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Relevant bibliographies by topics / Career in documentary photography

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Academic literature on the topic 'Career in documentary photography'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Career in documentary photography"

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Jernejšek, Jasna, and Martin Parr. "Photography Is the Only Art Form That We All Do: Interview with Martin Parr." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 24–29. http://dx.doi.org/10.47659/m5.024.int.

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Martin Parr (1952) is considered to be one of the most iconic and influential photographers of his generation. Parr, whom obtained a photography degree at Manchester Polytechnic (1970–1973), joined the classics of British documentary photography with a series of black and white photographs of the disappearing folk customs of Northern England. In the 80s he managed to make his breakthrough to the global photography scene (and market). At that time, impressed by American colour photography, he took on photographing on colour film himself. He made The Last Resort (1983–1985), a series of British

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Staples, Amy J. "Visualism and the Authentification of the Object: Reflections on the Eliot Elisofon Collection at the National Museum of African Art." Collections: A Journal for Museum and Archives Professionals 3, no. 2 (2007): 183–90. http://dx.doi.org/10.1177/155019060700300209.

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Photographic resources are well known within museum contexts. However, these images are rarely considered in terms of how they enhance the historical value of museum objects, construct aesthetic and ethnographic meanings, and interpret museum collection practices. This paper examines the multi-media collections of Eliot Elisofon, an internationally known photographer and filmmaker who traveled in Africa from 1943-1972. The Elisofon collection at the National Museum of African Art contains both photographic materials and three-dimensional objects created and collected in the course of Elisofon'

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Snyder, Robert E. "Margaret Bourke-White and the Communist Witch Hunt." Journal of American Studies 19, no. 1 (1985): 5–25. http://dx.doi.org/10.1017/s0021875800020028.

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Margaret Bourke-White (1904–1971) has been called “the most famous woman photographer” and “the finest woman photographer of our times.” Indeed, in a photographic career that spanned nearly five decades, Bourke-White demonstrated great professional versatility, registered many photographic firsts, and in a male-dominated field set standards by which others were measured. During the 1920s, Bourke-White carved out her first reputation in architectural and industrial photography. Her pictures of steel mills, shipyards, packing houses, logging camps, quarries, auto plants, skyscrapers, banks, and

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Gasiorowski, Dominika. "Love in times of violence." Journal of Romance Studies: Volume 21, Issue 2 21, no. 2 (2021): 291–310. http://dx.doi.org/10.3828/jrs.2021.15.

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Maya Goded’s photography and filmmaking career has been tackling issues surrounding sex work in Mexico for more than two decades. Her first feature-length documentary, Plaza de la soledad (2016), set in Mexico City’s La Merced, probes issues of violence, resilience and love, with the main protagonists, who are ageing sex workers, negotiating their precarious positions between traumatic past events and uncertain futures. This paper examines Goded’s representation of prostitution as one designed to challenge dominant narratives about sex work in Mexico by shedding light on the private lives of w

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Tommasini, Alexandra. "A ‘patient’ aesthetic: Exploring the visual language of Italian urban landscape photographer Gabriele Basilico." Journal of European Studies 47, no. 4 (2017): 411–25. http://dx.doi.org/10.1177/0047244117733910.

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This article stakes a claim on the word ‘patient’, both its nominal and adjectival format, as a discursive tool to explore Italian photographer Gabriele Basilico’s visual language. The ‘patient’ metaphor is also employed to investigate the critical questions regarding the status of the documentary value of Basilico’s work. The discussion focuses on four exemplary photographs that span Basilico’s career and depict European and international cities in order to understand the slow unfolding of his aesthetic throughout his over 30-year career. It debates the extent to which Basilico’s visual langu

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Parejo, Nekane. "La fotógrafa Denise Bellon: surrealismo, documentalismo y fotografía humanista." Liño 23, no. 23 (2017): 139. http://dx.doi.org/10.17811/li.23.2017.139-146.

