Academic literature on the topic 'Carmilla'

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Journal articles on the topic "Carmilla"

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Souza, Sweder, and Tatiana Souza. "A sexualidade velada da mulher vitoriana: análise da obra literária Carmilla, de Le Fanu." Revista Periódicus 1, no. 11 (November 12, 2019): 324–42. http://dx.doi.org/10.9771/peri.v1i11.22480.

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O presente trabalho pretende analisar o discurso acerca da sexualidade velada da mulher vitoriana no final do século XIX, utilizando a obra literária Carmilla: a vampira de Karnstein escrita pelo pai da Literatura Fantástica, Sheridan Le Fanu, em 1872. A era vitoriana é uma sociedade patriarcal que tem como base a família, da qual a mulher é a representante e responsável por essa base familiar. Sua imagem é representada de forma angelical e meiga, o anjo do lar, uma mulher sem desejos, totalmente reprimida sexualmente pela sociedade patriarcal e objeto do homem. Carmilla representa a libertação dessa mulher, rompendo com os padrões sociais do período, ela é a representação da mulher Femme Fatale, mulher que sente desejo sexual, dominadora, sedutora e dona de si. Mulher temida pelo sexo masculino, pois age através do instinto, motivo de perigo para a sociedade vitoriana. A vampira é tudo aquilo que a mulher vitoriana desejava ser e sentir, Carmilla é a libertação desta mulher.
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Souza, Tatiana, and Sueder Souza. "O Anjo do Lar e Femme Fatale: a representação da mulher vitoriana na obra Carmilla, de Le Fanu." Revista Ártemis 25, no. 1 (August 1, 2018): 130. http://dx.doi.org/10.22478/ufpb.1807-8214.2018v25n1.37047.

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Este trabalho analisa o discurso acerca da representação da mulher vitoriana no final do Século XIX, por meio da obra literária Carmilla: a vampira de Karnstein, de Sheridan Le Fanu, de 1872. A representação angelical e meiga, o Anjo do Lar (PATMORE, 1864), uma mulher sem desejos, totalmente reprimida sexualmente e objeto do homem, é representada pela personagem Laura. Ao passo que Carmilla representa a libertação dessa mulher, correspondendo à imagem da Femme Fatale, em sendo sedutora e dominadora, se encaixaria no padrão da Femme Fatale, rompendo com os padrões sociais deste período.
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Liang, Yun, Hanspeter Niederstrasser, Marc Edwards, Charles E. Jackson, and John A. Cooper. "Distinct Roles for CARMIL Isoforms in Cell Migration." Molecular Biology of the Cell 20, no. 24 (December 15, 2009): 5290–305. http://dx.doi.org/10.1091/mbc.e08-10-1071.

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Molecular mechanisms for cell migration, especially how signaling and cytoskeletal systems are integrated, are not understood well. Here, we examined the role of CARMIL (capping protein, Arp2/3, and Myosin-I linker) family proteins in migrating cells. Vertebrates express three conserved genes for CARMIL, and we examined the functions of the two CARMIL genes expressed in migrating human cultured cells. Both isoforms, CARMIL1 and 2, were necessary for cell migration, but for different reasons. CARMIL1 localized to lamellipodia and macropinosomes, and loss of its function caused loss of lamellipodial actin, along with defects in protrusion, ruffling, and macropinocytosis. CARMIL1-knockdown cells showed loss of activation of Rac1, and CARMIL1 was biochemically associated with the GEF Trio. CARMIL2, in contrast, colocalized with vimentin intermediate filaments, and loss of its function caused a distinctive multipolar phenotype. Loss of CARMIL2 also caused decreased levels of myosin-IIB, which may contribute to the polarity phenotype. Expression of one CARMIL isoform was not able to rescue the knockdown phenotypes of the other. Thus, the two isoforms are both important for cell migration, but they have distinct functions.
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Leal, Amy. "Unnameable Desires in Le Fanu's Carmilla." Names 55, no. 1 (March 2007): 37–52. http://dx.doi.org/10.1179/nam.2007.55.1.37.

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Saler, Benson, and Charles A. (Charles Albert) Ziegler. "Dracula and Carmilla: Monsters and the Mind." Philosophy and Literature 29, no. 1 (2005): 218–27. http://dx.doi.org/10.1353/phl.2005.0011.

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Guyant, Valerie. "What or Who Is “Matska” in CARMILLA?" Explicator 72, no. 3 (July 3, 2014): 185–88. http://dx.doi.org/10.1080/00144940.2014.928253.

