Academic literature on the topic 'Caribbean literature Performance in literature'

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Journal articles on the topic "Caribbean literature Performance in literature"

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Bailey, Carol. "The Caribbean Oral Tradition: Literature, Performance, and Practice, by Hanétha Vété-Congolo (ed.)." New West Indian Guide 92, no. 3-4 (December 7, 2018): 371–72. http://dx.doi.org/10.1163/22134360-09203006.

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Rajiva, Jay. "The Answer is Paracritical: Caribbean Literature and The Limits of Critique." Humanities 8, no. 3 (July 16, 2019): 126. http://dx.doi.org/10.3390/h8030126.

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I argue that both Rita Felski’s postcritical model (as articulated in The Limits of Critique) and its academic reception are made possible only by ignoring or erasing African-American and Afro-Caribbean modes of engagement with art that predate and complicate the critical-postcritical binary. To counteract the vanguardism of this trend in literary studies, I pair Caribbean philosopher-poet Edouard Glissant’s meditation on the origins of Creole speech as an indirect language of “detour” with Nathaniel Mackey’s theorizing of black art as “paracritical”—a mode that assimilates performance and critique, language and metalanguage, and that sits adjacent to (and not against or behind) traditionally academic discourses of engaging with literature. If Glissant provides the cultural and philosophical frame for an Afro-Caribbean way of reading literature, Mackey supplies the artistic metaphor par excellence of the paracritical hinge, voiced in the idioms of jazz and blues. Finally, I examine how Glissant and Mackey’s ideas find formal and aesthetic expression in Trinidadian-Canadian author Dionne Brand’s 2005 novel What We All Long For, paying attention to the reader response engendered by the adjacencies of violence, empowerment, possibility, and desire in the novel. In order to analyze What We All Long For, we must promote the liveliness and vivacity of the reading experience and put the text under ethical scrutiny, evincing the paracritical faculty that Afro-Caribbean art demands: commingling the twin pleasures of reading and interpretation, establishing a counter-hegemonic model of literary engagement that implicates the reader without stripping away reading’s pleasure.
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Murray-Román, Jeannine. "Emily Sahakian.Staging Creolization: Women’s Theater and Performance from the French Caribbean." Modern Drama 62, no. 1 (March 2019): 120–23. http://dx.doi.org/10.3138/md.62.1.br5.

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Jiménez Anglada, Thelma B. "Performance and Personhood in Caribbean Literature: From Alexis to the Digital Age by Jeannine Murray-Román." Caribbean Studies 49, no. 1 (2021): 181–85. http://dx.doi.org/10.1353/crb.2021.0005.

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Miller, Ivor L. "Religious Symbolism in Cuban Political Performance." TDR/The Drama Review 44, no. 2 (June 2000): 30–55. http://dx.doi.org/10.1162/10542040051058690.

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When a white dove alights on his shoulder, is Fidel Castro being crowned by Obatalá, a Santería god? What is the relationship between Santería, Cuba's vibrant Afro-Caribbean religion, and Cuba's head of state?
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Góes, Fernanda Garcia Bezerra, Maria da Anunciação Silva, Geicielle Karine de Paula, Luíza Pereira Maia de Oliveira, Nathalia da Costa Mello, and Sthéfany Suzana Dantas da Silveira. "Nurses' contributions to good practices in child care: an integrative literature review." Revista Brasileira de Enfermagem 71, suppl 6 (2018): 2808–17. http://dx.doi.org/10.1590/0034-7167-2018-0416.

