Relevant bibliographies by topics / Carlos E

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Carlos E'

Author: Grafiati
Published: 12 January 2023

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Journal articles on the topic "Carlos E"

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Okuno, Susan, Mary Jane Rotheram-Borus, Emily McCutchan, Chad Newell, and Martin T. Stein. "Carlos." Journal of Developmental & Behavioral Pediatrics 27, no. 1 (February 2006): 51–54. http://dx.doi.org/10.1097/00004703-200602000-00010.

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Gerhardt, Christina. "Carlos." Sixties 4, no. 2 (December 2011): 201–4. http://dx.doi.org/10.1080/17541328.2011.634621.

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Duran, Maria Raquel Da Cruz. "Mitos gráficos e o tecer de sinestesias em linguagens/ Palavras em imagens: escritas, corpos e memórias, organizado por Carlos Fausto e Carlo Severi." Revista de Antropologia 60, no. 1 (May 12, 2017): 324. http://dx.doi.org/10.11606/2179-0892.ra.2017.132083.

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Fiddian, Robin, and Wendy B. Faris. "Carlos Fuentes." Modern Language Review 81, no. 1 (January 1986): 241. http://dx.doi.org/10.2307/3728833.

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Ethel, Roberto. "Carlos Miele." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 2, no. 2 (February 14, 2008): 90. http://dx.doi.org/10.26563/dobras.v2i2.365.

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Atualmente, ele é um dos nomes brasileiros mais conhecidos no exterior. Em novembro de 2007, inaugurou uma loja com sua marca em um dos locais mais badalados de Paris, ao lado de nomes importantes da moda, e há quase cinco anos tem uma loja de sucesso em Nova York. Carlos Miele possui uma trajetória única, enfrentando desafios desde que começou sua carreira de estilista, ao lançar a M.Officer. Com a marca que leva seu nome, a Carlos Miele, e também com a Miele, veste importantes personalidades em todo o mundo, e mais uma vez quebrou barreiras. Sem ceder, sempre acreditou – e acredita – no que faz, trilhando um caminho próprio e autoral. A seguir, uma parte do seu pensamento e da sua história, contada por ele mesmo (...0
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Ezker, Alicia. "Carlos Cánovas." Príncipe de Viana, no. 279 (August 25, 2021): 407–24. http://dx.doi.org/10.35462/pv.279.22.

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Bayés-de-Luna, Antoni. "Carlos Ribeiro." Revista Española de Cardiología 75, no. 4 (April 2022): 354. http://dx.doi.org/10.1016/j.recesp.2021.12.007.

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Fukelman, María Cristina. "Carlos Aragón." Armiliar, no. 5 (May 21, 2021): e039. http://dx.doi.org/10.24215/25457888e039.

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En el siguiente artículo se realiza un recorrido por la trayectoria del artista plástico Carlos Aragón, se describe y se analiza su actividad pictórica y las ideas que llevó a la práctica en su actividad docente, tanto en su participación como fundador de diversas escuelas de artes visuales como en el desarrollo de su labor artística.
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Bayés-de-Luna, Antoni. "Carlos Ribeiro." Revista Española de Cardiología (English Edition) 75, no. 4 (April 2022): 354. http://dx.doi.org/10.1016/j.rec.2021.12.010.

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Camnitzer, Luis. "Carlos Zerpa." Art Journal 51, no. 4 (1992): 15. http://dx.doi.org/10.2307/777279.

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Dissertations / Theses on the topic "Carlos E"

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Borges, Selomar Claudio. "Carlos Liscano." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/179003.

