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Journal articles on the topic 'Caribbean literature'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

G.M.D. "Caribbean Literature." Americas 55, no. 1 (July 1998): 136–37. http://dx.doi.org/10.1017/s0003161500027231.

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2

Boswell, Suzanne F. "Saprophytic: Decomposition and Tropical Environmental Time in Caribbean Literature." ariel: A Review of International English Literature 55, no. 2 (April 2024): 1–30. http://dx.doi.org/10.1353/ari.2024.a925427.

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Abstract: During the period of Caribbean decolonization (1950–65), a subset of Caribbean authors reimagined the temporal role of the continental Caribbean's tropical interior: rather than a space outside history that colonists or residents could use as a resource to construct historical progress, the tropical hinterlands became a historical agent that possessed and assimilated people into an alternative temporal order through a saprophytic process. This essay focuses on three novels—Wilson Harris' The Palace of the Peacock (1960), Edgar Mittelholzer's My Bones and My Flute (1955), and Alejo Carpentier's The Lost Steps (1953)—that enact what I term a "saprophytic temporality": a form of time in which the past is constantly recycled, decomposed, and transformed into new forms. This process of continual regeneration also causes Caribbean residents to realize their involvement in ongoing imperial violence against the interior and its Indigenous inhabitants. In effect, this key subset of Caribbean novels of the 1950s and 1960s imply that the alternative to colonial development is not the independent Caribbean nation but a stranger and more unfathomable form of existence defined by the temporality of the Caribbean environment.
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3

Rutgers, Wim, and Scott Rollins. "Dutch Caribbean Literature." Callaloo 21, no. 3 (1998): 542–55. http://dx.doi.org/10.1353/cal.1998.0188.

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4

RUTGERS, WIM. "Dutch Caribbean Literature." Matatu 12, no. 1 (April 26, 1994): 185–91. http://dx.doi.org/10.1163/18757421-90000095.

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5

RAMESHWAR, Jason Robert, and Graham S. KING. "Caribbean Metaverse Development: A Literature Review Perspective." Journal of Metaverse 2, no. 2 (December 31, 2022): 83–99. http://dx.doi.org/10.57019/jmv.1120470.

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The Caribbean’s metaverse evolution accelerated due to the Covid-19 pandemic. This paper focuses on the metaverse, XR, and NFT and emphasises the Caribbean’s contribution to the virtual environment. A bibliometric analysis of metaverse-themed research identified the rapid increase in publications in 2021 and 2022 and that titles with XR (AR, VR or MR) occurred three times more than blockchain (including NFT). An evolving dataset was created based on a continuous scoping literature review of Industry 4.0 and its enabling technologies. This enables the creation of a new definition of the metaverse, understanding the UX benefits of XR and its applications' areas of foci, highlighting investment in XR-based projects, and illustrating the Caribbean-themed NFT and XR projects. This dataset revealed that UX benefits are linked to XR element features that are relevant, contextual, customised, hands-free and intuitive. It also revealed that XR applications have areas of foci that can enable machine control or data interface, designing and testing, remote support, education, customer engagement, remote collaboration or entertainment and escapism. Analysis of 54 XR papers revealed that the most popular area of focus was education (including training, learning and understanding). An evaluation of global investments in XR development showed funding ranged from USD 70K to USD 100M, and there needs to be focused financial support for Caribbean projects. This justifies continued research into factors influencing funding and encouraging Caribbean XR development. In addition, this research promotes regionally developed XR projects and NFTs. The paper's originality is the reductionist definition of the metaverse: a space designed for users by users, which can satisfy whomever, whatever, however, wherever and whenever. It manifests the user's extended reality, facilitated through XR technologies that enable Industry 4.0 (I4.0). As such, the metaverse can be considered the practical implementation of I4.0.
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6

Roxanna Curto. "French Studies: Caribbean Literature." Year's Work in Modern Language Studies 76 (2016): 90. http://dx.doi.org/10.5699/yearworkmodlang.76.2014.0090.

