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Relevant bibliographies by topics / Captivity in literature

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Academic literature on the topic 'Captivity in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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Journal articles on the topic "Captivity in literature"

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Bar-Itzhak, Chen. "Intellectual Captivity." Journal of World Literature 5, no. 1 (2020): 79–110. http://dx.doi.org/10.1163/24056480-00403400.

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Abstract This essay concerns the unequal distribution of epistemic capital in the academic field of World Literature and calls for an epistemic shift: a broadening of our theoretical canon and the epistemologies through which we read and interpret world literature. First, this epistemic inequality is discussed through a sociological examination of the “world republic of literary theory,” addressing the limits of circulation of literary epistemologies. The current situation, it is argued, creates an “intellectual captivity,” the ethical and political implications of which are demonstrated through a close reading of the acts of reading world literature performed by scholars at the center of the field. A few possible solutions are then suggested, drawing on recent developments in anthropology, allowing for a redistribution of epistemic capital within the discipline of World Literature: awareness of positionality, reflexivity as method, promotion of marginal scholarship, and a focus on “points of interaction.”

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Blaeser, Kimberly. "Captivity." World Literature Today 91, no. 3 (2017): 82–83. http://dx.doi.org/10.1353/wlt.2017.0139.

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Kimberly Blaeser. "Captivity." World Literature Today 91, no. 3-4 (2017): 82. http://dx.doi.org/10.7588/worllitetoda.91.3-4.0082.

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Richey, Norma Jean, and Rodney Hall. "Captivity Captive." World Literature Today 63, no. 3 (1989): 533. http://dx.doi.org/10.2307/40145515.

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Sabatos, Charles. "The Ottoman Captivity Narrative as a Transnational Genre in Central European Literature." Archiv orientální 83, no. 2 (2015): 233–54. http://dx.doi.org/10.47979/aror.j.83.2.233-254.

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Among the earliest Western representations of the Muslim world were those written by Central European authors who had survived captivity in the Ottoman Empire; they form a largely unexplored genre of “Ottoman captivity narratives.” While strongly related in both theme and style to the better-known Barbary captivity genre, these memoirs offer a broader framework for captivity narratives that are beyond the customary focus on English-language or West European texts. This article examines Ottoman captivity narratives from Georgius of Hungary’s Tractatus (1481) and Bartolomej Georgijević’s De Turcarum moribus epitome (1553), both written in Latin, Václav Vratislav z Mitrovic’s Příhody (1599), published in 1777, and Štefan Pilárik’s Sors Pilarikiana (1666), written in Czech. There is also one Turkish perspective of Austrian captivity, by Osman Aga of Temesvar (1724), published in 1954. While these works reflect the cultural assumptions of their era, they also illustrate an underlying ambiguity toward the Turks, and sometimes a concealed admiration for Ottoman society; some offer the forthright condemnation expected of the era. Through the comparative approach of transnational history, the Ottoman captivity narrative can be seen as a genre that reflects common experiences of engagement with the Orient that are beyond the modern linguistic and politic divisions of the Central European region.

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Colley, L. "Perceiving Low Literature: The Captivity Narrative." Essays in Criticism 53, no. 3 (2003): 199–218. http://dx.doi.org/10.1093/eic/53.3.199.

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Levy, Michele. "Captivity by György Spiró." World Literature Today 90, no. 3 (2016): 99–100. http://dx.doi.org/10.1353/wlt.2016.0056.

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BURNHAM, M. "The Politics of Captivity." Novel: A Forum on Fiction 40, no. 1-2 (2006): 187–89. http://dx.doi.org/10.1215/ddnov.040010187.

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Rayburn, Steven W., Marlys J. Mason, and Maarten Volkers. "Service Captivity: No Choice, No Voice, No Power." Journal of Public Policy & Marketing 39, no. 2 (2020): 155–68. http://dx.doi.org/10.1177/0743915619899082.