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Tese (doutorado)- Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2017.
Made available in DSpace on 2017-09-05T04:14:35Z (GMT). No. of bitstreams: 1 348102.pdf: 4246528 bytes, checksum: dda8a1e64ef400b41cb0b7692eff0a9c (MD5) Previous issue date: 2017
A proposta deste trabalho é o estudo da obra do escritor uruguaio Carlos Liscano, especialmente no que ela problematiza do processo de escritura e de ver a literatura como arte de reflexão. São examinados, principalmente, seus escritos do cárcere, visto que o escritor manuscreveu parte fundamental de sua obra na condição de preso político numa prisão militar, na qual esteve por cerca de treze anos, durante a ditadura das décadas de 1970 e 1980 no Uruguai. Assim sendo, não estão dissociados do processo constitutivo de seus escritos o espaço prisional e as circunstâncias daquele momento histórico. No entanto, seus primeiros textos, embora surgidos em meio à reclusão, manifestam conformações de problemas filosóficos, críticos e teóricos acerca da literatura e daquele que se pergunta sobre sua escrita, o que resulta numa obra singular ao se avaliar seu processo criativo como preso, portanto, com referências esparsas e restringidas. A ideia defendida aqui é a de que Liscano, refletindo com os livros presentes na biblioteca da prisão em que esteve preso e em meio ao processo de produção de seus primeiros escritos, mesmo que estes apontem a diversos pensamentos de diferentes épocas, articulou as temáticas da reflexão e da ironia de um modo que permitiu um diálogo anacrônico com o primeiro romantismo alemão. As leituras do romantismo alemão e os rastros deste na literatura lida pelo escritor uruguaio na prisão desencadeiam considerações, as quais sua obra teoriza e critica desde adentro, sobre o trabalho com a reflexão e a ironia, forças que contaminam o conjunto de sua obra. A reflexão aparece como processo, construção e operação literária nos escritos de Liscano, nos quais a arte se postula a ser o núcleo dessa reflexão. Ao mesmo tempo, a ironia é inferida como parte constitutiva e operacional na sua literatura, seja como desestabilizadora do discurso, seja como inferência de ambiguidade ao pensamento e àquele que pensa. Igualmente, em Liscano, é discutida a questão do fragmentário no exercício da escrita, como recurso narrativo e discursivo, também como potencialização da infinitude do pensar ou, ainda, como problematizador das noções de gênero. Logo, em vista da gama de projetos que requer e lida, este trabalho propõe uma série de desdobramentos temáticos e comunicações históricas ao visualizar a compreensão da literatura com sua possibilidade intrínseca de diálogo com tempos múltiplos, e, assim, investiga a obra de Liscano pensando-a com a noção benjaminiana de salto, movimento que o texto dá em direção ao novo, produzindo sua pré e pós-história.

Abstract : The purpose of this article is to examine the work of the Uruguayan writer Carlos Liscano, especially in characterizing the writing process and in viewing literature as an art of reflection. Mainly his writings from prison are studied, considering that a substantial part of the work was written while the author was a political prisoner in a military prison, where he remained for approximately thirteen years, during the dictatorship in the 1970s and 1980s in Uruguay. Therefore, the imprisonment and the circumstances of that historic moment cannot be dissociated from the composition process of his writings. However, his earlier texts, although created while in confinement, problems of a philosophical, critical, and theoretical nature regarding literature and on those asked about his writing took shape. This resulted in a unique work, considering his creative process as a prisoner, with few, sparse references. The idea presented here is that Liscano, with the books available in the prison library, while writing his first works, even though these point to various thoughts from different times, utilized themes of reflection and irony in a way that allowed for an anachronistic dialog with the earlier German Romanticism. Readings of German Romanticism and the traces of it in the literature read by the Uruguayan writer in prison triggered thoughts, which his work theorizes and criticizes inwardly, about the work on reflection and irony, which permeate the whole of his work. Reflection shows up as a literary process, construct, and operation in the writings of Liscano, in which art is posited as the core of this reflection. At the same time, irony is implied to be a constitutive and operational part of his literature, whether to destabilize the discourse, or to imply ambiguity in the thoughts and the thinker. Likewise, in Liscano, the fragmented nature of writing is discussed, as a narrative and discursive resource, as well as an enhancement of the limitless vastness of thought, or even as a characterization of the notions of gender. Therefore, considering the wide range of projects to be read, this work proposes a series of thematic and historical communication splits in visualizing the scope of the literature, with its intrinsic possibility for dialog with multiple periods. In this way, the work investigates the writing of Liscano with the Benjaminian notion of the leap, a movement the text makes in the direction of what is new, creating its own prehistory and post-history.
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Pereira, Carlos. "Etude avancée des canaux de transmission radio en contexte MIMO : environnements complexes et couplage inter-antennes très large bande." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Pereira-Carlos/2008-Pereira-Carlos-These.pdf.