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ABSTRACT Objective: to identify scientific evidence on the contribution of nurses' work to good practices in child care in the Brazilian literature. Method: integrative review of the literature, carried out in Latin American and Caribbean in Health Sciences Literature (LILACS), Medical Literature Analysis and Retrieval System Online (MEDLINE), Brazilian Nursing Database (BDENF), Cumulative Index to Nursing and Allied Health Literature (CINAHL) and Scientific Electronic Library Online (SCIELO) database, from 2008 to 2018. Results: 14 complete studies were selected for interpretative analysis. Two categories allowed responding to the initial questioning of the study, namely: Nurses' contributions in child care; and Limits for the nurse's role in child care. Conclusion: evidences show the importance of nurses in child care for the promotion of comprehensive care for children and their families. However, there are socioeconomic, cultural, institutional and technical factors that hinder the nurses' performance in this setting.
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Shields, Tanya L. "Staging Creolization: Women's Theater and Performance from the French Caribbean by Emily Sahakian." Tulsa Studies in Women's Literature 37, no. 2 (2018): 468–71. http://dx.doi.org/10.1353/tsw.2018.0044.

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Huang, Kristina. "Carnivalizing Imoinda’s Silence." Eighteenth-Century Fiction 34, no. 1 (September 1, 2021): 61–86. http://dx.doi.org/10.3138/ecf.34.1.61.

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In this essay, I analyze Joan Anim-Addo’s libretto Imoinda, or She Who Will Lose Her Name (2008) and illustrate how its narrative poetry generates a speculative, gendered history around the slave past. Informed by Srinivas Aravamudan’s observation of parodic subversion in the afterlives of Aphra Behn’s Oroonoko (1688), I return to Anim-Addo’s oeuvre in order to read Imoinda as a work that counter-writes the colonial gaze of “Western” knowledge. By centering on Caribbean carnival as the performance context for the libretto, I examine how histories of rebellion and survival carried out by enslaved Africans and their descendants unfold through the libretto’s narrative poetry. I argue that Imoinda, under the guise of artistic forms associated with “the West,” breaks from Eurocentric perspectives that misrepresented subaltern struggles while ushering forth the question of “who speaks?” in critical discourses. I conclude by aligning Anim-Addo’s Imoinda in relation to Sylvia Wynter’s conceptualization of “demonic grounds” to highlight a transformative epistemic space of Caribbean women’s literature.
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Hue, Olivier, Sophie Antoine-Jonville, Olivier Galy, and Stephen Blonc. "Anthropometric and Physiological Characteristics in Young Afro-Caribbean Swimmers: A Preliminary Study." International Journal of Sports Physiology and Performance 8, no. 3 (May 2013): 271–78. http://dx.doi.org/10.1123/ijspp.8.3.271.

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The authors investigated the anthropometric and physiological characteristics of young Guadeloupian competitive swimmers in relation to swimming performance and compared the abilities of these children with those of the young white swimmers reported in the literature. All 2004 competitive swimmers between 10 and 14 y old (126 children, 61 boys and 65 girls, 12.0 ± 1.3 y) from Guadeloupe underwent anthropometric measurements and physiological and performance testing. Six boys on the French national swimming team are referred to hereafter as the 2011 elite subgroup. Anthropometric parameters, a jump-and-reach test, glide, and estimated aerobic power (eVO2max) were assessed in terms of swimming-performance analysis through a 400-m test. This study demonstrated that the Guadeloupian swimmers had more body fat than most age-matched white swimmers but had very poor hydrostatic lift; they had higher peak jump height and they swam as well as their white counterparts. The variability in 400-m performance between subjects was best described by glide, age, and eVO2max. Compared with the group of boys with the same age, the 2011 elite subgroup was significantly better for arm span, peak jump height, glide, and 400-m and 15-m performances. Further research is needed to investigate motor organization and energy cost of swimming in Afro-Caribbean swimmers.
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Small, Jean. "Doing Theatre: Theatre Pedagogy through the Folktale." Cultural and Pedagogical Inquiry 11, no. 3 (January 6, 2020): 80–91. http://dx.doi.org/10.18733/cpi29505.

