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Journal articles on the topic 'Carmina'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Budiyanti, Tri, Sobir Sobir, Desta Wirnas, and Sunyoto Sunyoto. "Daya Gabung dan Aksi Gen pada Karakter Buah dan Hasil dari Populasi Setengah Dialel Lima Genotipe Pepaya (Carica papaya L.)." Jurnal Hortikultura 25, no. 4 (May 23, 2016): 278. http://dx.doi.org/10.21082/jhort.v25n4.2015.p278-293.

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Salah satu masalah dalam perakitan varietas hibrida, yaitu memilih tetua yang mempunyai daya gabung tinggi. Untuk menghasilkan hibrida F1 pepaya dengan kualitas dan produksi yang tinggi diperlukan informasi daya gabung yang tinggi antartetua. Penelitian bertujuan mengetahui daya gabung umum (DGU) dan daya gabung khusus (DGK) untuk mendukung program perbaikan genetik varietas pepaya. Pendugaan DGU dan DGK menggunakan populasi setengah dialel lima genotipe pepaya. Lima tetua pepaya yang dipergunakan, yaitu BT2, Carmina, Dampit, Carmida, and Merah Delima. Penelitian menggunakan rancangan kelompok lengkap teracak (RKLT) dengan tiga ulangan. Hasil penelitian menunjukkan bahwa karakter bobot buah, panjang buah, dan kekerasan daging dikendalikan oleh aksi gen aditif. Tetua Dampit dapat dipilih sebagai tetua dengan DGU terbaik untuk karakter tersebut. Karakter tebal daging, PTT, jumlah buah, produksi per pohon, dan persentase buah cacat dikendalikan oleh aksi gen nonaditif karena efek DGK dan ragam nonaditif lebih besar daripada efek DGU dan ragam aditif. Hibrida Carmina x Carmida mempunyai nilai DGK dan rata-rata yang tinggi untuk karakter tebal daging dan PTT. Hibrida BT2 x Dampit, Carmina x Dampit, Dampit x Merah Delima, dan Dampit x Merah Delima mempunyai DGK dan rerata yang tinggi untuk karakter produksi per pohon. Pasangan kombinasi hibrid F1 tersebut dapat berpotensi untuk dipilih sebagai varietas unggul hibrida pepaya dengan keunggulan produksi buah yang tinggi. Calon varietas unggul baru pepaya tersebut dapat dikembangkan di masyarakat sehingga akan meningkatkan produksi pepaya di Indonesia.

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2

von Albrecht, Michael. "Carmina Latina." Philologia Classica II, no. I (June 2016): 163–66. http://dx.doi.org/10.21638/11701/spbu20.2016.114.

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3

Hamilton, John T. "Carmina carnis." Figurationen 19, no. 2 (December 2018): 46–63. http://dx.doi.org/10.7788/figu.2018.19.2.46.

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4

Mota, João Carlos De Melo. "Selecta carmina." Ensaios de Literatura e Filologia 5 (December 31, 1987): 22. http://dx.doi.org/10.17851/0104-2785.5.0.22-40.

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5

Zumthor, Paul. "Carmina figurata." Revista USP, no. 16 (February 28, 1993): 69. http://dx.doi.org/10.11606/issn.2316-9036.v0i16p69-75.

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6

Славянский, Николай. "Carmina vacui taetra." Russian Literature 37, no. 2-3 (February 1995): 377–91. http://dx.doi.org/10.1016/0304-3479(95)90647-3.

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7

Sunyoto, Sunyoto, Tri Budiyanti, Noflindawati Noflindawati, and Dewi Fatria. "Uji Stabilitas Lima Genotip Pepaya di Tiga Lokasi." Jurnal Hortikultura 23, no. 2 (May 20, 2016): 129. http://dx.doi.org/10.21082/jhort.v23n2.2013.p129-136.

