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Relevant bibliographies by topics / Carlson Architects

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Academic literature on the topic 'Carlson Architects'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Carlson Architects"

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Myjak-Pycia, Anna. "Forgoing the architect’s vision: American home economists as pioneers of participatory design, 1930–60." Architectural Research Quarterly 25, no. 1 (2021): 17–30. http://dx.doi.org/10.1017/s1359135521000142.

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The phenomenon of participatory architectural design is thought to have emerged in the late 1960s and 1970s in Europe. In 1969, Giancarlo De Carlo, one of its main advocates, presented a manifesto in which he asserted that ‘architecture is too important to be left to architects’, criticised architectural practice as a relationship of ‘the intrinsic aggressiveness of architecture and the forced passivity of the user’, and called for establishing ‘a condition of creative and decisional equivalence’ between the architect and the user, so that in fact both the architect and the user take on the ar

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Langagne, Eduardo. "Carlos Lazo: architects as planners. Interview with Alejandro Lazo." Anuario de Espacios Urbanos, Historia, Cultura y Diseño, no. 19 (December 1, 2012): 221–30. http://dx.doi.org/10.24275/azc/dcyad/aeu/n19/langagne.

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Butler, David. "Orazio Spada and His Architects: Amateurs and Professionals in Late-Seventeenth-Century Rome." Journal of the Society of Architectural Historians 53, no. 1 (1994): 61–79. http://dx.doi.org/10.2307/990809.

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The participation of the marchese Orazio Spada (1613-87) in the design of his family chapel (1663-79) in the Chiesa Nuova has recently been acknowledged, but much remains to be said about the character of his patronage and his activity as an amateur architect. The marchese's approach to building was shaped by his family experience and was probably most profoundly influenced by the example of his uncle, Virgilio Spada, architectural advisor to a succession of popes. That Orazio's taste was more conservative than that of his uncle is demonstrated by a series of heretofore unpublished villa desig

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Alexander, John. "Shaping Sacred Space in the Sixteenth Century: Design Criteria for the Collegio Borromeo's Chapel." Journal of the Society of Architectural Historians 63, no. 2 (2004): 164–79. http://dx.doi.org/10.2307/4127951.

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In this article, I present a newly discovered, late-sixteenth-century design drawing for the chapel of the Collegio Borromeo, in Pavia, Italy, and investigate it in the context of contemporary Catholic ecclesiastical architecture. Historiographically, the period is dominated by the church of the Gesù, in Rome, interpreted as a typological paradigm characterized by austere architecture and restrained decoration. This view is called into question by the Collegio's chapel. The initial design (represented by the drawing) drew from ancient sources in order to achieve spatial complexity. The realize

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Arnold, Felix. "Das Landhaus des Marqués de Murrieta bei Córdoba." Architectura 47, no. 1-2 (2019): 132–45. http://dx.doi.org/10.1515/atc-2017-0008.

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AbstractThe architecture of Spain of the 1920s and 1930s remains a little studied aspect of the emergence of the modern movement. In 1926 –1931 the architects Carlos Arniches and Martín Domínguez, both prominent members of the so called ›Generación del 25‹, constructed a country estate near Córdoba for the Marqués de Murrieta. The remains of the now lost villa and garden have recently been investigated by the German Archaeological Institute, as part of a comprehensive study of the 10th century Islamic palace on which the estate had been built. The singular design of the building attests to the

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Granata, Elena, and Carolina Pacchi. "Č possibile riformare le scuole di architettura in Italia?" TERRITORIO, no. 49 (July 2009): 153–65. http://dx.doi.org/10.3280/tr2009-049023.

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- The crisis of architectural schools in Italy and the profound uncertainty running through practices and the teaching of architectural and planning disciplines has roots which date back a long time. If we re-read today some of the texts and public actions of some of the greatest Italian architects or critics of architecture such as Giovanni Michelucci, Giancarlo De Carlo, Leonardo Benevolo and Bruno Zevi, in dissent with the scientific and academic communities to which they belonged, it is hard not to grasp, with the benefit of hindsight, the lucidity of their intellectual positions and the u

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Ridley, Ronald T. "THE FATE OF THE COLUMN OF ANTONINUS PIUS." Papers of the British School at Rome 86 (June 13, 2018): 235–69. http://dx.doi.org/10.1017/s0068246218000016.

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One of the most remarkable stories in the history of Roman archaeology, and totally unknown to modern scholars and works of reference, despite the comprehensive documentation, is the story of the extraction of the column of Antoninus Pius in the Campus Martius (1703–5). The work was placed in the hands of the ‘noble’ architects Carlo and Francesco Fontana, instead of competent engineers, and the result was the destruction of the column.

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Bernatowicz, Tadeusz. "Jan Reisner w Akademii św. Łukasza. Artysta a polityka króla Jana III i papieża Innocentego XI." Roczniki Humanistyczne 68, no. 4 Zeszyt specjalny (2020): 159–91. http://dx.doi.org/10.18290/rh20684-10s.