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7

Dhouib, Jawhar Ahmed. "Teaching Anglophone Caribbean Literature." Caribbean Quarterly 63, no. 4 (October 2, 2017): 574–77. http://dx.doi.org/10.1080/00086495.2017.1392186.

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8

Bertacco, Simona. "Translation in Caribbean Literature." Small Axe: A Caribbean Journal of Criticism 24, no. 2 (July 1, 2020): 17–34. http://dx.doi.org/10.1215/07990537-8604454.

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This essay weaves together translation and postcolonial literary studies to propose a translational model of reading for Caribbean literature. Translation and creolization provide the conceptual and aesthetic lens for reading Caribbean literary texts: If translation is an apt model, since it captures languages in transit toward other languages and other contexts, creolization embodies the points of contact among what Naoki Sakai calls the “uncountable languages within the literary texts,” unlocking novel ideas of language and literature. The essay offers “translational reading” of texts by Derek Walcott, Velma Pollard, and Dionne Brand as an alternative to the traditionally monolingual model of reading.
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9

Jones, Bridget. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 57, no. 1 (January 2, 1995): 229–32. http://dx.doi.org/10.1163/2222-4297-90000741.

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10

Jones, Bridget. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 58, no. 1 (December 22, 1996): 249–52. http://dx.doi.org/10.1163/22224297-90000102.

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11

Gallagher, Mary. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 59, no. 1 (December 20, 1997): 247–50. http://dx.doi.org/10.1163/22224297-90000169.

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12

Gallagher, Mary. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 60, no. 1 (December 20, 1998): 181–84. http://dx.doi.org/10.1163/22224297-90000231.

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13

Gallagher, Mary. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 61, no. 1 (December 20, 1999): 196–99. http://dx.doi.org/10.1163/22224297-90000292.

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14

Browne, Ray B. "Encyclopedia of Caribbean Literature." Journal of American Culture 29, no. 2 (June 2006): 238. http://dx.doi.org/10.1111/j.1542-734x.2006.00344.x.

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15

Woods, Richard D., and Marian Goslinga. "Caribbean Literature: A Bibliography." Hispania 83, no. 1 (March 2000): 71. http://dx.doi.org/10.2307/346125.

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16

JONES, BRIDGET. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 54, no. 1 (March 13, 1993): 252–55. http://dx.doi.org/10.1163/22224297-90003245.

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17

JONES, BRIDGET. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 55, no. 1 (March 13, 1994): 280–82. http://dx.doi.org/10.1163/22224297-90003316.

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18

JONES, BRIDGET. "FRENCH STUDIES: CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 56, no. 1 (March 13, 1995): 262–64. http://dx.doi.org/10.1163/22224297-90003389.

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19

Phillips Casteel, Sarah. "Reterritorializing Caribbean Diaspora Literature." American Literary History 28, no. 3 (July 31, 2016): 624–33. http://dx.doi.org/10.1093/alh/ajw037.

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20

Miguel, Yolanda Martínez-San. "Spanish Caribbean Literature: A Heuristic for Colonial Caribbean Studies." Small Axe 20, no. 3 51 (November 2016): 65–79. http://dx.doi.org/10.1215/07990537-3726866.

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21

Almeida, Sandra Regina Goulart. "Geographies of old olaces and bodies: revisioning Caribbean literature written by women." Aletria: Revista de Estudos de Literatura 19, no. 1 (January 31, 2009): 181–93. http://dx.doi.org/10.17851/2317-2096.19.1.181-193.

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Resumo: O presente ensaio discute uma possível revisão da literatura caribenha contemporânea por meio da “ficção especulativa” produzida por mulheres. Ao analisar como essas escritoras procuram unir aspectos tradicionais da literatura caribenha com um discurso distópico e questionador, este ensaio aborda essa ficção especulativa produzida na diáspora, a partir de uma perspectiva de gênero, focalizando o romance Midnight Robber, da escritora caribenha-canadense Nalo Hopkinson.Palavras-chave: literatura caribenha; ficção especulativa; gênero.Abstract: This essay discusses how speculative fiction produced by women writers has revisited contemporary Caribbean Literature. By analyzing how these writers combine traditional aspects of Caribbean literature with a dystopian and transgressive discourse, this text addresses the questionings proposed by women writers from a gender perspective, focusing on the novel Midnight Robber by the Caribbean-Canadian writer Nalo Hopkinson.Keywords: Caribbean literature; speculative fiction; gender.
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22

Latta, Steven C. "Recent ornithological literature from the Caribbean: 2016." Journal of Caribbean Ornithology 30, no. 2 (May 13, 2018): 156–58. http://dx.doi.org/10.55431/jco.2017.30(2).156-158.