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L'essor considérable des télécommunications, à travers la conception et le déploiement de réseaux sans-fil de plus en plus performants en termes de capacité d'abonnés et de débit de transmission, témoigne d'un véritable besoin de nos sociétés actuelles. Ainsi, les systèmes envisagés pour répondre à ces attentes doivent fonctionner dans des environnements de plus en plus complexes (milieux urbains denses et/ou intérieurs). Néanmoins, ces types d'environnements présentent la contrainte d'engendrer une propagation des ondes par trajets multiples. Ce phénomène provoque, lors d' une transmission numérique, des risques d'interférences inter-symboles, de chute brutale du niveau de réception, etc. . . Pour y remédier, un concept tirant profit de la diversité spatiale et considérant plusieurs antennes à l'émission et à la réception (MIMO : ”Multiple Input Multiple Output”) a été développé. Celui-ci permet, dans le contexte des réseaux de communication personnels et métropolitains, de répondre aux attentes des abonnés quant à la rapidité et à la qualité des communications numériques. Le canal de transmission en devient ainsi un élément central et l'analyse de ses propriétés représente un enjeu important et un sujet de recherche actif. Ce travail de thèse s'inscrit dans le cadre d'une étroite collaboration entre le Département SIC-XLIM de l'Université de Poitiers et le Département Micro-Ondes de Télécom Bretagne (Brest). Son objectif est double et concerne - d'une part, l'influence de la modéisation de l’environnement sur la caractérisation du canal MIMO par l'intermédiaire d'un simulateur de propagation à tracé de rayons. Plus précisément, ce travail se concentre sur l'aspect géométrique de la modélisation et dans une moindre mesure sur l'influence des propriétés électriques des matériaux; - d'autre part, la question du couplage entre antennes, provoqué par la proximité de celles-ci. La modélisation de ces dernières, issue de précédents travaux menés aux Département Micro-ondes, est tout d’abord rappelée. Elle est ensuite appliquée aux résultats de simulation par une approche rayon. Enfin, la modéisation du couplage entre antennes est reprise pour intégrer pleinement les propriétés de polarisation des antennes. Cette étude est étendue au contexte Ultra Large Bande (ULB) pour lequel de très grands débits de transmission sont considérés. Cette ultime étape permet d'évaluer les bénéfices et les limitations de la modélisation antennaire développée pour finalement dégager les perspectives possible de ce travail de thèse
The significant development of telecommunication, due to the conception and the deployment of wireless networks always more efficient in term of subscribers’capacity and transmission bit rate, shows a real need of our current society. Thus, the systems planed in order to conform to the new requirements have to work in environments more and more complex (indoor and/or dense urban environments). Nevertheless, these kind of environments present the constraint to generate a wave propagation through a multi-path mecanism. This phenomenon induce, during a numerical transmission, some risks about inter-symbols interferences, a great loose of power reception, etc. . . In order to overcome this drawback, a concept wich exploits the spatial diversity of the radio channel and using both antennae at transmitter and receivers’side (ie. MIMO : ”Multiple Input Multiple Output”) was developed. This last one allows, in a context of personal and metropolitan networks, to conform to the demands of subscribers in term of speed and quality of numerical communication. As a consequence, the transmission channel become the central element and the analysis of these properties is an important stake and an active research subject. This thesis is part of a collaboration between the Department of SIC-XLIM of the University of Poitiers and the Department of Micro-waves of Telecom Bretagne (Brest). His aim is double and concern – in one hand, the influence of environment modeling in MIMO channel caracterization by the intermediary of a propagation simulator using a 3D ray-tracing. More precisely, this work focus on the geometrical description and to a lesser extent on the influence of electrical properties of materials ; – in other hand, the matter of the coupling between antennae, produced by their nearness. The modeling of these last ones, coming from previous investigations made by the Micro-wave department, is firstly reminded. Secondly it is applied to results obtained by a ray approch. Finally, the modeling of mutual coupling beween antennae is improved in order to include fully the polarization properties of antennae. This study is extended to the Ultra Wide Band (UWB) context for which high bit rates is considered. This ultimate step allows to evaluate the beneficts and limitations of the antennae modeling developed in order to give some possible perspectives to this thesis work
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Cano, Ramirez Dino Giancarlo. "Mercado San Carlos." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/650441.

