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1
Goldberg, Christiane. "Carmina Priapea : Einleitung, Übersetzung, Interpretation und Kommentar /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35698516n.
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Diss.--Fachbereich Kommunikations- und Geschichtswissenschaften--Berlin--Technische Universität, 1990.Ne contient pas le plein texte latin, mais un comment. linéaire, trad. allemande par strophe. Bibliogr. p. 9-23. Index.
2
Carpenter, Clare. "Medievalism and paganism : interpretations of the Carmina Burana." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10816/.
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Rumor, Alvise <1992>. "I Carmina Apologetica attribuiti a Giuliano di Toledo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18814.
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Scopo di questa tesi è verificare la falsificazione, attraverso l'analisi testuale, di due Carmina Apologetica ad opera del gesuita Jerónimo Román de la Higuera, già postulata da Nicolaus Antonius nel 1672 e riproposta da Jacques-Paul Migne due secoli più tardi, in virtù di alcune incongruenze tra quanto scritto nei testi e gli avvenimenti storici, che si aggiungevano alla fama di falsario che l'autore si era conquistato già in vita. Le poesie erano state editate nel Seicento dall'umanista Lorenzo Ramírez de Prado, in nota a un Chronicon Luitprandi, sulla base degli appunti del de la Higuera, senza tuttavia verificarne l'autenticità.
Attraverso lo studio della vita di Giuliano di Toledo (642-690), del contesto storico-sociale in cui essa si inserisce e mediante l'analisi testuale dei due Carmina, si cercano di individuare le motivazioni che hanno spinto lo studioso gesuita alla scelta del nome del vescovo visigoto per l'attribuzione dei propri testi.
4
De, Kock Annemarie. "Catullus se Carmina in Afrikaans vertaal : 'n funksionalistiese benadering /." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/2552.
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Schumacher, Matthias [Verfasser]. "Die Carmina Latina Epigraphica des römischen Britannien / Matthias Schumacher." Berlin : Freie Universität Berlin, 2012. http://d-nb.info/1030383308/34.
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Magin, Carrie. "Catulli Carmina Quinque for Mixed Chorus (SATB), a cappella." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1380612972.
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Pellegrino, Caruso. "Problemi testuali nel primo libro dei Carmina di Orazio." Doctoral thesis, Universita degli studi di Salerno, 2012. http://hdl.handle.net/10556/329.
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2010 - 2011Nella piena convinzione della centralità del testo come primario valore da difendere negli studi filologici, l’attività di ricerca relativa alla tesi di dottorato dal titolo “Problemi testuali nel libro primo dei Carmina di Orazio” ha ripercorso la tradizione diretta e indiretta del testo oraziano, avvalendosi, per la discussione su loci testuali interessati da problemi filologici, tanto delle note dei commentatori antichi, quanto dei vari filologi, dall’ età umanistica all’età moderna e contemporanea. [a cura dell'autore]
VII
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Bolzon, Lucas Bomfim. "Nb2O5 como fotocatalisador para a degradação de índigo de carmina." reponame:Repositório Institucional da UnB, 2007. http://repositorio.unb.br/handle/10482/3071.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Química, 2007.Submitted by Fernanda Weschenfelder (nandaweschenfelder@gmail.com) on 2009-12-07T14:13:26Z No. of bitstreams: 1 2007_LucasBomfimBolzon.PDF: 943493 bytes, checksum: 0c0aff11c99dee1c615584ea31f9a5e7 (MD5)
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Made available in DSpace on 2010-01-08T23:54:02Z (GMT). No. of bitstreams: 1 2007_LucasBomfimBolzon.PDF: 943493 bytes, checksum: 0c0aff11c99dee1c615584ea31f9a5e7 (MD5) Previous issue date: 2007
O Nb2O5 foi caracterizado por MEV, área superficial, FTRaman e FTIR. O Estudo de densidade de carga superficial juntamente com o estudo calorimétrico foram necessários para compreender a protonação e a desprotonação da superfície do catalisador em função da variação do pH do meio. O catalisador foi aplicado na fotodegradação do corante índigo de carmina, comparado com TiO2 e ZnO, na qual foi observado que apesar do mesmo apresentar uma cinética de degradação menor, o nióbio pode ser facilmente recuperado e reciclado. No estudo da força iônica, a atividade de fotodegradação do Nb2O5 aumentou até a concentração de 0,05 mol/L e acima deste valor começou a diminuir. O Nb2O5 teve alta atividade fotocatalítica em meio ácido (pH < 4,94 ) devido a protonação da sua superfície que deve interagir melhor com o índigo de carmina. No estudo da reciclagem, o semicondutor manteve a atividade de 80% durante 10 ciclos catalíticos. _________________________________________________________________________________________ ABSTRACT
Nb2O5 has been characterized by SEM, surface area, FTRaman and FTIR. Protonation and deprotonation of catalyst surface caused by changes in pH values were followed by surface charge density and calorimetric studies of this catalyst. The Nb2O5 was applied in the photodegradation of indigo carmine dye, its ability was compared with catalysts TiO2 and ZnO. Nb2O5 presented a degradation lower than other oxides, however, it can be easy recovered and recycled. The activity of Nb2O5 increased with ionic strength up to 0.05 mol/L salt concentration and above this value, photocatalytic activity started to decrease. Nb2O5 showed high activity in acid medium (pH < 4.94), due to this protonated region favors dye interaction. The catalyst was recycled and reused more 9 times and maintained its photocatalytic activity showing 80% of indigo carmine degradation.
9
Belloc, Hervé. "Les Carmina Latina epigraphica des Gaules : édition, traduction, étude littéraire." Caen, 2006. http://www.theses.fr/2006CAEN1454.
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Les recherches récentes menées à l’échelle européenne sur les Carmina Latina epigraphica ont promu, sur le plan de l’édition et de l’analyse, une approche régionale de ces textes correspondant aux anciennes provinces romaines. Conformément à ces recommandations, la présente thèse propose à la fois une édition des poèmes épigraphiques en langue latine des provinces de Gaule Aquitaine, Belgique, Lyonnaise et Narbonnaise du Ier au VIIe S. , et une étude générale du catalogue établi. Les principes d’élaboration du catalogue sont présentés en préface, avec les limites adoptées et la liste justifiée des textes non retenus. Les notices sont rédigées selon les normes épigraphiques modernes. Elles comportent une description détaillée du support et les informations relatives à sa conservation, une transcription épigraphique avec illustration en regard, un développement du texte donné sous sa forme poétique, une traduction ainsi que l’étude des parallèles épigraphiques et littéraires, des aspects historique, littéraire, métrique et linguistique. En dernier lieu, une datation est proposée. Le catalogue est également accompagné de concordances et d’index. L’étude générale offre un examen des données statistiques portant sur la répartition géographique et chronologique des inscriptions et des typas de vers pour la totalité du catalogue (trois cents inscriptions), et une analyse historique et littéraire du corpus présenté, avec une attention particulière portée aux questions de linguistique de l’énonciation et des rapports entre groupes sociaux et diffusion culturelle. Enfin, des cartes, des graphiques et des tableaux chronologiques sont fournis en annexe
10
Rae, Lyn MacCrostie. "A study of the versification of the African carmina latina epigraphica." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31157.
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This thesis presents a study of the metrics and prosody of the carmina latina epigraphica from the Roman provinces of North Africa, the purpose of which is to test the prevailing but unsubstantiated view that these carmina exhibit especially poor versification, and that in them can be observed a chronological decline in quality of versification.
A representative corpus of dated carmina latina epigraphica africana is established, the inscriptions are subjected to an analysis of their metrics and prosody, and conclusions are drawn concerning the nature, extent and chronology of their deviation from classical standards of versification.
The corpus of inscriptions has four introductory chapters, which form Part II of the study. The first describes the criteria according to which the texts have been chosen. The second, third and fourth present three premises on which analysis and interpretation of their versification are based; these concern the authorship of the carmina, the educational background of the authors, and the linguistic milieu in which they were composed.
The core of the thesis is Part III, which comprises the texts of eighty-six dated carmina, analyses of their versification and commentaries on several features of their composition. Observations are offered regarding: the nature and possible causes of unclassical metric and prosodic phenomena; the extent to which an author deviates from literary norms, and the effect of his errors on a quantitative reading of the poem; a brief assessment of each author's understanding of and competence in the composition of classical quantitative verse; the graphic disposition of the text and its effect on the reader's recognition and recitation of the poetic content.
Conclusions drawn from the data compiled in Part III include the following. Unclassical metric features characteristic of the corpus include the combination of different meters in one poem, the composition of hypermetric and hypometric lines and the intermixture of prose with lines of verse. Such phenomena are found in about one-half the texts. Prosodical irregularities fall into two main types: those that can be considered classical (ascribable to an author's application of classical licences); and those that are errors, most of which are attributable to the intrusion of certain unclassical phonological features of an author's everyday speech. Prosodical errors occur in about three-quarters of the texts.
Four main observations are offered regarding the distribution of errors in the corpus. The extent to which individual authors adhere to literary norms varies widely; the majority of versifiers, however, have adhered sufficiently well that their works can be read quantitatively without serious hindrance. The presence of metric deviations in a poem carries no chronological significance, for these are fairly evenly
distributed throughout the corpus; a general chronological decline in adherence to classical prosody is discernible from the first century to the fifth, with a reverse in the decline seen in poems dated to the last three centuries of the period. The presence in the corpus of several poems of unsound versification of very early date and of poems of sound versification of very late date proves that the practice of some scholars of dating otherwise undatable carmina according to their quality of versification is unsafe. Pagan authors tend to adhere slightly more closely than their Christian counterparts to classical metrics and prosody. Poems of reasonably sound metrics and prosody tend to be inscribed in such a way as to facilitate the reader's recognition and recitation of their poetic content, while poems of poor quality of versification tend to be inscribed haphazardly.
Appendix I provides full scansion of each carmen. Appendix II lists initia carminum.Arts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
11
Ryu, Seongmin [Verfasser], Herman J. [Herausgeber] Selderhuis, Christopher B. [Herausgeber] Brown, Günter [Herausgeber] Frank, Bruce [Herausgeber] Gordon, Barbara [Herausgeber] Mahlmann-Bauer, Tarald [Herausgeber] Rasmussen, et al. "Dulcissimae Carmina Ecclesiae : Theologie und Exegese des Psalmenkommentars Melanchthons / Seongmin Ryu." Göttingen : Vandenhoeck & Ruprecht, 2019. http://www.v-r.de/.
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Schindler, Claudia. "Per carmina laudes : Untersuchungen zur spätantiken Verspanegyrik von Claudian bis Coripp /." München : de Gruyter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3147962&prov=M&dok%5Fvar=1&dok%5Fext=htm.
