Relevant bibliographies by topics / Capoeira (Danse)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Capoeira (Danse)'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 March 2023

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Journal articles on the topic "Capoeira (Danse)"

1

Albright, Ann Cooper. "À corps ouverts. Changement et échange d’identités dans la Capoeira et le contact improvisation." Protée 29, no. 2 (2005): 39–49. http://dx.doi.org/10.7202/030624ar.

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Cet article tente de montrer comment deux formes particulières de la danse contemporaine, la Capoeira et le contact improvisation peuvent fournir des modèles – et même des technologies physiques – à partir desquels théoriser une altérité incarnée. Il montre comment ces formes de danse proviennent de cultures et d’histoires spécifiques mais aussi comment, dans leurs manifestations contemporaines, elles possèdent leur propre logique qui nous force à repenser notre compréhension des corps et des cultures.
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Meziani, Martial. "La capoeira : ni lutte, ni danse. Proposition de définition." Staps 89, no. 3 (2010): 43. http://dx.doi.org/10.3917/sta.089.0043.

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Holmes, Diana. "Dancing in the Dark: Immersion and Self-Reflexivity in Nancy Huston's Danse noire." Nottingham French Studies 57, no. 3 (2018): 298–310. http://dx.doi.org/10.3366/nfs.2018.0226.

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Nancy Huston's Danse noire (2014) is a formidably complex novel: multilingual, composed throughout of three connected but separately told stories, highly self-reflexive in its intra-diegetic presentation of the narrative as film scenario and its use of capoeira as framing device and analogy. Some critics and readers have found this intricate structure excessive and confusing. This article, on the other hand, situates the novel within Huston's distinctive project as a contemporary French novelist who is as committed to immersive story-telling as she is to self-aware celebration of narrative for
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4

Roble, Odilon José, Jéssica Bonvino e Silva, and Maisa Amstalden. "Capoeira as an Emerging Possibility to Decentering Contemporary Dance Experiences (Workshop)." Congress on Research in Dance Conference Proceedings 2014 (2014): 136–39. http://dx.doi.org/10.1017/cor.2014.19.

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Capoeira is a Brazilian art, expressed by game, fight, and dance. Its movements comprise a wide range of possibilities, alternating planes, turns, balances, supports, and floor-work, pointing to its relevance for technical processes in dance. However, capoeira is also deeply marked by an aesthetic that goes beyond the movement itself. Values, beliefs, habits, and Brazilian customs are rooted in its practice. Authors such as Frigerio show characteristics such as theatricality and malice, noting that a certain ritual role of capoeira seems to be more important in practice than a combative effici
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Majumdar, Ananda. "“CAPOEIRA - A COMBINATION OF MUSIC, MARTIAL ART AND DANCE”." EPH - International Journal of Humanities and Social Science 2, no. 4 (2017): 37–42. http://dx.doi.org/10.53555/eijhss.v2i4.27.

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Purpose of this article to know about a culture, which had ups and down, a culture of struggle and freedom for a community. Capoeira is the glimpse of Brazilian mixed culture transformed from local to global culture. It was a hidden weapon of slave society of Portuguese Brazil against of their masters that escaped them many times. It is a movement, a game, a song, and a dance. It is a motto for generations. It is a vast knowledge for audience worldwide. It is a history, a culture of civilization, a martial art, and a game of global development physically and mentally. This game works everywher
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Oliveira, André Luis. "Do Capoeira para a Capoeira: reflexões etimológicas e existenciais." MOTRICIDADES: Revista da Sociedade de Pesquisa Qualitativa em Motricidade Humana 5, no. 3 (2021): 355–63. http://dx.doi.org/10.29181/2594-6463-2021-v5-n3-p355-363.