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A regular feature of the Journal of Caribbean Ornithology, thiscolumn alerts readers to recent ornithological literature fromthe Caribbean basin that has appeared elsewhere. We wouldalso like to include any unpublished theses or other reports thatmay be difficult to find in more universally available abstract services.We invite readers of the Journal of Caribbean Ornithologyto alert our compiler, Steven Latta, to other articles that shouldbe highlighted in this section. Our hope is that by providingthese summaries we will increase the exchange of knowledgeamong Caribbean ornithologists and conservationists.—Steven C. Latta
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23

Carr, Tracy. "Sources: Encyclopedia of Caribbean Literature." Reference & User Services Quarterly 46, no. 1 (September 1, 2006): 67. http://dx.doi.org/10.5860/rusq.46n1.67.

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24

Scarborough, Harriet Arzu. "Discovering Caribbean Literature, Discovering Self." English Journal 85, no. 3 (March 1996): 82. http://dx.doi.org/10.2307/820112.

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25

Perry, Amanda. "Recent Work in Caribbean Literature." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 42, no. 2 (2015): 208–17. http://dx.doi.org/10.1353/crc.2015.0013.

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26

BOOTH, J., S. NASTA, and O. KNOWLES. "African, Caribbean, and Canadian Literature." Year's Work in English Studies 63, no. 1 (January 1, 1985): 462–91. http://dx.doi.org/10.1093/ywes/63.1.462.

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27

Weiss, Jason. "Symbolic Cities in Caribbean Literature." Review: Literature and Arts of the Americas 43, no. 2 (November 2010): 257–59. http://dx.doi.org/10.1080/08905762.2010.514414.

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28

Coulson, Sheila D. "Caribbean Writers on Teaching Literature." Caribbean Quarterly 69, no. 2 (April 3, 2023): 296–98. http://dx.doi.org/10.1080/00086495.2023.2218754.

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29

Latta, Steven C. "Recent Ornithological Literature from the Caribbean: 2017." Journal of Caribbean Ornithology 31 (August 28, 2018): 84–87. http://dx.doi.org/10.55431/jco.2018.31.84-87.

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An annual feature of the Journal of Caribbean Ornithology, thiscolumn alerts readers to recent ornithological literature fromthe Caribbean basin that has appeared elsewhere. Most of thesearticles appeared in 2017, although a few that we missed in 2016are also summarized below. We would also like to include anyunpublished theses or other reports that may be difficult to findin more universally available abstract services. We invite readersof the Journal of Caribbean Ornithology to alert our compiler,Steven Latta, to other articles that should be highlighted in thissection. Our hope is that by providing these summaries we willincrease the exchange of knowledge among Caribbean ornithologistsand conservationists.
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30

Latta, Steven C. "Recent Ornithological Literature from the Caribbean: 2015." Journal of Caribbean Ornithology 29 (December 19, 2016): 52–54. http://dx.doi.org/10.55431/jco.2016.29.52-54.

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A regular feature of the Journal of Caribbean Ornithology, this column alerts readers to recent ornithological literature from the Caribbean basin that has appeared elsewhere. We would also like to include any unpublished theses or other reports that may be difficult to find in more universally available abstract services. We invite readers of the Journal of Caribbean Ornithology to alert our compiler, Steven Latta, to other articles that should be highlighted in this section. Our hope is that by providing these summaries we will increase the exchange of knowledge among Caribbean ornithologists and conservationists. Please direct correspondance for Dr. Latta to steven.latta@aviary.org
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31

Lee, Bok Nam. "Cultural Identity in francophone Caribbean territories: Caribbean literature and Creoleness." Journal of international area studies 7, no. 2 (July 31, 2003): 304. http://dx.doi.org/10.18327/jias.2003.07.7.2.304.