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Schindler, Claudia. "Per carmina laudes Untersuchungen zur spätantiken Verspanegyrik von Claudian bis Coripp." Berlin New York, NY de Gruyter, 2006. http://d-nb.info/990068080/04.
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Calzascia, Sonja Caterina <1974>. "I carmina docta di Catullo e le Argonautiche di Apollonio Rodio." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5269/1/calzascia_sonja_caterina_tesi.pdf.
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La dissertazione, basandosi su un confronto sistematico dei testi, analizza i rapporti fra i carmina docta di Catullo e le Argonautiche di Apollonio Rodio con particolare attenzione al carme 64. Il lavoro è suddiviso in dieci capitoli più un'introduzione e una conclusione. Nell'introduzione si illustra la metodologia applicata e si discutono alcune questioni teoriche relative all'intertestualità. Nel I capitolo si delinea una storia della critica moderna che mette in evidenza come negli studi catulliani sul carme 64, nel corso dell'ultimo secolo e mezzo, Apollonio tenda ad assumere un ruolo sempre più importante. Nei capitoli II-IX viene fatto uno studio molto approfondito del carme 64. Tale studio analizza il testo catulliano mettendo in luce le somiglianze contenutistiche, strutturali e stilistiche con le Argonautiche. Il X capitolo è invece dedicato agli altri carmina docta. Poiché questi ultimi carmi hanno scarsi punti di contatto con il poema di Apollonio, ci si limita a mettere in evidenza una serie di motivi e tratti comuni. Nella parte conclusiva si espone un quadro sommario dei risultati raggiunti. Il lavoro dimostra in particolare come nel complesso le somiglianze fra Catullo e Apollonio riguardino elementi superficiali o luoghi comuni e come non vi sia alcuna prova certa di una dipendenza diretta di Catullo da Apollonio (nonostante una tale dipendenza sia da ritenersi probabile per ragioni storiche). In contrasto con buona parte della critica più recente, si esprime di conseguenza la convinzione che sia poco opportuno utilizzare le Argonautiche per spiegare il carme 64 o per instaurare un dialogo di natura intertestuale fra Catullo e Apollonio.The dissertation offers an analysis of the relationship between Catullus' long poems and Apollonius Rhodius' Argonautica. The analysis, which is mainly concerned whith poem 64, is based on a methodical collation. The study is divided into ten chapters, an introduction, and a conclusion. In the introduction the adopted methodology is explained, and some theoretical questions regarding intertextuality are discussed. Chapter One deals with an outline of modern scholarship pertinent to the last hundred and fifty years. This outline points out that Apollonius tends to be more and more important in the scholarship on poem 64. From Chapter Two to Chapter Nine poem 64 is examined in detail. Special stress is laid on the similarities between Catullus and Apollonius pertaining to content, structure, and style. Chapter Ten concerns poems 61-63 and 65-68. As these seven poems are generally quite different from the Argonautica, only the similarities which are significant are examined. The last section draws the conclusions. On the whole, the study shows that the similarities between Catullus and Apollonius are rather unimportant, since they usually aren't deep or concern topoi. Although for historical reasons it seems probable that Apollonius influenced Catullus, there is in fact no evidence that Catullus' poems were directly influenced by Apollonius' Argonautica. Therefore, it is suggested that interpretations of Catullus 64 based on Apollonius' Argonautica should be avoided.This view stands in contrast to the views of those contemporary scholars who establish an intertextual relationship between poem 64 and the Argonautica.
15
Calzascia, Sonja Caterina <1974>. "I carmina docta di Catullo e le Argonautiche di Apollonio Rodio." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5269/.
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La dissertazione, basandosi su un confronto sistematico dei testi, analizza i rapporti fra i carmina docta di Catullo e le Argonautiche di Apollonio Rodio con particolare attenzione al carme 64. Il lavoro è suddiviso in dieci capitoli più un'introduzione e una conclusione. Nell'introduzione si illustra la metodologia applicata e si discutono alcune questioni teoriche relative all'intertestualità. Nel I capitolo si delinea una storia della critica moderna che mette in evidenza come negli studi catulliani sul carme 64, nel corso dell'ultimo secolo e mezzo, Apollonio tenda ad assumere un ruolo sempre più importante. Nei capitoli II-IX viene fatto uno studio molto approfondito del carme 64. Tale studio analizza il testo catulliano mettendo in luce le somiglianze contenutistiche, strutturali e stilistiche con le Argonautiche. Il X capitolo è invece dedicato agli altri carmina docta. Poiché questi ultimi carmi hanno scarsi punti di contatto con il poema di Apollonio, ci si limita a mettere in evidenza una serie di motivi e tratti comuni. Nella parte conclusiva si espone un quadro sommario dei risultati raggiunti. Il lavoro dimostra in particolare come nel complesso le somiglianze fra Catullo e Apollonio riguardino elementi superficiali o luoghi comuni e come non vi sia alcuna prova certa di una dipendenza diretta di Catullo da Apollonio (nonostante una tale dipendenza sia da ritenersi probabile per ragioni storiche). In contrasto con buona parte della critica più recente, si esprime di conseguenza la convinzione che sia poco opportuno utilizzare le Argonautiche per spiegare il carme 64 o per instaurare un dialogo di natura intertestuale fra Catullo e Apollonio.The dissertation offers an analysis of the relationship between Catullus' long poems and Apollonius Rhodius' Argonautica. The analysis, which is mainly concerned whith poem 64, is based on a methodical collation. The study is divided into ten chapters, an introduction, and a conclusion. In the introduction the adopted methodology is explained, and some theoretical questions regarding intertextuality are discussed. Chapter One deals with an outline of modern scholarship pertinent to the last hundred and fifty years. This outline points out that Apollonius tends to be more and more important in the scholarship on poem 64. From Chapter Two to Chapter Nine poem 64 is examined in detail. Special stress is laid on the similarities between Catullus and Apollonius pertaining to content, structure, and style. Chapter Ten concerns poems 61-63 and 65-68. As these seven poems are generally quite different from the Argonautica, only the similarities which are significant are examined. The last section draws the conclusions. On the whole, the study shows that the similarities between Catullus and Apollonius are rather unimportant, since they usually aren't deep or concern topoi. Although for historical reasons it seems probable that Apollonius influenced Catullus, there is in fact no evidence that Catullus' poems were directly influenced by Apollonius' Argonautica. Therefore, it is suggested that interpretations of Catullus 64 based on Apollonius' Argonautica should be avoided.This view stands in contrast to the views of those contemporary scholars who establish an intertextual relationship between poem 64 and the Argonautica.
16
Neagu, Cristina. "The Carmina of Nicolaud Olahus in the context of his literary career." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365579.
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Sugg, Laura S. "The experience of God in everyday life in Alexander Carmichael's Carmina Gadelica." Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/30803.
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Before examining the texts of Carmina Gadelica, the man who collected them, Alexander Carmichael, is considered. His life and social milieu inform an understanding of the collection. A Gaelic speaker, exciseman, folklorist and avid advocate for the crofters with whom he lived and worked, Carmichael's motives for publishing Carmina Gadelica included a desire to portray the Highlander in a more positive light to a world which often saw stereotypes, rather than reality. The long history of the publication of the five volumes of texts and a volume of indices also assists the reader in understanding the texts more fully. For example, the title caused some concern for Carmichael and his colleagues. This discussion shows a certain ambivalence about the nature of the contents of the collection. Related to this question is the definition of prayer, so a brief one is provided. In the twentieth century, Carmina Gadelica has been popularized by the publication of selections from its volumes. Some of these works are mentioned. Lastly, similar publications contemporary with Carmina Gadelica are noted. In beginning to explore the experience of God is everyday life-immanence-in the texts themselves, definitions of immanence and transcendence are offered. The two are seen as complementary characteristics of God, not contradictory. Next, an investigation is made of the various arenas in which God is experienced in Carmina Gadelica: space, time, work and home activities. The marking and use of spatial and temporal liminalities is particularly significant in assisting the believer's experience of God's pervasive presence. The parameters for this thesis are the English translation of the published Carmina Gadelica texts. The language, even in translation, informs the reader about the experience of God in the collection. For instance, many of the prayers do not address God directly. Other texts echo the early "breastplate" tradition by surrounding the believer with God's presence by using various spatial prepositions. Many anthropomorphic images of God are pointed out. Also, there is significant use of language from the Christian tradition-scriptural allusion, liturgical prayers-which illuminates the believer's experience of God. Lastly, the names for God in the collection exhibit the relation of the one who prays to his/her God.
18
Guido, Nicoletta <1991>. "Image-based Edition of notated manuscripts belonging to the Carmina Cantabrigiensia tradition." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9022.
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The aim of my work is the creation of an image-based digital edition of notated manuscripts belonging to the collection of the Carmina Cantabrigiensia by means of a software called Image Markup Tool (IMT), which allows the connection between image and text. The first section is devoted to the description of the anthology of the Carmina Cantabrigiensia, along with the role of the neumatic notation during the Middle Ages, and the analysis of the 36 notated manuscripts, recovered in several Italian and European libraries, and actual part of the project. The second section deals with the theoretical aspect of the digital humanities, considering the role of the New Philology, several European and Italian projects, and the description of the markup languages from the born of SGML until the release of XML and the TEI used to codify the metadata: core of a digital edition. The last part of the work is dedicated to the description of the tool used for the realization of the digital edition, along with all the features of this project. The user is provided not only with the diplomatic and the critical edition of each text, but also with the description of the single neumes located on its line and with a philological commentary, in order to better understand the Carmen from both a linguistic and historical point of view. Advantages, along with possible drawbacks of my project are considered, connecting it with other works realized with the same tool.
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Grove, Chantal. "Sprekers vir die digter : die personae by Horatius, Odes : boek 1." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52460.
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Thesis (MA)--Stellenbosch University, 2001.ENGLISH ABSTRACT: In his Odes, Horace pays particular attention not only to the subject in hand, but also to the reader as his audience, or the addressee, who is usually mentioned at the beginning of the poem. As this kind of communication draws the poet into his own creation, it is useful to refer to him in that context, as the speaker. It is evident from the manner of communication with the addressee that Horace conveys the message of each poem not solely by means of statements, but by implying certain facts, through this interaction between speaker and addressee. The specific addressee for each ode - to whom the speaker's attitude is a reaction - is therefore chosen with great care, in order to underline a specific subject or support a point of view. Just as each ode is different, and contains a variety of differing emotions, Horace's speakers display a myriad of different attitudes. His deeper sentiments do however remain constant. This brings one to the realisation that Horace applies a number of "roles", in order to obtain the desired effect in each poem. Eventually the interaction is not between the speaker and the addressee, but between the poet and the reader. Some of the poems do not give the names of addressees, only the roles Horace plays as the speaker. These roles are termed personae, and represent the poet on a number of realistic and super-realistic planes. In this study, a selection of personae was analysed and the effects examined, in order to establish in what way the persona might influence the interpretation of the poem. Initially a collective overview of several personae was planned, for the purpose of a synthesis of those personae, possibly leading to the discovery of a central Horatian persona. It was however, found, in the complex perfection of his work, that that central person is Horace: the poet.
