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Journal articles on the topic 'Caricature'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Brennan, Susan E. "Caricature Generator: The Dynamic Exaggeration of Faces by Computer." Leonardo 40, no. 4 (2007): 392–400. http://dx.doi.org/10.1162/leon.2007.40.4.392.

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The author has researched and developed a theory of computation for caricature and has implemented this theory as an interactive computer graphics program. The Caricature Generator program is used to create caricatures by amplifying the differences between the face to be caricatured and a comparison face. This continuous, parallel amplification of facial features on the computer screen simulates the visualization process in the imagination of the caricaturist. The result is a recognizable, animated caricature, generated by computer and mediated by an individual who may or may not have facility

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2

Poyet, Thierry. "Flaubert et la caricature : l’exigence de la modernité." Quêtes littéraires, no. 10 (December 30, 2020): 66–77. http://dx.doi.org/10.31743/ql.11533.

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Quelquefois caricaturé par ses contemporains, Flaubert suscite les réactions dans l'outrance, lui qui ose dans sa Correspondance abonder dans la caricature selon ses humeurs et ses opinions en excellant dans l'hyperbole et l ’emphase. Un mot de son cru le résume : « hénaurrrme ». Au demeurant, ses personnages les plus mémorables sont des caricatures : de l ’amour avec Emma, de la bêtise avec Bouvard et Pécuchet, de la bonté avec Félicité d'Un Cœur simple… Dans la fabrique flaubertienne, l'incarnation est intrinsèquement liée à la déformation, elle-même dégradée en parodie. Car la caricature ch

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3

Mbatia Kinyanjui, Benjamin. "Visual analysis of the big four agenda caricature as portrayed in new media: A case of the Gadocartoons.com." Journal of Media and Communication (JMC) 1, no. 1 (2022): 37–46. http://dx.doi.org/10.51317/jmc.v4i1.257.

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This paper focuses on the Visual analysis of the Big Four Agenda as portrayed in the new media caricature. The study aims to depict the sociopolitical and economic context after the 2017 election, focusing on visual communication as embedded in political caricature. This study seeks to unearth such hidden meanings embedded in the Big Four Agenda caricature. The study adopted a qualitative method to arrive at descriptive findings. The researcher applied a semiotic analysis paradigm to analyse the sampled data by interpreting the signs system through connotative and denotative aspects entrenched

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Pham, Thi Binh, Thi Hao Truong, and Duc Hieu Ta. "Designing and applying caricatures to teaching population geography at high school." Ministry of Science and Technology, Vietnam 65, no. 10 (2023): 34–38. http://dx.doi.org/10.31276/vjst.65(10).34-38.

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Teaching material is necessary and plays an important role in the teaching and learning process. Caricature or cartoon is one of the most effective visual materials in teaching geography in high school. Caricature itself not only transmits information and knowledge but also helps the teacher to develop the student’s critical thinking skills in teaching geography. Nowadays, geography teachers can collect or design caricatures themselves by using various online applications or caricatures by hand. Caricature can be an important material for many geography teachers to design lesson plans and lear

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Abdulallah, Lect Dr Rafid Jihad. "Satirical Caricatures in the Andalusian Poetry." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 221, no. 1 (2018): 137–54. http://dx.doi.org/10.36473/ujhss.v221i1.428.

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Satirical caricature is deemed one of the critical topics that occupied a central position in the poetry of Andalusia through the ages, and it gained momentum during The Almoravids’ (“al-Murabitun’s”) times, and this is especially the case as their poetry seemed to have been more concerned with the satirical depictions of the jurists and the judges. The present research paper has fallen into two major divisions: the first one is treating of the political satirical caricature, while the second one is mainly concerned with the social satirical caricature. The first division branches out into thr

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George, Leigh-Michil. "“Mind Is Revealed in the Countenance”: Subversive Laughter and Caricature in The Woman of Colour." Eighteenth-Century Fiction 35, no. 1 (2023): 43–64. http://dx.doi.org/10.3138/ecf.35.1.43.

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Throughout The Woman of Colour (1808), Olivia Fairfield, the Black mixed-race heroine, ridicules the “fair sex” bodies of white female characters who irrationally judge the heroine as inferior because of the colour of her skin. In this article, I extend Lyndon J. Dominique’s reading of Olivia’s subversive gaze and laughter found in Imoinda’s Shade (2012). In building on Dominique’s insights, I show how Olivia paradoxically uses caricatural tropes of fat versus thin and young versus old to envision caricature on her own terms: to challenge and resist anti-Black stereotypes. When the novel is ex

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Guinand, Cécile. "La Caricature littéraire : L’Éducation sentimentale de Flaubert." Quêtes littéraires, no. 5 (December 30, 2015): 65–77. http://dx.doi.org/10.31743/ql.239.

