Dissertations / Theses: 'Carmilla'

1

Issa, Alexandra. "Hennes namn var Carmila : En queerteoretisk analys av Joseph Sheridan Le Fanus novell Carmilla." Thesis, Södertörns högskola, Lärarutbildningen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31431.

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This dissertation is a text analysis of the short novel Carmilla (1872) by the Irish ghost story-author Joseph Sheridan Le Fanu. It is a close reading analysis where I apply a queer theoretical perspective using Mia Franck’s model to analyze different silence practices in Carmilla. I focus on the female vampire Carmilla and her companion Laura and how they are portrayed in this short novel. I will ask the questions: do the characters Carmilla and Laura show a non-heterosexual relationship, passion and desire? How do they depart from the gender norm and can they be seen as characters who deviate from what society considers ‘normal’ behaviour? And can Carmilla and Laura’s relationship be seen as an example of silenced homosexuality and in what way is it expressed? Carmilla and Laura’s behaviour can certainly be described as queer and it is effective to examine the novella using silence practices through a queer perspective. Many of the practices are written silences. Mostly, its things that the reader realizes before the storyteller Laura does herself. They reveal numerous oddities in the story, taking the form of narrative, camouflaged, performative, ritualized and existential silences. Prominent examples are the way Carmilla hides both her vampiric and lesbian sides which Laura is repelled at in addition to her own lustful and passionate emotions. As a future teacher, one of my most important jobs will be to educate my pupils about democratic values and that all kinds of discrimination should be discouraged. An essay of this sort is one way to educate them in how gender and sexuality can be seen from historical, political and cultural perspectives.

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2

Bjelkeborn, Joel. ""Ambiguous alternations " : Fantastik och begär i Le Fanus ”Carmilla”." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-138966.

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Denna uppsats behandlar Joseph Sheridan Le Fanus kortroman ”Carmilla”(1871-72). Berättelsen handlar om hur den unga kvinnan Laura lär känna den mystiska Carmilla, och de tycks forälska sig i varandra. Men Carmilla visar sig vara en vampyr, och hon dödas. Tolkningar av verket har gått isär kring huruvida berättelsen ska forstås som ”queer” och transgressiv, eller som patriarkal och konservativ. I min läsning av verket utgår jag från Tzvetan Todorovs undersokning av den fantastiska genren i boken The Fantastic: A Structural Approach to a Literary Genre(1975). Den fantastiska genren karaktäriseras enligt Todorov av en hermeneutisk tvekan mellan olika förklaringar av en övernaturlig händelse. Jag undersöker hur ”Carmilla” passar in i denna genre, samt undersöker huruvida Lauras känslor inför Carmilla, där hon tvekar mellan skräck och kärlek, kan förstås som en form av fantastik. Slutsatsen är att en fantastisk läsning av ”Carmilla” kan belysa hur verket undflyr en tolkning som ser verkets ideologiska innehåll som fast och entydigt. Istället menar jag att tolkningsarbetet kan ses som ett begär efter kunskap, som speglas av hur Lauras eget begär gestaltas i berättelsen, samt hur själva läsakten kan ses som meningsskapande.

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3

Williams, Lauren E. "Visualizing the Vampire: Carmilla (1872) and the Portrayal of Desire." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1242582788.

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Thesis (M.A.)--University of Cincinnati, 2009.
Advisor: Kimberly Paice. Title from electronic thesis title page (viewed Aug. 27, 2009). Includes abstract. Keywords: vampires; Carmilla; art cinema; Lamia; Lilith; Blood and Roses; desire; lesbian vampires. Includes bibliographical references.

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4

Paquiot, Alethea. "Images de la transgression : Carmilla (1872), Dracula (1897) et les vampires d'Anne Rice." Thesis, Le Havre, 2016. http://www.theses.fr/2016LEHA0028.

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Devenu célèbre sous les traits de Dracula, le vampire est un monstre révélateur et résilient qui s'est fait archétype incontournable de la culture populaire et dont l'existence diégétique précède le roman de Bram Stoker. Du folklore à la fiction et de l'ombre à la lumière, son évolution est représentative des sociétés et des époques dans lequel il revient à la vie. A la fois transgressifs et normatifs, ses avatars jouent un rôle cathartique en incarnant le refus des lois humaines naturelles et divines, mais aussi la réitération de ces règles et la création de canons littéraires. Cette étude diachronique centrée sur "Carmilla" (1872), "Dracula" (1897) et les vampires d'Anne Rice démontre que leurs aventures invitent à réfléchir autant aux conséquances des fautes qu'à la validité des normes, à l'essence de la nature et des failles humaine et à la fonction libératrice des personnages de fiction et particulièrement des monstres
Known to most as Dracula, the vampire is revealing and resilient monster whose diegetic existence predates Stoker's novel, and that has become a key figure of popular culture. From folklore to fiction and from shadow to ligjhte, its evolution is indicative of the times and societies in wich it return to life. Equally transgressive and normative, its avatars play a cathartic role aas they epitomize rejection of human, natural and divine laws, but also the reiteration of the rules and the creation of literary canons. This diachronic study focused on "Carmilla" (1872), "Dracula" (1897) and Anne Rice's vampires shows that their adventures induce reflection on both the consequences of wrongdoing and the validity of norms, on the essence of human nature and hubris, and the liberating fucntion of fictional characters, particulary monsters

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5

Hutchings, Sarah D. "Styria." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061.

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6

Campos, Ludmila Rode de [UNESP]. "Carmilla e Sabella: em busca de uma identidade feminina em Joseph Sheridan Le Fanu e Tanith Lee." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/99126.

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Este trabalho teve como objetivo realizar uma análise comparativa entre duas obras literárias que têm como foco a questão da representação literária feminina. Ao analisar os textos Carmilla (1872), de Joseph Sheridan Le Fanu, e Sabella (1980), de Tanith Lee, buscamos apontar alguns traços comuns característicos quanto às descrições das personagens femininas e as posturas que assumem diante da sociedade na qual estão inseridas, a fim de encontrar alguns possíveis aspectos norteadores para a construção da identidade feminina literária. A partir de um olhar mais aprofundado para as personagens-título Carmilla e Sabella — ambas vampiras e representativas de dois momentos distintos da literatura de ficção inglesa — retratamos os contextos histórico-sociais em que os autores se inserem. A análise baseou-se em algumas teorias feministas desenvolvidas e disseminadas ao longo dos anos 70 e 80, que visam discutir os novos posicionamentos da mulher dentro de contextos sociais até então “proibidos”, tais como trabalho, política e sexualidade. Interagimos também com textos que relacionam a representação social da mulher ligada à figura mitológica do vampiro – representação essa diretamente associadas às transformações emocionais que tratam do embate primitivo do bem vs. o mal.
The aim of this study was to make a comparative analysis focusing on the female literary representations present in two English novels. Through the study of the novels Carmilla (1872), by Joseph Sheridan Le Fanu, and Sabella (1980), by Tanith Lee, we examined the main common characteristics from female characters and their attitudes within the society to which they belong, and with the purpose of finding some possible points leading to a literary female identity construction. From a deep contact with the title-characters Carmilla and Sabella – both female vampires and also representatives of distinct English literary fiction periods – we depict the social-historical contexts to which each author belongs. The analysis is based on some feminist theories developed and propagated along of the 70’s and the 80’s, which discuss the new places occupied by women in social contexts so far known as “banned”, like out-of-house works, politics and sexuality. We also interact with texts related to social female representations linked to the mythological vampire figure – a kind of representation directly associated to some emotional transformations dealing with the primitive opposition between good vs. evil.

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7

Campos, Ludmila Rode de. "Carmilla e Sabella : em busca de uma identidade feminina em Joseph Sheridan Le Fanu e Tanith Lee /." São José do Rio Preto : [s.n.], 2008. http://hdl.handle.net/11449/99126.