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Sage, Victor. "Texte et commentaire : re-cadrer Carmilla de Le Fanu." Sillages critiques, no. 9 (December 1, 2008): 89–103. http://dx.doi.org/10.4000/sillagescritiques.987.

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İkiz, Sezer Sabriye. "Sheridan Le Fanu s "Carmilla": A Different Vampire Story." Mediterranean Journal of Humanities 2, no. 2 (December 26, 2012): 143–49. http://dx.doi.org/10.13114/mjh/20122742.

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Davis, Michael. "Gothic's Enigmatic Signifier: The Case of J. Sheridan Le Fanu's ‘Carmilla’." Gothic Studies 6, no. 2 (November 2004): 223–35. http://dx.doi.org/10.7227/gs.6.2.5.

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Yan, Rae X. "Natural history, homeopathy, and the real horrors of Le Fanu’s Carmilla." Nineteenth-Century Contexts 43, no. 4 (April 14, 2021): 403–16. http://dx.doi.org/10.1080/08905495.2021.1888534.

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Dissertations / Theses on the topic "Carmilla"

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Issa, Alexandra. "Hennes namn var Carmila : En queerteoretisk analys av Joseph Sheridan Le Fanus novell Carmilla." Thesis, Södertörns högskola, Lärarutbildningen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31431.

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This dissertation is a text analysis of the short novel Carmilla (1872) by the Irish ghost story-author Joseph Sheridan Le Fanu. It is a close reading analysis where I apply a queer theoretical perspective using Mia Franck’s model to analyze different silence practices in Carmilla. I focus on the female vampire Carmilla and her companion Laura and how they are portrayed in this short novel. I will ask the questions: do the characters Carmilla and Laura show a non-heterosexual relationship, passion and desire? How do they depart from the gender norm and can they be seen as characters who deviate from what society considers ‘normal’ behaviour? And can Carmilla and Laura’s relationship be seen as an example of silenced homosexuality and in what way is it expressed? Carmilla and Laura’s behaviour can certainly be described as queer and it is effective to examine the novella using silence practices through a queer perspective. Many of the practices are written silences. Mostly, its things that the reader realizes before the storyteller Laura does herself. They reveal numerous oddities in the story, taking the form of narrative, camouflaged, performative, ritualized and existential silences. Prominent examples are the way Carmilla hides both her vampiric and lesbian sides which Laura is repelled at in addition to her own lustful and passionate emotions. As a future teacher, one of my most important jobs will be to educate my pupils about democratic values and that all kinds of discrimination should be discouraged. An essay of this sort is one way to educate them in how gender and sexuality can be seen from historical, political and cultural perspectives.
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Bjelkeborn, Joel. ""Ambiguous alternations " : Fantastik och begär i Le Fanus ”Carmilla”." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-138966.

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Denna uppsats behandlar Joseph Sheridan Le Fanus kortroman ”Carmilla”(1871-72). Berättelsen handlar om hur den unga kvinnan Laura lär känna den mystiska Carmilla, och de tycks forälska sig i varandra. Men Carmilla visar sig vara en vampyr, och hon dödas. Tolkningar av verket har gått isär kring huruvida berättelsen ska forstås som ”queer” och transgressiv, eller som patriarkal och konservativ. I min läsning av verket utgår jag från Tzvetan Todorovs undersokning av den fantastiska genren i boken The Fantastic: A Structural Approach to a Literary Genre(1975). Den fantastiska genren karaktäriseras enligt Todorov av en hermeneutisk tvekan mellan olika förklaringar av en övernaturlig händelse. Jag undersöker hur ”Carmilla” passar in i denna genre, samt undersöker huruvida Lauras känslor inför Carmilla, där hon tvekar mellan skräck och kärlek, kan förstås som en form av fantastik. Slutsatsen är att en fantastisk läsning av ”Carmilla” kan belysa hur verket undflyr en tolkning som ser verkets ideologiska innehåll som fast och entydigt. Istället menar jag att tolkningsarbetet kan ses som ett begär efter kunskap, som speglas av hur Lauras eget begär gestaltas i berättelsen, samt hur själva läsakten kan ses som meningsskapande.
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Williams, Lauren E. "Visualizing the Vampire: Carmilla (1872) and the Portrayal of Desire." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1242582788.