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In the fictional universe of L’Éducation sentimentale, caricature is practiced in several ways by some characters who design caricatural portraits, play the role of famous caricatural characters and perform literary caricature in their press releases. Present and produced in the fictional universe, Flaubert also integrates it in the narration. He builds a literary caricature on the basis of graphical caricature. Based on the principle of distance, he highlights the gap between the pretensions of the characters and the paltry result of their efforts. He restores the device of the framework of l

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GUNANTI, DEWA AYU MADE DWI. "PERAN KARITAKUR DALAM MENINGKATKAN KEMAMPUAN BERPIKIR DAN MEMBENTUK OPINI PUBLIK DIKALANGAN PARA SISWA." Widyadari 19, no. 1 (2018): 174–205. https://doi.org/10.5281/zenodo.1242693.

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This study aims to determine the ability of observation on caricature to improve the ability to write opinion class XII IPS 1 SMA Negeri 1 Selemadeg; (2) to know the steps taken by observation on caricature in improving the writing skill of class XII IPS 1 SMA Negeri 1 Selemadeg; (3) to find out the student's response about observing caricatures to improve the ability to write opinions. The research method used in this research is classroom action research. The results of this study were There are 11 students (32.35%) answered hesitant to the second statement that is about the observation

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Hiba Nadhim Jebur, Jebur, and Prof. Hashim Aliwy Mohammed Al-Husseini (Ph.D.). "A Pragmatic Analysis of Coronavirus Pandemic in Selected Iraqi Caricature Posters." Journal of Education College Wasit University 48, no. 1 (2022): 555–68. http://dx.doi.org/10.31185/eduj.vol48.iss1.2910.

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Abstract A caricature is a drawing, the artist who draws it is a creative person who tries to send messages in a sarcastic way. This study is dedicated to investigate some selected Iraqi caricatures as one of the effective tools that have implied or hidden meanings. This study also tries to fill in the gap of the misunderstanding of the aims of the caricatures that have been taken from Iraqi newspapers. It also aims at identifying and explaining the elements of the pragmatic level of analysis for the selected coronavirus caricature posters. The researchers adopt Hymes’ SPEAKING model (19

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Infante Yupanqui, Carlos Rodrigo. "Crisis y desequilibrio político durante el régimen fujimorista. El papel de la caricatura política. 1998-2000." Desde el Sur 16, no. 1 (2024): e0014. http://dx.doi.org/10.21142/des-1601-2024-0014.

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This article examines the role of Peruvian political caricature during the crisis of the Fujimori administration (1998-2000). The research also develops an approach to the connections between caricature and power. This reading, which links macro and micro sociology, is made from the processes of political imbalance of the Fujimori regime, a process that marked, at the same time, a moment of inflection within the political sphere and that reached the caricature, both officious and opposition. Following a qualitative approach with an interpretative perspective, the analysis includes a contextual

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Armin, Mardi Adi, and Nafiatul Amalia. "SEMIOTIKA KARIKATUR PANDEMI COVID-19 MELALUI MEDIA DARING (ON LINE) DI PERANCIS." JURNAL ILMU BUDAYA 8, no. 2 (2020): 279–93. http://dx.doi.org/10.34050/jib.v8i2.11106.

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This study investigates the caricature representations contained in online media regarding the French government's response to the Covid-19 Pandemic. Also examined the response of citizens to government policies, including religious and other professional society. This research was conducted to try to examine aspects of Corona pandemic reporting through online media because this issue has become a worldwide concern. Pandemic has caused many victims The response of the community is directly reflected in the caricature. by using the semiotic approach, we will get the meanings of the caricatures

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Brooks, Jeffrey. "Caricature and Print Culture in Late-Imperial Russia." Experiment 28, no. 1 (2022): 44–70. http://dx.doi.org/10.30965/2211730x-12340024.

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Abstract Caricature became entrenched as a common form of social commentary in Russian visual culture in the latter half of the nineteenth century. Four prominent humor magazines: Iskra (Spark, 1859–1873), Budil’nik (Alarm Clock, 1865–1918), Strekoza (Dragonfly, 1875–1908), and Oskolki (Splinters, 1881–1916) promoted caricatures and built success largely on the public’s appetite for them. The editors and staff of these humor magazines made caricature a ready and effective tool of social criticism and helped develop a critical public familiar enough with the form to appreciate it. The rather ge

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13

Färnlöf, Hans. "L’excès du réel – caricature et réalisme dans quelques nouvelles de Maupassant." Quêtes littéraires, no. 10 (December 30, 2020): 94–105. http://dx.doi.org/10.31743/ql.11535.

