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Relevant bibliographies by topics / Carpenters guild

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Academic literature on the topic 'Carpenters guild'

Author: Grafiati

Published: 5 June 2025

Last updated: 25 June 2025

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Journal articles on the topic "Carpenters guild"

1

SONKAJÄRVI, HANNA. "From German-speaking Catholics to French carpenters: Strasbourg guilds and the role of confessional boundaries in the inclusion and exclusion of foreigners in the eighteenth century." Urban History 35, no. 2 (2008): 202–15. http://dx.doi.org/10.1017/s0963926808005452.

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ABSTRACTThis article deals with the importance of religion as a factor influencing the inclusion and exclusion of foreigners from – and inside – the guilds in eighteenth-century Strasbourg. We consider the different notions of theétrangeras socially constructed and circumstantial. Together with factors such as social status, family ties, gender, systems of patronage, wealth, language and the citizenship rights of a town, religious and denominational boundaries constituted a major factor for influencing the inclusion and exclusion of foreigners in the early modern society. The construction and preservation of such boundaries are explored here through the examples of the carpenters' and the shipmen's guild found in the eighteenth-century multiconfessional city of Strasbourg.

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2

YAMAGISHI, Yoshihiro. "HISTORY AND CHARACTERISTICS OF THE CARPENTERS GUILD AT GUN'NAI REGION IN KAI-KOKU IN THE PRE-MODERN PERIOD." Journal of Architecture and Planning (Transactions of AIJ) 75, no. 654 (2010): 1987–96. http://dx.doi.org/10.3130/aija.75.1987.

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3

Betlej, Andrzej. "Unknown designs from the collection of the Na Piasku Carmelite Monastery in Kraków." Folia Historica Cracoviensia 29, no. 2 (2023): 103–20. http://dx.doi.org/10.15633/fhc.29204.

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The article describes five altar designs that were discovered in the Na Piasku Monastery of Calced Carmelites in Kraków. Absence of any information about the origin of the drawings makes it impossible to determine which specific church they were intended for. The discovered drawings can be dated to a period from the beginning of the 18th century to the 1770s. They feature various artistic solutions and were made by different artists. Assuming they were intended for churches in what historically was Małopolska, they significantly increase the number of sketches preserved and published in the literature. One of them is evidently a work of by a German-speaking artist, while the others seem to be the works of guild woodcarvers (or carpenters) or monastic artists. They might have been part of a collection of sketches that could have belonged to Brother Grzegorz Kaczyrek, a Carmelite repeatedly mentioned in the archives of monastery in 1742–70 as the maker (and designer) of retables in the Na Piasku Church.

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4

Lucey, Conor. "Women and the Construction Industry in Georgian Britain and Ireland." Architectural History 66 (2023): 127–54. http://dx.doi.org/10.1017/arh.2023.7.

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ABSTRACTWhile the role of women as designers and/or patrons of architecture in eighteenth-century Britain and Ireland is increasingly recognised, their role in the making of architecture remains contested. This article sheds light on the subject by drawing not just on the extensive secondary literature, but also on records of livery companies and other primary sources in London and Dublin. It begins with the building site, focusing on female apprenticeship. Here substantial evidence is provided showing that girls bound to bricklayers, carpenters and plasterers as apprentices — the so-called ’lost labourers’ of recent scholarship, recorded in guild registers and court minutes — did not in fact acquire craft skills or work as on-site operatives in those trades. The article then turns to those areas of the building process to which women did make a substantial contribution: first the practical realm, including brickmaking, lime-burning and the cleaning and preparation of carved and moulded work for painters and decorators; then the organisational realm of business, including property development, house-building and estate management. Taken together, these stories from the margins of architectural and labour histories make clear the distinction between competence in skills and competence in business, giving a more accurate picture of the multifarious nature of female participation in the construction industry in the Georgian era.

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5

Ramaswamy, Vijaya. "Vishwakarma Craftsmen in Early Medieval Peninsular India." Journal of the Economic and Social History of the Orient 47, no. 4 (2004): 548–82. http://dx.doi.org/10.1163/1568520042467154.