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Theatre Pedagogy holds that cognition is body-based. Through performance the body’s unconscious procedural memory learns. This information learned through repeated interaction with the world is transmitted to the brain where it becomes conscious knowledge. Theatre Pedagogy in this case study is based on the implementation of a Caribbean cultural art form in performance, in order to teach Francophone language and literature at the postsecondary level in Jamaica. This paper describes the experience of “doing theatre” with seven university students to learn the French language and literature based on an adaptation of two of Birago Diop’s folktales. In the process of learning and performing the plays, the students also understood some of the West African cultural universals of life which cut across the lives of learners in their own and in foreign cultural contexts.
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Dissertations / Theses on the topic "Caribbean literature Performance in literature"

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Murray-Román, Jeannine. "Writing rehearsals the uses of performance in contemporary Caribbean literature /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619104251&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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McIntosh, Malachi. ""Home" : emigration, identity and modern Caribbean literature." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35526/.

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Caribbean writing is an emigrant tradition. The first waves of native-born authors from the region all spent significant portions of their lives abroad and, almost without exception, built their fame upon the desires of metropolitan audiences for knowledge of their colonies. Accordingly, the famous names of Lamming, Naipaul, Selvon, Césaire and Glissant are all stamped with a slightly less famous departure date. While many critics have noted these facts, there has been little sustained analysis of how the unique social positions and preoccupations of emigrants have affected the works of these five writers or their peers. This thesis is an attempt to address this issue. Its argument is that Caribbean emigrant authors spoke from unique social and conceptual loci. Through detailed, comparative readings of these five authors’ first major works, alongside considerations of their self-assessments, critical opinion on their oeuvres, Pierre Bourdieu’s theory of the literary field and Antonio Gramsci’s theory of the organic intellectual, the argument advanced is that although these authors actively positioned themselves, and were positioned by their readers, in such a way that their emigrant status has had its importance elided, that status is present and potent in their post-emigration works. While the concerns of these writers all altered over the course of their careers, their early experiences of emigration shaped some of their most widely read texts and resulted in a harmony between them that transcends the authors’ differing islands of origin and their later thematic and political preoccupations.
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Gramaglia, Letizia. "Representations of madness in Indo-Caribbean literature." Thesis, University of Warwick, 2008. http://wrap.warwick.ac.uk/850/.

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This thesis presents a critical reading of selected Indo-Caribbean prose and poetry and explores their shared concern with issues of madness and insanity. Before approaching literary texts, however, the thesis investigates the colonial treatment of mental illness in Trinidad and British Guiana in order to establish a pragmatic link between the East Indians’ experience of mental illness during indentureship and its later emergence in literature. The study of the development of local colonial psychiatry is based on the examination of original sources, including relevant Parliamentary Papers and previously unexamined material. A critical reading of Edward Jenkins’s writings provides the link between history and literature, whilst contemporary theories on the construction of the collective imaginary help to sustain the argument of a transference of the trope of madness from facts to fiction, from reality to imagination. This project contributes both to the growing field of Indo-Caribbean literary criticism and to the embryonic area of the history of mental health in the Caribbean. Concentrating on the relation between the social history of medicine and literary imagination it suggests a new approach to Indo-Caribbean literature based on the close relationship between health and culture.
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Brüning, Angela. "Caribbean connections : comparing modern Anglophone and Francophone Caribbean literature, 1950s to present." Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/84.