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Par son excès mimétique, la caricature peut sembler difficilement compatible avec l'esthétique réaliste, qui cherche à donner une image fidèle au réel. Pourtant l'ironiste Maupassant a souvent recours au portrait caricatural afin de mettre en relief le caractère excessif du personnage. En établissant des liens fermes entre le portrait du personnage et le déroulement de l ’histoire, qui illustrera les conséquences négativesde cet excès, Maupassant expose le danger qu ’il y a à dévier d'un comportement mesuré. Le réalisme réside ainsi dans la cohérence entre le portrait caricatural du personnage

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Ishtia, Dr Moaz. "The Symbolic Dimensions of the Child’s Image in Naji Al-Ali’s Caricatures." Thi Qar Arts Journal 3, no. 45 (2024): 24. http://dx.doi.org/10.32792/tqartj.v3i45.559.

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There is no doubt that there are many studies and researches that have taken care of researching Naji Al-Ali’s caricatures; however, the researcher often finds that they focused more on the contents and themes rather than delving into their artistic structure. These studies addressed the issues that Al-Ali was concerned with without researching the dimensions behind these issues. Hence, this study comes to explore the symbolic dimensions that contribute to deepening the vision expressed by the caricature image of Naji Al-Ali. This research direction contributes to the textual analysis of the c

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15

Haywood, Ian. "The Power of Caricature, Caricatures of Power." American Literary History 36, no. 3 (2024): 815–23. http://dx.doi.org/10.1093/alh/ajae073.

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Abstract This review article assesses three new books on the “Golden Age” of caricature in Britain and the United States: Tim Clayton’s James Gillray: A Revolution in Satire (2022), Amanda Lahikainen’s Money and Materiality in the Golden Age of Graphic Satire (2022), and Alison M. Stagg’s Prints of a New Kind: Political Caricature in the United States, 1789-1828 (2023). The article considers how satirical cartoons simultaneously educated and entertained the public about important issues, such as political corruption, nation building, and the perils of a credit economy based on paper money.

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Salnikova, A. A., та K. A. Korniushkina. "Cariсature as a Source of the Soviet Childhood History (Based on the “Pionerskaya Pravda” Newspaper in the Second Half of the 1920s)". Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 162, № 6 (2020): 194–209. http://dx.doi.org/10.26907/2541-7738.2020.6.194-209.

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This paper deals with the phenomenon of newspaper caricature and its influence on the life of Soviet children. Caricatures were widely used by the Soviet authorities as a means of official propaganda, in children’s periodicals as well. For children, they were employed to create an image of the “standardized” Soviet child, through cartooning and criticism of antipodes. The analysis of caricatures from the pages of the “Pionerskaya Pravda” newspaper dating back to the second half of the 1920s revealed the ways by which various archetypes developed in the satirical ideological images. Their stron

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Furl, Nicholas, Forida Begum, Francesca Pizzorni Ferrarese, Sarah Jans, Caroline Woolley, and Justin Sulik. "Caricatured facial movements enhance perception of emotional facial expressions." Perception 51, no. 5 (2022): 313–43. http://dx.doi.org/10.1177/03010066221086452.

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Although faces “in the wild” constantly undergo complicated movements, humans adeptly perceive facial identity and expression. Previous studies, focusing mainly on identity, used photographic caricature to show that distinctive form increases perceived dissimilarity. We tested whether distinctive facial movements showed similar effects, and we focussed on both perception of expression and identity . We caricatured the movements of an animated computer head, using physical motion metrics extracted from videos. We verified that these “ground truth” metrics showed the expected effects: Caricature

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Smith, Adam, and Michael Mateas. "Computational Caricatures: Probing the Game Design Process with AI." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 7, no. 3 (2011): 14–18. http://dx.doi.org/10.1609/aiide.v7i3.12478.

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We propose the creation of computational caricatures as a design research practice that aims to advance understanding of the game design process and to develop the reusable technology for design automation. Computational caricatures capture and exaggerate statements about the game design process in the form of computational systems (i.e. software and hardware). In comparison with empirical interviews of game designers, arguments from established design theory, and the creation of neutral simulations of the design process, computational caricatures provide more direct access to inquiry and insi

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Cabut, Jean (Cabu). "Cabu Reporter." European Comic Art 2, no. 1 (2009): 131–51. http://dx.doi.org/10.3828/eca.2.1.8.