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<p>Pengujian interaksi antara genotip dengan lingkungan (GxE) serta analisis stabilitas hasil suatu genotip merupakan tahap penting dalam program pemuliaan tanaman untuk mendapatkan calon varietas unggul baru. Penelitian bertujuan menguji stabilitas dan adaptasi empat genotip pepaya dan satu pembanding. Penelitian dilakukan di tiga lokasi yaitu, KP. Sumani, Balai Penelitian Tanaman Buah Tropika, Lubuk Alung, Sumatera Barat, dan KP. Subang, Jawa Barat, mulai Bulan Maret sampai Desember 2010 menggunakan rancangan acak kelompok. Perlakuan terdiri atas lima genotip pepaya, yaitu Merah Delima, BT-2, Carmina, Carmida, dan California dengan enam ulangan. Peubah yang diamati ialah persentase tanaman sempurna dan betina, tinggi bunga pertama, ruas letak bunga pertama, tinggi buah pertama, bobot buah, jumlah buah/pohon, produksi buah/pohon, dan padatan terlarut total (PTT) (oBrix). Hasil penelitian menunjukkan bahwa persentase tanaman berbunga sempurna dan berbunga betina pada genotip Merah Delima, BT-2, Carmina, dan Carmida mempunyai nilai koefisien regresi (βi)<1, berarti tahan terhadap perubahan lingkungan. Pengujian terhadap tinggi bunga pertama dan ruas letak bunga pertama memperlihatkan bahwa BT-2 dan California mempunyai koefisien regresi (βi)<1 (tidak responsif terhadap perubahan lingkungan). Interaksi varietas (genotip) dengan lokasi (lingkungan) terjadi pada karakter persentase tanaman berbunga sempurna, persentase tanaman berbunga betina, ruas letak bunga pertama, tinggi bunga pertama, bobot buah, produksi/pohon, dan PTT. Produksi buah/pohon Merah Delima dan Carmida mempunyai nilai koefisien regresi (βi) = 1 dan genotip memiliki rerata hasil di atas rerata umum yang berarti genotip tersebut beradaptasi baik terhadap semua lingkungan. Kedua genotip tersebut sangat potensial untuk dikembangkan di beberapa lingkungan karena beradaptasi baik pada tiga kondisi lingkungan dengan hasil di atas rerata. Oleh karena itu dapat direkomendasikan menjadi VUB yang dapat dikembangkan di lahan petani.</p>

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8

Pittavino, David A. "Carmina tum melius … canemus." Mnemosyne 74, no. 3 (March 17, 2021): 512–22. http://dx.doi.org/10.1163/1568525x-bja10046.

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9

Magne, Jean. "Carmina Christo Quasi Deo." Augustinianum 39, no. 1 (1999): 85–95. http://dx.doi.org/10.5840/agstm19993912.

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10

Cecchetti, Dario. "Étienne Dolet, Carmina (1538)." Studi Francesi, no. 160 (LIV | I) (April 1, 2010): 132–33. http://dx.doi.org/10.4000/studifrancesi.7168.

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11

Varona, Alfonso. "Entrevista a Carmina Narro." Latin American Theatre Review 48, no. 2 (2015): 107–18. http://dx.doi.org/10.1353/ltr.2015.0007.

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12

RIMÓCZI-HAMAR, MÁRTA. "BACCHUM… CARMINA… VIDI DOCENTEM…" Antik Tanulmányok 45, no. 1-2 (December 1, 2001): 123–31. http://dx.doi.org/10.1556/anttan.45.2001.1-2.10.

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Analysing the Bacchus-ode of Horace, the unusual phrase Bacchum … docentem turns our attention to that level of understanding which does not seem obvious at the first reading. Horace's ability for ciphering and his unequalled fidelity to his silenced friends enable him to work „wonders”. He pays hommage to Bacchus so that he conceals behind him Cornelius Gallus, teaching poetry and initiating into poesy who got out of the circle of his friends because of his political bravery and who had even to decease at the will of the princeps. Horace provides his Bacchus with linguistic and real fancy dress. The „word dresses” of the analysed poems make recognizable the teaching poet, condemned to disappearance and silence. Thus the correctness of this interpretation is proved by both linguistic means and authentic historical events.

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13

Rudd, Niall. "Claudian, Carmina Minora 20.13." Classical Philology 93, no. 4 (October 1998): 343. http://dx.doi.org/10.1086/449405.

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14

Rodríguez Serrano, Aarón, and Shaila García Catalán. "El humo flotante: la muerte y el legado en el díptico de Carmina (Paco León, 2012-2014)." Área Abierta 19, no. 2 (May 27, 2019): 199–219. http://dx.doi.org/10.5209/arab.60221.

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El presente artículo pretende realizar un análisis textual del díptico de Carmina Barrios: Carmina o revienta (Paco León, 2012) y Carmina y amén. (Paco León, 2014). Para ello, se utiliza una combinación de microanálisis fílmico y análisis estructural que permite profundizar en los procesos de significación de los textos. El análisis arrojará resultados concretos sobre la construcción narratológica del relato (espacio, tiempo, narradores y punto de vista), así como demostrará la relación que esos recursos mantienen con el tema principal de las películas: la importancia del legado matrilineal y los mecanismos de memoria familiar en la España contemporánea.