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Orientador: Álvaro Luiz Hattnher
Banca: Nícea Helena de ALmeida Nogueira
Banca: Carla Alexandra Ferreira
Resumo: Este trabalho teve como objetivo realizar uma análise comparativa entre duas obras literárias que têm como foco a questão da representação literária feminina. Ao analisar os textos Carmilla (1872), de Joseph Sheridan Le Fanu, e Sabella (1980), de Tanith Lee, buscamos apontar alguns traços comuns característicos quanto às descrições das personagens femininas e as posturas que assumem diante da sociedade na qual estão inseridas, a fim de encontrar alguns possíveis aspectos norteadores para a construção da identidade feminina literária. A partir de um olhar mais aprofundado para as personagens-título Carmilla e Sabella - ambas vampiras e representativas de dois momentos distintos da literatura de ficção inglesa - retratamos os contextos histórico-sociais em que os autores se inserem. A análise baseou-se em algumas teorias feministas desenvolvidas e disseminadas ao longo dos anos 70 e 80, que visam discutir os novos posicionamentos da mulher dentro de contextos sociais até então "proibidos", tais como trabalho, política e sexualidade. Interagimos também com textos que relacionam a representação social da mulher ligada à figura mitológica do vampiro - representação essa diretamente associadas às transformações emocionais que tratam do embate primitivo do bem vs. o mal.
Abstract: The aim of this study was to make a comparative analysis focusing on the female literary representations present in two English novels. Through the study of the novels Carmilla (1872), by Joseph Sheridan Le Fanu, and Sabella (1980), by Tanith Lee, we examined the main common characteristics from female characters and their attitudes within the society to which they belong, and with the purpose of finding some possible points leading to a literary female identity construction. From a deep contact with the title-characters Carmilla and Sabella - both female vampires and also representatives of distinct English literary fiction periods - we depict the social-historical contexts to which each author belongs. The analysis is based on some feminist theories developed and propagated along of the 70's and the 80's, which discuss the new places occupied by women in social contexts so far known as "banned", like out-of-house works, politics and sexuality. We also interact with texts related to social female representations linked to the mythological vampire figure - a kind of representation directly associated to some emotional transformations dealing with the primitive opposition between good vs. evil.
Mestre

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8

Widén, Anders. "Drives of death and sexuality in John Polidori´s "The vampyre" and Joseph Sheridan Le Fanu´s Carmilla." Thesis, Karlstads universitet, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-27359.

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9

Wei, Alexa. "Adaptable Monsters: The Past, Present, and Future of the Vampire Narrative as a Metaphor for Margianalized Groups." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/678.

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This thesis paper gives a brief history of the vampire narrative and its role in representing the collective anxieties of an age as well as serving as a metaphor for oppressed peoples. It uses Bram Stoker’s Dracula and J. Sheridan le Fanu’s Carmilla as historical examples of how the vampire adapts to suit issues of the day such as reverse colonization and female sexuality, respectively. The latter part of this paper speculates on the future role of the vampire in literature and proposes that the vampire could be used to discuss transgender issues as well as challenge the gender binary. It addresses the suitability of the vampire narrative in particular for representing gender as a spectrum using the lenses of Foucault’s heterotopias, Kristeva’s abject, and Freud’s uncanny and pulls examples of early evidence of this trend from Anne Rice’s Vampire Chronicles.

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10

Graham, Chelsea. "Defanged and Desirable: An Examination of Violence and the Lesbian Vampire Narrative." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460127837.

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11

Goldberg, Christiane. "Carmina Priapea : Einleitung, Übersetzung, Interpretation und Kommentar /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35698516n.

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Diss.--Fachbereich Kommunikations- und Geschichtswissenschaften--Berlin--Technische Universität, 1990.
Ne contient pas le plein texte latin, mais un comment. linéaire, trad. allemande par strophe. Bibliogr. p. 9-23. Index.

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12

Carpenter, Clare. "Medievalism and paganism : interpretations of the Carmina Burana." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10816/.

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13

Schumacher, Matthias [Verfasser]. "Die Carmina Latina Epigraphica des römischen Britannien / Matthias Schumacher." Berlin : Freie Universität Berlin, 2012. http://d-nb.info/1030383308/34.

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14

De, Kock Annemarie. "Catullus se Carmina in Afrikaans vertaal : 'n funksionalistiese benadering /." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/2552.

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15

Magin, Carrie. "Catulli Carmina Quinque for Mixed Chorus (SATB), a cappella." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1380612972.

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16

Bolzon, Lucas Bomfim. "Nb2O5 como fotocatalisador para a degradação de índigo de carmina." reponame:Repositório Institucional da UnB, 2007. http://repositorio.unb.br/handle/10482/3071.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Química, 2007.
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O Nb2O5 foi caracterizado por MEV, área superficial, FTRaman e FTIR. O Estudo de densidade de carga superficial juntamente com o estudo calorimétrico foram necessários para compreender a protonação e a desprotonação da superfície do catalisador em função da variação do pH do meio. O catalisador foi aplicado na fotodegradação do corante índigo de carmina, comparado com TiO2 e ZnO, na qual foi observado que apesar do mesmo apresentar uma cinética de degradação menor, o nióbio pode ser facilmente recuperado e reciclado. No estudo da força iônica, a atividade de fotodegradação do Nb2O5 aumentou até a concentração de 0,05 mol/L e acima deste valor começou a diminuir. O Nb2O5 teve alta atividade fotocatalítica em meio ácido (pH < 4,94 ) devido a protonação da sua superfície que deve interagir melhor com o índigo de carmina. No estudo da reciclagem, o semicondutor manteve a atividade de 80% durante 10 ciclos catalíticos. _________________________________________________________________________________________ ABSTRACT
Nb2O5 has been characterized by SEM, surface area, FTRaman and FTIR. Protonation and deprotonation of catalyst surface caused by changes in pH values were followed by surface charge density and calorimetric studies of this catalyst. The Nb2O5 was applied in the photodegradation of indigo carmine dye, its ability was compared with catalysts TiO2 and ZnO. Nb2O5 presented a degradation lower than other oxides, however, it can be easy recovered and recycled. The activity of Nb2O5 increased with ionic strength up to 0.05 mol/L salt concentration and above this value, photocatalytic activity started to decrease. Nb2O5 showed high activity in acid medium (pH < 4.94), due to this protonated region favors dye interaction. The catalyst was recycled and reused more 9 times and maintained its photocatalytic activity showing 80% of indigo carmine degradation.

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17

Belloc, Hervé. "Les Carmina Latina epigraphica des Gaules : édition, traduction, étude littéraire." Caen, 2006. http://www.theses.fr/2006CAEN1454.

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Les recherches récentes menées à l’échelle européenne sur les Carmina Latina epigraphica ont promu, sur le plan de l’édition et de l’analyse, une approche régionale de ces textes correspondant aux anciennes provinces romaines. Conformément à ces recommandations, la présente thèse propose à la fois une édition des poèmes épigraphiques en langue latine des provinces de Gaule Aquitaine, Belgique, Lyonnaise et Narbonnaise du Ier au VIIe S. , et une étude générale du catalogue établi. Les principes d’élaboration du catalogue sont présentés en préface, avec les limites adoptées et la liste justifiée des textes non retenus. Les notices sont rédigées selon les normes épigraphiques modernes. Elles comportent une description détaillée du support et les informations relatives à sa conservation, une transcription épigraphique avec illustration en regard, un développement du texte donné sous sa forme poétique, une traduction ainsi que l’étude des parallèles épigraphiques et littéraires, des aspects historique, littéraire, métrique et linguistique. En dernier lieu, une datation est proposée. Le catalogue est également accompagné de concordances et d’index. L’étude générale offre un examen des données statistiques portant sur la répartition géographique et chronologique des inscriptions et des typas de vers pour la totalité du catalogue (trois cents inscriptions), et une analyse historique et littéraire du corpus présenté, avec une attention particulière portée aux questions de linguistique de l’énonciation et des rapports entre groupes sociaux et diffusion culturelle. Enfin, des cartes, des graphiques et des tableaux chronologiques sont fournis en annexe

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18

Ryu, Seongmin [Verfasser], Herman J. [Herausgeber] Selderhuis, Christopher B. [Herausgeber] Brown, Günter [Herausgeber] Frank, Bruce [Herausgeber] Gordon, Barbara [Herausgeber] Mahlmann-Bauer, Tarald [Herausgeber] Rasmussen, et al. "Dulcissimae Carmina Ecclesiae : Theologie und Exegese des Psalmenkommentars Melanchthons / Seongmin Ryu." Göttingen : Vandenhoeck & Ruprecht, 2019. http://www.v-r.de/.

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19

Schindler, Claudia. "Per carmina laudes : Untersuchungen zur spätantiken Verspanegyrik von Claudian bis Coripp /." München : de Gruyter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3147962&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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20

Schindler, Claudia. "Per carmina laudes Untersuchungen zur spätantiken Verspanegyrik von Claudian bis Coripp." Berlin New York, NY de Gruyter, 2006. http://d-nb.info/990068080/04.

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21

Calzascia, Sonja Caterina <1974&gt. "I carmina docta di Catullo e le Argonautiche di Apollonio Rodio." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5269/.