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French editorial cartoonist and comic-strip artist Cabu (pen name of Jean Cabut) is interviewed by Tanitoc, French cartoonist and contributing artist to European Comic Art. They talk about the evolution of political caricature in France, differing reactions of people to being caricatured by a cartoonist or being filmed, and the use of archetypes in caricature. Cabu also discusses the influences of other cartoonists on his own art, the high points of his cartooning career, his cartoon reportages, and various book publications of his work

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Aritonang, Agusly Irawan. "KRITIK SOSIAL DALAM KARIKATUR (Analisis Semiotika Terkait Kritik Sosial dalam Postingan Instagram Gejayan Memanggil)." Scriptura 12, no. 2 (2023): 122–32. http://dx.doi.org/10.9744/scriptura.12.2.122-132.

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Social criticism arises when there is no satisfaction with an existing order. In the political context, social criticism is often conveyed when the government system doesn’t run optimally and ideally. Many parties can convey social criticism and many ways how to to convey social criticism. The emergence of social media makes it easier to convey social criticism. Caricatures have long been known as a form of conveying social criticism, both in the form of satire and sarcastic statements. This paper seeks to see how social criticism is conveyed through the form of caricatures. Using Pierce's sem

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Turgeon, Alexandre. "La Palme présenteDisplicuit Nasus Tuus : quand la caricature sert de discours politique au Québec." Journal of the Canadian Historical Association 25, no. 1 (2015): 107–42. http://dx.doi.org/10.7202/1032800ar.

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Le 29 juin 1944, le gouvernement libéral d’Adélard Godbout déclenche des élections au Québec. Affaibli par son appui à Mackenzie King, le Parti libéral provincial se tourne vers le caricaturiste Robert La Palme pour la production d’une brochure intitulée La Palme présente Displicuit Nassus Tuus – du latin « Ton nez a déplu », en référence au nez de Maurice Duplessis, chef de l’Union nationale. Cette brochure ne contient que des caricatures. Si l’usage de la caricature dans ce contexte n’est pas particulier, on ne peut en dire autant de la place qui lui est accordée dans ce document. Pour étudi

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Andrade, Vera Lúcia. "Em torno de uma suspeita acima de qualquer cidadão." Cadernos de Linguística e Teoria da Literatura 5, no. 10 (2016): 191. http://dx.doi.org/10.17851/0101-3548.5.10.191-200.

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Resumo: Leitura do conto Um homem de cabelos cinzas, de Roberto Drummond, enquanto caricatura da narrativa policial.Résumé: Une lecture du conte Um homem de cabelos cinzas, de Roberto Drummond, en tant qu' une caricature du récit policier.

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Rossomakhin, Andrey, and Vasily Uspensky. "“An Imperial Stride”: Two Hundred and Thirty Years of Transforming a Metaphor." Experiment 28, no. 1 (2022): 3–23. http://dx.doi.org/10.30965/2211730x-12340023.

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Abstract This research traces the evolution and transformation of the metaphor of the “Imperial Step,” which signifies the expansionist ambitions of Russia’s Imperial, Soviet and Post-Soviet rulers from Catherine the Great to Vladimir Putin as expressed in caricatures and satirical cartoons appearing predominantly in Britain, France, and Germany. Following in chronological order, each section is devoted to the discussion of a pertinent example of the Imperial Step beginning with late 18th century British caricature satirizing Catherine the Great in the context of her “Greek Project” and conclu

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Loshchilov, I. E., and A. B. Ustinov. "“The Heavy Lyre”: Around One of Bronislav Malakhovsky’s Cartoons." Studies in Theory of Literary Plot and Narratology 17, no. 1 (2021): 208. http://dx.doi.org/10.25205/2410-7883-2021-1-190-208.

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The essay is dedicated to the caricature of Nikolai Zabolotsky by the famous Leningrad graphic artist Bronislav Malakhovsky (1902–1937), the author of numerous “writer’s caricatures.” The development of this genre in the Soviet press of the 1930s is related to the artistic practices of the pre-revolutionary magazine “Satyricon,” where caricatures also served as an artistic expression of corresponding epigrams or literary parodies. In the Soviet times, this genre was used for the purposes of ideological assessment of any type of artistic creativity, giving “writer’s caricatures” an ominous mean

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Sidabutar, Johannes E., Sondang Manik, and Ronny A. Sembiring. "A Semiotic Analysis of Caricatures Depicting Israel – Palestine Conflict on Twiter." Journal of Applied Linguistics 4, no. 2 (2025): 62–74. https://doi.org/10.52622/joal.v4i2.304.

