Academic literature on the topic 'Carl Nielsen'

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Dissertations / Theses on the topic "Carl Nielsen"

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Venyš, Irvin. "Carl Nielsen - Klarinetový koncert z pohledu interpreta." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78684.

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My master´s thesis ?Carl Nielsen ? Concerto for clarinet from the soloist´s perspective? is dealing with interpretation problems, that can appear while studiing the Concerto for clarinet and orchestra Op. 57 written by Carl Nielsen. I have studied this technically as well as musically demanding composition for more than two years. Regarding the time I have spent studiing this work practically and theoretically, I had the oportunity to detect and solve it´s difficulties, practically verifiing my results on the stage. In the second chapter Origins of the concert, I refer, not only to the cir
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Grimley, Daniel MacGregor. "Nielsen, nationalism and Danish musical style." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343036.

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Gutsche-Miller, Sarah. "The reception of Carl Nielsen as a Danish National Composer." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19661.

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Carl Nielsen, labelled as Denmark's national composer, has long been relegated to a secondary status in English-language musicology as a composer of great national significance but negligible importance outside of Scandinavia. This thesis explores the links between Danish nationalism and Nielsen's music, as well as the effects of Nielsen's status as a national composer on the reception of his symphonic music outside of Denmark. The first section of this paper is a study of Nielsen's music in the context of Danish cultural nationalism at the turn of the twentieth century, focusing on the folk i
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Spence, Marcia L. (Marcia Louise). "Carl Nielsen's Quintet for Winds, OP. 43: A Critical Edition, a Lecture Recital, Together with Three Recitals of Selected Works for Horn by Atterberg, Ries, Mozart, Rosetti, Musgrave, Larsson, and Others." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc935624/.

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The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet for Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. This treatise offers a brief biography of Carl Nielsen, documents the history and significance of the Quintet for Winds, Op. 43, and presents a critical edition that will enable more accurate performances of this important composition.
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Monroe, Douglas C. "Conflict and meaning in Carl Nielsen's Concerto for clarinet and orchestra, Op. 57 (1928)." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211657191.

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Phillips, Lucy, and Lucy Phillips. ""Tidens Fylde": Temporality and Tradition in Carl Nielsen's Works for Violin." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12411.

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This dissertation highlights the position of the violin works in Danish composer Carl Nielsen’s oeuvre. The violin was an integral part of this composer’s life from an early age. Despite this, his compositions for the violin have received little critical attention. My project is the first full-length treatment of Nielsen’s repertoire for violin. I approach the subject with the goal of examining Nielsen’s position in the early twentieth century through the notions of temporal consciousness and tradition. I address the interplay of these ideas as signifiers within the works, particularly the Son
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Tan, Daphne. "Anachronistic impulses in Carl Nielsen's Woodwind Quintet (1922)." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=101897.

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Despite its enduring popularity in performance circles, Carl Nielsen's Wind Quintet, op. 43 (1922), has received little attention from the scholarly community. This thesis provides the most comprehensive examination of the work to date and includes original analyses of each of the three movements. Moreover, it illuminates and defines stylistic trademarks that are found not only in this piece, but also within Nielsen's oeuvre more broadly. These traits include the weakening of tonal design, the liberal use of chromatic harmonies, contrapuntal writing, and the allusion to and distortion of tradi
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Lunte, Sandra K. "A pedagogical analysis of selected chamber works for the flute by Carl Nielsen." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/861378.

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Carl Nielsen, considered by some to be Denmark's greatest composer, has had great influence on twentieth-century Danish music. Nielsen wrote several chamber works that include the flute, three of which were examined in this study. These pieces, "The Fog is Lifting" (for flute and piano or flute and harp), "The Children are Playing" (for flute alone) and "Faith and Hope are Playing" (for flute and viola) are part of the incidental music for the Helge Rode patriotic drama "The Mother." "Fantasy Pieces, op. 2," originally written for oboe and piano, was transcribed for flute and piano by James Ga
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Monroe, Douglas Charles. "Conflict and Meaning in Carl Nielsen’s “Concerto for Clarinet and Orchestra, Op. 57 (1928)”." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211657191.

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Pankhurst, Thomas Alexander. "Desiring closure, yearning for freedom : a semiotic study of tonality in three symphonies by Carl Nielsen." Thesis, University of Manchester, 2004. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.647715.

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