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Thesis (M.A.)--University of Cincinnati, 2009.
Advisor: Kimberly Paice. Title from electronic thesis title page (viewed Aug. 27, 2009). Includes abstract. Keywords: vampires; Carmilla; art cinema; Lamia; Lilith; Blood and Roses; desire; lesbian vampires. Includes bibliographical references.
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Paquiot, Alethea. "Images de la transgression : Carmilla (1872), Dracula (1897) et les vampires d'Anne Rice." Thesis, Le Havre, 2016. http://www.theses.fr/2016LEHA0028.

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Devenu célèbre sous les traits de Dracula, le vampire est un monstre révélateur et résilient qui s'est fait archétype incontournable de la culture populaire et dont l'existence diégétique précède le roman de Bram Stoker. Du folklore à la fiction et de l'ombre à la lumière, son évolution est représentative des sociétés et des époques dans lequel il revient à la vie. A la fois transgressifs et normatifs, ses avatars jouent un rôle cathartique en incarnant le refus des lois humaines naturelles et divines, mais aussi la réitération de ces règles et la création de canons littéraires. Cette étude diachronique centrée sur "Carmilla" (1872), "Dracula" (1897) et les vampires d'Anne Rice démontre que leurs aventures invitent à réfléchir autant aux conséquances des fautes qu'à la validité des normes, à l'essence de la nature et des failles humaine et à la fonction libératrice des personnages de fiction et particulièrement des monstres
Known to most as Dracula, the vampire is revealing and resilient monster whose diegetic existence predates Stoker's novel, and that has become a key figure of popular culture. From folklore to fiction and from shadow to ligjhte, its evolution is indicative of the times and societies in wich it return to life. Equally transgressive and normative, its avatars play a cathartic role aas they epitomize rejection of human, natural and divine laws, but also the reiteration of the rules and the creation of literary canons. This diachronic study focused on "Carmilla" (1872), "Dracula" (1897) and Anne Rice's vampires shows that their adventures induce reflection on both the consequences of wrongdoing and the validity of norms, on the essence of human nature and hubris, and the liberating fucntion of fictional characters, particulary monsters
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Hutchings, Sarah D. "Styria." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061.

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Campos, Ludmila Rode de [UNESP]. "Carmilla e Sabella: em busca de uma identidade feminina em Joseph Sheridan Le Fanu e Tanith Lee." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/99126.

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Made available in DSpace on 2014-06-11T19:29:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-08-22Bitstream added on 2014-06-13T21:00:16Z : No. of bitstreams: 1 campos_lr_me_sjrp.pdf: 696640 bytes, checksum: 9fd8fdc49f20d3c0d98f77a5b2b314c5 (MD5)
Este trabalho teve como objetivo realizar uma análise comparativa entre duas obras literárias que têm como foco a questão da representação literária feminina. Ao analisar os textos Carmilla (1872), de Joseph Sheridan Le Fanu, e Sabella (1980), de Tanith Lee, buscamos apontar alguns traços comuns característicos quanto às descrições das personagens femininas e as posturas que assumem diante da sociedade na qual estão inseridas, a fim de encontrar alguns possíveis aspectos norteadores para a construção da identidade feminina literária. A partir de um olhar mais aprofundado para as personagens-título Carmilla e Sabella — ambas vampiras e representativas de dois momentos distintos da literatura de ficção inglesa — retratamos os contextos histórico-sociais em que os autores se inserem. A análise baseou-se em algumas teorias feministas desenvolvidas e disseminadas ao longo dos anos 70 e 80, que visam discutir os novos posicionamentos da mulher dentro de contextos sociais até então “proibidos”, tais como trabalho, política e sexualidade. Interagimos também com textos que relacionam a representação social da mulher ligada à figura mitológica do vampiro – representação essa diretamente associadas às transformações emocionais que tratam do embate primitivo do bem vs. o mal.
The aim of this study was to make a comparative analysis focusing on the female literary representations present in two English novels. Through the study of the novels Carmilla (1872), by Joseph Sheridan Le Fanu, and Sabella (1980), by Tanith Lee, we examined the main common characteristics from female characters and their attitudes within the society to which they belong, and with the purpose of finding some possible points leading to a literary female identity construction. From a deep contact with the title-characters Carmilla and Sabella – both female vampires and also representatives of distinct English literary fiction periods – we depict the social-historical contexts to which each author belongs. The analysis is based on some feminist theories developed and propagated along of the 70’s and the 80’s, which discuss the new places occupied by women in social contexts so far known as “banned”, like out-of-house works, politics and sexuality. We also interact with texts related to social female representations linked to the mythological vampire figure – a kind of representation directly associated to some emotional transformations dealing with the primitive opposition between good vs. evil.
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Campos, Ludmila Rode de. "Carmilla e Sabella : em busca de uma identidade feminina em Joseph Sheridan Le Fanu e Tanith Lee /." São José do Rio Preto : [s.n.], 2008. http://hdl.handle.net/11449/99126.