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AbstractThis article situates Vishwakarma craftsmen in the socio-economic milieu of early medieval Peninsular India. It seeks to analyse the dynamics of social change among craft groups with particular reference to the smiths, masons and carpenters constituting the Vishwakarma community. This is attempted by locating the dynamics of social change within the processes of temple building and urbanism in the Chola-Pallava period. The essay looks afresh at concepts like caste, guild and community in the speci fic context of technological and economic changes and craft mobility. In so doing the article cuts across conceptual categories in the light of empirical evidence. The study is based on epigraphic evidence, essentially from the Tamil country. Le présent article situe les artisans Vishwakarma dans le milieu socio-économique au début de la période médiévale de l'Inde péninsulaire. Il cherche à analyser la dynamique du changement social parmi les groupes d'artisans plus particulièrement les forgerons, maçons et menuisiers / ébénistes, bref ceux qui constituent la communauté Vishwakarma. Ce travail est effectué en situant la dynamique de l'évolution sociale au sein des divers processus de la construction des temples durant la période Chola-Pallava. L'article propose un nouveau regard sur les concepts tels que caste, association/corps de métier et communauté dans le contexte des progrès technologiques et économiques ainsi que la mobilité de l'artisanat. Cet essai va à l'encontre des catégories conceptuelles à la lumière des preuves empiriques. L'étude est basée sur des preuves épigraphiques du pays de Tamil Nadu.

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6

ÖZTÜRK, Hüseyin Sami, and Ezgi DEMİRHAN-ÖZTÜRK. "Two New Inscriptions from the Western Necropolis of Nikomedeia." LIBRI: Epigrafi, Çeviri ve Eleştiri ve Çeviri Dergisi VII (November 9, 2021): 203–11. https://doi.org/10.5281/zenodo.4784911.

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A rescue excavation by the Directorate of the Kocaeli Museum of Archaeology and Ethnography was conducted between 2017 and 2019 in the area where the General Directorate of Izmit Water and Sewerage Administration is located. In the course of these excavations, a new <em>necropolis</em> area was discovered, including five <em>in situ</em> <em>sarcophagi</em>, 51 tile tombs, and two <em>amphora</em> tombs. Among them, four <em>sarcophagi</em> bear funerary inscriptions dating from the Roman period. This paper presents two of these: 1) The tomb of Aurelius Sosianus Asklepiodotos and his family, 2) The tomb of Hermogenes.

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7

Barczak, T., A. Dębek-Jankowska, and J. Bennewicz. "Primary parasitoid and hyperparasitoid guilds (hymenoptera) of grain aphid (Sitobion avenae F.) in northern Poland." Archives of Biological Sciences 66, no. 3 (2014): 1141–48. http://dx.doi.org/10.2298/abs1403141b.

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The aim of this study was to determine and compare the guilds of parasitic Hymenoptera associated with the grain aphid on rye and winter wheat. Of the seven species of primary parasitoids (Braconidae: Aphidiinae, Aphelinidae), parasitizing colonies of Sitobion avenae, the most numerous and most frequently occurring, included Praon volucre, Aphidius ervi and Aphidius uzbekistanicus. Primary parasitoids of grain aphids were eliminated largely by hyperparasitoids, mostly of the families Megaspilidae (Dendrocerus carpenteri), Figitidae-Alloxystini (Alloxysta spp. and Phaenoglyphis villosa) and Pteromalidae (Pachyneuron aphidis, Asaphes vulgaris, Coruna clavata), but D. carpenteri and Alloxysta spp. belonged to dominants and subdominants, respectively.

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Barczak, Tadeusz, Amelia Dębek-Jankowska, and Janina Bennewicz. "Primary parasitoid and hyperparasitoid guilds (hymenoptera) of grain aphid (Sitobion avenae F.) in northern Poland." Archives of Biological Sciences 67, no. 2 (2015): 695–703. http://dx.doi.org/10.2298/abs140915038b.