AFRIKAANSE OPSOMMING: In Horatius se Odes, gee hy dikwels spesifieke aandag nie net aan die onderwerp nie, maar ook aan die leser as sy gehoor, of die aangesproke persoon, wat dikwels in die begin van die gedig genoem word: Omdat so 'n kommunikasie die digter in sy eie skepping intrek, is dit sinvol om na hom in daardie konteks as die spreker te verwys. In die wyse waarop daar dan met die aangesprokene gekommunikeer word, word dit duidelik dat Horatius die boodskap van sy gedig nie slegs deur middel van stellings oordra nie, maar dat hy ook deur middel van die wisselwerking tussen die aangesprokene en die spreker, sekere feite impliseer. Die aangesproke persoon, waarop die spreker se houding dan'n reaksie is, word dus vir elke ode gekies om 'n sekere onderwerp of siening te ondersteun. Soos wat elke ode dus verskil, en'n verskeidenheid emosies bevat, verskil Horatius se houdings teenoor sy aangesprokenes drasties. Sy dieper oortuigings bly egter dieselfde. Dit lei die leser tot die besef dat Horatius 'n verskeidenheid "rolle" aanwend om in elke gedig die gewensde effek te verkry. Die werklike wisselwerking is nie tussen die spreker en die aangesprokene nie, maar tussen die digter en die leser. Sommige gedigte bevat geen name van aangesprokenes nie; slegs die rolle wat Horatius as die spreker gebruik. Hierdie rolle word personae genoem en verteenwoordig die digter op 'n aantal realistiese en bo-realistiese vlakke. Die effekte van 'n seleksie personae word in hierdie studie deur middel van analise ondersoek om vas te stel hoe die toepassing van die persona die interpretasie van die gedig beïnvloed. 'n Gesamentlike beskouing van 'n aantal digterlike personae is aanvanklik beplan, met die oog op 'n sintese van die personae, wat moontlik tot die ontdekking van 'n sentrale persona by Horatius sou kon lei. Daar is egter bevind dat die sentrale persoon wat in die komplekse perfeksie van sy werk self sit, dié is van Horatius as digter.
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Longobardi, Concetta. "Le corpus pseudacroniane et l’interprétation d’Horace : Le commentaire au quatrième livre des Carmina." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30004.
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L’objectif principal de la thèse a été de fournir une révision de l'édition critique, avec une traduction et un commentaire des scholia du ps.Acron au quatrième livre des Carmina. Considérer le quatrième livre a répondu à l'exigence de déterminer une section 'indépendante' dans la production lyrique d'Horace.Le corpus pseudacronian se présente comme un ensemble de scholies à l'œuvre d'Horace pas reconductible à une individualité ou à un moment historique bien précis mais qui résulte comme la conséquence d'une stratification commencée au V siècle et qui a duré jusqu'au Moyen Age attribué de manière erronée à Elenius Acron, auteur du IIè siècle d.C.J'ai proposé des interventions critiques à l'édition de O. Keller publié pour la Teubneriana (Leipzig 1902).Dans la rédaction du commentaire, une grande importance a été conférée à l'évaluation des enquêtes littéraires dans le texte pseudacronian. L’étude comporte également une focalisation attentive sur les typologies de caractéristiques, très diffuses dans les commentaires anciens, grâce auxquels on peut déduire les compétences linguistiques, rhétoriques, littéraires, mythiques, historiennes.Le travail a été complété par un essai initial organisé en sections: la première partie concerne la réception du texte des auctores, et en particulier d'Horace, dans le contexte de l'école. Une seconde section concerne les caractéristiques du commentaire au quatrième livre des Carmina, illustratifs pour l'évaluation de la technique exégétique du ps.AcronThe main objective of the thesis was that to provide a review of the critical edition, with a translation and a commentary of the scholia pseudacroniana on The Fourth Book of the Odes of Horace. In the vast field of the Horatian lyric, it's been considered un 'independent' section. The pseudacronian corpus looks like a jumble of Horace's scholia not due to an individuality or to a precise historic moment: they are the result of a stratification began in the fifth century and lasted until the Middle Ages, mistakenly attributed to Elenius Acron, author of the second century AD. Some critical interventions have been proposed to the edition of reference, that of O. Keller, published for the series Teubneriana (Pseudacronis Scholia in Horatium vetustiora, Leipzig 1902).During the draft of the commentary I've given great importance to the evaluation of the literary investigations proposed in the pseudacronian text. It's not even a careful focus on the types of notes, too, from which we deduce the linguistic, rhetorical, literary, mythical, historical competences. The work has been completed by an essay divided by sections: the first part concerning the receipt of the text of auctores, and in particular Horace, in the context of the school. The second section concerns the characteristics of the commentary on the fourth book of Odes, taken as an example for the evaluation of ps.Acron's exegetical technique
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Langlois-Pézeret, Catherine, and Étienne Dolet. "Étienne Dolet ou la couronne d’Hercule : édition, traduction et étude littéraire des Carmina (1538)." Paris 4, 2006. http://www.theses.fr/2007PA040057.
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Étienne Dolet (1508-1546), bien connu pour sa mort tragique sur le bûcher, est aussi un intellectuel et un poète néo-latin. Après ses célèbres Commentaires de la langue latine, il publia un recueil d’épigrammes intitulé Carmina en 1538, pièces de circonstance aux sujets les plus divers. Adepte d’un genre mineur et partisan d’une métrique souple, Dolet n’oublie pas, en humaniste civique, de doter sa plume d’une mission politique, vengeresse ou moralisatrice. Cicéronianiste patenté, il se révèle assez libre dans le domaine de l’imitation, tout comme dans son traitement de l’épigramme, qui oscille entre tradition et innovation. Ses poèmes, ainsi que deux recueils ultérieurs, le Genethliacum Claudii Doleti (1539) et les Francisci Valesii Gallorum Regis Fata (1539), reflètent l’attirance de leur auteur pour différentes mouvances philosophiques mais semblent surtout témoigner de l’influence du libre-penseur PomponazziEtienne Dolet (1508-1546), renowned for his tragic death on the stake, is also an intellectual and a Neo-Latin poet. After his famous Commentarii linguae latinae, he published a collection of epigrams entitled Carmina in 1538, which are event poems about various subjects. Follower of a minor genre and of a flexible metric, Dolet does not forget, as a civic humanist, to give to his pen a political, avenging or moralizing mission. Ciceronianist, he reveals free in the field of the imitation and in his treatment of the epigram, which oscillates between tradition and innovation. His poems, as well as two later collections, Genethliacum Claudii Doleti (1539) and Francisci Valesii Gallorum Regis Fata (1539), reflect the attraction of their author for various philosophic spheres of influence but especially seem to testify of the influence of the free thinker Pomponazzi
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Atzori, Martina. "Le Passant, la tombe et le ciel : la vie et la mort dans les "Carmina latina epigraphica" de Rome." Université Marc Bloch (Strasbourg) (1971-2008), 2008. http://www.theses.fr/2008STR20086.
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Une des constantes de la tradition des CLE est le rapport idéal sous-jacent entre la tombe/défunt et le passant/vivant. Dans les mots de n'importe quel parlant, la tombe est présentée comme une nouvelle demeure, fondamentalement éternelle. Toutefois, dans cette demeure réside généralement le corps tandis que l'esprit transmigre. Cette transmigration suppose une radicalisation plus nette entre la condition passée et présente, qui se traduit dans l'image des Enfers pour le monde païen et celle du Paradis pour le monde chrétien. La relation dialectique et dialogique qui coexiste entre la tombe et le viator anticipe idéalement le changement d'état entre vie et mort et, dans le cas du monde chrétien, entre l'aspect mundanus et la béatitude éternelle. On peut dire fondamentalement que le concept de transitus du viator est l'anticipation (préfiguration) du passage d'une condition à l'autre, de la lumière, symbole de vie, à l'ombre/mort pour le monde païen, de l'ombre/vie à la lumière/esprit pour le monde chrétienOne of the constant themes of the tradition of the CLE (Carmina Latina Epigraphica) is represented by the ideal relationship which exists between the Tumulus/dead and traveller/alive. In the words of whoever is speaking, the tomb is presented as a new abode which is by nature eternal. Yet, fundamentally, the body resides in this dwelling while the soul or spirit transmigrates. .
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TANNIS, MAYCON DA SILVA. "O FORTUNA IMPERATRIX MUNDI: THE MEDIEVAL LAUGHTER AS A POSSIBLE HISTORICAL EXPLANATION IN CARMINA BURANA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28222@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
No presente trabalho pretendo analisar as profundas mudanças que ocorrem no Ocidente Medieval do século XII e que foram notadas por Haskins como uma forma distinta de Renascimento. Bem como essas são representadas dentro do conjunto de textos satíricos, os Carmina Burana. Para isso mobilizarei um esforço, em um primeiro momento, para compreender a formulação do conceito de Renascimento Cultural, que é estabelecido em seus devidos contornos por Jakob Burckhardt e é utilizado por Haskins para pensar uma era de rompimentos e fluidez sociais, que eram atípicas a uma sociedade ligada a estabilidade que uma cultura agrária, conforme nos mostrou Ernst Gellner, possuía. Essa discussão de caráter historiográfico é importante para percebermos o momento de formulação de um conceito bem definido e totalmente explicativo e de outro modo apresentar uma instabilidade que não desmerece as formulações de 70 anos de historiografia, mas compreender uma outra via de explicação do real-passado que não age pela via conceitual, mas por uma outra via formativa da linguagem, isto é, a Metáfora. Dentro dessas compreensões pretendo levar, por um caminho híbrido, um esforço para demonstrar a formatividade desses versos, sua ambiência e como eles, por certa via, dão conta de uma experiência de real e assim demonstrar minha hipótese principal de ter nos textos risíveis dos Carmina Burana uma forma metafórica de construção de um conhecimento sobre o passado.
In this paper we analyze the profound changes taking place in the twelfth century Medieval West and were noted by Haskins as a distinct form of Renaissance. And these are represented within the set of satirical texts, Carmina Burana. For this mobilizarei an effort, at first, to understand the formulation of the concept of Cultural Renaissance, which is established in their proper contours by Jakob Burckhardt and is used by Haskins to think an era of breakups and social fluidity, which were atypical to a company linked to stability that an agrarian culture, as we showed Ernst Gellner, possessed. This discussion of historiographical character is important to realize the time to formulate a well-defined concept and fully explanatory and otherwise present an instability that does not diminish the formulations of 70 years of history, but to understand another way of real-last explanation does not act via the conceptual, but another via formation of language, that is, the metaphor. Within these understandings intend to take, by a hybrid way, an effort to demonstrate the formativeness these verses, their surroundings and how they, in some way, realize a real experience and thus demonstrate my main hypothesis have the laughable texts of Carmina Burana a metaphoric way of building knowledge about the past.