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Service captivity occurs when consumers engage in services that significantly constrain their choice, voice, and power—and yet, despite these restrictions, consumers are limited in their option to exit the exchange. The authors conceptualize and develop an empirically grounded framework of service captivity, contextualize service captivity within two settings to further support the framework and expose negative service delivery, and then highlight its pervasiveness through a typology of captivity archetypes. Service captivity is more pervasive than current marketing literature would suggest, and consumers experience constraints that can lead to felt vulnerability, which then contributes to a negative spiral of service. Findings from this research extend the broader marketing conversation by revealing consumers’ common market experiences and highlighting the importance of understanding service captivity for consumer and policy researchers. The authors discuss the potential for policy makers and consumer advocates to interrupt the negative service spiral and alleviate consumer vulnerability through policy and market actions connected to service captivity.

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Matt, H. "GLOBAL CAPTIVITY IN THE FIRST WORLD WAR: PRISONERS OF WAR IN TURKESTAN, 1914 – 1916." edu.e-history.kz 31, no. 3 (2022): 392–404. http://dx.doi.org/10.51943/2710-3994_2022_31_3_392-404.

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This articleexamines the health of prisoners of war in Turkestan during the First World Warthrough the lens of internationalrelief. Using the example of typhus, it considers the spread of epidemic disease seen through the reports of Red Cross delegates who inspected the conditions in POW camps in theRussian Empire. Alongside this, the article contributes to the growing literature that considers wartime captivity from a global perspective; bycomparing imperial managementsof wartime captivity in the Russian, British and German Empires, this article reframes experiences of captivity in Turkestan and places them in the wider global context of captivity in the early twentieth century.

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Dissertations / Theses on the topic "Captivity in literature"

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Connor, Alexandria Elizabeth. "The Love Biscuit Lodged Under a Log: (Re)tellings of Captivity and Redemption in Mary Rowlandson’s Captivity Narrative and Louise Erdrich’s “Captivity”." University of Dayton / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303253297.

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DiAngelis, Heather Nicole. "Determining Reliability in Indian Captivity Narratives." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626654.

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McGovern, Jennifer Anne. "The Captive press: captivity narratives, print networks, and regional prospects, 1838-1895." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/6612.

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The Captive Press argues that nineteenth-century Indian captivity narratives escaped from the expectations of the American literary marketplace through manipulations of the material text. With modern methods of production, promotion, and dissemination, captivity narratives dominated the reading public even as Native peoples were forced to submit to governmental encroachments. This study focuses on narratives produced by and about Anglo-American women whose impoverished return from captivity motivated them to write for their livelihood. The narratives of Rachel Parker Plummer, Sarah Larimer, Fanny Kelly, and Abbie Gardner-Sharp were designed to appeal to local readers who were likely to become financial sponsors through direct marketing. Later editions added para-textual material, developed textual content, and introduced illustrations such as wood engravings or photographs to increase marketability for broader audiences. By publishing captivity narratives on state presses and distributing them through regional print networks, nineteenth-century producers maintained the homegrown flavor of the genre while expanding readership beyond local boundaries. This dissertation demonstrates how, with the assistance of editors, illustrators, and publishers, these entrepreneurial women reversed their subject position to hold the popular press captive.

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De, Luise Rachel Bailey. "Creating a New Genre: Mary Rowlandson and Hher Narrative of Indian Captivity." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etd/699.

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In the aftermath of King Philip's War, Puritan Mary Rowlandson recorded her experiences as an Indian captive. In a vivid story that recollects the details of these events, Rowlandson attempts to impart a message to her community through the use of a variety of literary techniques. The genre of the Indian captivity narrative is a literary construct that she develops out of the following literary forms that existed at the time of her writing. These are the spiritual autobiography, a documentary method meant to archive spiritual and emotional growth through a record of daily activities; the conversion narrative, which made public one's theological assurance of God's grace; and the jeremiad, a sermon form designed to remind Puritans of their Covenant with God. To her contemporaries, Rowlandson served as an example of God's Providence. To later generations and specifically twenty-first century scholars, she represents America's first female literary prose voice.

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Cole, Kathleen Shofner. ""For here forlorn and lost I tread" the gender differences between captivity narratives of men and women from 1528 to 1886 /." Youngstown State University / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1004468540.

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Stephan, McCormick. "Bolt Fast or Weather." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/english_hontheses/3.