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In this thesis I investigate connections between modern Anglophone and Francophone Caribbean fiction between the 1950s and the present. My study brings into focus literary representations of inter-related histories and cultures and problematises the fragmentation of Caribbean studies into separate academic disciplines. The disciplinary compartmentalisation of Caribbean studies into English studies on the one hand and French and Francophone studies on the other has contributed to a reading of Caribbean literature within separate linguistic spheres. This division is strikingly reflected in the scarcity of any sustained literary criticism that acknowledges cultural and literary interpenetration within the archipelago. My comparative study of selected Anglophone and Francophone Caribbean fiction allows me to account for the ethnic, cultural, linguistic and historical diversity of Caribbean societies while, at the same time, foregrounding their inter-relatedness. Through a series of specific case studies the thesis illuminates ways in which theoretical concepts and literary tropes have travelled within the archipelago. Through a close reading of selected narrative fiction I will contextualise and analyse significant underlying linguistic, ethnic and cultural links between the various Caribbean societies which are largely based on the shared history of slavery, colonialism and decolonisation processes. The themes of migration, transformation and creolisation will be at the centre of my investigation. Chapter One establishes the historical and literary-critical framework for this thesis by engaging with key developments in Anglophone and Francophone Caribbean writing from the 1920s until the present. My comparison of the most influential trends in both Anglophone and Francophone Caribbean literature and criticism from the discourse of négritude to postcolonial studies seeks to highlight connections between these two linguistically divided fields of study. The analysis of Caribbean fiction in Chapters Two to Four pursues such theoretical, stylistic and thematic links further. Chapter Two challenges the conception of postwar Antillean and West Indian writing produced in the metropolis as distinct literary canons by drawing attention to thematic connections between the two traditions. Through the comparison of The Lonely Londoners by Samuel Selvon and La Fête à Paris by Joseph Zobel it argues that these continuities represent a wider trend in ‘black European’ writing. Chapter Three examines concepts of cultural identity which have been central to Anglophone and Francophone Caribbean literature and criticism during the last two decades. Specifically it focuses on the notions of hybridity, créolité/creoleness and créolisation/creolisation which it discusses in relation to Robert Antoni’s novel Divina Trace and Patrick Chamoiseau’s Texaco. The final chapter focuses on Shani Mootoo’s and Gisèle Pineau’s representations of specific female experiences of trauma which are related to reiterated colonial violence. Their fictional portrayal of suppressed memories can be read in light of recent critical debates about a collective remembrance of the history of slavery and colonialism.
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Halil, Karen. "Conjuring power in Caribbean and African-American literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0001/NQ39535.pdf.

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L'Hostis, Aurelie Marie. "Literature and historical consciousness in the French Caribbean." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609280.

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Hart, David W. "Exile and agency in caribbean literature and culture." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0003020.

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Zweifel, Aara. "Spiralist Interconnection and Environmental Consciousness in Caribbean Literature." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20511.

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This dissertation addresses the politics of interrelation between living beings and the natural world within Caribbean literature, and the underlying dangers inherent in modes of existence that deny such interrelation. Spiralism is a chaotic and pluralist literary movement emerging from Haiti in the 1960s, and this project features René Philoctète’s Spiralist novel Le Peuple des terres mêlées (1989) as its literary center, joined with two other Caribbean novels: Jacques Roumain’s Gouverneurs de la rosée (1944), and Mayra Montero’s Tú, la oscuridad (1995). In my comparative reading of these novels, I argue that their representations of environmental consciousness, social collaboration, and all-inclusive modes of interacting with the natural world provide models of co-existence in the context of the many socio-environmental injustices that threaten the continuation of many life forms on Earth, including humans. These novels evoke empathy and imagination, and add vital perspectives to the understudied field of environmentally conscious literature. Each of these three novels emotionally engages and reconnects humans as members of ecosystems – a move often lacking in the objective presentation of environmental studies. Given that the Earth is our only home, the continued ecological devastation caused by the human species increasingly deserves our full attention. I argue that the all-inclusive Spiralist imaginary and the related literatures are apt ideological tools to help address the cognitive dissonance currently preventing sufficient social change.
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Canfield, Robert Alan 1964. "Renaming the rituals: Theatralizations of the Caribbean in the 1980s." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282638.