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This study discussed Semiotic Analysis Of Caricatures Depicting The Israel-Palestine Conflict On Twitter. This study aimed to identify and analyze icons, indexes, and symbols and find the meaning of their interpretation contained in the caricature. This study uses a qualitative descriptive method using the semiotic theory proposed by Charles Sanders Pierce. In this study, the writer took 20 images via Twitter. Then, the writer described and analyzed the meaning of each sign in the conflict caricature using Pierce's triangle. In this study, the writer found a total of 164 signs in the Israeli-P

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Benson, Philip J., and David I. Perrett. "Visual Processing of Facial Distinctiveness." Perception 23, no. 1 (1994): 75–93. http://dx.doi.org/10.1068/p230075.

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Three experiments are reported in which the role of facial distinctiveness in line-drawing representations of famous faces has been examined. In the first subjects were asked to select their impressions of best likeness interactively from a continuous range of drawings generated in real-time. On average, 42% of caricatures were considered to be the best likeness of famous individuals. The distinctiveness of the target faces related by independent observers correlated with the degree of exaggeration faces received to produce an optimal likeness. More distinctive faces required less caricaturing

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Hardy, Dominic. "Les collections d’imprimés et les fonds d’archives de banq : des ressources importantes pour l’histoire de la caricature et de la satire graphique québécoises avant 1960." Revue de Bibliothèque et Archives nationales du Québec, no. 4 (August 28, 2012): 96–109. http://dx.doi.org/10.7202/1012099ar.

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Pour toute étude sur l’histoire de la caricature et de la satire graphique au Québec avant 1960, les fonds et les collections de Bibliothèque et Archives nationales du Québec (BAnQ) sont d’une richesse exceptionnelle. Ce texte présente les collections d’imprimés et les fonds d’archives utiles à la recherche en deux temps. Nous examinons d’abord les lieux de publication des documents pour faire ressortir les grandes étapes de l’évolution de la pratique caricaturale sur le territoire québécois. Ensuite, nous décrivons deux fonds d’archives pour indiquer comment des corpus très différents, compos

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Achet, Christian. "La caricature politique, médium méconnu de l’année 1819 ?" Annales historiques de la Révolution française 392, no. 2 (2018): 107–39. https://doi.org/10.3917/ahrf.392.0107.

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Cette étude se fonde sur l’analyse de neuf caricatures politiques éditées en 1819. En les croisant avec la presse qui y fait explicitement allusion, il s’agit d’en décrypter le sens et de faire resurgir quelques-uns des grands débats qui cristallisent les luttes entre libéraux, ministériels et ultras. La caricature lithographique, très diverse dans sa production, est perçue par tous les acteurs comme un moyen d’influencer l’opinion publique. C’est une image imprimée qui participe de pratiques sociales, en partie collectives, et aussi de la culture orale. Dans le domaine de la caricature politi

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Isaikova, Oleksandra. "«We don’t believe you, Nicolas»: royalist publicism as a source of French anti-Napoleonic caricature." Text and Image: Essential Problems in Art History, no. 2 (2020): 94–108. http://dx.doi.org/10.17721/2519-4801.2020.2.06.

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The article refers to the connection between royalist publicism and anti-Napoleonic caricature through the example of two etchings from the Khanenko Museum collection. The task of royalist propaganda was to undermine the authority of Napoleon Bonaparte and, at the same time, to set society in favor of the Bourbon restoration. This causes the specifics of the anti-Napoleonic pamphlets and caricatures, which were usually focused on creating of the repulsive images of the emperor. At the same time, it is easy to notice that the authors of texts and images operated with a common set of motifs, ima

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Arrafi, Muhammad Naufal, and Misbahus Surur. "The Palestinian and Israeli Humanitarian Conflict Report in Instagram Caricatures: A Norman Fairclough Critical Discourse Analysis Study." Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra 8, no. 2 (2024): 486. https://doi.org/10.26858/eralingua.v8i2.65003.

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Abstract. Many media reported Hamas' attack on Israel from various perspectives, some consider it terrorism and some call it a form of defense. The Instagram account @rahma_toons owned by an Amman-Jordan cartoonist, Ahmed Rahma, is always up to date describing the current conditions of the humanitarian conflict between Palestine and Israel through his caricature work. This research aims to reveal (1) text; (2) discursive practice; and (3) sociocultural practice contained in the humanitarian conflict against Palestine and Israel in @rahma_toons Instagram caricatures based on Norman Fairclough's

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Snigovska, О. V., and A. V. Malakhiti. "POLITICAL CARICATURE AS A KIND OF CREOLIZED TEXT IN THE CONTEXT OF THE CRISIS OF UKRAINIAN-RUSSIAN RELATIONS (ON THE MATERIAL OF THE GREEK PRESS)." International and Political Studies, no. 35 (November 10, 2022): 179–202. http://dx.doi.org/10.18524/2707-5206.2022.35.259387.