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ResumoA prática social capoeira é permeada por diferentes histórias e interpretações de seu surgimento, incluindo a própria etimologia da palavra capoeira, que pode ter sua origem na língua portuguesa, bem como na língua indígena tupi. Outra comum recorrência é da capoeira ser tratada como algo que tem existência em si, separada de seu sujeito, o capoeirista ou o Capoeira. Esse ensaio tem como objetivo recuperar na literatura a origem do nome capoeira, possíveis significados e sua relação com o jogador-lutador-dançador do que denominamos jogo-de-luta-dançada, assim destacar o/a praticante, pro
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Fernandes, Fabio Araujo. "“BE CAREFUL WITH THE GERMAN!”: transnationalization process of capoeira, identity, cultural negotiation, and subjectivity." Brasiliana: Journal for Brazilian Studies 6, no. 2 (2018): 182–206. http://dx.doi.org/10.25160/bjbs.v6i2.99495.

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The goal of this article is to contribute to the debate about identity and subjectivity constructions in contemporary migrations and the cultural flows resulting from them, by focusing on the process of transnationalization in the practice of capoeira in Europe. The process began in the 1970s and influenced the development of capoeira, thus engendering changes wherever this dance-fight was established. The paper centers on the capoeiristas’ life experiences, through which they reconstructed their own identities, as well as discourses about capoeira, while at the same time considering the hegem
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Acuña, Mauricio. "THE BERIMBAU'S SOCIAL GINGA: NOTES TOWARDS A COMPREHENSION OF AGENCY IN CAPOEIRA." Sociologia & Antropologia 6, no. 2 (2016): 383–406. http://dx.doi.org/10.1590/2238-38752016v624.

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Abstract Although the berimbau is widely acknowledged today as part of capoeira - in Brazil and around the world - only a 'minimal' history of this instrument exists concerning its evolution over the twentieth century. The sounds, songs and notes of the berimbau, as well as its circulation among capoeiristas, artists, athletes and intellectuals, played an important role in the historical shift from a 'poisonous' capoeira to the 'non-poisonous' styles. The latter were the same styles that became national with enough of a violent edge to maintain the ambivalence between martial art, game and dan
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Spanos, Kathleen A. "A Dance of Resistance from Recife, Brazil: Carnivalesque Improvisation in Frevo." Dance Research Journal 51, no. 3 (2019): 28–46. http://dx.doi.org/10.1017/s0149767719000305.

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Frevo is an energetic dance from Recife, the capital of Brazil's northeastern state of Pernambuco. Frevo is a dance of resistance because it narrates complex notions of identity that contribute to social empowerment through strategic processes of liberation for marginalized groups. The dance originates from the Brazilian martial art of capoeira and it is carnivalesque because it is performed in crowded, often violent streets during carnival, when power hierarchies are disrupted. Through this ethnographic research, I consider how frevo practitioners engage in cultural resistance using a practic
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Scott, Susie, and Neil Stephens. "Acts of omission and commission in the embodied learning of diasporic capoeira and swimming." Qualitative Research 18, no. 5 (2018): 565–79. http://dx.doi.org/10.1177/1468794118778614.

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This article compares ethnographic experiences of two settings characterised by embodied learning: the African-Brazilian dance/martial-art/game capoeira, and swimming for fitness and leisure, both as practiced in the UK. We consider the ways in which participants in these scenes stage-manage the display of their learning environments, focusing on the rituals and routines of instruction and practice. Applying Scott’s (2018) sociology of nothing as an analytical framework, we identify an inverse relationship between two forms of social action. In capoeira, we notice primarily acts of commission
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Dissertations / Theses on the topic "Capoeira (Danse)"

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Brocardi, Agnès. "Africanité et brasilianité de la capoeira : vers une pratique transversale." Paris 8, 2001. http://www.theses.fr/2001PA082647.

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2

Granada, Da Silva Ferreira Daniel. "Les mestres, les groupes et les « lieux dynamiques » : identité et relocalisation de la pratique de la capoeira à Paris et à Londres." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100150/document.