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15

Čanković, Tomislav. "Antički i mitološki motivi u zbirci Carmina Burana." Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu 64, no. 1-2 (December 16, 2020): 73–113. http://dx.doi.org/10.22210/ur.2020.064.1_2/04.

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ANTIQUE AND MYTHOLOGICAL MOTIFS IN CARMINA BURANA This paper discusses the function, purpose, place and formal characteristics of the Greek and Roman mythological motifs in the poems that are part of Carmina Burana, a medieval collection of poetry dating from the first half of the 13th century. Different relations established between the aforementioned motifs and lyrical subjects are also examined, as well as how these motifs fit into the context of the individual poem and the entirety of Carmina Burana. The paper focuses exclusively on the motifs which belong to the ancient Greek and Roman traditions, and not on those of the Judeo-Christian provenance, although the latter are numerous in their own right. Also, as Publius Ovidius Naso is often regarded as the main influence on the goliards, traces of his works and militaristic concepts of love visible in the poems of Carmina Burana are also highlighted and examined. The focus of this paper is on those poems which belong to the basic thematic elements usually attributed to the goliards, including tavern, wine, gambling, physical love and satirical and anticlerical overtones.

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16

Robinson, Richard. "Another case of Carmina Piranha?" Early Music 49, no. 1 (February 1, 2021): 146–48. http://dx.doi.org/10.1093/em/caab009.

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17

Bodelón García, Serafín. "Carmina Burana: Selección y traducción." Helmántica 53, no. 161 (January 1, 2002): 309–38. http://dx.doi.org/10.36576/summa.3680.

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18

Wulstan, D. "The Carmina Burana: Four Essays." English Historical Review 117, no. 472 (June 1, 2002): 683–84. http://dx.doi.org/10.1093/ehr/117.472.683.

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19

Volynkin, Anton V., and Karel Černý. "ON THE CORRECT IDENTIFICATION OF CYANA BIANCA (WALKER, 1856), WITH DESCRIPTION OF A NEW SPECIES AND NOTES ON THE TAXONOMY OF THE CYANA INSULARIS (DRAUDT, 1914) SPECIES-GROUP (LEPIDOPTERA, EREBIDAE, ARCTIINAE)." Ecologica Montenegrina 21 (May 7, 2019): 53–61. http://dx.doi.org/10.37828/em.2019.21.6.

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The holotype of Cyana bianca (Walker, 1856) is examined. As a result, the species previously considered as C. bianca is described as new: C. abrupta Volynkin & Černý, sp. nov. (NE India, Nepal and Bangladesh). Cyana bianca is assigned with Cyana insularis (Draudt, 1914) species-group. Another taxon of this group, C. malacca Lourens, 2017 is synonymized with C. carmina (Černý, 1993) and downgraded to the subspecies level: Cyana carmina malacca Lourens, 2017, syn. & stat. nov. The male genitalia of the recently described C. juliettae Lourens, 2017 are illustrated for the first time.

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20

Pena, Maria José. "Sur quelques carmina epigraphica de Narbonnaise." Revue archéologique de Narbonnaise 36, no. 1 (2003): 425–32. http://dx.doi.org/10.3406/ran.2003.1136.

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21

Grošelj, Nada. "Carmina docta: Katul in nova poezija." Keria: Studia Latina et Graeca 20, no. 2 (January 28, 2019): 239–41. http://dx.doi.org/10.4312/keria.20.2.239-241.

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Eden od starorimskih pesnikov, s katerim se skoraj zagotovo srečamo že v srednješolskem izobraževanju, je lirik Gaj Valerij Katúl (1. stol. pr. Kr.). Širšemu bralstvu je znan predvsem po pesmih izbranki s psevdonimom »Lezbija«, verjetno zgodovinski osebi iz visoke rimske družbe.

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22

Galle, Christoph. "Vernarum carmina lingua vertimus." Zeitschrift für deutsches Altertum und deutsche Literatur 141, no. 2 (2012): 210–27. http://dx.doi.org/10.3813/zfda-2012-0009.

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23

King, Joy K. "Catullus' Callimachean Carmina, cc. 65-116." Classical World 81, no. 5 (1988): 383. http://dx.doi.org/10.2307/4350232.