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RESUMEN:Entre 1920 y 1940 se desarrolla en Francia un movimiento fotográfico denominado Nouvelle Vision que acoge a un grupo de fotógrafas profesionales de este medio, entre ellas Denise Bellon. Las imágenes de esta autora, estrechamente vinculadas con los artistas de vanguardia, nos servirán para articular conexiones con aspectos relacionados con tres corrientes fotográficas patentes en su trayectoria: el surrealismo, la fotografía humanista y el documentalismo. Para lograr este propósito nos aproximaremos, por un lado, a los rasgos específicos de cada una de estas tendencias fotográficas y p

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Leite, Amanda Mauricio Pereira. "FOTOS INCRÍVEIS: anedotas que ganharam o mundo." Revista Observatório 4, no. 1 (2018): 200. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p200.

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Fotografias premiadas se consagraram na história da humanidade por capturar fatos incríveis de uma determinada época. Nomes como: Herald Tribune, Ruth Orkin, Robert Doisneau, Kevin Carter e outros exibiram fotografias que durante anos se sustentaram como uma espécie de narrativa documental produzindo no mundo um efeito de verdade. Fotografias que ao serem revistadas anunciam outras narrativas, novas miradas, leituras, escrita, cultivo de pensamentos. E se a fotografia for deslocada da representação do real para cogitar sobre si novos percursos e sentidos? Dois movimentos animam esta reflexão:

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Blanchard, George, Louis Quail, Grace Yang, et al. "Reflections on a person's experience of mental illness: an innovative teaching pilot for second-year medical students." BJPsych Open 7, S1 (2021): S8—S9. http://dx.doi.org/10.1192/bjo.2021.82.

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AimsWe sought to develop a teaching pilot to help year 2 medical students meet the following learning outcomes: Develop a better understanding of patient and carer experiences of mental illness; Recognise and challenge unhelpful attitudes towards people with mental illness; Promote a broader understanding of cultural issues surrounding mental illness, including stigma and discrimination.Method337 medical students were invited to attend a lecture by author LQ, a documentary photographer who presented a narrative of his brother Justin's lived experience of schizophrenia (louisquail.com/big-broth

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Langendorf, Richard. "Documentary photography." Computers, Environment and Urban Systems 15, no. 1-2 (1991): 74. http://dx.doi.org/10.1016/0198-9715(91)90058-l.

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Kuo, Li-Hsin. "Politicising Documentary Photography." Javnost - The Public 14, no. 3 (2007): 49–64. http://dx.doi.org/10.1080/13183222.2007.11008946.

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Dissertations / Theses on the topic "Career in documentary photography"

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Dunn, Geoffrey. "Deconstructing documentary : theory and practice in documentary film and photography /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.

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Opal, Jack A. "Rethinking Documentary Photography: Documentary and Politics in Times of Riots and Uprisings." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366971692.

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Abdullah, Ismail Bin. "Documentary photography : a study of nineteenth century documentary photography with special reference to West Malaysian historical photographs 1874-1910." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.344016.

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Mitropoulos, Maria Michael. "Regimes of truth : documentary photography in the margins." Queensland University of Technology, 2003. http://eprints.qut.edu.au/16077/.

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This thesis consists of two parts. The first is a series of photographic essays documenting the lived experience of a woman who is HIV positive and a group of young females who are socially marginalised. The written component attempts to underlabour in a philosophical sense for the artistic/creative element of the thesis. That is, it seeks to take on a range of theoretical issues that cluster around the practice of documentary photography. By clarifying these issues the thesis endeavours to act as a stimulus to artistic practice and also to explain and introduce that practice to a wider au

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Opal, Jack A. "Documentary Photography and the Edge of the Sword." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1492608162938188.

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Johansson, Mouafik Adam. "Photography genres - A research study on the difference between documentary photography & photojournalism." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23212.

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För att sammanfatta mitt examensarbete har jag undersökt vad de bakomliggande faktorernaför en bilds genrekategorisering påverkas av, ifall det är innehållet i bilden som påverkar desseffekt eller om det är antingen publikskontexten/produktionskontexten som avgör en bildsgenre. Till min hjälp bestämde jag mig för att åka till Japan och träffa en fotograf vid namnSaid Karlsson för att genomföra en etnografisk studie och intervjua honom på plats. Delsgjorde jag detta genom att hitta skillnader mellan varandras bilder och att fotografera sakersom intresserar mig i Japan som blev en del av min med

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Durrill, J. Edward. "People in public places /." Online version of thesis, 1991. http://hdl.handle.net/1850/10975.

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Gwaze, Alex. "Public mirror: legitimizing 'social' photography as a contemporary discipline." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29561.