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Using scientific works in the field of creolized text theory, an attempt was made to analyze the specific features of political caricature in Greek mass media discourse, as well as to identify the role of verbal and nonverbal components of creolized political caricature texts in conditions of hybrid warfare. The research department of 162 political caricatures of national and world political leaders and international events in the context of the crisis of Ukrainian-Russian relations served as the material of the presented work. Illustrations were selected from the Greek media, including newspa

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Дугалич, Н. М. "Медицинская карикатура в русском и арабском языках: общее и специфическое". Иностранные языки в высшей школе, № 4(71) (11 лютого 2025): 69–75. https://doi.org/10.37724/rsu.2024.71.4.009.

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Карикатура на медицинскую тему на русском языке является одним из самых распространенных комических текстов в интернет-коммуникации. Это объясняется сложившимися в русской культуре традициями осмысления существующих проблем через их высмеивание. Для арабской традиции карикатура может быть оценена как достаточно новое явление, начавшееся с карикатуры политического дискурса и появившиеся в результате влияния европейской традиции. Сопоставительное исследование карикатуры на русском и арабском языках показало, что в их основе лежат общие тенденции и принципы, что объясняет совпадение в их тематике

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Churchill, Larry R. "Market Meditopia A Glimpse at American Health Care in 2005." Hastings Center Report 27, no. 1 (1997): 5–6. http://dx.doi.org/10.1002/j.1552-146x.1997.tb00009.x.

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Images of the future are usually only caricatures of the present. Perhaps this picture of the future of medical care will also prove to be a caricature. Whether it does depends on choices that Americans have still to make.—Paul StarrThe Social Transformation of American Medicine

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Tayyab, Areeba. "Grotesque Literary Caricatures of Exotic Orientals in Tariq Ali's Play Iranian Nights." International Journal of Linguistics, Literature and Translation 3, no. 10 (2020): 140–47. http://dx.doi.org/10.32996/ijllt.2020.3.10.16.

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The paper analyzes grotesque literary caricature of the exotic Orientals in Tariq Ali and Howard Brenton's play Iranian Nights. The focus is to elucidate how the writer market margins by creating caricatural and exotic characters that generate laughter and comical wit for the international readership. The research has two folds i.e. on one level it will discuss the caricatural features in characters to understand the underline meaning for the use of such distorted and exaggerated art form in a modern play. On the other hand, the paper will have an investigative stance into the dramatic techniq

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Rhodes, Gillian, Graham Byatt, Tanya Tremewan, and Anthony Kennedy. "Facial Distinctiveness and the Power of Caricatures." Perception 26, no. 2 (1997): 207–23. http://dx.doi.org/10.1068/p260207.

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Caricatures, which increase the distinctiveness of faces, are generally recognised at least as well as undistorted images of those faces. However, caricatures seem to facilitate recognition more for some faces than others. An investigation was made into whether the effectiveness of caricaturing depends on a face‘s initial distinctiveness. In experiments 1–3, subjects learned names for unfamiliar faces (photographs) that varied in distinctiveness, and were tested on recognition of caricatures, anticaricatures, and undistorted images of those faces. The test images were line drawings in experime

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Teive, Hélio A. G., Gustavo L. Franklin, Plínio Lima, Francisco M. B. Germiniani, Carlos Henrique F. Camargo, and Olivier Walusinski. "The Art of Charcot: An Outstanding Caricaturist." European Neurology 84, no. 1 (2021): 49–52. http://dx.doi.org/10.1159/000513677.

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Jean-Martin Charcot is considered the father of modern neurology; alongside his work as a physician, professor, and researcher in this area, he was also artistically gifted with a taste for caricature. This historical note summarizes 8 caricatures by Charcot that exhibit a mixture of humor, satire, irony, and sarcasm.

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Lewis, Michael B., and Robert A. Johnston. "Understanding Caricatures of Faces." Quarterly Journal of Experimental Psychology Section A 51, no. 2 (1998): 321–46. http://dx.doi.org/10.1080/713755758.

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Lateral caricatures are transformed faces like caricatures but the transformation is orthogonal (in the face-space, Valentine, 1991) to the direction of caricaturization. It has been reported that lateral caricatures are more difficult to recognize than anti-caricatures (Rhodes & Tremewan, 1994). To investigate this effect, oblique caricatures (transformed obliquely to caricaturing) were generated by morphing between a veridical face and a reference face. Two experiments used a forced-choice similarity task to find which images are perceived to have the least change from the veridical. An

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Lesmana, Maman. "The Effectiveness of Hanzhala and Watermelon Icons as A Symbol Representation of The Palestine Struggle on The Palestine-Israel Conflict." KURIOSITAS: Media Komunikasi Sosial dan Keagamaan 17, no. 2 (2024): 110–26. https://doi.org/10.35905/kur.v17i2.11328.