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La dissertazione, basandosi su un confronto sistematico dei testi, analizza i rapporti fra i carmina docta di Catullo e le Argonautiche di Apollonio Rodio con particolare attenzione al carme 64. Il lavoro è suddiviso in dieci capitoli più un'introduzione e una conclusione. Nell'introduzione si illustra la metodologia applicata e si discutono alcune questioni teoriche relative all'intertestualità. Nel I capitolo si delinea una storia della critica moderna che mette in evidenza come negli studi catulliani sul carme 64, nel corso dell'ultimo secolo e mezzo, Apollonio tenda ad assumere un ruolo sempre più importante. Nei capitoli II-IX viene fatto uno studio molto approfondito del carme 64. Tale studio analizza il testo catulliano mettendo in luce le somiglianze contenutistiche, strutturali e stilistiche con le Argonautiche. Il X capitolo è invece dedicato agli altri carmina docta. Poiché questi ultimi carmi hanno scarsi punti di contatto con il poema di Apollonio, ci si limita a mettere in evidenza una serie di motivi e tratti comuni. Nella parte conclusiva si espone un quadro sommario dei risultati raggiunti. Il lavoro dimostra in particolare come nel complesso le somiglianze fra Catullo e Apollonio riguardino elementi superficiali o luoghi comuni e come non vi sia alcuna prova certa di una dipendenza diretta di Catullo da Apollonio (nonostante una tale dipendenza sia da ritenersi probabile per ragioni storiche). In contrasto con buona parte della critica più recente, si esprime di conseguenza la convinzione che sia poco opportuno utilizzare le Argonautiche per spiegare il carme 64 o per instaurare un dialogo di natura intertestuale fra Catullo e Apollonio.
The dissertation offers an analysis of the relationship between Catullus' long poems and Apollonius Rhodius' Argonautica. The analysis, which is mainly concerned whith poem 64, is based on a methodical collation. The study is divided into ten chapters, an introduction, and a conclusion. In the introduction the adopted methodology is explained, and some theoretical questions regarding intertextuality are discussed. Chapter One deals with an outline of modern scholarship pertinent to the last hundred and fifty years. This outline points out that Apollonius tends to be more and more important in the scholarship on poem 64. From Chapter Two to Chapter Nine poem 64 is examined in detail. Special stress is laid on the similarities between Catullus and Apollonius pertaining to content, structure, and style. Chapter Ten concerns poems 61-63 and 65-68. As these seven poems are generally quite different from the Argonautica, only the similarities which are significant are examined. The last section draws the conclusions. On the whole, the study shows that the similarities between Catullus and Apollonius are rather unimportant, since they usually aren't deep or concern topoi. Although for historical reasons it seems probable that Apollonius influenced Catullus, there is in fact no evidence that Catullus' poems were directly influenced by Apollonius' Argonautica. Therefore, it is suggested that interpretations of Catullus 64 based on Apollonius' Argonautica should be avoided.This view stands in contrast to the views of those contemporary scholars who establish an intertextual relationship between poem 64 and the Argonautica.

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22

Rae, Lyn MacCrostie. "A study of the versification of the African carmina latina epigraphica." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31157.

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This thesis presents a study of the metrics and prosody of the carmina latina epigraphica from the Roman provinces of North Africa, the purpose of which is to test the prevailing but unsubstantiated view that these carmina exhibit especially poor versification, and that in them can be observed a chronological decline in quality of versification. A representative corpus of dated carmina latina epigraphica africana is established, the inscriptions are subjected to an analysis of their metrics and prosody, and conclusions are drawn concerning the nature, extent and chronology of their deviation from classical standards of versification. The corpus of inscriptions has four introductory chapters, which form Part II of the study. The first describes the criteria according to which the texts have been chosen. The second, third and fourth present three premises on which analysis and interpretation of their versification are based; these concern the authorship of the carmina, the educational background of the authors, and the linguistic milieu in which they were composed. The core of the thesis is Part III, which comprises the texts of eighty-six dated carmina, analyses of their versification and commentaries on several features of their composition. Observations are offered regarding: the nature and possible causes of unclassical metric and prosodic phenomena; the extent to which an author deviates from literary norms, and the effect of his errors on a quantitative reading of the poem; a brief assessment of each author's understanding of and competence in the composition of classical quantitative verse; the graphic disposition of the text and its effect on the reader's recognition and recitation of the poetic content. Conclusions drawn from the data compiled in Part III include the following. Unclassical metric features characteristic of the corpus include the combination of different meters in one poem, the composition of hypermetric and hypometric lines and the intermixture of prose with lines of verse. Such phenomena are found in about one-half the texts. Prosodical irregularities fall into two main types: those that can be considered classical (ascribable to an author's application of classical licences); and those that are errors, most of which are attributable to the intrusion of certain unclassical phonological features of an author's everyday speech. Prosodical errors occur in about three-quarters of the texts. Four main observations are offered regarding the distribution of errors in the corpus. The extent to which individual authors adhere to literary norms varies widely; the majority of versifiers, however, have adhered sufficiently well that their works can be read quantitatively without serious hindrance. The presence of metric deviations in a poem carries no chronological significance, for these are fairly evenly distributed throughout the corpus; a general chronological decline in adherence to classical prosody is discernible from the first century to the fifth, with a reverse in the decline seen in poems dated to the last three centuries of the period. The presence in the corpus of several poems of unsound versification of very early date and of poems of sound versification of very late date proves that the practice of some scholars of dating otherwise undatable carmina according to their quality of versification is unsafe. Pagan authors tend to adhere slightly more closely than their Christian counterparts to classical metrics and prosody. Poems of reasonably sound metrics and prosody tend to be inscribed in such a way as to facilitate the reader's recognition and recitation of their poetic content, while poems of poor quality of versification tend to be inscribed haphazardly. Appendix I provides full scansion of each carmen. Appendix II lists initia carminum.
Arts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate

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23

Grove, Chantal. "Sprekers vir die digter : die personae by Horatius, Odes : boek 1." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52460.

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Thesis (MA)--Stellenbosch University, 2001.
ENGLISH ABSTRACT: In his Odes, Horace pays particular attention not only to the subject in hand, but also to the reader as his audience, or the addressee, who is usually mentioned at the beginning of the poem. As this kind of communication draws the poet into his own creation, it is useful to refer to him in that context, as the speaker. It is evident from the manner of communication with the addressee that Horace conveys the message of each poem not solely by means of statements, but by implying certain facts, through this interaction between speaker and addressee. The specific addressee for each ode - to whom the speaker's attitude is a reaction - is therefore chosen with great care, in order to underline a specific subject or support a point of view. Just as each ode is different, and contains a variety of differing emotions, Horace's speakers display a myriad of different attitudes. His deeper sentiments do however remain constant. This brings one to the realisation that Horace applies a number of "roles", in order to obtain the desired effect in each poem. Eventually the interaction is not between the speaker and the addressee, but between the poet and the reader. Some of the poems do not give the names of addressees, only the roles Horace plays as the speaker. These roles are termed personae, and represent the poet on a number of realistic and super-realistic planes. In this study, a selection of personae was analysed and the effects examined, in order to establish in what way the persona might influence the interpretation of the poem. Initially a collective overview of several personae was planned, for the purpose of a synthesis of those personae, possibly leading to the discovery of a central Horatian persona. It was however, found, in the complex perfection of his work, that that central person is Horace: the poet.
AFRIKAANSE OPSOMMING: In Horatius se Odes, gee hy dikwels spesifieke aandag nie net aan die onderwerp nie, maar ook aan die leser as sy gehoor, of die aangesproke persoon, wat dikwels in die begin van die gedig genoem word: Omdat so 'n kommunikasie die digter in sy eie skepping intrek, is dit sinvol om na hom in daardie konteks as die spreker te verwys. In die wyse waarop daar dan met die aangesprokene gekommunikeer word, word dit duidelik dat Horatius die boodskap van sy gedig nie slegs deur middel van stellings oordra nie, maar dat hy ook deur middel van die wisselwerking tussen die aangesprokene en die spreker, sekere feite impliseer. Die aangesproke persoon, waarop die spreker se houding dan'n reaksie is, word dus vir elke ode gekies om 'n sekere onderwerp of siening te ondersteun. Soos wat elke ode dus verskil, en'n verskeidenheid emosies bevat, verskil Horatius se houdings teenoor sy aangesprokenes drasties. Sy dieper oortuigings bly egter dieselfde. Dit lei die leser tot die besef dat Horatius 'n verskeidenheid "rolle" aanwend om in elke gedig die gewensde effek te verkry. Die werklike wisselwerking is nie tussen die spreker en die aangesprokene nie, maar tussen die digter en die leser. Sommige gedigte bevat geen name van aangesprokenes nie; slegs die rolle wat Horatius as die spreker gebruik. Hierdie rolle word personae genoem en verteenwoordig die digter op 'n aantal realistiese en bo-realistiese vlakke. Die effekte van 'n seleksie personae word in hierdie studie deur middel van analise ondersoek om vas te stel hoe die toepassing van die persona die interpretasie van die gedig beïnvloed. 'n Gesamentlike beskouing van 'n aantal digterlike personae is aanvanklik beplan, met die oog op 'n sintese van die personae, wat moontlik tot die ontdekking van 'n sentrale persona by Horatius sou kon lei. Daar is egter bevind dat die sentrale persoon wat in die komplekse perfeksie van sy werk self sit, dié is van Horatius as digter.

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Neagu, Cristina. "The Carmina of Nicolaud Olahus in the context of his literary career." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365579.

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Sugg, Laura S. "The experience of God in everyday life in Alexander Carmichael's Carmina Gadelica." Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/30803.