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32

Smith, Cassander L. "Afro-Caribbean Women's Literature and Early American Literature." New England Quarterly 96, no. 3 (September 1, 2023): 275–78. http://dx.doi.org/10.1162/tneq_r_00999.

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33

Chetty, Raj. "Abduction and the Grounds of Caribbean Reasoning." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (July 1, 2021): 182–89. http://dx.doi.org/10.1215/07990537-9384388.

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This review essay engages with Aaron Kamugisha’s 2019 Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition by focusing on its methodological commitment to seeking Caribbean answers to Caribbean political and social problems. The author argues that Kamugisha powerfully offers something other than a methodology through which the circulation of Caribbean geographies, politics, epistemologies, and its people’s lived experiences moves outward to provide analytical and conceptual service for metropolitan centers, even if for ostensibly decolonial purposes. The essay demonstrates how by turning to two of the Caribbean’s major thinkers, C. L. R. James and Sylvia Wynter, and their far-less-studied Caribbean writings, Kamugisha takes seriously the centering of Caribbean thinkers in their own histories of political becoming. The essay ends with sustained focus on Kamugisha’s elaboration of two of Wynter’s conceptualizations: indigenization as an alternative to creolization and abduction as a kind of theorizing out from Caribbean reasonings.
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34

Kamugisha, Aaron. "Caribbean Freedom beyond Coloniality." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (July 1, 2021): 190–96. http://dx.doi.org/10.1215/07990537-9384402.

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This essay proffers a response to three critical engagements with the author’s 2019 Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition. The author contextualizes Beyond Coloniality as a book that seeks to effect a challenging alliance between studies of the anglophone Caribbean’s postindependence social and political order and scholarship on Caribbean thought. Ultimately, Beyond Coloniality engages in a quest for freedom beyond neocolonial citizenship.
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35

van Dijk, Yra, and Ghanima Kowsoleea. "A Central Voice in Caribbean Literature." New West Indian Guide / Nieuwe West-Indische Gids 96, no. 1-2 (December 1, 2021): 29–54. http://dx.doi.org/10.1163/22134360-bja10015.

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Abstract This essay explores the complex ways in which narrative may signify in the contemporary Caribbean cultural context. Specifically, it is concerned with a trilogy written by award-winning Surinamese author Astrid Roemer, set in the years of independence of the Caribbean country after 300 years of Dutch occupation. The analysis focuses not on the usual postcolonial themes but on structures of signification: allegory, materiality and media of language, affect, and the function of objects. Roemer’s texts demonstrate the relation between discourse and physical violence, her language being tied to material media, bodies, and earth. Not just postmodern, but posthuman too, the Surinamese narrative is characterized by the attempt to connect objects to language, objects to emotions, or nature to memories. Language brings us in touch with Caribbean reality and memory, all the while questioning its capacity to do so through allegory and metaphor.
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36

Moon, Jihie. "Postcolonial Hybridity in Dutch Caribbean Literature." Cogito 93 (February 28, 2021): 183–211. http://dx.doi.org/10.48115/cogito.2021.02.93.183.

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37

Sutherland, Ronald. "The Caribbean Connexion in Canadian Literature." Yearbook of English Studies 15 (1985): 227. http://dx.doi.org/10.2307/3508556.

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38

Dasenbrock, Reed Way, and Amon Saba Saakana. "The Colonial Legacy in Caribbean Literature." World Literature Today 63, no. 1 (1989): 150. http://dx.doi.org/10.2307/40145253.

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39

King, Bruce, Alison Donnell, and Sarah Lawson Welsh. "The Routledge Reader in Caribbean Literature." World Literature Today 71, no. 2 (1997): 434. http://dx.doi.org/10.2307/40153214.

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40

Chancy, M. J. A. "The Challenge to Center: Caribbean Literature." American Literary History 13, no. 2 (February 1, 2001): 329–42. http://dx.doi.org/10.1093/alh/13.2.329.