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Just graduated, Livy McHaney moves into a loft owned by father and daughter Wallace and Keegan Sammler. As Livy gets to know the Sammlers, he becomes fascinated by the sense Wallace makes out the world, a skill difficult for Livy. At the same time, Livy starts working at Zoo Dunn conducting its Tournado Train. Wallace explains to Livy his reflections on animals, enthralling Livy with his big ideas about freedom and questioning when one is supposed to not. In an attempt to make his grand pronouncements concrete, Wallace recruits Livy into a secret plan to kidnap and set free a popular young elephant from Zoo Dunn. Once in motion, much of their plan fails and everything appears less certain. Livy is forced to rethink the kidnapping's meaning, the possibility of changing the way people view animals, and ultimately the allure of Wallace's "truth" in forging his own ideas about life.

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Harrison, Rebecca L. "Captive Women, Cunning Texts: Confederate Daughters and the "Trick-Tongue" of Captivity." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04232007-094815/.

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Thesis (Ph. D.)--Georgia State University, 2007.<br>Thomas L. McHaney, committee chair; Audrey Goodman, Pearl A. McHaney, committee members. Electronic text (247 p.) : digital, PDF file. Title from file title page. Description based on contents viewed Mar. 27, 2008. Includes bibliographical references (p. 233-247).

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Parrish, Sonya Christine Lawson. "“HAVING THE LIBERTY OF MY MOUTH”: SPEECH ACTS, POLITICAL AGENCY AND THE TROPE OF FEMALE CAPTIVITY IN THE BRITISH ATLANTIC, 1634-1832." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1334298486.

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Elliott, Brian P. "“Messengers of Justice and of Wrath”: The Captivity-Revenge Cycle in the American Frontier Romance." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1303933331.

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Thomas, Steven F. "A REPURPOSED NARRATIVE: MARY ROWLANDSON’S NARRATIVE AND PRE-REVOLUTIONARY SENTIMENT." UKnowledge, 2019. https://uknowledge.uky.edu/english_etds/84.

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Leading into the American Revolution, Puritan captivity narratives gained a resurgent popularity as nationalized sentiment burned towards political upheaval. Mary Rowlandson’s Narrative (1682) was reprinted six times between 1770-1776, signifying an incredible interest in Puritan stories that seemed to antithetically inspire a progressive and radical revolution against England. The Sovereignty and Goodness of God or A True History of the Captivity and Restoration of Mrs. Mary Rowlandson enhanced an already fervent revolutionary sentiment, transforming a seemingly straightforward captivity narrative into a totem meant to represent the oppressive struggle between England and her most coveted colony. Such a literary revival taps into an early American sentiment that understood and valued captivity for its power both to define American freedom and elicit revolutionary action. By examining the original 1682 text and numerous supplementary and critical articles and works, this thesis unveils how and why Mary Rowlandson inspired a seemingly unrelated insurgency nearly 100 years after her captivity. By aligning Mary Rowlandson’s iconic mythology alongside contemporary depictions of captivity and bondage, eighteenth-century propagandists appropriated her image and story to meet their revolutionary rhetorical requirements.

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Books on the topic "Captivity in literature"

1

1949-, Derounian-Stodola Kathryn Zabelle, ed. Women's Indian captivity narratives. Penguin Books, 1998.

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2

Shahādāt al-asr wa-mashāhid al-kitābah: Mīghil Dī Sīrfāntis fī al-Jazāʼir, 1575-1580 M. Dār al-Qaṣbah lil-Nashr, 2012.

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Darian-Smith, Kate. Captive lives: Australian captivity narratives. Sir Robert Menzies Centre for Australian Studies, Institute of Commonwealth Studies, University of London, 1993.

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Existential prisons: Captivity in mid-twentieth-century French literature. Duke University Press, 1985.

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5

Allen, Benjamin Mark, and Dahia Messara. The captivity narrative: Enduring shackles and emancipating language of subjectivity. Cambridge Scholars, 2012.

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Identity politics of the captivity narrative after 1848. University of Nebraska Press, 2006.

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7

ill, Denham Brian, ed. Shamu: The 1st killer whale in captivity. Magic Wagon, 2012.

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James, Levernier, ed. The Indian captivity narrative, 1550-1900. Twayne, 1993.

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Haylamaz, Reşit. Zayd: The rose that bloomed in captivity. Tughra Books, 2011.

