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1

Carol Shields: Evocation and echo. Groningen: Barkhuis, 2009.

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2

Random illuminations: Conversations with Carol Shields. Fredericton, N.B: Goose Lane Editions, 2007.

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Wachtel, Eleanor. Random illuminations: Conversations with Carol Shields. Fredericton, NK: Goose Lane Editions, 2008.

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4

Shields, Carol. The stone diaries/ par Carol Shields. Toronto: Vintage Books, 1994.

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5

Alex, Ramon, ed. Liminal spaces: The double art of Carol Shields. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2008.

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6

Trozzi, Adriana. Carol Shields' magic wand: Turning the ordinary into the extraordinary. Roma: Bulzoni, 2001.

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7

Shields, Carol. A memoir of friendship: The letters between Carol Shields & Blanche Howard. Toronto: Viking Canada, 2007.

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8

Ouzounian, Richard. Larry's party: A musical based on the novel by Carol Shields. Toronto: McArthur & Co., 2000.

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Shields, Carol. A memoir of friendship: The letters between Carol Shields and Blanche Howard. Toronto, Ontario, Canada: Viking Canada, 2007.

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Shields, Carol. A memoir of friendship: The letters between Carol Shields and Blanche Howard. Toronto, ON: Viking Canada, 2007.

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11

Hammill, Faye Louise. Inspiration and imitation: Responses to Canadian literary culture in the work of Frances Brooke, Susanna Moodie, Sara Jeannette Duncan, L.M. Montgomery, Margaret Atwood and Carol Shields. Birmingham: University of Birmingham, 1998.

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12

Carol Shields's [sic] The stone diaries: A reader's guide. New York: Continuum, 2001.

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13

Lekshmi, Prasannan, Begum Jameela 1952-, and UGC Area Study Centre for Canadian Studies., eds. Monograph on Carol Shields. Thiruvananthapuram: UGC Area Study Centre for Canadian Studies, University of Kerala, 2005.

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14

Worlds of Carol Shields. University of Ottawa Press/Les Presses de l'Universite d'Ottawa, 2014.

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15

Shields, Carol. The Collected Stories of Carol Shields. Vintage Canada, 2005.

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16

Marta, Dvorak, and Jones Manina, eds. Carol Shields and the extra-ordinary. Montreal: McGill-Queen's University Press, 2007.

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17

Wachtel, Eleanor. Random Illuminations: Conversations with Carol Shields. Goose Lane Editions, 2007.

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18

Besner, Neil K. Carol Shields: The Arts of a Writing Life. Turnstone Press, 2003.

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19

1949-, Besner Neil Kalman, ed. Carol Shields: The arts of a writing life. Winnipeg: Prairie Fire Press, 2003.

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20

1964-, Eden Edward, and Goertz Dee, eds. Carol Shields, narrative hunger, and the possibilities of fiction. Toronto: University of Toronto Press, 2003.

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21

Eden, Edward, and Dee Goertz, eds. Carol Shields, Narrative Hunger, and the Possibilities of Fiction. University of Toronto Press, 2003. http://dx.doi.org/10.3138/9781442672758.

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22

Akers, Laura Jane. Writing as form of redemption: The fiction of Margaret Atwood and Carol Shields. 2003.

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23

Howells, Coral Ann. Major Authors: Robertson Davies, Margaret Atwood, Michael Ondaatje. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0024.

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This chapter discusses the works of three Canadian novelists best known internationally: Robertson Davies, Margaret Atwood, and Michael Ondaatje. The careers of Davies, Atwood, and Ondaatje, although overlapping chronologically, represent distinctive stages in Canada's evolving cultural traditions and publishing practices since the 1950s. Davies's novels signal the first stage in a transition from colonial to postcolonial identity in post-war Canada. Atwood in the 1970s provided the script for a Canadian cultural and literary identity separate from British and American in what Carol Shields called ‘a period of explosive patriotism’. Ondaatje's novels and family memoir epitomize the ‘refocusing and defocusing’ of Canadian literature since the 1980s, coinciding with the nation's shifts into multiculturalism and transnationalism. The chapter first provides a background on Davies, Atwood, and Ondaatje's careers before considering some of their works, including the Deptford trilogy (Davies), The Handmaid's Tale (Atwood), and The English Patient (Ondaatje).
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