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Before examining the texts of Carmina Gadelica, the man who collected them, Alexander Carmichael, is considered. His life and social milieu inform an understanding of the collection. A Gaelic speaker, exciseman, folklorist and avid advocate for the crofters with whom he lived and worked, Carmichael's motives for publishing Carmina Gadelica included a desire to portray the Highlander in a more positive light to a world which often saw stereotypes, rather than reality. The long history of the publication of the five volumes of texts and a volume of indices also assists the reader in understanding the texts more fully. For example, the title caused some concern for Carmichael and his colleagues. This discussion shows a certain ambivalence about the nature of the contents of the collection. Related to this question is the definition of prayer, so a brief one is provided. In the twentieth century, Carmina Gadelica has been popularized by the publication of selections from its volumes. Some of these works are mentioned. Lastly, similar publications contemporary with Carmina Gadelica are noted. In beginning to explore the experience of God is everyday life-immanence-in the texts themselves, definitions of immanence and transcendence are offered. The two are seen as complementary characteristics of God, not contradictory. Next, an investigation is made of the various arenas in which God is experienced in Carmina Gadelica: space, time, work and home activities. The marking and use of spatial and temporal liminalities is particularly significant in assisting the believer's experience of God's pervasive presence. The parameters for this thesis are the English translation of the published Carmina Gadelica texts. The language, even in translation, informs the reader about the experience of God in the collection. For instance, many of the prayers do not address God directly. Other texts echo the early "breastplate" tradition by surrounding the believer with God's presence by using various spatial prepositions. Many anthropomorphic images of God are pointed out. Also, there is significant use of language from the Christian tradition-scriptural allusion, liturgical prayers-which illuminates the believer's experience of God. Lastly, the names for God in the collection exhibit the relation of the one who prays to his/her God.

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Vasconcelos, Rita de Cássia Prazeres de. "A história de Carminha : notas antropológicas sobre Ciência e Religião no campo da saúde." Universidade Federal de Pernambuco, 2012. https://repositorio.ufpe.br/handle/123456789/10233.

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Submitted by Marcelo Andrade Silva (marcelo.andradesilva@ufpe.br) on 2015-03-03T19:47:46Z No. of bitstreams: 2 Rita_Diss...pdf: 11069733 bytes, checksum: 55125016c398f26aa92bc329b3a9270b (MD5) license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5)
Made available in DSpace on 2015-03-03T19:47:46Z (GMT). No. of bitstreams: 2 Rita_Diss...pdf: 11069733 bytes, checksum: 55125016c398f26aa92bc329b3a9270b (MD5) license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Previous issue date: 2012
A assistência à saúde é feita de múltiplos atores sociais que utilizam diferentes códigos e significados. Esta diversidade determina comportamentos e práticas, inclusive dos profissionais que atuam na área. Neste trabalho buscamos compreender como uma profissional de saúde, que também é uma liderança religiosa afro-brasileira, articula, na sua experiência profissional e confessional, os saberes científicos e religiosos e quais as implicações e contribuições dessa articulação, dentro de ambos os sistemas terapêuticos. Como metodologia, optamos pelo estudo de caso qualitativo através do método História de vida, através do qual percorremos, por meio de narrativas, a trajetória de Carminha, sacerdotisa do Ilê Axé Oyá Bamborê enfermeira por formação e que há 43 anos atua em hospitais psiquiátricos no estado de Pernambuco (Brasil). Para coleta de dados e construção do corpus de análise, foram colhidas narrativas gravadas e transcritas, entre março de 2011 e janeiro de 2012. Embora Carminha reconheça a eficácia e legitimidade de ambos os sistemas terapêuticos, é no saber científico que ela busca legitimar o seu discurso quando se trata das questões relativas à saúde, tanto no hospital como no terreiro.

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Longobardi, Concetta. "Le corpus pseudacroniane et l’interprétation d’Horace : Le commentaire au quatrième livre des Carmina." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30004.

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L’objectif principal de la thèse a été de fournir une révision de l'édition critique, avec une traduction et un commentaire des scholia du ps.Acron au quatrième livre des Carmina. Considérer le quatrième livre a répondu à l'exigence de déterminer une section 'indépendante' dans la production lyrique d'Horace.Le corpus pseudacronian se présente comme un ensemble de scholies à l'œuvre d'Horace pas reconductible à une individualité ou à un moment historique bien précis mais qui résulte comme la conséquence d'une stratification commencée au V siècle et qui a duré jusqu'au Moyen Age attribué de manière erronée à Elenius Acron, auteur du IIè siècle d.C.J'ai proposé des interventions critiques à l'édition de O. Keller publié pour la Teubneriana (Leipzig 1902).Dans la rédaction du commentaire, une grande importance a été conférée à l'évaluation des enquêtes littéraires dans le texte pseudacronian. L’étude comporte également une focalisation attentive sur les typologies de caractéristiques, très diffuses dans les commentaires anciens, grâce auxquels on peut déduire les compétences linguistiques, rhétoriques, littéraires, mythiques, historiennes.Le travail a été complété par un essai initial organisé en sections: la première partie concerne la réception du texte des auctores, et en particulier d'Horace, dans le contexte de l'école. Une seconde section concerne les caractéristiques du commentaire au quatrième livre des Carmina, illustratifs pour l'évaluation de la technique exégétique du ps.Acron
The main objective of the thesis was that to provide a review of the critical edition, with a translation and a commentary of the scholia pseudacroniana on The Fourth Book of the Odes of Horace. In the vast field of the Horatian lyric, it's been considered un 'independent' section. The pseudacronian corpus looks like a jumble of Horace's scholia not due to an individuality or to a precise historic moment: they are the result of a stratification began in the fifth century and lasted until the Middle Ages, mistakenly attributed to Elenius Acron, author of the second century AD. Some critical interventions have been proposed to the edition of reference, that of O. Keller, published for the series Teubneriana (Pseudacronis Scholia in Horatium vetustiora, Leipzig 1902).During the draft of the commentary I've given great importance to the evaluation of the literary investigations proposed in the pseudacronian text. It's not even a careful focus on the types of notes, too, from which we deduce the linguistic, rhetorical, literary, mythical, historical competences. The work has been completed by an essay divided by sections: the first part concerning the receipt of the text of auctores, and in particular Horace, in the context of the school. The second section concerns the characteristics of the commentary on the fourth book of Odes, taken as an example for the evaluation of ps.Acron's exegetical technique

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Atzori, Martina. "Le Passant, la tombe et le ciel : la vie et la mort dans les "Carmina latina epigraphica" de Rome." Université Marc Bloch (Strasbourg) (1971-2008), 2008. http://www.theses.fr/2008STR20086.

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Une des constantes de la tradition des CLE est le rapport idéal sous-jacent entre la tombe/défunt et le passant/vivant. Dans les mots de n'importe quel parlant, la tombe est présentée comme une nouvelle demeure, fondamentalement éternelle. Toutefois, dans cette demeure réside généralement le corps tandis que l'esprit transmigre. Cette transmigration suppose une radicalisation plus nette entre la condition passée et présente, qui se traduit dans l'image des Enfers pour le monde païen et celle du Paradis pour le monde chrétien. La relation dialectique et dialogique qui coexiste entre la tombe et le viator anticipe idéalement le changement d'état entre vie et mort et, dans le cas du monde chrétien, entre l'aspect mundanus et la béatitude éternelle. On peut dire fondamentalement que le concept de transitus du viator est l'anticipation (préfiguration) du passage d'une condition à l'autre, de la lumière, symbole de vie, à l'ombre/mort pour le monde païen, de l'ombre/vie à la lumière/esprit pour le monde chrétien
One of the constant themes of the tradition of the CLE (Carmina Latina Epigraphica) is represented by the ideal relationship which exists between the Tumulus/dead and traveller/alive. In the words of whoever is speaking, the tomb is presented as a new abode which is by nature eternal. Yet, fundamentally, the body resides in this dwelling while the soul or spirit transmigrates. .

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Langlois-Pézeret, Catherine, and Étienne Dolet. "Étienne Dolet ou la couronne d’Hercule : édition, traduction et étude littéraire des Carmina (1538)." Paris 4, 2006. http://www.theses.fr/2007PA040057.