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Helen Gilbert and Joanne Tompkins, in their recently published Postcolonial Drama: Theory, Practice, Politics, highlight the significance of metatheatrical tendencies in the resistance drama of Anglophone arenas of decolonization, particularly those of the Anglophone Caribbean. Insisting on such metatheater as more than simply postmodern play, Gilbert and Tompkins crucially note the emergence of a critically conscious theater that explores and explodes notions of subjectivity, ideologies of difference and monologies of mastery. My studies in postcolonial drama and theory have led me toward similar sites and modes of struggle, culminating in a project that focuses upon this act of metatheater in the Caribbean and seeks to interpret its socio-ideological/cultural implications in light of recent postcolonial, feminist, discursive critique. Generated out of nationalist Theaters of Dissimulation that enact an unmasking of the discourses of race and mastery so crucial to the dissemblances of colonial master-scripts, I argue that Caribbean theater in the West Indies, Puerto Rico, and the Antilles translates these early nationalist revolutions into an involutionary act, one that avoids the reinscription of patriarchal, racialist, essentializing notions of identity and attempts instead to deconstruct what Stuart Hall has termed the "politics of representation." Through this spotlighting of image and image systems rather than identity politics, 80s playwrights make Edouard Glissant's concept of theatralization--the very act of cultural ontology--the main actor on the stage, creating a Theater of Dissimilation that, like Kamau Brathwaite's idea of "nation language," represents a cultural process of critical creolization.
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Tumbridge, Mark. "Indenture wreathed in opium : Asian presence in the Caribbean : literary representations of Indo-Caribbean and Sino-Caribbean subjects from the 19th century to the present." Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/51661/.

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The 19th and early 20th centuries witnessed large-scale migration from Asia to various parts of the world, including the Caribbean, through the indentured labour system. My research will analyse representations of indentured labour and Asian diasporic presence in Caribbean literature. Firstly, focussing on 19th century journals, diaries, and other texts from the archive, I will analyse how Indian and Chinese subjects are represented. Following this, a similar analysis will address 19th-century literary representations of Asian subjects. Thirdly and in response to these foregoing analyses, this thesis will be concerned with how 20th-century authors renew and rejuvenate representations of indentured labourers and their descendants. The theme that runs through the thesis is death in its literal and symbolic sense. Throughout this thesis, I will pay close attention to the migrant's relation to the voyage, the sea (kala pani), and arrival in the Caribbean, tracing how these become symbolically important. The thesis will be concerned at each stage with tracing migrant transnational experience and identity; as such, the focus for some subjects is their identification with or relation to the creolisation process. Questions of gender and sexuality will also be important categories for analysis, as will religious beliefs, socio-cultural practices, and the use of vernacular forms. The structuring of narrative time and form within each work will be examined with the aim of revealing the ideological underpinning behind the texts and enabling a comparison. Some authors, such as Cristina García, examine Britain's global imperial presence and explore interdependencies and relations among various colonial structures and locations. In this respect, the connection between the indenture system and opium production, distribution, and consumption is analysed with regard to its affect on the representation of both Indian and Chinese subjects as well as the wider implications for Empire. Therefore, the representation of how events and agendas in Asia impact upon migration and the Caribbean experience will figure in my analysis of the subject as a contested site of multiple colonial histories and trans-local affiliations.
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Books on the topic "Caribbean literature Performance in literature"

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Simposio, Caribe 2000 (Organization). Simposio III: Un convite de poetas y teatreros : voz y performance en la(s) cultura(s) caribeña(s). Edited by Fiet Lowell, Becerra Janette, and Caribe 2000 (Organization). San Juan, PR: Caribe 2000, Facultad de Humanidades, Universidad de Puerto Rico, 1999.

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Caribbean literature in English. New York: Longman, 1999.

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Paravisini-Gebert, Lizabeth. Literature of the Caribbean. Westport, Conn: Greenwood Press, 2008.

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Caribbean literature: A bibliography. Lanham, Md: Scarecrow Press, 1998.

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1951-, Figueredo D. H., ed. Encyclopedia of Caribbean literature. Westport, Conn: Greenwood Press, 2006.

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Emigration and Caribbean literature. New York: Palgrave Macmillan, 2015.

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Nair, Supriya. Teaching Anglophone Caribbean literature. New York: Modern Language Association of America, 2012.

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McIntosh, Malachi. Emigration and Caribbean Literature. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137543219.

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Griffiths, John. The Caribbean. New York: Bookwright Press, 1989.

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Prevost, John F. Caribbean Sea. Minneapolis: Abdo Pub. Co., 2003.