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Del, Monaco Francesco Paolo Mose' <1995>. "La poesia che cura. Studio sulla funzione dei carmina nella Consolazione della Filosofia di Boezio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17463.
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Scopo della ricerca è proporre una lettura della funzione che la poesia svolge all’interno della forma prosimetrica della Consolazione della Filosofia di Boezio. Perché un uomo che ha dedicato la sua esistenza allo studio della sapienza filosofica ha sentito la necessità di inserire tanta poesia nell’opera che a buon diritto può essere ritenuta il suo testamento spirituale? La risposta cui il lavoro è approdato è che la poesia ricopre un ruolo fondamentale nel processo di cura psichica che questo dialogo consolatorio vuole realizzare, sotto la guida dell’allegoria della filosofia. Intrisa di contenuto filosofico, essa supporta la riflessione dialettica e allieta l’anima agendo sia sulla sua parte razionale che su quella irrazionale. La tesi è divisa in cinque parti. In primis si cerca di dimostrare la presa di distanza di Boezio dal genere prosimetrico della Satira Menippea, modello di riferimento per molte opere del periodo tardo-antico. Si passa, quindi, ad analizzare il rapporto che intercorre tra la componente in versi e i generi di riferimento dell’opera – il dialogo filosofico e la consolazione – per poi soffermarsi sull’analisi delle liriche attribuite al personaggio-Boezio e sull’uso delle immagini poetiche della natura. Successivamente, viene studiata la funzione della musica in relazione alle liriche e, infine, sono analizzati alcuni componimenti cantati da Filosofia. La funzione terapeutica della lirica sembra uscirne pienamente dimostrata.
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Guarino, Salvatore. "Radiografia del Myrmedon di Giovanni Pascoli." Doctoral thesis, Universita degli studi di Salerno, 2018. http://elea.unisa.it:8080/xmlui/handle/10556/4378.
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2016 - 2017This dissertation aims to investigate the most relevant passages of Myrmedon, focusing on the analyse of a not well-known poem of Giovanni Pascoli. Moving from an overview of the theme of memory in Pascoli, linked with the motif of phylogenetic memory, the INTRODUCTION, in five chapters, reconstructs the theoretical assumptions and the artistic purposes of Myrmedon, and separates the interpretation of this poem from the exegesis of Pecudes and Canis (all this poems are part of the Ruralia). The most substantial source of Myrmedon is Virgil’s Georgics (4, 1-115; 149-280); this point has been analyzed in the fourth chapter. Finally, the introduction explains the poem’s greek title and the inscription. This section is followed by TESTO E TRADUZIONE, and then by six chapters dedicated to a close reading of the vv. 1-14 (6 PROTASI); 22-32 (7 I CARUSI SICILIANI); 33-40 (8 LA VISTA DELLE FORMICHE); 225-238 (9 SCHIAVE); 261-290, 65-75 and 223-224 (10 ANCORA SUL LESSICO DEL MYRMEDON); 301-312 (11 NOZZE). These chapters contain a specific introduction about the motives and peculiarities of the sections, and a wide commentary on: formal aspects, biographical notice, and psychological, theoretical, intertextual influences of the poem. The final chapter (ASPETTI STILISTICI E FIGURATIVI DEL MYRMEDON) analyzes some fragments of the poem clearly linked to impressionistic tendencies and to the fin de siècle decorativism (Myrm. 61-64 and 97-99). A particular attention has also been given to phonosymbolic phenomena and to the more expressive and frequent hexametric formulas. [edited by Author]
XVI n.s. (XXX ciclo)
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Lamotte, Hélène. "Pratiques commémoratives et structures des familles à Rome : étude des carmina Latina epigraphica consacrés à des enfants défunts à la fin de la République et sous l'Empire." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10053.
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Ces recherches participent d’une large réflexion menée actuellement sur les comportements démographiques de la population de l’Urbs. De récents travaux ont défini un régime démographique spécifique de la mégapole antique, où une natalité insuffisante et un fort taux de mortalité auraient empêché le renouvellement des générations. La population de Rome, « ville-tombeau », ne se serait maintenue que grâce à une immigration venue d’Italie et des provinces. Les tentatives de dénombrement ayant leurs limites, au vu des sources disponibles, ce doctorat s’inscrit dans le domaine de l’histoire sociale de la population de Rome. Centré sur les milieux populaires, il analyse les comportements familiaux et la place de l’enfant dans la famille. Il se fonde sur une étude d’épitaphes versifiées païennes (carmina Latina epigraphica), datant de la fin de la République et de l’Empire. Il présente ainsi un corpus d’épitaphes consacrées à des enfants dont l’âge au décès est mentionné, revues et traduites, ainsi qu’une étude de ce catalogue. Cette dernière analyse la nature et le rôle du carmen dans la commémoration funéraire. Elle précise l’identité des défunts et l’origine sociale des familles commanditaires des carmina, puis évoque la structure de ces familles en recensant l’ensemble des personnes mentionnées dans les épitaphes. Elle révèle des structures de famille complexes, où les enfants illégitimes sont nombreux, en raison du statut servile actuel ou passé de certains parents. Elle aborde enfin la question de la place de l’enfant dans la famille, en examinant les modes d’expression du chagrin selon les différents motifs littéraires et locuteurs choisis. Ces travaux permettent ainsi de mieux connaître le statut de l’enfant au sein des familles modestes et l’attitude de ces dernières face à la naissance et à la mortThese researches participate in a wide reflection led at present on the demographic behavior of the population of Rome. Recent works defined a specific demographic model of the antique megalopolis, where an insufficient birthrate and a strong mortality rate would have prevented the renewal of the generations. The population of Rome would have held steady thanks to an immigration coming from Italy and from the provinces. This doctorate joins in the field of the social history of the population of Rome. It analyzes the family behavior in the lower classes, and the place of the child in the family. It bases itself on a study of funerary verse inscriptions (carmina Latina epigraphica), dating back to the end of the Republic and the Empire. It so presents a corpus of epitaphs dedicated to children (with an age mentioned), as well as a study of this catalog. This study analyzes the nature and the role of the carmen in commemoratives practices. It specifies the identity of the deceased and the social origin of families ; then it evokes the structure of these families by listing all the persons mentioned in the epitaphs. It reveals complex structures of family, where there are many illegitimate children, because of the current or past slavish status of certain relatives. It approaches finally the question of the place of the child in the family, by examining the modes of expression of sorrow, according to the various literary motives and chosen speakers. This research allows to know better the status of the child within the modest families and the attitude of these families in front of birth and of death
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Schumann, Marie-Françoise. "Salmon Macrin und sein Werk unter besonderer Berücksichtigung der Carmina ad Gelonidem von 1528 und 1530 /." Münster : LIT, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018635242&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
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Schumann, Marie-Françoise. "Salmon Macrin und sein Werk unter besonderer Berücksichtigung der "carmina ad Gelonidem" von 1528 und 1530." Berlin Münster Lit, 2008. http://d-nb.info/99609234X/04.
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Geoffroy, de Reims Broecker Elmar. "Gottfried von Reims : kritische Gesamtausgabe : mit einer Untersuchung zur Verfasserfrage und Edition der ihm zugeschriebenen Carmina /." Frankfurt am Main ; Berlin ; Bern : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb38863421w.
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Simon, Philip G. "Carl Orff's Carmina Burana: A Comparative Study of the Original for Orchestra and Choruses with the Juan Vicente Mas Quiles Wind Band and Chorus Arrangement." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9031.
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Silaidos, Carmina Viktoria [Verfasser]. "Bioenergetische Messungen in peripheren mononukleären Blutzellen (PBMCs) - Einfluss von Alter, Geschlecht und zirkadianem Rhythmus / Carmina Viktoria Silaidos." Gießen : Universitätsbibliothek, 2020. http://d-nb.info/1216144931/34.
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Prontera, Alessia <1991>. "Gli epigrammi di Claudio Claudiano : traduzione e commento di una selezione dei 'Carmina minora' e della 'Appendix'." Doctoral thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18468.
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I Carmina Minora sono una antologia di carmi di Claudio Claudiano, poeta di corte dell'imperatore d'Occidente Onorio e cantore del magister utriusque militiae Stilicone, attivo tra la fine del IV e l'inizio del V sec. d.C. La raccolta di poesie, edita postuma probabilmente in ambienti vicini al patrono del poeta, comprende in prevalenza epigrammi (ecfrastici, epidittici e scommatici), ma anche epilli di carattere scientifico e un elogio incompiuto di Serena, moglie di Stilicone. Il lavoro offre una traduzione italiana, un commento lemmatico letterario e filologico di una selezione dei Carmina Minora e della Appendix Claudianea, una raccolta di poesie prevalentemente brevi e ascrivibili per lo più al poeta egiziano. La selezione prevede l'inclusione dei carmi che appartengono al genere epigrammatico di argomento profano: carm. min. 2-8, 10-16, 18-21, 23-24, 33-48, 50-52 e carm. min. app. 1, 3-4, 6-11, 13-15, 22.
La tesi si apre con una introduzione generale, dedicata a un profilo storico-biografico del poeta, al genere letterario e all’analisi metrico-stilistica dei carmi, alla tradizione manoscritta e alla storia editoriale dei Carmina Minora e dei carmi in oggetto. Nella fattispecie, ciascun componimento è sottoposto quindi a una specifica trattazione così articolata: elenco delle edizioni prescientifiche e scientifiche, della bibliografia; testo; traduzione in versi; introduzione generale (natura del componimento, aspetti letterari, storici, artistici ecc.); commento lemmatico.
Chiude il lavoro la bibliografia generale, con indicazione di tutte le edizioni, i saggi e gli strumenti critici citati.
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Villacara, Giulia <1994>. "I carmina latina di Giovanni Pico della Mirandola: traduzione, analisi e commento della produzione latina in versi." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18706.
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I carmina latina di Giovanni Pico della Mirandola: una produzione, ricca di rimandi classici e intrisa di un'esperienza biografica importante, ma purtroppo giunta a noi in modo lacunoso. L'obiettivo della ricerca è quello di costruire un corpus dei componimenti latini attribuibili all'autore, facendo riferimento alle principali edizioni moderne che ne hanno curato l'analisi in precedenza.