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The never-ending conflict between Palestine and Israel has resulted in great suffering to this day. However, the fighting spirit of the Palestinian people continues to grow strong roots. Palestinian people use various media to voice their rights and criticize the current situation affecting Palestine, one of which is in the form of caricature art. Naji Al-Ali, as a caricature artist, is active in voicing criticism and the conditions of concern faced by Palestinian society. Hanzhala is one of Naji's works created against the backdrop of the Nakba. Hanzhala then evolved into a symbol of resistan

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Rahmawati, Fadhilah. "Sikap Masyrakat Arab terhadap Perancis Pasca Kemunculan Karikatur Nabi Muhammad Saw dalam Majalah Charlie Hebdo Edisi September Tahun 2020: Studi Fenomenologi Edmund Husserl." JURNAL Al-AZHAR INDONESIA SERI HUMANIORA 7, no. 1 (2022): 1. http://dx.doi.org/10.36722/sh.v7i1.561.

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<p><em>Abstract</em> -<strong> The purpose of this article is to describe the attitude of the Arab Arab community towards France after the appearance of the caricature of the Prophet Muhammad in the September 2020 edition of Charlie Hebdo Magazine based on the perspective of Edmund Husserl's phenomenological study. The problems that will be investigated are: (1) how did the caricature of Prophet Muhammad (PBUH) appear in Charlie Hebdo magazine?: and (2) how was the attitude of the Arab community towards France after the appearance of the caricature of the Prophet Muhamm

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Fischer, Anna. "Western European cartoon from the 1920s to the 1970s, dedicated to the theme of chess: political, social and sporting aspects." Scientific and analytical journal Burganov House. The space of culture 20, no. 6 (2024): 37–61. https://doi.org/10.36340/2071-6818-2024-20-6-37-61.

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The author analyzes a number of cartoons by European and American artists dedicated to chess themes; two types of caricatures on the themes of the chess game were noted. The one of them relates to the field of political caricature (L. G. Illingworth), the other fully reveals the essence of social phenomena in humorous everyday sketches (Z. Lengren, H. Bidstrup). Both types are played out using metaphors and analogies, respectively related to sports. The article also draws attention to this type of caricature as a series of sequential episodes, similar to a comic strip. Individual drawings by A

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Cerić, Haris, and Ešref Kenan Rešidagić. "Strip i karikatura u nastavi politilogije." Obrazovanje odraslih/Adult Education, no. 2 2019 (2020): 39–54. http://dx.doi.org/10.53617/issn2744-2047.2019.19.2.39.

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The intention of the authors is to demonstrate the utilisation of comictrips and caricature in political science teaching at university level. The kinship of comics and caricatures is reflected in the fact that they, as visual and verbal - visual media, form their own ''visual language''. In teaching in general, including higher education, comic strips and caricatures have a provoking value(scandalon), hence they represent an excellent motivational tool for learning. Certanly, the selection of appropriate comics and caricatures in crucial, therefore the paper provides examples of some comics a

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Rossiter, Caroline. "Early French Caricature (1795-1830) and English Influence." European Comic Art 2, no. 1 (2009): 41–64. http://dx.doi.org/10.3828/eca.2.1.4.

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This article analyses the production of caricatures in post-revolutionary Paris, specifically the role of publishers and artists and the constraints of censorship within society of that time. By considering such factors in the light of English caricature production, we will outline the exchanges that took place between London and Paris at the turn of the nineteenth century and demonstrate that the two cities' comic print productions were subject to reciprocal influences.

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Adascalita, Lucia. "The plastic expression of everyday life in the satirical graphics of the artist Glebus Sainciuc." Arta 32, no. 1 (2023): 93–99. http://dx.doi.org/10.52603/arta.2023.32-1.13.

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Glebus Sainciuc is known in the artistic and cultural space of the Republic of Moldova, thanks to his pictorial works, papier-mâché masks and remarkable drawing sheets. Initially, the protagonist debuts in the art of easel painting, so as over decades to also enrich his area of interest through a vast activity in the art of masks, the art of social caricature and friendly cartoons. Caricature, as a genre of plastic creation, was practiced by artist Glebus Sainciuc mainly in the late 50s - early 60s of the 20th century. His debut in satirical graphics coincides with the period of time in which

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Rosyadi, Faiq Ilham, and Muhammad Luqman Chakim. "Karikatur Al-Arabiyah Fi Hisab Twitter @cartoon_ar (Dirasah Tahliliyah Tadawuliyah)." An Nabighoh: Jurnal Pendidikan dan Pembelajaran Bahasa Arab 22, no. 02 (2020): 131. http://dx.doi.org/10.32332/an-nabighoh.v22i02.2005.