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24

deAngeli, Edna, and P. G. Walsh. "Love Lyrics from the "Carmina Burana"." Classical World 88, no. 3 (1995): 238. http://dx.doi.org/10.2307/4351720.

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25

Cecchetti, Dario. "Michel de L’Hospital, Carmina. Livre I." Studi Francesi, no. 175 (LIX | I) (April 1, 2015): 135. http://dx.doi.org/10.4000/studifrancesi.397.

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26

Pütz, Marianne. "HORE MINNE IN DEN CARMINA BURANA." Amsterdamer Beiträge zur älteren Germanistik 30, no. 1 (March 29, 1990): 51–60. http://dx.doi.org/10.1163/18756719-90000022.

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27

Wolff, Étienne. "Les Carmina Burana : plurilinguisme et poésie." Bulletin de l'Association Guillaume Budé 1, no. 3 (1998): 260–71. http://dx.doi.org/10.3406/bude.1998.1925.

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28

Moser, Jr., Thomas C. "CARSTEN WOLLIN, ed. Petri Blesensis Carmina." Journal of Medieval Latin 09 (January 1999): 210–13. http://dx.doi.org/10.1484/j.jml.2.304125.

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29

Mastroianni, Michele. "Michel de L’Hospital, Carmina. Livre II." Studi Francesi, no. 186 (LXII | III) (December 1, 2018): 486–87. http://dx.doi.org/10.4000/studifrancesi.15050.

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30

Busca, Maurizio. "Michel de L’Hospital, Carmina. Livre III." Studi Francesi, no. 189 (LXIII | III) (December 1, 2019): 563. http://dx.doi.org/10.4000/studifrancesi.21096.

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31

Dyson, M. "Horace Carmina 4. 5. 36-37." Classical Philology 86, no. 2 (April 1991): 126–29. http://dx.doi.org/10.1086/367242.

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32

Donnini, Mauro. "Schemi amplificativi nei Carmina di Alcuino." Giornale Italiano di Filologia 71 (January 2019): 349–71. http://dx.doi.org/10.1484/j.gif.5.118472.

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33

Korn, Uwe Maximilian, Dirk Werle, and Katharina Worms. "The carmen heroicum in Early Modernity (Das carmen heroicum in der frühen Neuzeit)." Daphnis 46, no. 1-2 (March 15, 2018): 1–14. http://dx.doi.org/10.1163/18796583-04601014.

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The special issue at hand provides a contribution to the historical exploration of early modern carmina heroica (epic poems) in the German area of the early modern period, especially of the ‘long’ 17th century. To this purpose, perspectives of Latin and German Studies, of researchers with expertise in medieval and modern literary history, are brought together. This introductory article puts the following theses up for discussion: 1) The view that epic poems of the early modern period are a genre with little relevance for the history of literature is wrong and has to be corrected. 2) Accordingly, the view has to be corrected that the history of narrative in the modern era leads teleologically to the modern novel. 3) For the exploration of the history of carmina heroica, the traditions of didactic poems and heroic poems have to be taken into consideration together. 4) Epic poems of the ‘long’ 17th century have a particular tendency to generic hybridization. 5) The genre history of carmina heroica can be reconstructed appropriately only by taking into account the vernacular as well as the Latin tradition.

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34

Wulstan, David. "Novi modulaminis melos: the music of Heloise and Abelard." Plainsong and Medieval Music 11, no. 1 (April 2002): 1–23. http://dx.doi.org/10.1017/s0961137102002012.

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Recent developments have uncovered the early correspondence of Heloise and Abelard. This discovery has allowed the identification of a number of ‘lost’ lyrics by Abelard and has revealed that Heloise, too, was a lyricist of great stature. This article reviews some of their works and touches upon their connection with the ‘goliardic’ tradition, the Carmina Burana, and their influence upon Walther von der Vogelweide and other poets. The sequences and liturgical dramas of Heloise survive with music of an individual style. The dramas, moreover, are of notable originality: they influenced the later history of the genre (including the Carmina Burana Easter dramas) to a considerable and enduring extent.

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35

Šega Čeh, Barbara. "Na zemlji najvišji vladar (Carmina Burana 11)." Keria: Studia Latina et Graeca 12, no. 2-3 (December 31, 2010): 439. http://dx.doi.org/10.4312/keria.12.2-3.439-440.

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Na zemlji najvišji vladar je dandanes Denar.Denar še vladarji častijo, pred njim kakor hlapci klečijo.Denarju ponižno je vdan podkupljivi duhovniški stan.Denar, namenjen opatiji, je gospodar v njeni kancliji.