L'elaborato prende avvio da un excursus biografico di Pico e, esponendo le tematiche e le caratteristiche principali della sua produzione letteraria, si prefigge l'obiettivo di tracciare un quadro il più completo possibile della produzione latina in versi. Si fornirà pertanto una traduzione e un'analisi accurata, cogliendo i più rilevanti aspetti culturali, letterari e biografici.
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Wolbring, Michael [Verfasser]. "Melchior Goldast und der ›Codex Manesse‹ : Mit besonderer Berücksichtigung der ›Hypomnemata in aulicorum Poetarum Carmina amatoria‹ / Michael Wolbring." Heidelberg : Heidelberg University Publishing, 2019. http://d-nb.info/1204524947/34.
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Samyn, Henrique Marques. "A pastora e a alegoria: a pastora alegórica, da lírica occitânica aos Carmina Burana e ao trovadorismo galego-português." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2198.
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Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorEste trabalho tenciona investigar o conceito de pastorela alegórica, desde sua emergência na obra do trovador occitânico Marcabru mais precisamente, em sua obra Lautrier jost una sebissa até seus desenvolvimentos nos corpora líricos occitânico, médio-latino e galego-português. Nosso trabalho compreende, assim, um estudo comparativista sobre a poesia medieval composta nos séculos XII e XIII, por intermédio do qual tencionamos abordar a relação entre discurso literário e alegoria no âmbito medieval
This thesis aims to investigate the concept of allegorical pastourelle, from its emergence in the poetry of the Occitan troubadour Marcabru more precisely, in his lyric Lautrier jost una sebissa until its developments in the Occitan, Medieval Latin and Galician-Portuguese lyric corpora. Through a Comparative Study of the medieval lyric of the XII and XIII centuries, this work aims to examine the relation between literary discourse and allegory in the medieval period
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Bruhat, Marie-Odile. "Les Carmina Figurata de Publilius Optatianus Porfyrius : la métamorphose d'un genre et l'invention d'une poésie liturgique impériale sous Constantin." Paris 4, 1999. http://www.theses.fr/1998PA040320.
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Optatianus Porfyrius renouvelle le genre du poème figure alexandrin (technopaegnia). Ses poèmes carres font apparaitre, grâce à d'ingénieux versus intexti, un dessin intérieur : figures géométriques, inscriptions, figures emblématiques. Cette poésie figurée emprunte au domaine de l'épigraphie (jeux sur les dispositions de lettres et acrostiches), des arts décoratifs (motifs empruntes aux mosaïques) et des mathématiques (combinatoire et multiplication des possibilités de lecture). Pour décrire sa technique, le poète recourt au vocabulaire du tissage. Ses poèmes illustrent visuellement la conception du texte comme résultat d'un entrelacement. La métaphore du tissage appelle aussi la comparaison avec des étoffes brodées : le texte-tissu devient l'image de la toga picta du vainqueur. Composés dans les années 320-326, les Carmina d'Optatien accompagnent la marche de Constantin vers un pouvoir unique, dynastique et chrétien. La confrontation avec les monnaies révèle l'attention de l'auteur à l'actualité de la propagande impériale. Son éloge témoigne ainsi de la christianisation du pouvoir, à un moment où celui-ci garde des affinités avec la théologie solaire. Optatien développe particulièrement le thème de la lumière, qu'il met au service de l'idée dynastique en célébrant la gloria constantinienne. La poésie d'Optatien s'apparente à l'esthétique du bas-empire par son goût pour l'abstraction, le signe, et le stéréotype. Les vœux lies au renouvellement du charisme impérial confèrent une fonction liturgique aux carmina, susceptibles d'être associés aux grandes fêtes impérialesOptatianus Porfyrius transcended the Alexandrian figurated poem (technopaegnia). His square-like poems display internal pictures drawn by clever versus intexti : geometrical patterns, dedications, emblems. This poetry combines influences from epigraphy (characters placement, acrostiches), ornamental arts (mosaic patterns) and mathematics (combinatorics of reading paths and word permutations). To describe his art the poet uses the vocabulary of weaving. His works illustrate graphically this idea of the text as an intertwining. The weaving metaphor reminds of the embroidery: the text/fabric becomes the equivalent of the toga picta of the conqueror. Composed in the period 320-326, Optatianus' Carmina follow emperor Constantine steps toward a monarchic, dynastic and Christian rule. A parallel study of contemporary coins shows how Optatianus carefully exploits the evolution of the imperial propaganda. His praise give evidence of the Christianization of the executive power, precisely when it keeps connections with the cult of sol. Optatianus also emphasizes the theme of the light, with the purpose to celebrate the constantinian gloria. Optatianus poetry bears traits of the esthetics of the roman 4th century a. D. : a taste for abstraction, symbols and clichés. The vows associated to the renewal of the emperor's charisma give to the Carmina a liturgic value in harmony with the spirit of the main imperial celebrations
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Orsini, Sarah. "Les "Carmina" de Pascoli : édition traduite et commentée d'une sélection de poèmes latins et édition numérique d'une sélection de brouillons." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2090.
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Giovanni Pascoli (1855-1912) est un classique de la littérature italienne. Poète bilingue écrivant en italien et en latin, il s’est illustré dans le domaine de la littérature néo-latine en composant des poèmes qui ont remporté le certamen poeticum hoeufftianum. Son œuvre latine, les Carmina, est méconnue en France. Le premier objectif de cette recherche doctorale est de proposer une édition bilingue traduite et commentée d’une sélection des poèmes latins de Pascoli, accessible à un public français non spécialiste de littérature latine ou italienne. Nous avons tenté de sélectionner des poèmes de formes variées (poèmes narratifs, épigrammes, odes dédicatoires) afin de donner au lecteur un aperçu de ce que pourrait être une édition intégrale des Carmina. Nous avons présenté en introduction les éléments biographiques et les diverses aspects esthétiques et linguistiques de la poésie pascolienne susceptibles de faciliter la compréhension des textes. Nous y proposons également une analyse de l’expérience poétique que représente pour Pascoli le fait d’écrire en latin et de situer cette pratique par rapport à ses contemporains. Nous avons en outre essayé autant que possible d’étudier la poésie latine de Pascoli au contact de sa poésie italienne. Le second aspect de cette thèse porte sur le caractère posthume de cette œuvre, éditée par la sœur du poète, Maria Pascoli avec l’aide du philologue Ermenegildo Pistelli. Le poète n’ayant pas eu le temps de proposer une structuration de son œuvre en recueil, les poèmes latins sont organisés selon des sections thématiques qui ne sont pas toujours satisfaisantes (par exemple, les épigrammes sont éditées sans logique d’organisation dans une section rassemblant tous les poèmes de forme brève ou les poèmes qui n’ont pu être classés dans les sections thématiques). Grâce à la numérisation de l’ensemble des brouillons de G. Pascoli, nous avons pu explorer les ébauches de plans réalisés par l’auteur, et nous proposons dans l’introduction de cette thèse deux recueils possibles : le premier organisé selon la chronologie de l’écriture, le second organisé selon la chronologie des faits représentés. Notre édition commentée des Carmina est présentée selon la première organisation, afin d’offrir un aperçu de l’écriture de Pascoli comme un processus qui a évolué au fil du temps. Cette étude du processus de l’écriture pascolienne, nous l’avons également menée à l’échelle du poème, dans le détail de la composition. Nous avons réalisé une édition génétique XML-TEI d’un dossier de brouillons, celui du poème Crepereia Tryphaena. Dans cette édition, nous avons décrit avec une très grande précision les gestes d’écriture visibles sur la page (ajouter, supprimer, substituer, déplacer, réécrire une nouvelle version) et nous avons tenté, quand cela était possible d’analyser les opérations mentales qui ont provoqué ces gestes. Nous avons en outre tenté de reconstituer la chronologie de l’écriture de chaque brouillon, afin de créer un prototype d’édition qui permette de lire les brouillons de poésie en affichant le texte une campagne d’écriture après l’autre et de visualiser les modifications apportées par l’auteur jusqu’à l’échelle de la lettre. Grâce à cette édition, nous avons pu analyser dans le détail les étapes de composition, les méthodes employées par l’auteur et les gestes effectués pour mener à bien son projet, et nous livrons les résultats de cette analyse à la fin de l’introduction de cette thèseGiovanni Pascoli (1855-1912) is a classic of Italian literature. A bilingual poet writing in Italian and Latin. He has distinguished himself in the field of Neo-Latin literature by composing poems awarded in the certamen poeticum hoeufftianum. His Latin work, the Carminas, is almost unknown in France. The first objective of this doctoral research is to propose a bilingual edition, translated and commented, of a selection of Pascoli's Latin poems, accessible to a French audience not specialised in Latin or Italian literature. We have tried to select poems of various forms (narrative poems, epigrams, dedications odes) in order to give the reader an idea of what a complete edition of the Carmina could be like. In the introduction, we presented the biographical elements and the various aesthetic and linguistic aspects of Pascolian poetry that could facilitate the understanding of the texts. We also offer an analysis of the practice consisting in writing in Latin as a poetic experiment, and tried to situated this practice in relation to his contemporaries. We also tried as much as possible to study Pascoli's Latin poetry in relation to his Italian poetry. The second aspect of this thesis concerns the posthumous nature of this work, edited by the poet's sister, Maria Pascoli, with the help of philologist Ermenegildo Pistelli. Since the poet did not have time to propose a structure of his work in a collection, the Latin poems are organized according to thematic sections that are not always satisfactory (for example, the epigrams are published without organizational logic in a section containing all the short poems or the poems that could not be classified in the thematic sections). The digitization of all of G. Pascoli's drafts enabled us to explore the drafts of the author's plans, and we propose two possible collections in the introduction to this thesis: the first organized according to the chronology of the writing, the second organized according to the chronology of the facts represented. Our commented edition of the Carmina is presented according to the first organization, in order to offer an overview of Pascoli's writing as a process that has evolved over time. This study of the Pascholian writing process was also carried out at the poem level, in the detail of the composition. We made an XML-TEI genetic edition of a draft folder, that of the poem Crepereia Tryphaena. In this edition, we have described with great precision the writing gestures visible on the page (add, delete, substitute, move, rewrite a new version) and we have tried, when possible, to analyze the mental operations that caused these gestures. We have also tried to reconstruct the chronology of the writing of each draft, in order to create an editing prototype that allows us to read the drafts of poetry by displaying the text one writing campaign after the other and to visualize the modifications made by the author up to the scale of the letter. Thanks to this edition, we were able to analyse in detail the composition steps, the methods used by the author and the gestures made to carry out his project, and we deliver the results of this analysis at the end of the introduction of this thesis