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Orientador: Álvaro Luiz Hattnher
Banca: Nícea Helena de ALmeida Nogueira
Banca: Carla Alexandra Ferreira
Resumo: Este trabalho teve como objetivo realizar uma análise comparativa entre duas obras literárias que têm como foco a questão da representação literária feminina. Ao analisar os textos Carmilla (1872), de Joseph Sheridan Le Fanu, e Sabella (1980), de Tanith Lee, buscamos apontar alguns traços comuns característicos quanto às descrições das personagens femininas e as posturas que assumem diante da sociedade na qual estão inseridas, a fim de encontrar alguns possíveis aspectos norteadores para a construção da identidade feminina literária. A partir de um olhar mais aprofundado para as personagens-título Carmilla e Sabella - ambas vampiras e representativas de dois momentos distintos da literatura de ficção inglesa - retratamos os contextos histórico-sociais em que os autores se inserem. A análise baseou-se em algumas teorias feministas desenvolvidas e disseminadas ao longo dos anos 70 e 80, que visam discutir os novos posicionamentos da mulher dentro de contextos sociais até então "proibidos", tais como trabalho, política e sexualidade. Interagimos também com textos que relacionam a representação social da mulher ligada à figura mitológica do vampiro - representação essa diretamente associadas às transformações emocionais que tratam do embate primitivo do bem vs. o mal.
Abstract: The aim of this study was to make a comparative analysis focusing on the female literary representations present in two English novels. Through the study of the novels Carmilla (1872), by Joseph Sheridan Le Fanu, and Sabella (1980), by Tanith Lee, we examined the main common characteristics from female characters and their attitudes within the society to which they belong, and with the purpose of finding some possible points leading to a literary female identity construction. From a deep contact with the title-characters Carmilla and Sabella - both female vampires and also representatives of distinct English literary fiction periods - we depict the social-historical contexts to which each author belongs. The analysis is based on some feminist theories developed and propagated along of the 70's and the 80's, which discuss the new places occupied by women in social contexts so far known as "banned", like out-of-house works, politics and sexuality. We also interact with texts related to social female representations linked to the mythological vampire figure - a kind of representation directly associated to some emotional transformations dealing with the primitive opposition between good vs. evil.
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Widén, Anders. "Drives of death and sexuality in John Polidori´s "The vampyre" and Joseph Sheridan Le Fanu´s Carmilla." Thesis, Karlstads universitet, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-27359.

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Wei, Alexa. "Adaptable Monsters: The Past, Present, and Future of the Vampire Narrative as a Metaphor for Margianalized Groups." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/678.

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This thesis paper gives a brief history of the vampire narrative and its role in representing the collective anxieties of an age as well as serving as a metaphor for oppressed peoples. It uses Bram Stoker’s Dracula and J. Sheridan le Fanu’s Carmilla as historical examples of how the vampire adapts to suit issues of the day such as reverse colonization and female sexuality, respectively. The latter part of this paper speculates on the future role of the vampire in literature and proposes that the vampire could be used to discuss transgender issues as well as challenge the gender binary. It addresses the suitability of the vampire narrative in particular for representing gender as a spectrum using the lenses of Foucault’s heterotopias, Kristeva’s abject, and Freud’s uncanny and pulls examples of early evidence of this trend from Anne Rice’s Vampire Chronicles.
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Graham, Chelsea. "Defanged and Desirable: An Examination of Violence and the Lesbian Vampire Narrative." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460127837.

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Books on the topic "Carmilla"

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Ana, Juan, ed. Carmilla. Modena: Logos, 2015.

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Carmilla. New York: Starwarp Concepts, 2011.

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Fanu, Joseph Sheridan Le. Carmilla. Baltimore: Postern Press, 2009.

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Knight, Amarantha. Carmilla. New York, N.Y: Masquerade Books, 1997.

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Jamieson, Ridenhour, ed. Carmilla. Kansas City, Mo: Valancourt Books, 2009.

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Varinia, Frida. Carmilla cien veces. Mexico: Panfleto y Pantomima, 1985.