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Jan Reisner (ca. 1655-1713) was a painter and architect. He was sent by King Jan III together with Jerzy Siemiginowski to study art at St. Luke Academy in Rome. He traveled to the Eternal City (where he arrived on February 24, 1678) with Prince Michał Radziwiłł’s retinue. Cardinal Carlo Barberini, who later became the protector of Regni Poloniae, was the guardian and protector of the artist during his studies in 1678-1682. In the architectural competition announced by the Academy in 1681 Reisner was awarded the fi prize in the fi class, and a little later he was accepted as a member of this pr

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Masdías-Bonome, Antonio E., José A. Orosa, and Diego Vergara. "A New Methodology for Decision-Making in Buildings Energy Optimization." Applied Sciences 10, no. 13 (2020): 4558. http://dx.doi.org/10.3390/app10134558.

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When designing or retrofitting a building, not too many tools let architects and engineers to define the optimal conditions to reduce energy consumption with the minimal economic investment. This is because different software resources must be employed and an iterative calculation must be done which, most of times, is not possible. The present study aims to define an original methodology that let researchers and architects to select the best option between different possibilities. To reach this objective, Monte Carlo method is employed on the ISO 13790 standard reaching the probability distrib

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Ruisánchez, José Ramón. "The Cacique in Chapultepec: Toward a Museology of Carlos Fuentes." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 719–22. http://dx.doi.org/10.1632/s003081290012303x.

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The 1960s were a crucial decade for museum building in Mexico. The key year was 1964, the end of Adolfo López Mateos's presidential term, since it saw the inauguration of the Museo de Arte Moderno, the Anahuacalli, the Museo de la Ciudad de México, and the most spectacular of all: the Museo Nacional de Antropología, the architect Pedro Ramírez Vázquez's masterpiece and one of the country's primary tourist attractions. The 1960s also witnessed how Carlos Fuentes, a young writer who had published his first novel in 1958, continued to produce his canonical works at a staggering pace. In what foll

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Dissertations / Theses on the topic "Carlson Architects"

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Kempfer, Jacqueline. "Das Amt des Architetto del Popolo Romano : die Geschichte einer Institution unter besonderer Berücksichtigung von Carlo Rainaldi /." Frankfurt am Main : Kunstegeschichtliches Inst, 1994. http://catalogue.bnf.fr/ark:/12148/cb40962627f.

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Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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Books on the topic "Carlson Architects"

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1945-, Carlson Don, and Carlson Architects, eds. Carlson Architects: Expanding northwestern regionalism. Edizioni Press, 2002.

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Carlos Ferrato. G. Gili, 1989.

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Filippi, Francesca B., 1974- writer of added text, ed. Carlo Colombo, architect. Electa, 2012.

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Bratke, Carlos. Carlos Bratke, arquiteto =: Carlos Bratke, architect. ProEditores, 1995.

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1942-, Bratke Carlos, ed. Carlos Bratke. Companhia Editora Nacional, 2003.

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Barovier, Marino. Carlo Scarpa: Glass of an architect. Skira, 1998.

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Barovier, Marino. Carlo Scarpa: I vetri di un architetto. Skira, 1997.

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Jiménez, Carlos. Carlos Jiménez. G. Gili, 2000.

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Jiménez, Carlos. Carlos Jiménez. G. Gili, 1991.

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Los, Sergio. Carlos Scarpa. Taschen, 1999.

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Book chapters on the topic "Carlson Architects"

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Johnson, Adriana, and Horacio Legrás. "The Wings of Carlos Colombino: Architect, Artist, Writer (an Interview)." In Authoritarianism, Cultural History, and Political Resistance in Latin America. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53544-9_8.

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"Carlo Scarpa (1906–1978)." In Key Modern Architects. Bloomsbury visual Arts, 2018. http://dx.doi.org/10.5040/9781474265072.ch-033.

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De Lucca, Valeria. "The Teatro Colonna (1682–1686)." In The Politics of Princely Entertainment. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190631130.003.0008.

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This chapter considers the years following Lorenzo Onofrio Colonna’s return to Rome in 1681 together with his son Filippo II and his new bride, the young Spanish noblewoman Lorenza de la Cerda. As part of his strategy to affirm his newly acquired political and social power as a former Viceroy over the other aristocratic Roman families, Lorenzo Onofrio commissioned the building of a new theater in his palace. This chapter takes a new look at the ways in which the networks of relationships Lorenzo Onofrio had built over the years made his theater one of the most important stages in the Italian peninsula for the circulation of repertory between Vienna, Venice, Rome, and Naples, as well as of singers. Behind some of the most spectacular productions of the Teatro Colonna was a team of extraordinary architects and men of theaters under the leadership of Filippo Acciaioli and Carlo Fontana.