Giovanni Pascoli (1855-1912) fa parte dei classici della letteratura italiana. Poeta bilingue scrivendo in italiano e in latino, è diventato famoso nell’ambito della letteratura neolatina per avere composto poemi premiati o lodati quasi ogni anno dal 1892 al certamenpoeticum hoeufftianum. La sua opera latina, i Carmina, è sconosciuta in Francia.Il primo obbiettivo di questa ricerca dottorale è di proporre un’edizione bilingue tradotta e commentata di una selezione dei poemi latini del Pascoli e di rendere quest’edizione accessibile a un lettorato francese che non sia specialista né di letteratura latina né di letteratura italiana. Abbiamo provato a selezionare poemi di forme varie (poemi narrativi, epigrammi, odi dedicatorie) per poter dare al lettore una visione d’insieme di quello che potrebbe essere un’edizione integrale dei Carmina. Abbiamo presentato in introduzioneelementi biografici e vari aspetti estectici e linguistici della poesia pascoliana suscettibili di agevolare la comprensione dei testi. Ci presentiamo anche un’analysi delle modalità della scrittura in latino come esperienza poetica, ambientando questa pratica nel contesto culturale in cui scriveva il Pascoli. Abbiamo inoltre provato a studiare la poesia latina del Pascoi al contatto di quella italiana.Il secondo aspetto di questa tesi riguarda il carattere postumo dei Carmina, la cui edizione princeps è stata realizzata da Maria Pascoli e Ermenegildo Pistelli. Il poeta non ha avuto il tempo di raggruppare i suoi poemi in una raccolta strutturata, quindi i Carmina sono stati organizzati in sezioni tematiche che non sono sempre soddisfacenti (per esempio, gli epigrammi sono pubblicati senza logica di organizzazione in una sezione ragruppando poemi di forma breve e poemi che non entravano nei temi delle sezioni). Grazie alla digitalizzazione dell’insieme delle carte di G. Pascoli, abbiamo potuto esplorare i tentativi di strutturazionedell’opera realizzati dal poeta, e proponiamo nell’introduzione di questa testi due strutture possibili : la prima secondo la cronologia della scrittura, e l’altra secondo la cronologia dei fatti rappresentati. Abbiamo scelto per presentare l’edizione commentata dei Carmina la prima struttura, per permettere di visualizzare la scrittura dei Carmina come un processo che ha evoluto nel tempo.Questo studio del processo della scrittura pascoliana, l’abbiamo anche portato al livello del poema, nel dettaglio della composizione. Abbiamo costituito un’edizione genetica XMLTEI di una cartella di carte, quella del poema Crepereia Tryphaena. In questa edizione, abbiamo descritto con una massima precisione possibile i gesti di scrittura visibili sulla pagina (aggiungere, cancellare, sostituire, spostare, riscrivere una nuova versione), e abbiamo tentato, quando era possibile, di analizzare le operazioni mentali che hanno provocato questi gesti. Inoltre, abbiamo provato a ricostituire la cronologia della scrittura di ogni carta, percreare un prototipo di edizione che permetta di leggere le carte di una poesia facendo apparire una stesura dopo l’altra, e permettendo di visualizzare le modifiche fino al livello della lettera. Grazie a quest’edizione abbiamo potuto analizzare precisamente le varie tappe della composizione di poesia, i metodi usati dall’autore et i gesti effettuati per condurre il suo progetto creativo. Presentiamo i risultati di quest’analisi alla fine dell’introduzione della tesi
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Murry, Reyna Carmina Felicia [Verfasser], Axel A. [Gutachter] Brakhage, Stephen [Gutachter] Horton, and Erika [Gutachter] Kothe. "Inositol phosphate in the basidiomycete fungus Schizophyllum commune / Reyna Carmina Felicia Murry ; Gutachter: Axel. A. Brakhage, Stephen Horton, Erika Kothe." Jena : Friedrich-Schiller-Universität Jena, 2019. http://d-nb.info/1207155756/34.
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Blasberg, Arnold. "Vasilij Vasil·evič Kapnist und seine Übertragungen von Gedichten des Horaz ins Russische." Rahden, Westf. Leidorf, 2007. http://www.vml.de/d/detail.php?ISBN=978-3-86757-101-2.
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Carvalho, Terezinha Elizabeth Mendes de. "Adsorção de corantes aniônicos de solução aquosa em cinza leve de carvão e zeólita de cinza leve de carvão." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/85/85134/tde-29082011-102142/.
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Cinza leve de carvão, resíduo gerado em usina termelétrica, foi usada para sintetizar zeólita por meio de tratamento hidrotérmico com solução de NaOH. A cinza leve (CL-2) e a zeólita sintética (ZM-2) que foi predominantemente identificada como hidroxi-sodalita foram utilizadas como adsorventes dos corantes aniônicos índigo carmina (IC) e reativo laranja 16 (RL16) de soluções aquosas. Nos processos de adsorção, os efeitos de tempo de contato, concentração inicial de corantes, pH, massa de adsorventes e temperatura foram avaliados. O estudo cinético de adsorção demonstrou que os resultados apresentaram melhor ajuste ao modelo de pseudo-segunda ordem e que adsorção de superfície e difusão intrapartícula participaram no mecanismo de adsorção. Os parâmetros termodinâmicos demonstraram que a adsorção foi espontânea em todos os processos de adsorção. Os processos de adsorção foram de natureza endotérmica para todos os sistemas, com exceção do sistema IC/ZM-2, em que foi exotérmico. Os dados de entropia mostraram a ocorrência do aumento da desordem na interface sólido/solução durante a adsorção em todos os sistemas, exceto novamente no IC/ZM-2, no qual se verificou a diminuição da desordem na interface. As isotermas de adsorção ajustaram-se à equação linear de Langmuir. As capacidades máximas de adsorção foram 1,48 mg/g para o sistema IC/CL-2; 1,13 mg/g para IC/ZM-2; 0,96 mg/g para RL16/CL-2 e 1,14 mg/g para RL16/ZM-2 à temperatura ambiente. O estudo de dessorção realizado com água, com soluções aquosas ácidas e com solução aquosa básica demonstrou ser ineficiente tanto para a recuperação dos corantes quanto para a regeneração dos adsorventes.Coal fly ash, a waste generated in coal-fired electric power plant, was used to synthesize zeolite by hydrothermal treatment with NaOH solution. The fly ash (CL-2) and this synthesized zeolite (ZM-2) that was characterized as hydroxy-sodalite were used as adsorbents for anionic dyes indigo carmine (IC), and reactive orange 16 (RO16) from aqueous solutions. Effects of contact time, initial dye concentration, pH, adsorbent mass, and temperature were evaluated in the adsorption processes. The kinetics studies indicated that the adsorption followed the pseudo-second order kinetics and that surface adsorption and intraparticle diffusion were involved in the adsorption mechanism. The thermodynamics parameters demonstrated that the adsorption was spontaneous for all adsorption processes. The enthalpy data confirmed the endothermic nature for all adsorption processes except for IC/ZM-2 system which was exothermic. The entropy data showed an increased disorder at the solid/solution interface during the adsorption for all systems except for IC/ZM-2 whose negative entropy value indicated a decreased disorder at the interface. The adsorption isotherms were closely fitted to the Langmuir linear equation. The maximum adsorption capacities were 1.48 mg/g for the IC/CL-2 system; 1.13 mg/g for IC/ZM-2; 0.96 mg/g for RO16/CL-2, and 1.14 mg/g for RO16/ZM-2 at room temperature. The desorption study carried out with water, with acid aqueous solutions, and with an alkali aqueous solution showed to be inefficient both for recovering the dyes and regenerating the adsorbents.
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Huck, Oliver. "Melodieverweise bei Johann Rist: Korpus und Kommentierung." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23338.
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Constant-Desportes, Barbara. "Autour de L'Angelinetum et des Carmina varia de Giovanni Marrasio : étude sur la poésie latine du premier humanisme et sur le renouvellement du genre élégiaque." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL081.
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Cette thèse porte sur la renaissance de l’élégie latine à l’ère humaniste, au début du XVe siècle, à Sienne. Giovanni Marrasio compose alors le premier recueil d’élégies en langue latine de la Renaissance, l’Angelinetum, d’inspiration amoureuse, auxquels s’ajoutent de nombreux poèmes variés, ses carmina varia. Avant lui, ce genre n’avait pas retrouvé d’expression depuis plusieurs siècles. L’œuvre du poète, très variée dans ses thèmes et dans ses sujets, trouve son unité dans l’utilisation exclusive du distique élégiaque. Cela conduit à s’interroger sur la conception de l’élégie latine que Marrasio illustre : s’il se réapproprie de nombreux thèmes et de nombreuses topiques caractéristiques des élégies antiques, il intègre dans sa poésie plusieurs héritages littéraires d’époques ultérieures. Tous ces emprunts sont savamment fondus dans une poésie originale au gré d’une imitation habilement pensée. Les modalités de cette imitation sont analysées dans toute leur variété : la réminiscence littéraire s’exprime ainsi par l’allusion, la citation et la traduction. L’analyse de l’imitation marrasienne permet également d’évaluer les nouveaux apports du poète au genre élégiaque, notamment par l’intégration de thèmes pétrarquistes et par le rapprochement de l’élégie et de l’épigramme. Marrasio participe, en tant que lettré, à certains débats littéraires de son temps, tels l’inspiration ou la valeur de la poésie, qui trouvent dans ses poèmes, des illustrations inédites, repérables grâce à une pratique métapoétique de l’écriture. Marrasio se révèle à la fois un passeur et un novateur dans la renaissance du genre élégiaqueThis thesis deals with the renaissance of the Latin elegy in the humanist era, at the beginning of the 15th century, in Siena, when Giovanni Marrasio composed the first collection of elegies in Renaissance Latin, Angelinetum, with love as its inspiration, in addition to numerous diverse poems, his carmina varia. This style of expression had not been in use for several centuries prior to this. The exclusive use of the elegiac distich lends unity to the wide range of themes and subjects in the poet's work. This leads one to ponder the conception of the Latin elegy as illustrated by Marrasio : if he reappropriates many themes and topics characteristic of ancient elegies, he integrates several literary legacies from various earlier periods in his poetry. All these borrowings are skillfully combined into original poetry by means of clever purposeful imitation. The methods of this imitation are analysed in full: literary influence is thus expressed by allusion, quotation and translation. The analysis of Marrasian imitation also allows the poet's new contributions to the elegiac genre to be evaluated, in particular his use of Petrarchist themes and combination of the elegy and the epigram. As a man of letters, Marrasio took part, in certain literary debates of his time, on topics such as inspiration or the value of poetry, which find novel expression in his poems, identifiable thanks to a metapoetic writing style. Marrasio turns out to be both an imitator and an innovator in the renaissance of the elegiac genre
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Mehlhart, Carmina [Verfasser], and Günter Karl [Akademischer Betreuer] Stalla. "Akromegalie im Follow-up: Ein Prädiktionsmodell für Lebensqualität und Entwurf eines Schulungskonzepts auf Basis einer quantitativen und qualitativen Datenanalyse / Carmina Mehlhart ; Betreuer: Günter Karl Stalla." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1228270805/34.