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Book chapters on the topic "Caribbean literature Performance in literature"

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Fumagalli, Maria Cristina. "‘When Dialogue Is No Longer Possible, What Still Exists Is the Mystery of Hope’: Migration and Citizenship in the Dominican Republic in Film, Literature and Performance." In Border Transgression and Reconfiguration of Caribbean Spaces, 139–61. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45939-0_7.

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Seymour-Smith, Martin. "African and Caribbean Literature." In Guide to Modern World Literature, 1–24. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06418-2_1.

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Roe, Michael, Wei Xu, and Dongping Song. "Literature Review." In Optimizing Supply Chain Performance, 8–54. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137501158_2.

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White, Howard. "Literature Review." In Aid and Macroeconomic Performance, 19–51. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26249-6_2.

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Strecker, Nanja. "Literature Review." In Innovation Strategy and Firm Performance, 11–67. Wiesbaden: Gabler, 2009. http://dx.doi.org/10.1007/978-3-8349-9481-3_2.

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Munir, Rahat, and Kevin Baird. "Literature review." In Performance Measurement Systems in Banks, 9–26. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge international studies in money and banking ; 99: Routledge, 2018. http://dx.doi.org/10.4324/9781315150277-2.

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McIntosh, Malachi. "Introduction." In Emigration and Caribbean Literature, 1–21. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137543219_1.

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McIntosh, Malachi. "Organic Intellectuals and Caribbean Fields." In Emigration and Caribbean Literature, 23–47. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137543219_2.

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McIntosh, Malachi. "Participant-Observers: Emigration, Lamming, Naipaul, Selvon." In Emigration and Caribbean Literature, 49–64. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137543219_3.

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McIntosh, Malachi. "Migration as Escape: In the Castle of My Skin, Miguel Street, A Brighter Sun." In Emigration and Caribbean Literature, 65–104. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137543219_4.

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Conference papers on the topic "Caribbean literature Performance in literature"

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Mitrović, Mladen, Sandra Janković, and Gordana Ivankovič. "Hotel performance measurement: literature review." In Sitcon 2016. Belgrade, Serbia: Singidunum University, 2016. http://dx.doi.org/10.15308/sitcon-2016-250-257.

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Ho, Cheng-Yuan, Mariana Syamsudin, and Yueh-Chun Shen. "Cancer Literature Classification Methods Performance." In 2020 International Conference on Decision Aid Sciences and Application (DASA). IEEE, 2020. http://dx.doi.org/10.1109/dasa51403.2020.9317182.

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Kuang, Cunjiu. "Literature as a Type of Performance." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.222.

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"SERVICE NETWORKS PERFORMANCE ANALYTICS - A Literature Review." In International Conference on Cloud Computing and Services Science. SciTePress - Science and and Technology Publications, 2011. http://dx.doi.org/10.5220/0003386903010304.

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Hellas, Arto, Petri Ihantola, Andrew Petersen, Vangel V. Ajanovski, Mirela Gutica, Timo Hynninen, Antti Knutas, Juho Leinonen, Chris Messom, and Soohyun Nam Liao. "Predicting academic performance: a systematic literature review." In ITiCSE '18: 23rd Annual ACM Conference on Innovation and Technology in Computer Science Education. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3293881.3295783.

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Legramante, Guilherme, Maicon Bernardino, Elder Macedo Rodrigues, and Fábio Basso. "Systematic Literature Review on Web Performance Testing." In Escola Regional de Engenharia de Software. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/eres.2020.13739.

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Performance Testing is essential to ensure the quality and scalability of Web applications. A well-defined process may guide Performance Testing Engineer in conducting this task. We intended to enlighten some major inputs related to web performance testing. For this, we have formulated and executed a given protocol, according to the Systematic Literature Review (SLR) protocol in Software Engineering. So, 37 papers were selected/analyzed and we have extracted their most relevant contribution in order to answer our research questions. This analysis enabled us discovering preeminent performance testing profiles/roles, approaches, artifacts, methods, stages or phases and activity flows that have been reported in the literature. We believe that, despite those several studies that mapping performance test context, there are a few remarks in which a clarification might be needed, once there is no well-established process that comprises the whole activities mapped as well as established a relation with other studies. Therefore, this study intends to provide relevant input that one may establish a novel web performance testing process.
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Lepore, Luigi Lepore, Assunta Di Vaio, Marco Sorrentino Sorrentino, and Rosa Palladino. "Ownership structures and corporate performance: A literature review." In New challenges in corporate governance: Theory and practice. Virtus Interpress, 2019. http://dx.doi.org/10.22495/ncpr_35.