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El presente proyecto de tesis, situado en la ciudad de Huancayo, es el resultado de la búsqueda por un ordenamiento y una mejora de una ciudad presa por la informalidad, el centralismo y la inseguridad. Después de un análisis urbano, se llegó a la conclusión que el mayor punto de inseguridad e informalidad es justamente el centro de la ciudad, donde se sitúan más de cinco diferentes mercados en un radio de medio kilometro. Todo esto ocurre a menos de un kilometro del centro histórico de la ciudad, propiciando la poca accesibilidad, escaza seguridad y un bajo atractivo sobre una ciudad tan maravillosa como la incontrastable Huancayo. Son por estos motivos, que se tomo la decisión de proponer un mercado, lo suficientemente alejado del centro como para descongestionarlo del caos que generan los diferentes mercados que actualmente funcionan ahí, pero sin perder de vista a la gran cantidad de usuarios que utilizan este equipamiento. Teniendo en cuenta los puntos anteriores, se busco la zona mas desabastecida de la ciudad y con mayor potencial; San Carlos, es sin duda un barrio que ha ido creciendo al punto de casi convertirse en un distrito. En la actualidad no existe un mercado formal que abastezca esta zona, tampoco un gran equipamiento o espacio público que genere una convivencia adecuada entre los ciudadanos. El proyecto “Mercado San Carlos” propone un ordenamiento, una mejor animación en la zona, mayor seguridad y una convivencia que mejore la calidad de vida de los pobladores.
The present thesis project, located in the city of Huancayo, is the result of the search for an order and improvement of a city imprisoned by informality, centralism and insecurity. After an urban analysis, it was concluded that the greatest point of insecurity and informality is precisely the center of the city, where more than five different markets are located within a radius of half a kilometer. All this occurs less than one kilometer from the historic center of the city, leading to poor accessibility, scanty security and low attractiveness over a city as wonderful as the undeniable Huancayo. It is for these reasons, that the decision was made to propose a market, far enough from the center to decongest it from the chaos generated by the different markets that currently operate there, but without losing sight of the large number of users who use this equipment. Considering the previous points, we searched for the most underserved area of the city and with the greatest potential; San Carlos, is undoubtedly a neighborhood that has grown to the point of almost becoming a district. At present there is no formal market that supplies this area, nor a great equipment or public space that generates an adequate coexistence among citizens. The "Market San Carlos" project proposes an order, a better animation in the area, greater security and a coexistence that improves the quality of life of the inhabitants.
Trabajo de suficiencia profesional
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Económico, Rumbo. "Entrevista a Carlos Andrianzén." Canal N, 2015. http://hdl.handle.net/10757/611904.

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García, Pérez Rafael D. "El Consejo de Indias durante los reinados de Carlos III y Carlos IV /." Pamplona : EUNSA, 1998. http://catalogue.bnf.fr/ark:/12148/cb370760812.

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Waseen, Amber. "Carlos Chávez and the corrido." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1131048508.

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Bettes, Carlos Alexandre Negrini. "Gestão associada do transito urbano : consórcios intermunicipais / Carlos Alexandre Negrini Bettes ; orientador, Carlos Hardt." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2009. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1329.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2009
Bibliografia: f. 101-107
A gestão do trânsito urbano no Brasil é atribuição dos municípios. Porém, é baixo o índice de integração de municípios ao Sistema Nacional de Trânsito, inclusive no Paraná. A mera imposição legal da municipalização da gestão do trânsito tem se mostrado in
The urban traffic management in Brazil is a municipal attribution. However, low is the municipalities joining rate to the National Traffic System, including Paraná. The mere legal imposition of municipalization of traffic management has been shown ineffec
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Santini, Renata Favarin. "CARLOS VERGARA: DESLOCAMENTOS DO VISÍVEL." Universidade Federal de Santa Maria, 2010. http://repositorio.ufsm.br/handle/1/5197.