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With all the public information about any famous person, topic or event 'googleable’ on the Internet, there seems to be nothing new for 'digital natives’ to discover other than the elusive Self. The Self is the 'new frontier’ and the smartphone camera is at the forefront of this quest, unearthing and exhibiting different kinds of content everyday. With over 95 million photographs and videos shared on Instagram daily; Photography has merged with social networking sites and applications (SNS/A) to become a recognisable phenomenon called – 'Social’ Photography. Despite its rich association with l

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Turok, Karina. "Social skin : initiation through the bodily transformation of four South African women : an exploration using documentary photography." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/17244.

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Bibliography: p. 92-93.<br>My work questions social and cultural constructs of 'normality' and, by focusing on the practices of marginalised communities, questions dominant cultural conventions of female identity, beauty and sexuality. Within visual media, if the private or unsaid of female experience is said, it is seen as subversive. By focusing on four female initiations, my intention is to develop a specific yet complex comparison of different types of initiations. Embedded within the communities I have photographed are unique perceptions of beauty, each of which differs from mainstream no

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Campion, Britta Maree Art College of Fine Arts UNSW. "Photography as a method of visual sociology: An investigation of the potential of still photography as a method of visual sociology." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42059.

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Ever since the camera was invented people have been using it as a tool to reflect and record the world around them. Photographic images have great potential to investigate different social practices and phenomena in the world. Photography, in its own right, is an extremely large area of study. Despite its relatively short history, photography has undergone a broad and complex evolution since it was invented in 1840. This paper does not aim to cover the comprehensive history of the development of photography in its many facets, it aims however to concentrate on a specific area of what has come

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Books on the topic "Career in documentary photography"

1

Rothstein, Arthur. Documentary photography. Focal Press, 1986.

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Documentary photography. Focal Press, 1986.

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Cartier-Bresson, Henri. Henri Cartier-Bresson: Mexican notebooks, 1934-1964. Thames and Husdon, 1995.

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Cartier-Bresson, Henri. Henri Cartier-Bresson. Pantheon Books, 1985.

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Cartier-Bresson, Henri. Henri Cartier-Bresson: Zeichnung und Fotografie. Mannheimer Kunstverein, 1986.

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Cartier-Bresson, Henri. Henri Cartier-Bresson: Neue Zeichnungen = dessins récents. Kunsthaus, 1998.

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Cartier-Bresson, Henri. Henri Cartier-Bresson: Dessins 1974-1997. Galerie Claude Bernard, 1997.

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Cartier-Bresson, Henri. Henri Cartier-Bresson: Paris à vue d'œil. Seuil, 1994.

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Cartier-Bresson, Henri. Henri Cartier-Bresson: Europeans. Thames & Hudson, 1998.

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Cartier-Bresson, Henri. Henri Cartier-Bresson: Drawings and paintings. Arnold Herstand & Company, 1987.

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Book chapters on the topic "Career in documentary photography"

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Bogre, Michelle. "Reconsidering Documentary Photography." In Documentary Photography Reconsidered. Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-1.

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Rabiger, Michael, and Courtney Hermann. "Developing a Career." In Directing the Documentary. Routledge, 2020. http://dx.doi.org/10.4324/9780429280382-50.

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Bogre, Michelle. "Documentary Photography and Memory." In Documentary Photography Reconsidered. Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-2.

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Bogre, Michelle. "The Documentary Photograph as Evidence." In Documentary Photography Reconsidered. Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-3.

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Bogre, Michelle. "The Photographer as Witness." In Documentary Photography Reconsidered. Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-4.

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Bogre, Michelle. "Narrative." In Documentary Photography Reconsidered. Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-5.

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Anderson, Joel. "From the photo session to documentary photography." In Theatre & Photography. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-34562-2_8.

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Bersch, Al, and Leslie Grant. "From Witness to Participant: Making Subversive Documentary." In Oral History and Photography. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099_11.

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Downing, Taylor. "CGI and the End of Photography as Evidence." In The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_6.

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Lessard, Bruno. "Shot in the Dark: Nocturnal Philosophy and Night Photography." In Critical Distance in Documentary Media. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96767-7_3.