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Carmilla, the Return: A Vampire Novel. Darien, IL: Design Image Group, 1998.

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Schneidewind, Friedhelm. Carmilla: --und es gibt sie doch! Saarbrücken: Logos-Verlag, 1994.

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Leonard, Wolf, ed. Carmilla and 12 other classic tales of mystery. New York: Signet Classic, 1996.

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Erigena, Johannes Scotus. Carmina. [Dublin]: School of Celtic Studies, Dublin Institute for Advanced Studies, 1993.

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Book chapters on the topic "Carmilla"

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Jones, David J. "Le Fanu’s Carmilla: Lesbian Desire in the Lanternist Novella." In Sexuality and the Gothic Magic Lantern, 142–68. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137298928_5.

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Stockstill, Ellen J. "Vampires, Border Crossing, and Panic in Sheridan Le Fanu’s “Carmilla”." In The Moral Panics of Sexuality, 44–56. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137353177_3.

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Wilson, Shelby. "Blood Doubles: A Renegotiation of Sheridan le Fanu’s Carmilla on Film." In Queer/Adaptation, 193–208. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05306-2_12.

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Gibson, Matthew. "J. Sheridan Le Fanu’s Carmilla and the Austro-Hungarian Ausgleich (1867)." In Dracula and the Eastern Question, 42–68. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230627680_3.

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Green, Stephanie. "Time and the Vampire: The Idea of the Past in Carmilla and Dracula." In Hospitality, Rape and Consent in Vampire Popular Culture, 89–105. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62782-3_6.

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Sage, Victor. "‘Carmilla’: ‘I’ll let you be in my dream, if I can be in yours’." In Le Fanu's Gothic, 178–201. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230287419_9.

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Smart, Robert A. "Postcolonial Dread and the Gothic: Refashioning Identity in Sheridan Le Fanu’s Carmilla and Bram Stoker’s Dracula." In Transnational and Postcolonial Vampires, 10–45. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137272621_2.

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Mannsperger, Dietrich. "Horaz: Carmina." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11297-1.

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Thies, Henning. "Carmina Burana." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_903-1.

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Thies, Henning. "Carmina Cantabrigiensia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_904-1.

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Conference papers on the topic "Carmilla"

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Belvitch, P. G., R. Demeritte, J. G. N. Garcia, and S. M. Dudek. "CARMIL1 Regulates Pulmonary Endothelial Barrier Function." In American Thoracic Society 2020 International Conference, May 15-20, 2020 - Philadelphia, PA. American Thoracic Society, 2020. http://dx.doi.org/10.1164/ajrccm-conference.2020.201.1_meetingabstracts.a5385.

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Lee, Jeeyeon, Dong Won Baek, Soo Jung Lee, Jae-Hwan Jeong, In Hee Lee, Jin Hyang Jung, Ho Yong Park, Yee Soo Chae, and Jieun Kang. "Abstract 5254: CARMIL3 promotes tumor progression in triple negative breast cancer: A possible novel biomarker." In Proceedings: AACR Annual Meeting 2019; March 29-April 3, 2019; Atlanta, GA. American Association for Cancer Research, 2019. http://dx.doi.org/10.1158/1538-7445.sabcs18-5254.

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Lee, Jeeyeon, Dong Won Baek, Soo Jung Lee, Jae-Hwan Jeong, In Hee Lee, Jin Hyang Jung, Ho Yong Park, Yee Soo Chae, and Jieun Kang. "Abstract 5254: CARMIL3 promotes tumor progression in triple negative breast cancer: A possible novel biomarker." In Proceedings: AACR Annual Meeting 2019; March 29-April 3, 2019; Atlanta, GA. American Association for Cancer Research, 2019. http://dx.doi.org/10.1158/1538-7445.am2019-5254.

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Lerebours, F., C. Bourgier, S. Alran, M.-A. Mouret-Reynier, Bouvet L. Venat, P. Kerbrat, R. Salmon, et al. "Abstract PD07-04: A randomized phase II neoadjuvant trial evaluating anastrozole and fulvestrant efficiency for post-menopausal ER-positive, HER2-negative Breast Cancer patients: first results of the UNICANCER CARMINA 02 French trial." In Abstracts: Thirty-Fifth Annual CTRC‐AACR San Antonio Breast Cancer Symposium‐‐ Dec 4‐8, 2012; San Antonio, TX. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/0008-5472.sabcs12-pd07-04.

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