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"Technology-Based Education and Students’ Performance: Literature Review." In 18th European Conference on e-Learning. ACPI, 2019. http://dx.doi.org/10.34190/eel.19.175.

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George, Roshni Ann. "Public Sector Performance Management: Insights from Selected Literature." In ICBSI 2018 - International Conference on Business Sustainability and Innovation. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.32.

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Clark, D. A. G., A. L. Marnewick, and C. Marnewick. "Virtual Team Performance Factors: A Systematic Literature Review." In 2019 IEEE International Conference on Industrial Engineering and Engineering Management (IEEM). IEEE, 2019. http://dx.doi.org/10.1109/ieem44572.2019.8978809.

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Reports on the topic "Caribbean literature Performance in literature"

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Müller, Gesine. Conviviality in PostColonial Societies: Caribbean Literature in the Nineteenth Century. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, April 2018. http://dx.doi.org/10.46877/muller.2018.02.

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Research Institute (IFPRI), International Food Policy. Major developments affecting Africa’s trade performance: A summary of key literature. Washington, DC: International Food Policy Research Institute, 2018. http://dx.doi.org/10.2499/9780896293496_06.

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King, David R. The State of Post Acquisition Performance Literature: Where to from Here? Fort Belvoir, VA: Defense Technical Information Center, October 2001. http://dx.doi.org/10.21236/ada388919.

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Gamache, Gerald L., and Albert S. Glickman. The Effect of Pain on Task Performance: A Review of the Literature. Fort Belvoir, VA: Defense Technical Information Center, July 1992. http://dx.doi.org/10.21236/ada254336.

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Less, Brennan, Iain Walker, and Ronnen Levinson. A Literature Review of Sealed and Insulated Attics—Thermal, Moisture and Energy Performance. Office of Scientific and Technical Information (OSTI), August 2016. http://dx.doi.org/10.2172/1340304.

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Chan, Victor, James Christensen, Nicholas DelRaso, Gregory Funke, Benjamin Knott, April R. Panganiban, Clayton Stanley, and Krystal Thomas. Neuroergonomics Deep Dive Literature Review, Volume 2: Neuroergonomics and Performance: Prediction, Assessment, and Facilitation. Fort Belvoir, VA: Defense Technical Information Center, November 2010. http://dx.doi.org/10.21236/ada536066.

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Burke, Eugene F., Darrell Hartke, and Larry Shadow. Print Format Effects on ASVAB (Armed Services Vocational Aptitude Battery) Test Score Performance: Literature Review. Fort Belvoir, VA: Defense Technical Information Center, August 1989. http://dx.doi.org/10.21236/ada211745.

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Robertson, David E., Dominic A. Cataldo, Bruce A. Napier, Kenneth M. Krupka, and Lyle B. Sasser. Literature Review and Assessment of Plant and Animal Transfer Factors Used in Performance Assessment Modeling. Office of Scientific and Technical Information (OSTI), July 2003. http://dx.doi.org/10.2172/1024566.

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Kavanagh, Michael J., Walter C. Borman, Jerry W. Hedge, and R. B. Gould. Job Performance Measurement in the Military: A Classification Scheme, Literature Review, and Directions for Research. Fort Belvoir, VA: Defense Technical Information Center, September 1987. http://dx.doi.org/10.21236/ada185752.

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Sellers, Ramon D., Jr Carr, and Virgil J. Performance of Nomex Military Uniforms in Attacks by Flame Field Expedient Weapons - A Literature Study. Fort Belvoir, VA: Defense Technical Information Center, March 2007. http://dx.doi.org/10.21236/ada464828.

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