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The present work is a monographic study about the visual poetic of the artist Carlos Vergara, in which I propose an approach to his process of creation. To do this, I adopt three works at the exhibition Sacred Heart - San Miguel Mission, from December 23, 2008 to March 15, 2009 at the Art Museum of Rio Grande do Sul Ado Malagoli, in Porto Alegre, RS. The aforementioned works are: St. Michael - Sacred Heart (Monotype and paint on raw canvas), SM 4 (3D lenticular) and San Miguel - Floor VI (Monotype on raw canvas). In addition, two issues influenced the development of this research: the physical displacement and the subsequent appropriation of space by the artist in his creative process. Thus, the problem proposed in this research is: How is the displacement of the visible / invisible in the work of Carlos Vergara? That is, as the physical displacement of the artist - the action of visiting certain places - and the possible shifts contained in his poetry, a sign / signs / signals from these places, relating to both in their process of creation. The work is divided into three chapters, with the first chapter deals with the person Vergara, in which the focus is the direction taken by the artist and his influences. The second chapter provides a chronological overview of the artist from the 1960s to its current production, which demarcated their production in the context of contemporary Brazilian art. Finally in the third chapter, in house procedures adopted by the artist in the preparation of the artwork from the works already mentioned, which emphasizes the concept of displacement, incorporating how the artist perceives the issue. The approach to the creative process led to confirmation of existing dislocations, confirming its nature of mobility, but also the possible variables of the visible, these issues often addressed in the production and reflection of contemporary art.
Este trabalho consiste no estudo da poética visual do artista Carlos Vergara, no qual se propôs uma aproximação ao processo construtivo de três obras apresentadas na Exposição Sagrado Coração Missão de São Miguel, no período de 23 de dezembro de 2008 a 15 de março de 2009, no Museu de Arte do Rio Grande do Sul Ado Malagoli, em Porto Alegre, RS. As mencionadas obras são: São Miguel - Sagrado Coração, (Monotipia e pintura sobre lona crua), S.M. 4 (3D lenticular) e São Miguel - Piso VI (Monotipia sobre lona crua). Além disso, duas questões permearam o desenvolvimento da pesquisa: o deslocamento físico e a conseqüente apropriação do espaço pelo artista em seu processo criativo. Com isso, a problemática proposta foi a seguinte: De que maneira ocorre o deslocamento do visível/invisível na obra de Carlos Vergara? Ou seja, como o deslocamento físico do artista ação de visitamento a determinados lugares , e os possíveis deslocamentos contidos na sua poética, enquanto vestígio/indícios/sinais desses lugares, incidem simultaneamente em seu processo de criação. O trabalho está dividido em três capítulos, sendo que o primeiro capítulo versa sobre a pessoa Vergara, no qual o enfoque é dado aos rumos tomados pelo artista e suas influências. O segundo capítulo oferece um apanhado cronológico de obras do artista desde a década de 1960 até sua produção atual, onde se demarcou sua produção no contexto da arte brasileira contemporânea. Finalmente no terceiro capítulo, adentro nos procedimentos adotados pelo artista na elaboração da obra de arte, a partir das obras já nomeadas, no qual se destaca o conceito de deslocamento, incorporando o modo como o próprio artista percebe essa questão. A aproximação ao seu processo criativo permitiu a constatação dos deslocamentos existentes, atestando seu caráter de mobilidade, como também das possíveis variáveis do visível, questões essas abordadas na produção e reflexão da arte contemporânea.
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López, Taverne Felipe. "Corredor verde : canal San Carlos." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/116272.

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Arquitecto
Creo importante decir algo sobre como sueño la ciudad, una mirada con los principios que he adquirido e internalizado en el transcurso de seis años vividos en esta universidad, que difieren con los principios que se expresan desde otras casas de estudio respecto al espacio público. No se trata necesariamente de una representación del pensamiento académico de esta Facultad, sino de una visión particular, aquilatada, pensada y expresada a través de estos años que decantan en la propuesta que se expondrá en estas páginas. Existen variados indicios de la importancia de hacerse cargo de los problemas que enfrentan las ciudades y su conformación. Uno de ellos, quizás el más importantes en el último tiempo en nuestro país, es la aprobación de la Política Nacional de Desarrollo Urbano, después de casi trece años sin existencia de tal, que en sus considerandos iniciales da cuenta de la complejidad que presentan las ciudades.
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Moyano, Ruiz Diego Andrés. "Planta depuradora San Carlos, Mendoza." Universidad Nacional de Cuyo. Facultad de Ingeniería, 2019. http://bdigital.uncu.edu.ar/13674.