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10

Mor, Sagit. "Shevi kasheh mi-kulam": Shevuyim, shevi ṿe-śiaḥ ha-shevi be-sifrut Ḥazal = "Captivity is harder than all" : captives, captivity and the discourse of captivity in the rabbinic literature. ha-Kibuts ha-meʼuḥad, 2019.

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Book chapters on the topic "Captivity in literature"

1

Rodriguez, Rick. "Algerian Captivity and State Autoimmunity." In Immunity's Sovereignty and Eighteenth- and Nineteenth-Century American Literature. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-34013-1_3.

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Christie, Stuart. "National Captivity Narratives in Welch, Silko, and Armstrong." In Plural Sovereignties and Contemporary Indigenous Literature. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620759_3.

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Cooper, Lydia R. "Savages and Citizens: Revisions of the Captivity Narrative in Gardens in the Dunes and The Heartsong of Charging Elk." In Masculinities in Literature of the American West. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137564771_5.

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Haye, Thomas. "Ecbasis captivi." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_922-1.

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Logan, Lisa M. "“Cross-Cultural Conversations”: The Captivity Narrative." In A Companion to the Literatures of Colonial America. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996416.ch28.

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Velte, Laura. "‚Materiam vici!‘ Zur symbolischen Affordanz von Inschriften in der „Ecbasis captivi“, dem „Ysengrimus“, der „Vita Mahumeti“ und im „Parzival“." In Literatur und Epigraphik. Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-20906-4.06.

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Traisnel, Antoine. "Captivity." In The Cambridge Companion to Literature and Animals. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781009300032.014.

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Klarer, Mario. "Before Barbary Captivity Narratives." In Mediterranean Slavery and World Literature. Routledge, 2019. http://dx.doi.org/10.4324/9781315265575-2.

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Östlund, Joachim. "Swedish Barbary Captivity Tales." In Mediterranean Slavery and World Literature. Routledge, 2019. http://dx.doi.org/10.4324/9781315265575-4.

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Hartner, Marcus. "Toward a New Literary History of Captivity." In Mediterranean Slavery and World Literature. Routledge, 2019. http://dx.doi.org/10.4324/9781315265575-3.

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Conference papers on the topic "Captivity in literature"

1

Pol, Dmitry. "THE THEME OF CAPTIVITY IN THE JOURNALISM AND PROSE OF K.M. SIMONOV, M.A. SHOLOKHOV AND I.G. EHRENBURG 1941-1942." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3633.khmelita-19/60-75.

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During the most difficult first two years of the war, in the context of the Soviet leadership's unequivocal condemnation of captivity, addressing this topic was not encouraged by the party organs. Nevertheless, by circumventing unspoken prohibitions, literature contributed to the softening of state policy. K.M. Simonov, M.A. Sholokhov and I.G. Ehrenburg, three completely different writers, were united in their defence of the right to humanity and justice towards former prisoners of war, which indirectly contributed to a softening of the state's attitude towards them.

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Afrianti, R., T. R. Soraya, and M. Linawati. "Utilizing Adobe Captivate to Develop French Literature Learning Materials." In 6th Annual International Seminar on Transformative Education and Educational Leadership (AISTEEL 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211110.177.

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Astudillo-Rodriguez, Catalina, Santiago Cedillo, Priscila Verdugo, and Jackelín Verdugo. "Systematic literature review in Usability Web: A tertiary study." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003185.

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Web usability is a topic that several researchers have studied; this is because, with new technological advances, it is possible to improve application interfaces significantly and have usable products that captivate users by being friendly, efficient and easy to use. In this sense, reviewing secondary studies reported in this field is considered appropriate. This review aims to identify the methods and/or usability evaluation and validation methodologies, in what phase of development and software domain it has been evaluated, and the problems reported in literature reviews. The applied method is the one proposed by Kitchenham and Charters (2007) for the presentation of tertiary studies, beginning with the planning phase, which includes the activities: definition of research questions, search strategies, criteria for article selection, procedure for the inclusion or exclusion of studies and, criteria to assess the quality of investigations; followed by the review phase, in which the defined planning is carried out, the activities that include: execution of the selection of studies in the digital libraries, evaluation of the quality of the studies, extraction of relevant data and synthesis of the information; and finally the reporting phase, in which the answers to the research questions posed are evidenced. Regarding the results, we found a total of 106 articles, eliminated the duplicates, reviewed the rest and selected 15 papers, in which we identified the most frequently reported evaluation methods and methodologies, such as the Heuristic method, Observational measurement / Inspection and User test/usability tests. Likewise, we found the most commonly reported problems, such as Accessibility issues, Usability measurement and Methodological problems. Also, we distinguish that usability tests have been reported with a higher incidence in Web applications and Educational. Usability evaluation is applied in the different phases of software development, but with other incidences. Finally, we conclude that there is potential for more SLR about the usability of web applications.