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Pajusco, Vittorio. "Umbro Apollonio e l’archivio della Biennale di Venezia (1948-1972)." In Storie della Biennale di Venezia. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-366-3/009.

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In 1948 Rodolfo Pallucchini requested the collaboration of Umbro Apollonio to organize the 24th Venice Biennale. In 1949 the critic became the permanent curator of the Historical Archive of Contemporary Art (The Biennale Archive). First of all Apollonio organized the archival documentation of the Biennale and for this reason he thought of a new project for the library and the archive: to realize it he previously entrusted with the architect Carlo Scarpa and then with BBPR Group. After the great disorders of the 1968 edition, in 1970 Apollonio became Bienniale director. He curated with Dietrich Mahlow the special exhibition «Proposal for an experimental exhibition». On this occasion, a strong dialogue with the public was sought, focusing on issues such as art and society, art and production, analysis of seeing. The result was an exhibition holding arts from historical avant-garde to the most recent researches.

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Conference papers on the topic "Carlson Architects"

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Grande, Nuno. "The Baghdad Affair. How diplomacy supplanted one of the last major projects by Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.645.

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Abstract: After the Iraqi Republican Revolution of 1958, the resultant government commissioned two parallel projects for two great Stadiums in Baghdad, with similar complementary features: one to the Swiss architect Le Corbusier – who had developed a previous project (1955-1958) for the monarch Faisal II –, continuously designed in his Paris studio until his death in 1965; another to the Calouste Gulbenkian Foundation, in Lisbon, entirely funded and supervised by this institution, and designed by two prominent Portuguese architects at the time: F. Keil do Amaral and Carlos M. Ramos. Facing a p

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Giofre', Francesca, and Mario Raúl Ramírez de León. "Outside the classroom: the participatory design workshop on Healthy City, Mixco, Guatemala." In Fourth International Conference on Higher Education Advances. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.7949.

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The paper describes an innovative teaching experience held at the Faculty of Architecture the University of San Carlos of Guatemala as part of the Professional Practice Program (EPS). 20 students and 9 professors, coordinated by 4 professors, carried out a workshop on the theme of Healthy City (HC) in the Municipality of Mixco, with the support of the same. Through active learning, a ‘deprivatization’ of the teaching activity and a participatory confrontation activity through interviews and questionnaires with citizens and stakeholders, the students and professors worked in 4 groups for seven

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Pozzati, Alice. "Da macchina da guerra a “decoroso fondale”: la Cittadella di Torino nell’Ottocento." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11325.

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From war machine to “decorous backdrop”: the Citadel of Turin in the nineteenth centuryThe citadel of Turin, built in the sixteenth century by the duke Emanuele Filiberto, became an expensive and obsolete object that hampered the enlargements during the nineteenth century. The Enlargement Plan for the capital designed by Carlo Promis (1851-1852) progressively reduced the military constraints facing the citadel. In 1856 the City Council decreed the demolition of the defensive structure. During the demolition one section of the building was spared: the donjon. In 1864 it became the urban backgro

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Hertlein, Nathan, David Yoo, Philip R. Buskohl, Kumar Vemaganti, and Sam Anand. "Bayesian Optimization of Target Buckling Shapes in Constrained Elastomeric Beams With Geometric Uncertainty." In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22608.

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Abstract Additive manufacturing has enabled the fabrication of complex, architected materials, which have shown great promise in fields such as acoustics, mechanical logic gates, and energy trapping, due to their unique properties derived from repeating unit cells. The force-displacement performance of one such unit cell, the bistable elastomeric beam, has been characterized experimentally and subsequently tuned by the introduction of a Fourier series-based design parameterization that enables a wider range of available energy performance characteristics and secondary stable configurations. He

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Garzón Osuna, Diego. "Adaptación cristiana de las defensas de la Alcazaba de Almería durante el siglo XVI." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11434.

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Christian adaptation of the defences of the Alcazaba of Almeria during the sixteenth centuryAfter the capitulation of the nasrid city of Almería (1489), the new Castilian administration was able to verify the state of ruin of its defences due to the earthquake of 1487, ordering the rapid construction of a castle on the highest point of the battered hispano-muslim Alcazaba. Between 1490 and 1502 the castle was built, incorporating in its design the most effective systems of the time to repel an attack with gunpowder. The typological references of this military installation correspond to the Sch

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Baratin, Laura, Alessandra Cattaneo, and Elvio Moretti. "Porta Valbona a Urbino: la sua rappresentazione tra storia e restauro." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11401.

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Porta Valbona in Urbino: its representation between history and restorationThe Porta Valbona study is part of a complex project of conservation and valorisation of the defensive walls of Urbino that the research group, of the School of Conservation and Restoration of the University of Urbino Carlo Bo, has developed in recent years. Built in 1621 it is the most important gate of the city both because it is connected to Via Mazzini, one of the main streets of the historic centre, and for its spectacular architectural appearance created for the wedding of Prince Federico Ubaldo della Rovere with

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