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This research presents several caricature images with various themes, starting from the issue of resistance between the Muslim Brotherhood and Saudi Arabia. Then there is also about the extreme weather that has hit Saudi Arabia for days, as well as other insinuations that contain the readers' motivation. Through this discussion, the researcher tries to analyze and understand each caricature that is presented in the account. Also through this study, researchers looked for some facts and events that were happening in the State of Saudi Arabia at that time. From that incident, inspiration emerged

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Allawi, Asst Lect Sundus Hussein. "A SEMIOTIC STUDY OF CARICATURE: THE STRUGGLE BETWEEN AMERICA AND CHINA." American Journal Of Social Sciences And Humanity Research 4, no. 10 (2024): 94–113. http://dx.doi.org/10.37547/ajsshr/volume04issue10-07.

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Visual communication is a compound process, which requires broad knowledge of semiotics. Semiotics is the education of signs and symbols. In what way these signs and symbols are interpreted is studied under semiotics. It has many concealed signs and connotations, for example: brand name, logo, package design, color, punch line and trade mark, etc. The present study presents one of the most significant philosophies and replicas of visual social semiotics, namely, Kress and van Leeuwen’s "Grammar of Visual Design". It involves the description of semiotic resources, what can be said and done with

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Cheminat, Cyprien. "Combattre les coalisés par le rire : l’arsenal caricatural sous le consulat et l’empire." Annales historiques de la Révolution française 408, no. 2 (2022): 45–75. https://doi.org/10.3917/ahrf.408.0045.

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Sous le Consulat et l’Empire, la caricature française va largement soutenir la politique extérieure de Napoléon, en ralliant une majorité de Français à la cause de l’empereur et en provoquant le rejet de ses ennemis. Dans cet article, nous avons entrepris l’analyse de la production satirique française s’en prenant aux dirigeants coalisés entre 1803 et 1814. Bien que l’écrasante majorité des caricatures soient anonymes, on peut cependant identifier des satiristes aux parcours divers, ainsi qu’un marchand-éditeur qui domine le marché. Cette étude donne également à voir les cibles de la satire gr

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Shen, Yehu, Zhenyun Peng, and Yaohui Zhang. "Image Based Hair Segmentation Algorithm for the Application of Automatic Facial Caricature Synthesis." Scientific World Journal 2014 (2014): 1–10. http://dx.doi.org/10.1155/2014/748634.

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Hair is a salient feature in human face region and are one of the important cues for face analysis. Accurate detection and presentation of hair region is one of the key components for automatic synthesis of human facial caricature. In this paper, an automatic hair detection algorithm for the application of automatic synthesis of facial caricature based on a single image is proposed. Firstly, hair regions in training images are labeled manually and then the hair position prior distributions and hair color likelihood distribution function are estimated from these labels efficiently. Secondly, th

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Bau, Andi, Irianty Bandu, and Andi Faisal. "KARIKATUR GERAKAN ROMPI KUNING DI BELGIA." JURNAL ILMU BUDAYA 8, no. 2 (2020): 399–49. http://dx.doi.org/10.34050/jib.v8i2.11935.

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This research is about the caricature analysis of the yellow vest movement in Belgium using a semiotic approach. This study aims to determine the meaning of connotation in the caricature of Les Gilets Jaunes by the caricature Oli. In addition, to know the form of depiction in caricature to convey meaning in caricature. Spurces of research data derivied from caricature web created by Oli, which is one of the caricaturist in Belgium. This research is a qualitative descriptive research. The results showed that the caricature related to Oli's Les Gilets Jaunes is a form of the reality of events th

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Mohammed Ali Mala Hassan and Kavi Shakir Mohammed. "A Pragmatic Analysis of Impoliteness Strategies in Selected English Political Caricatures." Zanco Journal of Humanity Sciences 29, SpA (2025): 254–66. https://doi.org/10.21271/zjhs.29.spa.14.

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The study investigates the pragmatic use of Culpeper’s (1996) impoliteness strategies in the selected English political caricatures. Although caricatures deliver political messages, the expressions of impoliteness can differ between cultures. Therefore, a single caricature may employ more than one impoliteness strategy. A mixed approach, combining both qualitative and quantitative methods, is utilized in the study. The data is collected from the caricatures of famous English caricaturists, whose work has been published on the X platform. The findings show that four impoliteness strategies are

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Hajar, Rachel. "Medical Caricature." Heart Views 12, no. 3 (2011): 120. http://dx.doi.org/10.4103/1995-705x.95069.

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