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Bozorova, Sabohat. "UZBEK HISTORICAL NARRATIVES INSPIRED BY THE “BABURNAMA”." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/jelx1104.

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Uzbekistan's journey toward independence prompted a profound reevaluation of its social, political, and spiritual landscape. This era witnessed a redefinition of literary concepts and criteria, leading to a more precise portrayal of history in literary works. Notably, these changes also influenced the storytelling genre, catalyzing its evolution. During this transformation, themes of freedom, national liberation, resistance against colonialism, and unwavering faith emerged as central narratives, previously considered too risky to explore in Uzbek literature. Instead, they became emblematic of national heroism. Understanding history became synonymous with self-awareness, with “Baburnama” by Babur, the founder of the Babur dynasty, serving as a faithful historical account. Inspired by “Boburnoma” Uzbek writers crafted unique narratives that continue to captivate readers. This study explores Uzbek historical narratives, drawing from the rich records within “Boburnoma”.

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Spajić, Jelena, Bojana Milić, Danijela Lalić, and Dunja Bošković. "LEVERAGING CHATGPT FOR CREATIVE COMMUNICATION STRATEGIES: EXPLORING PROS AND CONS." In 19th International Scientific Conference on Industrial Systems. Faculty of Technical Sciences, 2023. http://dx.doi.org/10.24867/is-2023-t6.1-14_03041.

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In today's rapidly evolving digital landscape, effective communication strategies play a pivotal role in the success of any organization. As businesses strive to engage and captivate their target audiences, innovative technologies have emerged as powerful tools to enhance communication efforts. One such technology that has garnered significant attention is ChatGPT, an advanced language model developed by OpenAI. This paper aims to explore the pros and cons of utilizing ChatGPT for a creative communication strategy, focusing on its potential benefits and challenges. Moreover, this paper provides an analysis of the advantages and drawbacks of implementing ChatGPT in various communication channels, including social media, customer support, and content creation. To evaluate the pros and cons of using ChatGPT for creative communication strategies, a mixed-method research approach was employed. Firstly, a relevant literature review was conducted to gather insights and perspectives on the topic. Additionally, a number of use cases of implementing ChatGPT in communication strategies were analyzed. The research results provide valuable insights into the practical aspects of utilizing ChatGPT and allow a deeper understanding of its advantages and challenges.

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Tipa, Violeta. "Folklore (folkloric expressions) in the language of Ion Creanga’s characters (based on fi lms inspired by the writer’s work)." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.15.

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Th e rich folklore background, created over the millennia, is one of the inexhaustible sources of inspiration for the classic of our literature Ion Creanga. His vivid, unmistakable style, which is due to popular spirituality, became the subject of many researches of linguists, philologists, literati, who mentioned the writer’s ingenuity to captivate through the spoken word. His works are written in a popular language, enriched with the most diverse phraseological structures: comparisons, metaphors, sayings, proverbs and witty remarks, which give the text originality, depth and unrepeatable beauty. As the writer’s fi rst biographer, Jean Boutiere, noted, „Creanga imitates the living word admirably” and „constitutes a rich folk repertoire of great interest”. Most of these phraseological structures will be found in the language of the characters from the fi lms inspired by the Crengian works. We will try to analyze the verbal expression from the perspective of an important component of the audiovisual narrative, oft en getting involved in the dramaturgical collisions of these fi lms. We will watch how the language from Creanga’s works is projected in the fi lm in order to characterize characters, states, situations, etc.

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