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La présente thèse analyse les processus de transnationalisation de la pratique de la capoeira, un art martial d’origine « afro-brésilienne », en France et au Royaume-Uni. Son expansion accompagne l’émigration de Brésiliens en quête de meilleures conditions de vie et de travail à l’étranger, mais repose de manière importante dès ses débuts sur l’appropriation et l’adaptation opérées par les pratiquants locaux. À travers la recherche ethnographique au sein des groupes de capoeira en France et au Royaume-Uni et les entretiens avec les leaders des groupes et leurs élèves sont dévoilés, au long de
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Corneau, Marianne. "Capoeira Angola : mémoire, réparations et travail identitaire chez les afro-brésiliens de Salvador de Bahia." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25579/25579.pdf.

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Langaro, Becker Angela. "La danse en tant qu'image du corps : expressions de la voix et du regard." Paris 13, 2010. http://www.theses.fr/2010PA131034.

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Ce travail analyse la danse adolescente du point de vue de ses expressions dans le champ des pulsions scopique et invocante. Le corps dansant est examiné sur deux versants : le premier met l’accent sur les nouvelles inscriptions de la voix et du regard à partir de la transformation corporelle de la puberté, avec des conséquences sur la relation entre le corps et la dimension spatio-temporelle. Cette danse est le mouvement même d’aller et venue de toute pulsion en direction de l’invocation de l’Autre ; un mouvement qui produit le champ de l’équivoque, qui introduit l’altérité, qui laisse passer
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Brough, Edward Luna. "Jogo de mandinga - game of sorcery - : a preliminary investigation of history, tradition, and bodily practice in capoeira angola /." Connect to resource, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1195592448.

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Polido, Pepita Saloti 1979. "Capoeira na escola : política, ética e estética na roda /." São Paulo, 2018. http://hdl.handle.net/11449/154836.

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Orientador(a): João Cardoso Palma Filho<br>Banca: Marianna Francisca Martins Monteiro<br>Banca: Adriano Rogério Celante<br>Resumo: Este estudo possui por orientação filosófica o materialismo histórico e dialético. Objetivou analisar o potencial emancipador da capoeira enquanto um conhecimento a ser transformado em conteúdo escolar, a fim de ser transmitido aos alunos das séries iniciais do ensino fundamental. Entende-se que o potencial emancipador dos conteúdos escolares está relacionado à possibilidade de contribuírem para que os alunos superem o senso comum, em direção à construção de uma co
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Cressoni, Franz Eric de Goes [UNESP]. "Capoeira contemporânea: compreensões decorrentes de mestres autodeclarados." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/108759.

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Made available in DSpace on 2014-08-13T14:50:55Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-05-07Bitstream added on 2014-08-13T18:00:02Z : No. of bitstreams: 1 000767661.pdf: 1730432 bytes, checksum: 58cc7cebfa8382ba63226227ba32836d (MD5)<br>O presente estudo objetivou analisar a capoeira na atualidade no que diz respeito às rupturas e disputas de poder que se deram com as escolas tradicionais, angola e regional, tal qual preconizadas por seus criadores, para o surgimento das novas manifestações que hoje se apresentam no espaço social da capoeira. Neste sentido, fizemos um recorte
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Cressoni, Franz Eric de Goes. "Capoeira contemporânea : compreensões decorrentes de mestres autodeclarados /." Rio Claro, 2013. http://hdl.handle.net/11449/108759.

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Orientador: Alexandre Janotta Drigo<br>Banca: Luiz Gonçalves Junior<br>Banca: Samuel de Souza Neto<br>Resumo: O presente estudo objetivou analisar a capoeira na atualidade no que diz respeito às rupturas e disputas de poder que se deram com as escolas tradicionais, angola e regional, tal qual preconizadas por seus criadores, para o surgimento das novas manifestações que hoje se apresentam no espaço social da capoeira. Neste sentido, fizemos um recorte no qual demos enfoque ao fenômeno denominado capoeira contemporânea, abordando-o, e à capoeira, de forma geral como manifestações pautadas por u
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9

Lefkaditou, Theodora. "The Social and Cultural Effects of Capoeira’s Transnational Circulation in Salvador da Bahia and Barcelona." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/275942.