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En el presente informe, se presenta una descripción sobre los trabajos desarrollados durante la Práctica Profesional Supervisada de la Carrera de Ingeniería Civil; en el proyecto denominado “Ampliación Establecimiento Depurador San Carlos", consistente en la ejecución de la infraestructura necesaria para lograr el tratamiento y disposición final de los efluentes cloacales de la Villa Cabecera y las localidades de Eugenio Bustos y La Consulta del Departamento de San Carlos, en la provincia de Mendoza. Las prácticas fueron realizadas en el predio perteneciente a AYSAM S.A.
Fil: Moyano Ruiz, Diego Andrés. Universidad Nacional de Cuyo. Facultad de Ingeniería.
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Books on the topic "Carlos E"

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Giuseppe, Verdi. Don Carlos =: Don Carlo. Edited by Batchelor Jennifer, Méry Joseph 1798-1865, Du Locle Camille 1832-1903, Porter Andrew 1928-, and Schiller Friedrich 1759-1805. Paris: Calder Publications, 1992.

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Kuljis, Diana. Carlos. [Bolivia?: s.n., 1998.

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Becht, Richard. Carlos. Auckland, N.Z: Celebrity Books, 2004.

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Bratke, Carlos. Carlos Bratke, arquiteto =: Carlos Bratke, architect. São Paolo: ProEditores, 1995.

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Carlos III. [Madrid]: Arlanza Ediciones, 2001.

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Carlos IV. [Madrid]: Arlanza Ediciones, 2001.

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Sánchez-Pastor, Francisco Javier Torres. Carlos Galán. Madrid: Fundación Autor, 1998.

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Carlos Ferrato. Barcelona: G. Gili, 1989.

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Kusnir, Carlos. Carlos Kusnir. Clermont-Ferrand: Fonds régional d'art contemporain d'Auvergne, 2001.

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Scovino, Felipe. Carlos Zilio. Niterói, RJ: MAC de Niterói, 2010.

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Book chapters on the topic "Carlos E"

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Döhring, Sieghart. "Don Carlos/Don Carlo." In Verdi Handbuch, 448–60. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02717-7_42.

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Döhring, Sieghart. "Don Carlos/Don Carlo." In Verdi Handbuch, 504–17. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-05186-8_46.

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Coimbra, Fernando A., and Silvério M. D. Figueiredo. "Ribeiro, Carlos." In Encyclopedia of Global Archaeology, 9198–200. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2452.

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March, Ramiro Javier. "Alberto, Carlos." In Encyclopedia of Global Archaeology, 176–78. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2618.

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Wild, Gerhard. "Bousoño, Carlos." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2864-1.

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Wild, Gerhard. "Droguett, Carlos." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3453-1.

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Wild, Gerhard. "Franz, Carlos." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3650-1.

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Wild, Gerhard. "Fuentes, Carlos." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3660-1.

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Wild, Gerhard. "Gorostiza, Carlos." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3841-1.

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Middleton, Shalini Lata. "Sluzki, Carlos." In Encyclopedia of Couple and Family Therapy, 2684–85. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-49425-8_736.

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Conference papers on the topic "Carlos E"

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Durie, Steve, and Bruce Gardner. "San Carlos Lantern Relay." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2851581.2891095.

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Aguilar-Arévalo, Alexis A. "Juan Carlos D'Olivo: A portrait." In II CINVESTAV-UNAM SYMPOSIUM ON HIGH ENERGY PHYSICS, PARTICLES AND NEUTRINOS IN AN ASTROPHYSICAL CONTEXT: In Honor of Juan Carlos D’Olivo. AIP, 2013. http://dx.doi.org/10.1063/1.4810768.

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Fernando Silva Sandes, Luis. "CARLOS FAJARDO: ENTRAR NA OBRA." In 31º Encontro Nacional da ANPAP - EXISTÊNCIAS. ,: Even3, 2022. http://dx.doi.org/10.29327/31enanpap2022.508406.

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Hamilton, Sarah, and Sarah Lambart. "Compositional Variability of San Carlos Olivine." In Goldschmidt2020. Geochemical Society, 2020. http://dx.doi.org/10.46427/gold2020.937.