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Étienne Dolet (1508-1546), bien connu pour sa mort tragique sur le bûcher, est aussi un intellectuel et un poète néo-latin. Après ses célèbres Commentaires de la langue latine, il publia un recueil d’épigrammes intitulé Carmina en 1538, pièces de circonstance aux sujets les plus divers. Adepte d’un genre mineur et partisan d’une métrique souple, Dolet n’oublie pas, en humaniste civique, de doter sa plume d’une mission politique, vengeresse ou moralisatrice. Cicéronianiste patenté, il se révèle assez libre dans le domaine de l’imitation, tout comme dans son traitement de l’épigramme, qui oscille entre tradition et innovation. Ses poèmes, ainsi que deux recueils ultérieurs, le Genethliacum Claudii Doleti (1539) et les Francisci Valesii Gallorum Regis Fata (1539), reflètent l’attirance de leur auteur pour différentes mouvances philosophiques mais semblent surtout témoigner de l’influence du libre-penseur Pomponazzi
Etienne Dolet (1508-1546), renowned for his tragic death on the stake, is also an intellectual and a Neo-Latin poet. After his famous Commentarii linguae latinae, he published a collection of epigrams entitled Carmina in 1538, which are event poems about various subjects. Follower of a minor genre and of a flexible metric, Dolet does not forget, as a civic humanist, to give to his pen a political, avenging or moralizing mission. Ciceronianist, he reveals free in the field of the imitation and in his treatment of the epigram, which oscillates between tradition and innovation. His poems, as well as two later collections, Genethliacum Claudii Doleti (1539) and Francisci Valesii Gallorum Regis Fata (1539), reflect the attraction of their author for various philosophic spheres of influence but especially seem to testify of the influence of the free thinker Pomponazzi

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Lamotte, Hélène. "Pratiques commémoratives et structures des familles à Rome : étude des carmina Latina epigraphica consacrés à des enfants défunts à la fin de la République et sous l'Empire." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10053.

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Ces recherches participent d’une large réflexion menée actuellement sur les comportements démographiques de la population de l’Urbs. De récents travaux ont défini un régime démographique spécifique de la mégapole antique, où une natalité insuffisante et un fort taux de mortalité auraient empêché le renouvellement des générations. La population de Rome, « ville-tombeau », ne se serait maintenue que grâce à une immigration venue d’Italie et des provinces. Les tentatives de dénombrement ayant leurs limites, au vu des sources disponibles, ce doctorat s’inscrit dans le domaine de l’histoire sociale de la population de Rome. Centré sur les milieux populaires, il analyse les comportements familiaux et la place de l’enfant dans la famille. Il se fonde sur une étude d’épitaphes versifiées païennes (carmina Latina epigraphica), datant de la fin de la République et de l’Empire. Il présente ainsi un corpus d’épitaphes consacrées à des enfants dont l’âge au décès est mentionné, revues et traduites, ainsi qu’une étude de ce catalogue. Cette dernière analyse la nature et le rôle du carmen dans la commémoration funéraire. Elle précise l’identité des défunts et l’origine sociale des familles commanditaires des carmina, puis évoque la structure de ces familles en recensant l’ensemble des personnes mentionnées dans les épitaphes. Elle révèle des structures de famille complexes, où les enfants illégitimes sont nombreux, en raison du statut servile actuel ou passé de certains parents. Elle aborde enfin la question de la place de l’enfant dans la famille, en examinant les modes d’expression du chagrin selon les différents motifs littéraires et locuteurs choisis. Ces travaux permettent ainsi de mieux connaître le statut de l’enfant au sein des familles modestes et l’attitude de ces dernières face à la naissance et à la mort
These researches participate in a wide reflection led at present on the demographic behavior of the population of Rome. Recent works defined a specific demographic model of the antique megalopolis, where an insufficient birthrate and a strong mortality rate would have prevented the renewal of the generations. The population of Rome would have held steady thanks to an immigration coming from Italy and from the provinces. This doctorate joins in the field of the social history of the population of Rome. It analyzes the family behavior in the lower classes, and the place of the child in the family. It bases itself on a study of funerary verse inscriptions (carmina Latina epigraphica), dating back to the end of the Republic and the Empire. It so presents a corpus of epitaphs dedicated to children (with an age mentioned), as well as a study of this catalog. This study analyzes the nature and the role of the carmen in commemoratives practices. It specifies the identity of the deceased and the social origin of families ; then it evokes the structure of these families by listing all the persons mentioned in the epitaphs. It reveals complex structures of family, where there are many illegitimate children, because of the current or past slavish status of certain relatives. It approaches finally the question of the place of the child in the family, by examining the modes of expression of sorrow, according to the various literary motives and chosen speakers. This research allows to know better the status of the child within the modest families and the attitude of these families in front of birth and of death

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Simon, Philip G. "Carl Orff's Carmina Burana: A Comparative Study of the Original for Orchestra and Choruses with the Juan Vicente Mas Quiles Wind Band and Chorus Arrangement." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9031.

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TANNIS, MAYCON DA SILVA. "O FORTUNA IMPERATRIX MUNDI: THE MEDIEVAL LAUGHTER AS A POSSIBLE HISTORICAL EXPLANATION IN CARMINA BURANA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28222@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
No presente trabalho pretendo analisar as profundas mudanças que ocorrem no Ocidente Medieval do século XII e que foram notadas por Haskins como uma forma distinta de Renascimento. Bem como essas são representadas dentro do conjunto de textos satíricos, os Carmina Burana. Para isso mobilizarei um esforço, em um primeiro momento, para compreender a formulação do conceito de Renascimento Cultural, que é estabelecido em seus devidos contornos por Jakob Burckhardt e é utilizado por Haskins para pensar uma era de rompimentos e fluidez sociais, que eram atípicas a uma sociedade ligada a estabilidade que uma cultura agrária, conforme nos mostrou Ernst Gellner, possuía. Essa discussão de caráter historiográfico é importante para percebermos o momento de formulação de um conceito bem definido e totalmente explicativo e de outro modo apresentar uma instabilidade que não desmerece as formulações de 70 anos de historiografia, mas compreender uma outra via de explicação do real-passado que não age pela via conceitual, mas por uma outra via formativa da linguagem, isto é, a Metáfora. Dentro dessas compreensões pretendo levar, por um caminho híbrido, um esforço para demonstrar a formatividade desses versos, sua ambiência e como eles, por certa via, dão conta de uma experiência de real e assim demonstrar minha hipótese principal de ter nos textos risíveis dos Carmina Burana uma forma metafórica de construção de um conhecimento sobre o passado.
In this paper we analyze the profound changes taking place in the twelfth century Medieval West and were noted by Haskins as a distinct form of Renaissance. And these are represented within the set of satirical texts, Carmina Burana. For this mobilizarei an effort, at first, to understand the formulation of the concept of Cultural Renaissance, which is established in their proper contours by Jakob Burckhardt and is used by Haskins to think an era of breakups and social fluidity, which were atypical to a company linked to stability that an agrarian culture, as we showed Ernst Gellner, possessed. This discussion of historiographical character is important to realize the time to formulate a well-defined concept and fully explanatory and otherwise present an instability that does not diminish the formulations of 70 years of history, but to understand another way of real-last explanation does not act via the conceptual, but another via formation of language, that is, the metaphor. Within these understandings intend to take, by a hybrid way, an effort to demonstrate the formativeness these verses, their surroundings and how they, in some way, realize a real experience and thus demonstrate my main hypothesis have the laughable texts of Carmina Burana a metaphoric way of building knowledge about the past.

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Schumann, Marie-Françoise. "Salmon Macrin und sein Werk unter besonderer Berücksichtigung der Carmina ad Gelonidem von 1528 und 1530 /." Münster : LIT, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018635242&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Schumann, Marie-Françoise. "Salmon Macrin und sein Werk unter besonderer Berücksichtigung der "carmina ad Gelonidem" von 1528 und 1530." Berlin Münster Lit, 2008. http://d-nb.info/99609234X/04.

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Geoffroy, de Reims Broecker Elmar. "Gottfried von Reims : kritische Gesamtausgabe : mit einer Untersuchung zur Verfasserfrage und Edition der ihm zugeschriebenen Carmina /." Frankfurt am Main ; Berlin ; Bern : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb38863421w.

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Silaidos, Carmina Viktoria [Verfasser]. "Bioenergetische Messungen in peripheren mononukleären Blutzellen (PBMCs) - Einfluss von Alter, Geschlecht und zirkadianem Rhythmus / Carmina Viktoria Silaidos." Gießen : Universitätsbibliothek, 2020. http://d-nb.info/1216144931/34.

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Wolbring, Michael [Verfasser]. "Melchior Goldast und der ›Codex Manesse‹ : Mit besonderer Berücksichtigung der ›Hypomnemata in aulicorum Poetarum Carmina amatoria‹ / Michael Wolbring." Heidelberg : Heidelberg University Publishing, 2019. http://d-nb.info/1204524947/34.

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Samyn, Henrique Marques. "A pastora e a alegoria: a pastora alegórica, da lírica occitânica aos Carmina Burana e ao trovadorismo galego-português." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2198.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Este trabalho tenciona investigar o conceito de pastorela alegórica, desde sua emergência na obra do trovador occitânico Marcabru mais precisamente, em sua obra Lautrier jost una sebissa até seus desenvolvimentos nos corpora líricos occitânico, médio-latino e galego-português. Nosso trabalho compreende, assim, um estudo comparativista sobre a poesia medieval composta nos séculos XII e XIII, por intermédio do qual tencionamos abordar a relação entre discurso literário e alegoria no âmbito medieval
This thesis aims to investigate the concept of allegorical pastourelle, from its emergence in the poetry of the Occitan troubadour Marcabru more precisely, in his lyric Lautrier jost una sebissa until its developments in the Occitan, Medieval Latin and Galician-Portuguese lyric corpora. Through a Comparative Study of the medieval lyric of the XII and XIII centuries, this work aims to examine the relation between literary discourse and allegory in the medieval period

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Bruhat, Marie-Odile. "Les Carmina Figurata de Publilius Optatianus Porfyrius : la métamorphose d'un genre et l'invention d'une poésie liturgique impériale sous Constantin." Paris 4, 1999. http://www.theses.fr/1998PA040320.