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Herbert, de la Portbarré Gaëlle. "Descriptions monumentales et discours sur l'édification dans l'oeuvre de Paulin de Nole : Le regard et la lumière dans la lettre 32 et les carmina 27." Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10117.
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L'œuvre littéraire de Pontius Meropius Paulinus (352 ou 353-430) est composée essentiellement de la correspondance qu'il entretient avec ses contemporains et des Natalicia, poèmes destinés à commémorer annuellement l'anniversaire e la mort de saint Félix, confesseur, enseveli à la fin du IIIème siècle dans une simple tombe all'aperto dans le lieu-dit Cimitile situé dans le suburbium de la ville de Nole en Campanie. C'est dans le complexe monumental surgi autour du tombeau de Félix que Paulin vint s'installer définitivement en 395. Dans le sanctuaire félicien, il fonda une communauté monastique et consacra le restant de sa longue vie à une double œuvre d'édification monumentale et spirituelle. Dans les années 401-403, il entreprend une vaste opération de restructuration et d'agrandissement du complexe félicien. Or Paulin décrit dans certain des ses textes les monuments qu'il a commandités et financés. Des années 403-404 datent la lettre 32 à Sulpice Sévère et les Carmina 27 et 28 qui constituent le corpus de cette étude. Ces trois textes constituent un témoignage inestimable sur le complexe des basiliques paléochrétiennes dédiés à Félix et ils présentent l'intérêt de pouvoir être mis en rapport avec les vestiges du site de Cimitile, dont la redécouverte et la mise en valeur depuis les années 1930 se poursuit encore aujourd'hui, sans cesser de susciter les interrogations des archéologues. Ce travail est avant tout une étude littéraire et spirituelle des descriptions monumentales présentes dans le corpus délimité et s'efforce de mettre en évidence la liaison constante dans le discours paulinien sur les constructions entre l'édification terrestre et celle de l'âme en temple pour Dieu. La confrontation avec les témoignages archéologiques est inévitable, mais elle doit être effectuée avec prudence et elle a surtout pour finalité d'aider à évoluer le statut des descriptions monumentales de Paulin
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Fuß, Carmina Teresa [Verfasser], Stefanie [Gutachter] Hahner, and Buck [Gutachter] Andreas. "Erfassung der Strahlenbelastung des Nebennierenvenenkatheters und Evaluation des Chemokinrezeptors CXCR4 als neues Target in der Differentialdiagnostik des primären Hyperaldosteronismus / Carmina Teresa Fuß ; Gutachter: Stefanie Hahner, Buck Andreas." Würzburg : Universität Würzburg, 2020. http://d-nb.info/1202714099/34.
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Issa, Alexandra. "Hennes namn var Carmila : En queerteoretisk analys av Joseph Sheridan Le Fanus novell Carmilla." Thesis, Södertörns högskola, Lärarutbildningen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-31431.
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This dissertation is a text analysis of the short novel Carmilla (1872) by the Irish ghost story-author Joseph Sheridan Le Fanu. It is a close reading analysis where I apply a queer theoretical perspective using Mia Franck’s model to analyze different silence practices in Carmilla. I focus on the female vampire Carmilla and her companion Laura and how they are portrayed in this short novel. I will ask the questions: do the characters Carmilla and Laura show a non-heterosexual relationship, passion and desire? How do they depart from the gender norm and can they be seen as characters who deviate from what society considers ‘normal’ behaviour? And can Carmilla and Laura’s relationship be seen as an example of silenced homosexuality and in what way is it expressed? Carmilla and Laura’s behaviour can certainly be described as queer and it is effective to examine the novella using silence practices through a queer perspective. Many of the practices are written silences. Mostly, its things that the reader realizes before the storyteller Laura does herself. They reveal numerous oddities in the story, taking the form of narrative, camouflaged, performative, ritualized and existential silences. Prominent examples are the way Carmilla hides both her vampiric and lesbian sides which Laura is repelled at in addition to her own lustful and passionate emotions. As a future teacher, one of my most important jobs will be to educate my pupils about democratic values and that all kinds of discrimination should be discouraged. An essay of this sort is one way to educate them in how gender and sexuality can be seen from historical, political and cultural perspectives.
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PRIMO, Jorge Torres de Araújo. "Dinâmica de água no solo e eficiência do uso de água em clones de palma forrageira no semiárido pernambucano." Universidade Federal Rural de Pernambuco, 2013. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/6161.
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The objective was to compare the soil water dynamics, evapotranspiration and water and nutrients use efficiency of the clones of cactus pear, resistant to Carmine Cochineal, during the production cycle in rainfed conditions in Brazilian semi-arid. For this, it was monitored water content in the soil, meteorological variables and biometric over time, and biomass and nutrients data at the end of the crop cycle. Soil water components were quantified for the experimental treatments (IPA-200205/ ‘IPASertânia’ of the Nopalea sp. genre; IPA-100004/‘Miúda’ of the Nopalea sp. of the genre; and, IPA-200016/ ‘Orelha de Elefante Mexican’, genus Opuntia sp.), using data from a capacitive probe and the soil water physical properties, obtaining by residue the crop real evapotranspiration (ETr) and then the evaporative fraction (EF). With biometrics, they were compared the growth of the clones, in terms of the characteristics of the plant and cladodes. In addition, it was determined the characteristics qualitative characteristics of the clones. Through biomass and nutrient data, precipitation and ETr were determined the indicators: crop water productivity, water economic productivity and nutrient use efficiency. At the end there was realized the comparison of these variables between treatments by analysis of variance and Tukey mean test. Rainfed conditions, water storage in soil varied depending on the rainfall events (P) and water extraction capacity of clones. The accumulated ETr and the other components of the water balance in the soil cultivated with the three cactus pear clones showed no significant differences (P < 0.05), only for a few representative periods of the cycle. The average daily rates were in the order of 2.22 ± 0.20 mm day-1, while the evaporative fraction was 0.47 ± 0.05. The Orelha de Elefante Mexicana was the clone that presented more efficient to the Brazilian semi-arid region, in terms of ETr (11.21 kg MV m-3) and P (10.48 kg MV m-3). The Miúda clone may be classified among the evaluated as the less efficient clone. There were no significant differences in terms of chemical composition of the cladodes, water economic productivity and nutrient use efficiency, with the exception of the use efficiency of the magnesium element on the basis of ETr, which was higher for the Orelha de Elefante Mexicana (11.14 g Mg m-3) and IPA Sertânia (7.74 g Mg m-3), and sodium element based on P, which was higher in clones Orelha de Elefante Mexicana (485.43 mg Na m-3) and Miúda (338,36 g Na m-3).
Objetivou-se comparar a dinâmica de água no solo, a evapotranspiração e os indicadores de eficiência do uso de água e de nutrientes de clones de palma forrageira, resistentes à cochonilha do Carmim, durante o ciclo produtivo em sequeiro, nas condições edafoclimáticas do Semiárido brasileiro. Para isso, foram monitorados dados do conteúdo de água no solo, meteorológicos e biométricos ao longo do tempo, e de biomassa e nutrientes no final do ciclo da cultura. Foram quantificados os componentes do balanço de água no solo nos tratamentos experimentais (IPA-200205/IPA-Sertânia do gênero Nopalea; IPA-100004/Miúda do gênero Nopalea; e, IPA-200016/Orelha de elefante Mexicana do gênero Opuntia), utilizando os dados de uma sonda capacitiva e as propriedades físico-hídricas do solo, obtendo-se por resíduo a evapotranspiração real da cultura (ETr) e, em seguida, a fração evaporativa (FE). As medidas biométricas foram utilizadas para analisar o crescimento dos clones avaliados. Além disso, determinou-se as características químico-bromatológicas dos clones. Por meio dos dados de biomassa, nutrientes, precipitação pluviométrica e ETr foram determinados os seguintes indicadores: produtividade da água da cultura, produtividade econômica da água e a eficiência do uso de nutrientes. As variáveis foram submetidas à análise de variância e quando observada diferença significativa realizou-se comparação por meio do teste de médias de Tukey. Nas condições de sequeiro, o armazenamento de água no solo variou em função dos eventos de precipitação (P) e da capacidade de extração de água dos clones. A ETr acumulada e os demais componentes do balanço de água no solo cultivado com os três clones de palma forrageira não apresentaram diferenças significativas (P < 0,05), apenas durante alguns períodos representativos do ciclo. As taxas diárias médias de ETr foram na ordem de 2,22±0,20 mm dia-1, enquanto que a fração evaporativa foi de 0,47±0,05. A Orelha de Elefante Mexicana apresentou-se como o clone mais eficiente para o Semiárido brasileiro, em termos de ETr (11,21 kg MV m-3) e de P (10,48 kg MV m-3). A Miúda pode ser classificada, entre as avaliadas, como o clone menos eficiente. Não se verificaram diferenças significativas em termos de composição químico-bromatológica dos cladódios, de produtividade econômica da água e da eficiência do uso de nutrientes, com exceção da eficiência do uso do elemento magnésio com base na ETr, que foi maior para a Orelha de Elefante Mexicana (11,14 g Mg m-3) e IPA Sertânia (7,74 g Mg m-3), e do elemento sódio com base na P, que foi superior nos clones Orelha de Elefante Mexicana (485,43 mg Na m-3) e Miúda (338,36 g Na m-3).
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Ramos, Railson de Oliveira. "Degradação de poluentes orgânicos persistentes por processos oxidativos." Universidade Estadual da Paraíba, 2017. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2796.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The presence of organic pollutants in aquatic environments has been the subject of numerous researches focused on the evaluation of environmental impacts and the development of treatments. Among the industrial sectors with polluting potential, the textile sector and the agricultural activity deserve to be highlighted by producing effluents with high concentrations of organic pollutants. Conventional water and sewage treatment systems are inefficient in the removal of pollutants such as dyes and pesticides while advanced oxidative processes stand out been highlighted in the treatment of effluents containing such pollutants, as they present higher rates of oxidation of organic matter and less generation of by-products of oxidation. In this work a study was developed to evaluate the degradation of the pesticide profenophous by the process H2O2/UV and the textile dye leucoindigo carmine through the process Photo Fenton. With this objective, were developed photocatalytic reactors, in piston flow, in bench scale. Mercury vapor lamps (254 nm) were used as the radiation source. For analytical control, among other tools, liquid chromatography coupled to mass spectrometry and total organic carbon analyzer were applied. The results showed that treatment of the effluent containing 1 mg/L of the profenophous pesticide was possible through the H2O2/UV process with 100% degradation of the pollutant within 30 minutes of degradation, using a dosage of 0.5 mM H2O2 at pH 8. Results of the by-product analysis indicated that pollutant degradation generated smaller molecules such as m - bromophenol, bromobenzene and phosphorothioic acid, monor toxicity and in low concentrations (0.162 μg/L). Regarding the degradation of the leucoindigo carmine dye, the results indicated that it was possible to remove 100% of the color and 77.5% of the total organic carbon from the studied effluent, which contained 25 mg/L leucoindigo 2+ carmine. These results were obtained using a dosage of Fe 4 mM and H2O2 24 mM at pH 3. The results of the by-product analysis also indicated that degradation of the pollutant molecule occurred in smaller molecules such as Dioxindole And mandelic salt, wif monor toxicity and in low concentrations (12.5 μg/L). The degradation of leucoindigo carmine and profenofós were better adjusted to the pseudo 2nd order kinetic model.