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Ranft, J. "High energy hadron production Monte Carlos." In HADRONIC SHOWER SIMULATION WORKSHOP. AIP, 2007. http://dx.doi.org/10.1063/1.2720461.

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FRIXIONE, S. "RECENT PROGRESS IN NLO MONTE CARLOS." In Proceedings of the 14th International Workshop. WORLD SCIENTIFIC, 2007. http://dx.doi.org/10.1142/9789812706706_0113.

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CHAGAS, P. A. R. "J. Carlos, tipógrafo: uma investigação acerca dos desenhos de letras nos projetos gráficos de J. Carlos." In 1º Seminário de Pesquisa em Design do Programa de Pós-Graduação em Design da FAUUSP. São Paulo: Editora Blucher, 2018. http://dx.doi.org/10.5151/spddesign-0009.

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Costa, Bruna. "Carlos Cruz-Diez: o acontecimento da cor." In Encontro de História da Arte. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/eha.vi14.3375.

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Carvalho, Gustavo Queiroz, Nathália Bueno Von Ancken, Cristiane de Farias, Leonardo Sousa, Lucio Schiavon Yamamoto, Rafael Lepori Martinez, Alex Sander Clemente de Souza, and Ana Carolina Fávero de Oliveira. "Ação do TransformaCiv na APAE de São Carlos." In IV Congresso Nacional dos Grupos PET de Engenharia Civil. Fortaleza - CE, Brazil: Galoa, 2017. http://dx.doi.org/10.17648/conpet-2017-60262.

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Lopes, Fanny Tamisa. "Dois Monumentos a Carlos Gomes na Primeira República." In Encontro de História da Arte. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/eha.vi14.3416.

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Reports on the topic "Carlos E"

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Rapp, James, and Steve Albert. San Carlos Apache Tribe - Energy Organizational Analysis. Office of Scientific and Technical Information (OSTI), April 2012. http://dx.doi.org/10.2172/1095270.

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Fernández Tornero, Carlos. Carlos Fernández Tornero - Noviembre 2021. Hibernación molecular. Sociedad Española de Bioquímica y Biología Molecular, November 2021. http://dx.doi.org/10.18567/sebbmdiv_anc.2021.11.1.

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Ramos, Octavio. Employee Spotlight Carlos Archuleta Bring on the baritone. Office of Scientific and Technical Information (OSTI), February 2022. http://dx.doi.org/10.2172/1846118.

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Rapp, Jim, Ken Duncan, and Steve Albert. Solar Feasibility Study May 2013 - San Carlos Apache Tribe. Office of Scientific and Technical Information (OSTI), May 2013. http://dx.doi.org/10.2172/1132530.

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Vázquez-Sande, P., L. García-Abad, and P. Pineda-Martínez. Comunicación interna y crisis reputacional. El caso de la Universidad Rey Juan Carlos. Revista Latina de Comunicación Social, November 2019. http://dx.doi.org/10.4185/rlcs-2019-1408.

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Vázquez-Sande, P., L. García-Abad, and P. Pineda-Martínez. Internal communication and reputational crisis. The case of the Rey Juan Carlos University. Revista Latina de Comunicación Social, November 2019. http://dx.doi.org/10.4185/rlcs-2019-1408en.

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Heyen, Edward. Die Figur der Rebellen im Frühwerk Schillers: Die Räuber, Kabale und Liebe, Don Carlos. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.954.

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Reinhart, Carmen. The Antecedents and Aftermath of Financial Crises as told by Carlos F. Díaz Alejandro. Cambridge, MA: National Bureau of Economic Research, July 2015. http://dx.doi.org/10.3386/w21350.

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SGC, Servicio Geológico Colombiano. Mapa Geomorfológico aplicado a movimientos en masa escala 1:100.000. Plancha 148 San Carlos. Producto. Bogotá: Servicio Geológico Colombiano, July 2014. http://dx.doi.org/10.32685/4.7.2014.426.

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SGC, Servicio Geológico Colombiano. Zonificación de la susceptibilidad y la amenaza relativa por movimientos en masa escala 1:100.000. Plancha 148 San Carlos. Producto. Bogotá: Servicio Geológico Colombiano, July 2014. http://dx.doi.org/10.32685/4.7.2014.317.

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