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Optatianus Porfyrius renouvelle le genre du poème figure alexandrin (technopaegnia). Ses poèmes carres font apparaitre, grâce à d'ingénieux versus intexti, un dessin intérieur : figures géométriques, inscriptions, figures emblématiques. Cette poésie figurée emprunte au domaine de l'épigraphie (jeux sur les dispositions de lettres et acrostiches), des arts décoratifs (motifs empruntes aux mosaïques) et des mathématiques (combinatoire et multiplication des possibilités de lecture). Pour décrire sa technique, le poète recourt au vocabulaire du tissage. Ses poèmes illustrent visuellement la conception du texte comme résultat d'un entrelacement. La métaphore du tissage appelle aussi la comparaison avec des étoffes brodées : le texte-tissu devient l'image de la toga picta du vainqueur. Composés dans les années 320-326, les Carmina d'Optatien accompagnent la marche de Constantin vers un pouvoir unique, dynastique et chrétien. La confrontation avec les monnaies révèle l'attention de l'auteur à l'actualité de la propagande impériale. Son éloge témoigne ainsi de la christianisation du pouvoir, à un moment où celui-ci garde des affinités avec la théologie solaire. Optatien développe particulièrement le thème de la lumière, qu'il met au service de l'idée dynastique en célébrant la gloria constantinienne. La poésie d'Optatien s'apparente à l'esthétique du bas-empire par son goût pour l'abstraction, le signe, et le stéréotype. Les vœux lies au renouvellement du charisme impérial confèrent une fonction liturgique aux carmina, susceptibles d'être associés aux grandes fêtes impériales
Optatianus Porfyrius transcended the Alexandrian figurated poem (technopaegnia). His square-like poems display internal pictures drawn by clever versus intexti : geometrical patterns, dedications, emblems. This poetry combines influences from epigraphy (characters placement, acrostiches), ornamental arts (mosaic patterns) and mathematics (combinatorics of reading paths and word permutations). To describe his art the poet uses the vocabulary of weaving. His works illustrate graphically this idea of the text as an intertwining. The weaving metaphor reminds of the embroidery: the text/fabric becomes the equivalent of the toga picta of the conqueror. Composed in the period 320-326, Optatianus' Carmina follow emperor Constantine steps toward a monarchic, dynastic and Christian rule. A parallel study of contemporary coins shows how Optatianus carefully exploits the evolution of the imperial propaganda. His praise give evidence of the Christianization of the executive power, precisely when it keeps connections with the cult of sol. Optatianus also emphasizes the theme of the light, with the purpose to celebrate the constantinian gloria. Optatianus poetry bears traits of the esthetics of the roman 4th century a. D. : a taste for abstraction, symbols and clichés. The vows associated to the renewal of the emperor's charisma give to the Carmina a liturgic value in harmony with the spirit of the main imperial celebrations

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Blasberg, Arnold. "Vasilij Vasil·evič Kapnist und seine Übertragungen von Gedichten des Horaz ins Russische." Rahden, Westf. Leidorf, 2007. http://www.vml.de/d/detail.php?ISBN=978-3-86757-101-2.

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Murry, Reyna Carmina Felicia [Verfasser], Axel A. [Gutachter] Brakhage, Stephen [Gutachter] Horton, and Erika [Gutachter] Kothe. "Inositol phosphate in the basidiomycete fungus Schizophyllum commune / Reyna Carmina Felicia Murry ; Gutachter: Axel. A. Brakhage, Stephen Horton, Erika Kothe." Jena : Friedrich-Schiller-Universität Jena, 2019. http://d-nb.info/1207155756/34.

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Orsini, Sarah. "Les "Carmina" de Pascoli : édition traduite et commentée d'une sélection de poèmes latins et édition numérique d'une sélection de brouillons." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2090.

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Giovanni Pascoli (1855-1912) est un classique de la littérature italienne. Poète bilingue écrivant en italien et en latin, il s’est illustré dans le domaine de la littérature néo-latine en composant des poèmes qui ont remporté le certamen poeticum hoeufftianum. Son œuvre latine, les Carmina, est méconnue en France. Le premier objectif de cette recherche doctorale est de proposer une édition bilingue traduite et commentée d’une sélection des poèmes latins de Pascoli, accessible à un public français non spécialiste de littérature latine ou italienne. Nous avons tenté de sélectionner des poèmes de formes variées (poèmes narratifs, épigrammes, odes dédicatoires) afin de donner au lecteur un aperçu de ce que pourrait être une édition intégrale des Carmina. Nous avons présenté en introduction les éléments biographiques et les diverses aspects esthétiques et linguistiques de la poésie pascolienne susceptibles de faciliter la compréhension des textes. Nous y proposons également une analyse de l’expérience poétique que représente pour Pascoli le fait d’écrire en latin et de situer cette pratique par rapport à ses contemporains. Nous avons en outre essayé autant que possible d’étudier la poésie latine de Pascoli au contact de sa poésie italienne. Le second aspect de cette thèse porte sur le caractère posthume de cette œuvre, éditée par la sœur du poète, Maria Pascoli avec l’aide du philologue Ermenegildo Pistelli. Le poète n’ayant pas eu le temps de proposer une structuration de son œuvre en recueil, les poèmes latins sont organisés selon des sections thématiques qui ne sont pas toujours satisfaisantes (par exemple, les épigrammes sont éditées sans logique d’organisation dans une section rassemblant tous les poèmes de forme brève ou les poèmes qui n’ont pu être classés dans les sections thématiques). Grâce à la numérisation de l’ensemble des brouillons de G. Pascoli, nous avons pu explorer les ébauches de plans réalisés par l’auteur, et nous proposons dans l’introduction de cette thèse deux recueils possibles : le premier organisé selon la chronologie de l’écriture, le second organisé selon la chronologie des faits représentés. Notre édition commentée des Carmina est présentée selon la première organisation, afin d’offrir un aperçu de l’écriture de Pascoli comme un processus qui a évolué au fil du temps. Cette étude du processus de l’écriture pascolienne, nous l’avons également menée à l’échelle du poème, dans le détail de la composition. Nous avons réalisé une édition génétique XML-TEI d’un dossier de brouillons, celui du poème Crepereia Tryphaena. Dans cette édition, nous avons décrit avec une très grande précision les gestes d’écriture visibles sur la page (ajouter, supprimer, substituer, déplacer, réécrire une nouvelle version) et nous avons tenté, quand cela était possible d’analyser les opérations mentales qui ont provoqué ces gestes. Nous avons en outre tenté de reconstituer la chronologie de l’écriture de chaque brouillon, afin de créer un prototype d’édition qui permette de lire les brouillons de poésie en affichant le texte une campagne d’écriture après l’autre et de visualiser les modifications apportées par l’auteur jusqu’à l’échelle de la lettre. Grâce à cette édition, nous avons pu analyser dans le détail les étapes de composition, les méthodes employées par l’auteur et les gestes effectués pour mener à bien son projet, et nous livrons les résultats de cette analyse à la fin de l’introduction de cette thèse
Giovanni Pascoli (1855-1912) is a classic of Italian literature. A bilingual poet writing in Italian and Latin. He has distinguished himself in the field of Neo-Latin literature by composing poems awarded in the certamen poeticum hoeufftianum. His Latin work, the Carminas, is almost unknown in France. The first objective of this doctoral research is to propose a bilingual edition, translated and commented, of a selection of Pascoli's Latin poems, accessible to a French audience not specialised in Latin or Italian literature. We have tried to select poems of various forms (narrative poems, epigrams, dedications odes) in order to give the reader an idea of what a complete edition of the Carmina could be like. In the introduction, we presented the biographical elements and the various aesthetic and linguistic aspects of Pascolian poetry that could facilitate the understanding of the texts. We also offer an analysis of the practice consisting in writing in Latin as a poetic experiment, and tried to situated this practice in relation to his contemporaries. We also tried as much as possible to study Pascoli's Latin poetry in relation to his Italian poetry. The second aspect of this thesis concerns the posthumous nature of this work, edited by the poet's sister, Maria Pascoli, with the help of philologist Ermenegildo Pistelli. Since the poet did not have time to propose a structure of his work in a collection, the Latin poems are organized according to thematic sections that are not always satisfactory (for example, the epigrams are published without organizational logic in a section containing all the short poems or the poems that could not be classified in the thematic sections). The digitization of all of G. Pascoli's drafts enabled us to explore the drafts of the author's plans, and we propose two possible collections in the introduction to this thesis: the first organized according to the chronology of the writing, the second organized according to the chronology of the facts represented. Our commented edition of the Carmina is presented according to the first organization, in order to offer an overview of Pascoli's writing as a process that has evolved over time. This study of the Pascholian writing process was also carried out at the poem level, in the detail of the composition. We made an XML-TEI genetic edition of a draft folder, that of the poem Crepereia Tryphaena. In this edition, we have described with great precision the writing gestures visible on the page (add, delete, substitute, move, rewrite a new version) and we have tried, when possible, to analyze the mental operations that caused these gestures. We have also tried to reconstruct the chronology of the writing of each draft, in order to create an editing prototype that allows us to read the drafts of poetry by displaying the text one writing campaign after the other and to visualize the modifications made by the author up to the scale of the letter. Thanks to this edition, we were able to analyse in detail the composition steps, the methods used by the author and the gestures made to carry out his project, and we deliver the results of this analysis at the end of the introduction of this thesis
Giovanni Pascoli (1855-1912) fa parte dei classici della letteratura italiana. Poeta bilingue scrivendo in italiano e in latino, è diventato famoso nell’ambito della letteratura neolatina per avere composto poemi premiati o lodati quasi ogni anno dal 1892 al certamenpoeticum hoeufftianum. La sua opera latina, i Carmina, è sconosciuta in Francia.Il primo obbiettivo di questa ricerca dottorale è di proporre un’edizione bilingue tradotta e commentata di una selezione dei poemi latini del Pascoli e di rendere quest’edizione accessibile a un lettorato francese che non sia specialista né di letteratura latina né di letteratura italiana. Abbiamo provato a selezionare poemi di forme varie (poemi narrativi, epigrammi, odi dedicatorie) per poter dare al lettore una visione d’insieme di quello che potrebbe essere un’edizione integrale dei Carmina. Abbiamo presentato in introduzioneelementi biografici e vari aspetti estectici e linguistici della poesia pascoliana suscettibili di agevolare la comprensione dei testi. Ci presentiamo anche un’analysi delle modalità della scrittura in latino come esperienza poetica, ambientando questa pratica nel contesto culturale in cui scriveva il Pascoli. Abbiamo inoltre provato a studiare la poesia latina del Pascoi al contatto di quella italiana.Il secondo aspetto di questa tesi riguarda il carattere postumo dei Carmina, la cui edizione princeps è stata realizzata da Maria Pascoli e Ermenegildo Pistelli. Il poeta non ha avuto il tempo di raggruppare i suoi poemi in una raccolta strutturata, quindi i Carmina sono stati organizzati in sezioni tematiche che non sono sempre soddisfacenti (per esempio, gli epigrammi sono pubblicati senza logica di organizzazione in una sezione ragruppando poemi di forma breve e poemi che non entravano nei temi delle sezioni). Grazie alla digitalizzazione dell’insieme delle carte di G. Pascoli, abbiamo potuto esplorare i tentativi di strutturazionedell’opera realizzati dal poeta, e proponiamo nell’introduzione di questa testi due strutture possibili : la prima secondo la cronologia della scrittura, e l’altra secondo la cronologia dei fatti rappresentati. Abbiamo scelto per presentare l’edizione commentata dei Carmina la prima struttura, per permettere di visualizzare la scrittura dei Carmina come un processo che ha evoluto nel tempo.Questo studio del processo della scrittura pascoliana, l’abbiamo anche portato al livello del poema, nel dettaglio della composizione. Abbiamo costituito un’edizione genetica XMLTEI di una cartella di carte, quella del poema Crepereia Tryphaena. In questa edizione, abbiamo descritto con una massima precisione possibile i gesti di scrittura visibili sulla pagina (aggiungere, cancellare, sostituire, spostare, riscrivere una nuova versione), e abbiamo tentato, quando era possibile, di analizzare le operazioni mentali che hanno provocato questi gesti. Inoltre, abbiamo provato a ricostituire la cronologia della scrittura di ogni carta, percreare un prototipo di edizione che permetta di leggere le carte di una poesia facendo apparire una stesura dopo l’altra, e permettendo di visualizzare le modifiche fino al livello della lettera. Grazie a quest’edizione abbiamo potuto analizzare precisamente le varie tappe della composizione di poesia, i metodi usati dall’autore et i gesti effettuati per condurre il suo progetto creativo. Presentiamo i risultati di quest’analisi alla fine dell’introduzione della tesi