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The thesis is an inquiry into the social and cultural implications of the Bahian Capoeira teachers’ transnational mobilities and consequent immobilities. Following the trajectories of young male teachers -in different instances and places- their transactions and encounters with various ‘others’, the study analyzes how the meanings given to their practices and the particularities of their socialities, are constantly transformed. Capoeira becomes the lenses to understand a fluctuating society with its historical and social particularities as Bahians, foreigners, researchers, Capoeira apprentices
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Sabino, Thércio Fábio Pontes [UNESP]. "Sentindo-se saudável com a capoeira: uma visão fenomenológica a partir de pessoas com deficiência." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/108760.

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Made available in DSpace on 2014-08-13T14:50:55Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-12-09Bitstream added on 2014-08-13T18:00:01Z : No. of bitstreams: 1 000767716.pdf: 1474708 bytes, checksum: a178b1ec2f6c4f6803fe58133f1255dc (MD5)<br>As indagações iniciais desta dissertação de mestrado surgiram da minha vivência de quinze anos de professorado de capoeira na cidade de Rio Claro. Utilizando a fenomenologia como instumento de investigação, busquei entender este fenômeno situado sobre a capoeira: o significado da capoeira na saúde das pessoas com deficiência. A pesquisa levou
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Books on the topic "Capoeira (Danse)"

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Santos, Lindemberg Monteiro dos. Capoeirando: Processo de criação em dança contemporânea. Appris Editora, 2021.

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2

Capoeira: Ou l'art de lutter en dansant. Budo Éditions, 2006.

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3

Capoeira: The history of an Afro-Brazilian martial art. Routledge, 2005.

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4

Oliveira, Charles Monteiro de. Identidade e memória da capoeira Angola nas ruas do Rio de Janeiro. LetraCapital, 2020.

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Ring of liberation: Deceptive discourse in Brazilian capoeira. University of Chicago Press, 1992.

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Silva, Renata de Lima. Performance negra e dramaturgias do corpo na Capoeira Angola. Editora Fi, 2021.

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Capoeira. Marshall Cavendish Benchmark, 2010.

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8

Papadopoulos, Dimitris. Capoeira illustrated. Turtle Press, 2012.

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Gogerly, Liz. Capoeira. Wayland, 2011.

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10

Rob, Waring, ed. Capoeira: The fighting dance. Heinle/Cengage Learning, 2009.

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Book chapters on the topic "Capoeira (Danse)"

1

Lézy, Emmanuel. "La capoeira, combat rythmé ou danse martiale ?" In Danses latines. Autrement, 2007. http://dx.doi.org/10.3917/autre.dorie.2007.01.0294.

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Hecking, Britta. "Algerian Youth on the Move. Capoeira, Street Dance and Parkour: Between Integration and Contestation." In Algeria. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781786940216.003.0010.

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After a long decade of political and cultural isolation due to the bloody civil war in the 1990s, processes of economic reform and ‘opening to the world’ intensified since 2000 in urban Algeria. While public space is still controlled by what is an authoritarian state, it is also a highly contested space. This chapter analyzes how young Algerians reclaim their access to the public sphere and forge new identities through the practice of global youth cultures like parkour, capoeira and street-dance. Common to each of these practices is ‘the body in motion’, the appropriation of urban spaces that has a counter hegemonic character. Young people use these activities to negotiate material constraints and in-between identities in everyday life. This is especially clear in the aesthetics and philosophy of parkour: one plays with obstacles or passes them using only the force of the body. Social media play an important role in these urban cultures for initiation, inspiration and representation: video-clips circulate via Facebook or Youtube and create new communities connecting local ‘crews’ with national federations and transnational networks. By appropriating local streets through the appropriation of global cultures, the young not only empower themselves but also contribute to stage a new image of the young Algerian nation.
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You might also be interested in the extended bibliographies on the topic 'Capoeira (Danse)' for particular source types:
Journal articles Dissertations / Theses Books
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