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36

Schaffenrath, Florian. "Die carmina minora des Ubertino Carrara SJ." Römische Historische Mitteilungen 50 (2009): 429–42. http://dx.doi.org/10.1553/rhm50s429.

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37

Traill, David A., E. D. Blodgett, and Roy Arthur Swanson. "The Love Songs of the Carmina Burana." Classical World 83, no. 1 (1989): 75. http://dx.doi.org/10.2307/4350545.

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38

De Trane, Ginetta. "Book Review: In nobis caelum. Carmina latina." Forum Italicum: A Journal of Italian Studies 41, no. 2 (September 2007): 565–66. http://dx.doi.org/10.1177/001458580704100236.

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39

BRADLEY. "CARMINA CANTABRIGIENSIA 23: "VESTIUNT SILVE TENERA RAMORUM"." Medium Ævum 54, no. 2 (1985): 259. http://dx.doi.org/10.2307/43628897.

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40

Ziolkowski, Jan M. "Petri Blesensis Carmina. Petrus Blesensis , C. Wollin." Speculum 78, no. 2 (April 2003): 585–87. http://dx.doi.org/10.1017/s0038713400169386.

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41

SHANZER. "A NEW EDITION OF SEDULIUS SCOTTUS' "CARMINA"." Medium Ævum 63, no. 1 (1994): 104. http://dx.doi.org/10.2307/43629621.

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42

Calzascia, Sonja Caterina. "Le similitudini nei Carmina docta di Catullo." Giornale Italiano di Filologia 61, no. 1-2 (May 2009): 63–105. http://dx.doi.org/10.1484/j.gif.5.101767.

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43

Office, Editorial. "Taking the road less travelled." Advances in Modern Oncology Research 3, no. 4 (August 22, 2017): 156. http://dx.doi.org/10.18282/amor.v3.i4.246.

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44

Samyn, Henrique Marques. "Da Bíblia aos Carmina Burana: sobre o Cântico dos cânticos e Ob amoris pressuram." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 2, no. 2 (March 30, 2008): 71–79. http://dx.doi.org/10.17851/1982-3053.2.2.71-79.

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45

Sullivan, Michael B. "MIND YOUR TONGUES: HORACE (WORD)PLAYS APOLLO (CARM. 3.1.1–4)." Classical Quarterly 66, no. 1 (April 14, 2016): 402–6. http://dx.doi.org/10.1017/s0009838816000239.

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odi profanum uulgus et arceo.fauete linguis: carmina non priusaudita Musarum sacerdosuirginibus puerisque canto.I hate and spurn the unversed crowd.Mind your tongues: songs yet unheardI sing to boys and virgin girls,the Muses' priest.

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46

Had, Revista. "Listado de revisores y revisoras." Hospital a Domicilio 2, no. 1 (January 31, 2018): 37. http://dx.doi.org/10.22585/hospdomic.v2i1.43.

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Carmina Wanden-Berghe, directora de la revista Hospital a Domicilio, certifica que las personas enunciadas a continuación han participado en el proceso de revisión de los artículos publicados durante el año 2017, agradeciéndoles los servicios prestados.

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47

Woensel, Maurice Van. "Carmina Burana e os goliardos, clérigos medievais contestadores." Revista Eclesiástica Brasileira 54, no. 216 (December 31, 1994): 935–41. http://dx.doi.org/10.29386/reb.v54i216.2656.

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48

Meyer, Matthias. "The "Carmina Burana": Four Essays. Martin H. Jones." Speculum 77, no. 4 (October 2002): 1323–24. http://dx.doi.org/10.2307/3301268.

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49

Strmole, Blaž. "Iz Carmina Burana (CB 185 in 200) (prevod)." Keria: Studia Latina et Graeca 13, no. 1 (July 24, 2011): 79. http://dx.doi.org/10.4312/keria.13.1.79-82.

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Ich was ein Chint so wolgetan (CB 185) Ich was ein chint so wolgetan,virgo dum florebam,do brist mich div werlt al,omnibus placebam. Ko sem še devištva cvetkot dekle nosila,ves se mi je klanjal svet,vsem bila sem mila.

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50

Buchheit, Vinzenz. "Einheit und Zeit der Carmina Priapea." Hermes 135, no. 1 (2007): 74–79. http://dx.doi.org/10.25162/hermes-2007-0006.

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