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Huck, Oliver. "Melodieverweise bei Johann Rist: Korpus und Kommentierung." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23338.

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Constant-Desportes, Barbara. "Autour de L'Angelinetum et des Carmina varia de Giovanni Marrasio : étude sur la poésie latine du premier humanisme et sur le renouvellement du genre élégiaque." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL081.

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Cette thèse porte sur la renaissance de l’élégie latine à l’ère humaniste, au début du XVe siècle, à Sienne. Giovanni Marrasio compose alors le premier recueil d’élégies en langue latine de la Renaissance, l’Angelinetum, d’inspiration amoureuse, auxquels s’ajoutent de nombreux poèmes variés, ses carmina varia. Avant lui, ce genre n’avait pas retrouvé d’expression depuis plusieurs siècles. L’œuvre du poète, très variée dans ses thèmes et dans ses sujets, trouve son unité dans l’utilisation exclusive du distique élégiaque. Cela conduit à s’interroger sur la conception de l’élégie latine que Marrasio illustre : s’il se réapproprie de nombreux thèmes et de nombreuses topiques caractéristiques des élégies antiques, il intègre dans sa poésie plusieurs héritages littéraires d’époques ultérieures. Tous ces emprunts sont savamment fondus dans une poésie originale au gré d’une imitation habilement pensée. Les modalités de cette imitation sont analysées dans toute leur variété : la réminiscence littéraire s’exprime ainsi par l’allusion, la citation et la traduction. L’analyse de l’imitation marrasienne permet également d’évaluer les nouveaux apports du poète au genre élégiaque, notamment par l’intégration de thèmes pétrarquistes et par le rapprochement de l’élégie et de l’épigramme. Marrasio participe, en tant que lettré, à certains débats littéraires de son temps, tels l’inspiration ou la valeur de la poésie, qui trouvent dans ses poèmes, des illustrations inédites, repérables grâce à une pratique métapoétique de l’écriture. Marrasio se révèle à la fois un passeur et un novateur dans la renaissance du genre élégiaque
This thesis deals with the renaissance of the Latin elegy in the humanist era, at the beginning of the 15th century, in Siena, when Giovanni Marrasio composed the first collection of elegies in Renaissance Latin, Angelinetum, with love as its inspiration, in addition to numerous diverse poems, his carmina varia. This style of expression had not been in use for several centuries prior to this. The exclusive use of the elegiac distich lends unity to the wide range of themes and subjects in the poet's work. This leads one to ponder the conception of the Latin elegy as illustrated by Marrasio : if he reappropriates many themes and topics characteristic of ancient elegies, he integrates several literary legacies from various earlier periods in his poetry. All these borrowings are skillfully combined into original poetry by means of clever purposeful imitation. The methods of this imitation are analysed in full: literary influence is thus expressed by allusion, quotation and translation. The analysis of Marrasian imitation also allows the poet's new contributions to the elegiac genre to be evaluated, in particular his use of Petrarchist themes and combination of the elegy and the epigram. As a man of letters, Marrasio took part, in certain literary debates of his time, on topics such as inspiration or the value of poetry, which find novel expression in his poems, identifiable thanks to a metapoetic writing style. Marrasio turns out to be both an imitator and an innovator in the renaissance of the elegiac genre

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Mehlhart, Carmina [Verfasser], and Günter Karl [Akademischer Betreuer] Stalla. "Akromegalie im Follow-up: Ein Prädiktionsmodell für Lebensqualität und Entwurf eines Schulungskonzepts auf Basis einer quantitativen und qualitativen Datenanalyse / Carmina Mehlhart ; Betreuer: Günter Karl Stalla." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1228270805/34.

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Herbert, de la Portbarré Gaëlle. "Descriptions monumentales et discours sur l'édification dans l'oeuvre de Paulin de Nole : Le regard et la lumière dans la lettre 32 et les carmina 27." Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10117.