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41

James, Cynthia. "Twentieth‐century caribbean literature in retrospect." Wasafiri 16, no. 33 (March 2001): 37–41. http://dx.doi.org/10.1080/02690050108589730.

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42

Munro, Martin. "Caribbean Literature and the Environment (review)." Research in African Literatures 37, no. 3 (2006): 217–18. http://dx.doi.org/10.1353/ral.2006.0071.

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43

Nazareth, Peter, and Frank Birbalsingh. "Frontiers of Caribbean Literature in English." World Literature Today 70, no. 4 (1996): 1014. http://dx.doi.org/10.2307/40152504.

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44

JACK, BELINDA. "FRENCH STUDIES: AFRICAN AND CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 50, no. 1 (March 13, 1989): 244–50. http://dx.doi.org/10.1163/22224297-90002943.

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45

JACK, BELINDA. "FRENCH STUDIES: AFRICAN AND CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 51, no. 1 (March 13, 1990): 229–36. http://dx.doi.org/10.1163/22224297-90003021.

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46

JACK, BELINDA. "FRENCH STUDIES: AFRICAN AND CARIBBEAN LITERATURE." Year’s Work in Modern Language Studies 52, no. 1 (March 13, 1991): 266–70. http://dx.doi.org/10.1163/22224297-90003098.

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47

Rupp, Jan. "Caribbean Spaces and Anglophone World Literatures." Anglia 135, no. 1 (March 1, 2017): 140–58. http://dx.doi.org/10.1515/ang-2017-0009.

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AbstractCaribbean writing in English highlights the call for a pluralization of world literature(s) in a double sense. It is produced in multiple Caribbean spaces, both domestic and diasporic, and it clearly stands for the extension of what used to be a rather small set of (Western) world literature. Moreover, not least as a legacy of the colonial New World/Old World distinction, visions of the world are at the heart of the Caribbean spatial imaginary as probed in many literary works. This article explores the trajectory of Caribbean spaces and Anglophone world literatures as a matter of migration and circulation, but also in terms of the symbolic translation by which experiences of movement and space are aesthetically mediated. Because of its global span across different locations Caribbean writing in English is constituted as world literature almost by definition. However, some works pursue a more circumscribed concern with domestic spaces and local artistic idioms, which affects their translatability and redefines a conventional ‘from national to world literature’ narrative.
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48

Salgado, Kayley. "Magic and Identity in Anglophone and Hispanaphone Caribbean Literature." Oregon Undergraduate Research Journal 21, no. 1 (2022): 23–30. http://dx.doi.org/10.5399/uo/ourj/21.1.8.

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In the late 19th and early 20th centuries, literature in the Caribbean underwent a period of significant development. The word “Caribbean” encompasses such a vast cultural, locational, and linguistic span that it is difficult to make generalizations about trends in the literature produced during this period. As a result, the contrast between Hispanophone and Anglophone Caribbean literature has not been thoroughly investigated. In this essay, I will compare and contrast themes from “Viaje a la Semilla” by Cuban author Alejo Carpentier, “Do Angels Wear Brassieres?” by Jamaican author Olive Senior, and “Pressure Drop” by Jamaican author Oku Onuora. I will also briefly discuss works by Afro-Cuban author Nicolás Guillén and Saint Lucian Derek Walcott. Aspects of these works—such as intended audience, political and social influences, and linguistic form—are investigated. Additionally, Caribbean literature is analyzed through the lens of magical realism. The throughline of this study is whether thematically metaphysical questions of belonging which have been attributed to Caribbean literature by previous scholars are maintained in both linguistic traditions. The import of this literature to explore and maintain cultural byways in the face of a diasporic experience is emphasized.
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49

Watson, Tim. "Caribbean." Victorian Literature and Culture 46, no. 3-4 (2018): 601–4. http://dx.doi.org/10.1017/s1060150318000359.

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50

Alonso, María Alonso. "The Caribbean." Journal of Commonwealth Literature 56, no. 4 (October 12, 2021): 564–76. http://dx.doi.org/10.1177/00219894211045865.

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