A presença de poluentes orgânicos nos ambientes aquáticos tem sido alvo de inúmeras pesquisas voltadas para avaliação de impactos ambientais e desenvolvimento de tratamentos. Dentre os setores industriais com potencial poluidor, o setor têxtil e a atividade agrícola merecem destaque por produzir efluentes com elevadas concentrações de poluentes orgânicos. Os sistemas de tratamento convencional de água e esgoto são ineficientes na remoção de poluentes como corantes e pesticidas, enquanto os processos oxidativos avançados vêm se destacando no tratamento de efluentes contendo tais poluentes, por apresentarem maior velocidade na oxidação de matéria orgânica e menor geração de subprodutos de oxidação. Neste trabalho foi desenvolvido um estudo para avaliar a degradação do pesticida profenofós através do processo H2O2/UV e do corante têxtil leucoíndigo carmim através do processo Foto Fenton. Para tanto, foram desenvolvidos reatores fotocatalícos de fluxo pistonado em escala de bancada. Utilizou-se como fonte de radiação lâmpadas de vapor de mercúrio (254 nm). Para controle analítico foram aplicadas, entre ouras ferramentas, cromatografia líquida acoplada a espectrometria de massas e analisador de carbono orgânico total. Os resultados demostraram que o tratamento do efluente contendo 1mg/L do pesticida profenofós foi possível através do processo H2O2/UV com 100% de degradação do poluente em 30 minutos de degradação, utilizando uma dosagem de H2O2 0,5 mM em pH 8. Os resultados da análise de subprodutos indicaram que ocorreu degradação da molécula do poluente em moléculas menores como o m-Bromofenol, bromobenzeno e ácido fosforotióico, de monor toxicidade e em baixas concentrações (0,162 µg/L). Em relação à degradação do corante leucoíndigo carmim, os resultados indicaram que foi possível remoção de 100% da cor e 77,5% do carbono orgânico total do efluente de estudo, que continha 25 mg/L leucoíndigo carmim. Estes valores de remoção foram 2+ obtidos utilizando-se uma dosagem de Fe 4 mM e H2O2 24 mM, em pH 3. Os resultados da análise de subprodutos também indicaram que ocorreu degradação da molécula do poluente em moléculas menores, como a Dioxindole e o sal mandélico, de monor toxicidade e em baixas concentrações (12,5 ug/L). A degradação de leucoíndigo carmim e profenofós foram melhor ajustadas ao modelo cinético pseudo 2° ordem.
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CASTRO, Rosemary Maria de. "Biologia e exigências térmicas de Zagreus bimaculosus (Mulsant) (Coleoptera : Coccinellidae)." Universidade Federal Rural de Pernambuco, 2011. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/6027.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The cactus pear (Opuntia ficus-indica Mill) is one of the most important bases of supply for ruminants during the dry season in the semiarid region of northeastern Brazil. The major problem faced by cactus producers is the high incidence of scale insects in culture. In Brazil, the species most commonly found infesting the crop are: Diaspis echinocacti (Bouché) (Hemiptera: Diaspididae) and Dactylopius opuntiae (Cockerell) (Hemiptera: Dactylopiidae), known as carmine cochineal. Zagreus bimaculosus (Mulsant) (Coleoptera: Coccinellidae) is a native predator of D. echinocacti and often has been found in areas infested with carmine cochineal, which has raised interest in using it against this pest. Thus, this study aimed to compare biological aspects of Z. bimaculosus reared on D. opuntiae and D. echinocacti and to study its biology reared at 18, 22, 25, 28, 30, 32 and 34°C. The results of comparative biology showed better development of Z. bimaculosus when fed on D. opuntiae, with means values of egg- adult period of 52.25 and 55.72 days and the viability values of 60.6% and 60%, respectively, for individuals reared on D. opuntiae and D. echinocacti. The developmental period of Z. bimaculosus was reduced as temperature increases. The egg-adult period ranged from 27.92 to 84.68 days from 32 to 18°C and showed viability greater than 50% between the temperatures 22 and 30°C. The lower temperature threshold and thermal requirement for egg-adult period were 12.9°C and 543.5 degree days,respectively. Based on thermal requirement, Z. bimaculosus can develop 8.6 generations per year in the semiarid region of Pernambuco State, Brazil.
A palma forrageira (Opuntia fícus-indica Mill) é uma das mais importantes bases de alimentação para ruminantes durante o período de estiagem no Semiárido nordestino. O principal problema enfrentado pelos produtores da cultura é a alta incidência de cochonilhas na cultura. No Brasil, as espécies predominantemente encontradas infestando a cultura são: Diaspis echinocacti (Bouché) (Hemiptera: Diaspididae) e Dactylopius opuntiae (Cockerell) (Hemiptera: Dactylopiidae), vulgarmente conhecida como cochonilha do carmim. Zagreus bimaculosus (Mulsant) (Coleoptera: Coccinelidae) é um predador nativo de D. echinocacti e, frequentemente tem sido encontrado em áreas infestadas com a cochonilha do carmim, o que tem despertado interesse em utilizá-la no controle dessa praga. Assim, este trabalho teve como objetivos comparar os aspectos biológicos de Z. bimaculosus criados em D. opuntiae e D. echinocacti e estudar a sua biologia nas temperaturas de 18, 22, 25, 28, 30, 32 e 34ºC. Os resultados de biologia comparada mostraram melhor desenvolvimento de Z. bimaculosus quando alimentados com D. opuntiae, apresentando valores médios do período ovo-adulto de 52,3 e 55,7 dias e valores de viabilidade de 60,6 e 60%, respectivamente, para indivíduos criados sobre D. opuntiae e D. echinocacti. O período de desenvolvimento de Z. bimaculosus foi reduzido com o aumento da temperatura entre 18 e 32°C. O período ovo-adulto variou de 27,9 a 84,7 dias de 32 e 18ºC, respectivamente, e apresentou viabilidade superior a 50% entre as temperaturas de 22 e 30°C. A temperatura base (Tb) e a constante térmica (K) requeridas por Z. bimaculosus criados em D. opuntiae foram de 12,9°C e 543,5 graus-dia, respectivamente. Baseado nessas exigências térmicas, Z. bimaculosus pode desenvolver até 8,6 gerações por ano na região Semiárida de Pernambuco.
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MORAES, Anidene Christina Alves de. "Valor nutritivo de diferentes variedades de palma forrageira resistentes à cochonilha do carmim." Universidade Federal Rural de Pernambuco, 2012. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/6634.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
The objective of this work was to determine the nutritional value of spineless cactus varieties resistant Cochineal carmine (Dactylopius opuntiae Cockerell), “Orelha de Elefante Mexicana” (Opuntia stricta), “IPA-Sertania” (Nopalea cochenillifera), “Miuda” (Cochenillifera Nopalea Salm-Dyck), IPA-21 F (Nopalea cochenillifera). Used 24 sheep SPRD with initial weight of 21.0 ± 0.5 kg, distributed in a randomized complete block design with four treatments and six repetitions. The experimental diets were composed of cactus, soybean (Glycine max (L.)), urea and mineral salt farming. The intakes of dry matter, organic matter, neutral detergent fiber and digestible energy were, on average, 3.4% PC, 2.9% CP, 0.72% CP and 2.8 Mcal / day, respectively, and were not influenced by the variety of the palm. The digestibility of DM and OM were higher in diets composed by “Orelha de elefante Mexicana” “IPA Sertania”, compared to a diet composed by “Miuda” variety. The digestibility of NDF and energy were not influenced by the variety of palm and were, on average, 46.3% and 72.4%. The experimental diets did not influence weight gain or carcass yield, which averaged 89.0 g / day and 52.4%, respectively. The animals were given an average of 62.2 ml of water / day for two consecutive days every 3.3 days. The Mexicana varieties of “Orelha de elefante” (Opuntia stricta), “IPA-Sertânia” (Nopalea cochenillifera) and “IPA-F21” (Nopalea cochenillifera) can be fed to sheep without compromising its performance.
Objetivou-se com este trabalho determinar o valor nutricional das variedades de palma forrageira resistente à Cochonilha do carmim (Dactylopius opuntiae Cockerell): Orelha de Elefante Mexicana (Opuntia stricta), IPA-Sertânia (Nopalea cochenillifera), Miúda (Nopalea cochenillifera Salm-Dyck), IPA-F 21 (Nopalea cochenillifera). Foram utilizados 24 ovinos SPRD, com peso vivo inicial médio de 21,0±0,5 kg, distribuídos em delineamento experimental de blocos casualizados, com quatro tratamentos e seis repetições. As dietas experimentais foram compostas por palma forrageira, farelo de soja (Glycine max (L.)), uréia agropecuária e sal mineral. Os consumos de matéria seca, matéria orgânica, fibra em detergente neutro e energia digestível foram, em média, 3,4%PC; 2,9%PC; 0,72%PC e 2,8Mcal/dia, respectivamente, e não foram influenciados pela variedade da palma. Os coeficientes de digestibilidade da MS e da MO foram mais altos nas dietas compostas por Orelha-de-Elefante-Mexicana e IPA-Sertânia, em comparação a dieta composta pela variedade Miúda. Os coeficientes de digestibilidade da FDN e da energia não foram influenciados pela variedade de palma e foram, em média, 46,3% e 72,4%. As dietas experimentais não influenciaram o ganho de peso nem o rendimento de carcaça, que foram em média 89,0 g/dia e 52,4%, respectivamente. Os animais ingeriram em média 62,2 mL de água/dia, por dois dias consecutivos, e mantiveram intervalo de 3,3 dias sem consumir agua voluntariamente. As variedades Orelha de Elefante Mexicana (Opuntia stricta), IPA-Sertânia (Nopalea cochenillifera) e IPA-F21 (Nopalea cochenillifera) e Miúda (Nopalea cochenillifera Salm-Dyck) podem ser utilizadas na alimentação de ovinos sem comprometer seu desempenho.