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L'œuvre littéraire de Pontius Meropius Paulinus (352 ou 353-430) est composée essentiellement de la correspondance qu'il entretient avec ses contemporains et des Natalicia, poèmes destinés à commémorer annuellement l'anniversaire e la mort de saint Félix, confesseur, enseveli à la fin du IIIème siècle dans une simple tombe all'aperto dans le lieu-dit Cimitile situé dans le suburbium de la ville de Nole en Campanie. C'est dans le complexe monumental surgi autour du tombeau de Félix que Paulin vint s'installer définitivement en 395. Dans le sanctuaire félicien, il fonda une communauté monastique et consacra le restant de sa longue vie à une double œuvre d'édification monumentale et spirituelle. Dans les années 401-403, il entreprend une vaste opération de restructuration et d'agrandissement du complexe félicien. Or Paulin décrit dans certain des ses textes les monuments qu'il a commandités et financés. Des années 403-404 datent la lettre 32 à Sulpice Sévère et les Carmina 27 et 28 qui constituent le corpus de cette étude. Ces trois textes constituent un témoignage inestimable sur le complexe des basiliques paléochrétiennes dédiés à Félix et ils présentent l'intérêt de pouvoir être mis en rapport avec les vestiges du site de Cimitile, dont la redécouverte et la mise en valeur depuis les années 1930 se poursuit encore aujourd'hui, sans cesser de susciter les interrogations des archéologues. Ce travail est avant tout une étude littéraire et spirituelle des descriptions monumentales présentes dans le corpus délimité et s'efforce de mettre en évidence la liaison constante dans le discours paulinien sur les constructions entre l'édification terrestre et celle de l'âme en temple pour Dieu. La confrontation avec les témoignages archéologiques est inévitable, mais elle doit être effectuée avec prudence et elle a surtout pour finalité d'aider à évoluer le statut des descriptions monumentales de Paulin

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Fuß, Carmina Teresa [Verfasser], Stefanie [Gutachter] Hahner, and Buck [Gutachter] Andreas. "Erfassung der Strahlenbelastung des Nebennierenvenenkatheters und Evaluation des Chemokinrezeptors CXCR4 als neues Target in der Differentialdiagnostik des primären Hyperaldosteronismus / Carmina Teresa Fuß ; Gutachter: Stefanie Hahner, Buck Andreas." Würzburg : Universität Würzburg, 2020. http://d-nb.info/1202714099/34.

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Carvalho, Terezinha Elizabeth Mendes de. "Adsorção de corantes aniônicos de solução aquosa em cinza leve de carvão e zeólita de cinza leve de carvão." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/85/85134/tde-29082011-102142/.

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Cinza leve de carvão, resíduo gerado em usina termelétrica, foi usada para sintetizar zeólita por meio de tratamento hidrotérmico com solução de NaOH. A cinza leve (CL-2) e a zeólita sintética (ZM-2) que foi predominantemente identificada como hidroxi-sodalita foram utilizadas como adsorventes dos corantes aniônicos índigo carmina (IC) e reativo laranja 16 (RL16) de soluções aquosas. Nos processos de adsorção, os efeitos de tempo de contato, concentração inicial de corantes, pH, massa de adsorventes e temperatura foram avaliados. O estudo cinético de adsorção demonstrou que os resultados apresentaram melhor ajuste ao modelo de pseudo-segunda ordem e que adsorção de superfície e difusão intrapartícula participaram no mecanismo de adsorção. Os parâmetros termodinâmicos demonstraram que a adsorção foi espontânea em todos os processos de adsorção. Os processos de adsorção foram de natureza endotérmica para todos os sistemas, com exceção do sistema IC/ZM-2, em que foi exotérmico. Os dados de entropia mostraram a ocorrência do aumento da desordem na interface sólido/solução durante a adsorção em todos os sistemas, exceto novamente no IC/ZM-2, no qual se verificou a diminuição da desordem na interface. As isotermas de adsorção ajustaram-se à equação linear de Langmuir. As capacidades máximas de adsorção foram 1,48 mg/g para o sistema IC/CL-2; 1,13 mg/g para IC/ZM-2; 0,96 mg/g para RL16/CL-2 e 1,14 mg/g para RL16/ZM-2 à temperatura ambiente. O estudo de dessorção realizado com água, com soluções aquosas ácidas e com solução aquosa básica demonstrou ser ineficiente tanto para a recuperação dos corantes quanto para a regeneração dos adsorventes.
Coal fly ash, a waste generated in coal-fired electric power plant, was used to synthesize zeolite by hydrothermal treatment with NaOH solution. The fly ash (CL-2) and this synthesized zeolite (ZM-2) that was characterized as hydroxy-sodalite were used as adsorbents for anionic dyes indigo carmine (IC), and reactive orange 16 (RO16) from aqueous solutions. Effects of contact time, initial dye concentration, pH, adsorbent mass, and temperature were evaluated in the adsorption processes. The kinetics studies indicated that the adsorption followed the pseudo-second order kinetics and that surface adsorption and intraparticle diffusion were involved in the adsorption mechanism. The thermodynamics parameters demonstrated that the adsorption was spontaneous for all adsorption processes. The enthalpy data confirmed the endothermic nature for all adsorption processes except for IC/ZM-2 system which was exothermic. The entropy data showed an increased disorder at the solid/solution interface during the adsorption for all systems except for IC/ZM-2 whose negative entropy value indicated a decreased disorder at the interface. The adsorption isotherms were closely fitted to the Langmuir linear equation. The maximum adsorption capacities were 1.48 mg/g for the IC/CL-2 system; 1.13 mg/g for IC/ZM-2; 0.96 mg/g for RO16/CL-2, and 1.14 mg/g for RO16/ZM-2 at room temperature. The desorption study carried out with water, with acid aqueous solutions, and with an alkali aqueous solution showed to be inefficient both for recovering the dyes and regenerating the adsorbents.

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Paz, Martha Costa Guterres. "Avalovara: leituras musicais." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/33668.

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Este trabalho aborda os aspectos musicais relacionados à construção do relógio de Julius Heckethorn, com base na sonata K 462 de Scarlatti, detalhadamente narrados no tema P, do romance Avalovara, de Osman Lins. O objetivo é o estabelecimento de relações entre esses aspectos musicais e os elementos estruturais do romance, com vistas ao desvelamento de algumas de suas regras. São relevantes e numerosas as referências musicais presentes no romance. Além das ricas narrativas de cenas sonoras, tais como o bater das ondas do mar na beira da praia, o som do vento, o barulho das patas dos cavalos, o cantar dos pássaros, há representações de manifestações musicais folclóricas e eruditas retratadas pelo Pastoril, no Recife, pela cantata Catulli Carmina, de Carl Orff, e pelo salmo In Convertendo Dominus, de André Campra. As reflexões têm como referência teórica a perspectiva de Matila Ghyka (1968) para relacionar os elementos estruturais da obra com a construção do relógio de Julius Heckethorn, e como referência musical as informações contidas em Grout e Palisca (2007).
This paper discusses the musical aspects related to the construction of Julius Heckethorn's clock, based on the Sonata K 462 by Scarlatti, narrated in detail in the subject P, of the novel Avalovara, by Osman Lins. The goal is to establish relationships between the musical aspects and the structural elements of the novel, unveiling some of its rules. The musical references present in the novel are relevant and numerous. Besides the rich narrative sound scenes, like the beating of waves on the beach, the sound of wind, the sound of horses' hoofs and the chirping of birds, there are depictions of folk and classical musical events such as the Pastoril, in Recife, the cantata Carmina Catulli by Carl Orff, and the psalm In Convertendo Dominus, by André Campra. The reflections are referenced to the theoretical perspective of Matila Ghyka (1968) to relate the structural elements of the work with the construction of Julius Heckethorn's clock, and are referenced musically to the information contained in Grout and Palisca (2007).

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Tsai, I.-ting, and 蔡怡婷. "Metamorphoses of Vampires in Bram Stoker’s Dracula and Le Fanu’s “Carmilla”." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/83616186668591728592.

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碩士
國立中正大學
外國文學所
94
This thesis will be focus on the male and female vampires in both Dracula and “Carmilla” in order to explore their different faces and metamorphoses. After that, I hope to infer the reason why vampire stories always attract people. This thesis is divided into three chapters. The first chapter deals with Tzvetan Todorov’s theory on the fantastic. And as Todorov says, the fantastic gives us a chance to read something which is forbidden to talk about, such as incest and homosexuality. Readers can enjoy the delights of aberration when reading the fantastic without really breaking the moral standards and the rules. In the fantastic stories, vampires appear as the incarnations of different taboos. Since there are many different taboos in the society, vampires metamorphose into different forms. In this chapter, folkloric vampires are also mentioned. From the folkloric vampires, we know that vampires’ images and traits differ from countries to countries and cultures to cultures. Chapter Two deals with all the male and female vampires in Dracula and “Carmilla”. In this chapter, male and female vampires will be explored using Carol A. Senf’s idea of the three characteristics associated with vampires. From this chapter we know further that vampires change their images according to people’s and society’s needs. In Chapter Three, the focus is on the two protagonists, Dracula and Carmilla, in the two vampire fictions. There will be three main points in this part. The first one is about the historic Dracula and Carmilla. In the second point, heterosexuality and homosexuality will be discussed. At last, another vampire fiction, Fred Saberhagen’s The Dracula Tape, will be used to discuss vampire’s voice. From this novel, we know that vampires in the twentieth century are very different from those in the previous centuries. They speak for themselves. They transform from terrible monsters to attractive characters. From these three chapters, we know that the reason why vampires always can attract people is because of their fluid nature. They don’t have a stable image. They metamorphose into different images according to different culture, society, and epoch in order to answer to people’s and society’s fears or needs.

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Dissertations / Theses on the topic 'Carmilla'

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