Relevant bibliographies by topics / Cappella Sistina (Vatican Palace, Vatican City)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Cappella Sistina (Vatican Palace, Vatican City)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Cappella Sistina (Vatican Palace, Vatican City)"

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Anderson, Michael Alan. "The One Who Comes After Me." Journal of the American Musicological Society 66, no. 3 (2013): 639–708. http://dx.doi.org/10.1525/jams.2013.66.3.639.

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Abstract Studies of the past two decades have shown that late medieval and Renaissance composers participated in a culture of symbolic representation by inscribing Christian figures and concepts into musical design. One figure who has been overlooked in this line of scholarship is John the Baptist, the precursor of Christ. This essay outlines the Baptist's historical impact on the conception of Christian temporality and proceeds to demonstrate some distinct experiments in fourteenth- and fifteenth-century music for John that express his predecessory character through emblematic manipulations of temporal parameters. By the sixteenth century, several inscriptions found in Vatican manuscripts reveal that the Baptist was associated with a particular musical craft that controls masterfully the unfolding of time: the art of canon. Drawing heavily on Scripture (especially John 1:15, 27, 30) to articulate the compositional conceits, the rubrics likened the leader (dux) and follower (comes) of a canon to the relationship between John (the forerunner saint) and Jesus. The analogy intensified around the papal chapel choirbook Vatican City, Biblioteca Apostolica Vaticana, MS Cappella Sistina 38.
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Dissertations / Theses on the topic "Cappella Sistina (Vatican Palace, Vatican City)"

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McConomy, Erin Elizabeth. "Renaissance humanism in Michelangelo's Sistine Chapel and Milton's Paradise Lost." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37223.pdf.

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Robb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.

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This thesis takes as its area of exploration the papal chapel choir and its repertory, alongside the papacy and its patronage of the arts at the end of the fifteenth century. It draws on previous research concerning the singers, polyphonic manuscripts and artistic culture of the Vatican, but places Pope Alexander VI as the central figure of the thesis, showing schemes of patronage that shaped his reign. The research presents a transcription and analysis of the hymn cycle contained within the manuscript Cappella Sistina 15, alongside an assessment of the polyphonic music collection and places these against accounts of music making and evidence of music copying at the papal chapel during Alexander’s reign. The thesis also considers the environment of secular music making at Alexander’s court. In order to provide a context in which to understand this information, the life of Alexander VI is examined, tracing his artistic patronage and involvement with music both prior to his election and afterwards. Of particular note is the engagement of the artist Pintoricchio to decorate the papal apartments. Here, the artist’s representation of music as part of the seven liberal arts is analysed, providing a unique, contemporary and important insight into music practices in Alexander’s court. Three classifications of patronage are identified for Alexander’s reign, while also showing that these were strategies that he had used before he became pope. The music culture at the papal chapel is shown to be part of this strategy, through the consolidation of old music and the introduction of new music into the repertory, ending a task that had taken approximately 60 years. It shows that Alexander’s reign was an important period musically, that instituted new musical traditions and created an environment that prepared the way for the golden ages of patronage of Julius II and Leo X.
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Books on the topic "Cappella Sistina (Vatican Palace, Vatican City)"

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author, Forty Sandra, ed. Michelangelo. Charlotte, North Carolina, USA: T&J, 2014.

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Simonetta, Rasponi, ed. Michelangelo. London: Bloomsbury Books, 1985.

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Fabrizio, Mancinelli, and Colalucci Gianluigi, eds. La Cappella sistina--il Giudizio restaurato. Novara: Istituto geografico De Agostini, 1998.

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Fermor, Sharon. The Raphael tapestry cartoons: Narrative, decoration, design. London: Scala Books in association with The Victoria and Albert Museum, 1996.

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Cirri, Caterina. La Capilla Sixtina: La Cappella Sistina = A Capela Sistina = The Sistine Chapel. Bagno a Ripoli (Firenze): Scala, 2011.

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Danzi, Gianni. Vaticano: La Cappella sistina : il Quattrocento. Città del Vaticano: Musei vaticani, 2003.

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srl, Ats Italia Editrice, ed. Rome and the Vatican. Rome: Edizioni Musei Vaticani, 1998.

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Mata, Luca De. The restoration of the Sistine Chapel. Città del Vaticano: Edizioni Musei Vaticani, 1994.

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9

Maurer, Emil. Michelangelo und die Sixtina: Ausstellung in der Galerie "le point" ... Zürich. Zürich: SKA, 1993.

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1617-1692, Liberati Antimo, ed. La musica è una mera opinione e di questa non si può dar certezza veruna: Antimo Liberati e il suo Diario sistino : con una riproduzione della Lettera a Ovidio Persapegi. Perugia: Morlacchi, 2008.

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Book chapters on the topic "Cappella Sistina (Vatican Palace, Vatican City)"

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Sherr, Richard. "Thoughts on Some of the Masses in Vatican City, Biblioteca Apostolica Vaticana, MS Cappella Sistina 14 and its Concordant Sources (or, Things Bonnie Won’t Let Me Publish)." In Epitome musical, 319–33. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.em-eb.3.2700.

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