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Conference papers on the topic "Career in documentary photography"

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Martins Farina, Mauricius, and Mateus Souza Lobo Guzzo. "Engagement and estrangement: contribution to documentary photography methodology." In XXIII Congresso de Iniciação Científica da Unicamp. Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-38145.

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Li, Xiaozhou. "The Evolution of the Style of Chinese Documentary Photography." In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.154.

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Erich, Agnes Terezia. "The Importance Of Documentary Research For Defining The Future Career." In 2nd Central and Eastern European LUMEN International Conference - Multidimensional Education and Professional Development. Ethical Values. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.07.03.24.

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Fan, Liu, and Zhang Yansong. "Research on the “Instantaneity” of Documentary Photography from the Perspective of Reception Aesthetics." In 2021 International Conference on Modern Educational Technology and Social Sciences (ICMETSS 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210824.032.

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Yancheva, Gergana, Kamelia Planska-Simeonova, and Svetoslava Dimitrova. "EDUCATION IN DOCUMENTARY AND APPLIED PHOTOGRAPHY AS PART OF THE TRAINING OF STUDENTS IN THE PROFESSIONAL FIELD PUBLIC COMMUNICATIONS AND INFORMATION SCIENCES. PROJECT RESULTS." In 13th annual International Conference of Education, Research and Innovation. IATED, 2020. http://dx.doi.org/10.21125/iceri.2020.0873.

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Lasaosa, Virginia Espa, María José Gutiérrez Lera, María Cañas Aparicio, and María Adelaida Gutiérrez Martín. "Veinte años de docencia de la fotografía. Estudio de caso: Escuela de Arte de Huesca (España), Twenty years teaching photography. Case study: The Art School of Huesca (Spain)." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6741.

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ResumenEl Ciclo Formativo de Grado Superior en Fotografía pertenece a la familia profesional artística de Comunicación Gráfica y Audiovisual y forma parte del sistema educativo español público.Esta comunicación presenta un panorama de la evolución de los estudios sobre fotografía en las Escuelas de Artes Plásticas y Diseño, exponiendo, a través del ejemplo de la Escuela de Arte de Huesca, el caso de la Comunidad Autónoma de Aragón.La implantación del grado superior de fotografía en Huesca se incardinó en la estructura propicia que aportaba una ciudad acostumbrada a valorar este modo de expresi

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Boone, Veronique Joanna, and Denis Derycke. "Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.764.

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Abstract: To analyze Le Corbusier's work through 3D digital modeling constitutes an important issue for the dissemination of the legacy of this major architect. During an analytical process, a relevant use of contemporary graphic means associated to an understanding of the codes of architectural representation allows to reveal new issues, or new points of view. When linking the graphic production of such process to film narrative and to the codes of documentary film, one obtain singular documents: short-movies based on computer generated images that support an analytical and critical thought,

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Alayón González, José Javier, Mariolly Dávila Cordido, and Odart Graterol Prado. "Reconstrucción de una pirámide borrada. Análisis de la Capilla Mortuoria encargada por Lucie Delgado-Chalbaud en Caracas, Venezuela, 1951." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1081.

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Resumen: Este trabajo analiza, por diversos medios, el proyecto de la capilla mortuoria con dos tumbas para el expresidente militar Carlos Delgado-Chalbaud y su padre. El encargo, no realizado, fue el único que, tras varias tentativas, pudo ejecutarse en Caracas, Venezuela. Le Corbusier archivó este proyecto como un “Monument”, y dentro de su trayectoria solo estuvo precedido por otro de carácter funerario dedicado al Mariscal F. Foch en la Porte Maillot de París y, posteriormente, diseñará su propia tumba en Cap Martin. Esto convierte al proyecto de Caracas, prácticamente desconocido, en un c

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Fuster pérez, Jaime. "La edición fotográfica en Ramón Masats." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.7055.

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Resumen-Abstract El Premio Nacional de fotografía 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), ha sido considerado como un fotógrafo intuitivo. Sin embargo, un detenido estudio de sus fotolibros y ensayos fotográficos publicados en las revistas ilustradas, permiten revindicar otra faceta completamente desconocida: su labor como maquetador. A lo largo de su carrera Masats toma conciencia de la edición fotográfica. Desde la solitaria imagen de la noticia de un periódico, al ensayo fotográfico, entendido desde el punto de vista de E. Smith como un conjunto mayor de imágenes que profundiz

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