theatre restoration. Council of the City of Sydney, 2003.

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Kai, Kyōto Ninjin no. Ginmaku no naka no shikei. Inpakuto Shuppankai, 2013.

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7

Morris, Sarah. Sarah Morris: Modern worlds. Museum of Modern Art, 1999.

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8

Morris, Sarah. Sarah Morris: Lesser panda. White Cube, 2008.

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9

Morris, Sarah. Sarah Morris: 7/6-13/8/2000, Kunsthalle Zürich. Edited by Bürgi Bernhard and Kunsthalle Zürich. Die Kunsthalle, 2000.

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Morris, Sarah. Sarah Morris: Bar nothing. Jay Jopling/White Cube, 2004.

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11

Morris, Sarah. Sarah Morris. Kunsthalle, 2000.

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12

Morris, Sarah. Sarah Morris: Capital ; [with stills from the film "Capital" and fifteen color plates ; on occasion of the exhibition "Correspondence" at the Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart - Berlin, May 31 - July 15, 2001]. Oktagon, 2001.

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13

Bernhard, Bürgi, and Kunsthalle Zürich, eds. Sarah Morris: 7/6-13/8/2000, Kunsthalle Zürich. Kunsthalle Zürich, 2000.

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14

Kalhama, Pilvi. Sarah Morris. Edited by EMMA-Espoon modernin taiteen museo. EMMA, Espoo Museum of Modern Art, 2019.

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15

contributor, Funcke Bettina, Avary Roger contributor, and White Cube (Gallery), eds. Sarah Morris: Bye bye Brazil. White Cube, 2013.

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16

Dom Casmurro: A encenação de um julgamento : na adaptação cinematográfica de Moacyr Góes e de Paulo César Saraceni. Edufal, 2008.

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17

Studien Zum Postmodernen Kino: David Lynchs 'Inland Empire' und Bennett Millers 'Capote'. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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18

Stutterheim, Kerstin. Studien Zum Postmodernen Kino: David Lynchs Inland Empire und Bennett Millers Capote. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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19

Stutterheim, Kerstin. Studien Zum Postmodernen Kino: David Lynchs Inland Empire und Bennett Millers Capote. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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20

Stutterheim, Kerstin. Studien Zum Postmodernen Kino: David Lynchs Inland Empire und Bennett Millers Capote. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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21

Lights, Camera, Execution!: Cinematic Portrayals of Capital Punishment. Rowman & Littlefield Publishers, Incorporated, 2019.

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22

The Death Penalty in American Cinema Cinema and Society. I.B.Tauris & Co Ltd, 2013.

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23

Cine y pena de muerte: Diez análisis desde el derecho y la moral. Tirant lo Blanch, 2003.

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24

C'era una volta il Capitol: Gli anni d'oro del Cineforum, 1968-1983. Diabasis, 1999.

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25

Smyth, J. E. The Fourth Warner Brother. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.003.0002.

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Bette Davis crafted her career in opposition to conventional images of femininity, battling for equal treatment and pay, and by the end of the 1930s, the media, her fans, and the Hollywood industry itself paid tribute to “Queen Bette.” While Harry, Sam, and Jack Warner concealed their repressive studio practices behind the mask of a family brand, as “the fourth Warner Brother” Davis shrewdly promoted filmmaking’s capacity for transparency, realism, and equality, from her public contract dispute in 1936 to her unconventional roles and off-screen persona. While a number of actresses kept their d
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26

Morris, Sarah, Ronald Jones, and Claude Monet. Sarah Morris: Capital. Oktagon, 2002.

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27

Sarah Morris: CAPITAL Letters Rear Better for Initials. Verlag der Buchhandlung Walther Konig, 2016.

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28

Sarah Morris: Beijing. Verlag der Buchhandlung Walther Konig, 2010.

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29

Mei shu chang yu " yi shu jia " jiao se de jian gou: Dui Minguo qian qi (1912-1937) Shanghai mei shu huo dong de she hui xue yan jiu = The "Artist" role construction in the art field : a sociological study on the art activities of Shanghai during the Republic of China (1912-1937). Shanghai da xue chu ban she, 2010.

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