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The aim of this study was to determine and compare the guilds of parasitic Hymenoptera associated with the grain aphid on rye and winter wheat in northern Poland. Of the seven species of primary parasitoids (Braconidae: Aphidiinae, Aphelinidae), parasitizing colonies of Sitobion avenae, the most numerous and most frequently occurring, included Praon volucre, Aphidius ervi and Aphidius uzbekistanicus. Primary parasitoids of grain aphids were largely eliminated by hyperparasitoids, mostly of the families Megaspilidae (Dendrocerus carpenteri), Figitidae-Alloxystini (Alloxysta spp. and Phaenoglyphis villosa) and Pteromalidae (Pachyneuron aphidis, Asaphes vulgaris, Coruna clavata), but D. carpenteri and Alloxysta spp. belonged to dominants and subdominants, respectively. <br><br><font color="red"><b> This article has been retracted. Link to the retraction <u><a href="http://dx.doi.org/10.2298/ABS150806086E">10.2298/ABS150806086E</a><u></b></font>

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9

Belso Delgado, Marina. "Aderezando un retablo: un litigio entre Miguel López y el gremio de carpinteros de Orihuela." Imafronte, no. 32 (April 11, 2025): 103–18. https://doi.org/10.6018/imafronte.615711.

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The creation of the Royal Academies established the beginning of the official regularisation of the artists’s studio and work. This new system was opposed to the traditional training and control of the guild workshops, which led to various disputes between academics and non-academics throughout the kingdom. In this context, this article analyses the accusations between the sculptor Miguel López and the Carpenter’s Guild of Orihuela in 1806, in connection with a reform of an altarpiece in the Saint Augustine’s church in the same city, of which a sketch of its finial has been located. La creación de las Reales Academias constituyó el comienzo de la regularización con carácter oficial del estudio y trabajo de los artistas. Este nuevo sistema se oponía a la formación y control tradicional dependiente de los talleres gremiales, lo que generó diversas disputas entre académicos y no académicos por todo el reino. En este contexto, el presente artículo analiza las acusaciones interpuestas entre el escultor Miguel López y el Gremio de Carpinteros de Orihuela en 1806, a colación de una reforma a un retablo de la iglesia del antiguo convento de San Agustín de la misma ciudad, del que se ha localizado un boceto de su remate.

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10

Osberg, Richard H. "The Goldsmiths' “Chastell” of 1377." Theatre Survey 27, no. 1-2 (1986): 1–15. http://dx.doi.org/10.1017/s0040557400008772.

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Among the many devices of the pageant carpenter's art, including the Trees of Jesse, mountains “inuironed with red roses and white,” thrones of justice, dragons, and fonts, the castle had become, at least by the mid-fifteenth century, practically a cliché. Its origins as a pageant structure, however, have yet to be satisfactorily explained, and its iconography is still open to interpretation. Theatre historians have long been interested in the “castle” pageant that the Goldsmiths' guild organized for the coronation of Richard II because it is the first English civic pageant for which any detailed description survives. The nineteenth-century antiquary, William Herbert, believed there to be no record of the “castle” pageant in the Company's own books, however, and following this lead, Robert Withington, the great compiler of pageant history, so reports the matter.

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Books on the topic "Carpenters guild"

1

Spencer, Scott. Man in the woods: A novel. Ecco, 2010.

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2

Ridley, Jasper Godwin. A history of the Carpenters' Company. Carpenters' Hall, 1995.

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Decker, Karola. Bürger, Kurfürst und Regierung: Das Beispiel der Mainzer Schreinerzunft im 18. Jahrhundert. Auslieferung durch das Stadtarchiv, 1990.

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Erioli, Elisa. Falegnami e muratori a Bologna nel Medioevo: Statuti e matricole (1248-1377). Pàtron, 2014.

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5

Stephen, Jones, and Stephen Redfern. City and Guilds Textbook: Level 1 Carpentry and Joinery. Taylor & Francis Group, 2021.

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Howard, Philip, John Wilson, and Andrew Hickley. Country and City - Wymondham, Norwich and Eaton in the 16th and 17th Centuries (Norfolk Record Society). Norfolk Record Society, 2006.

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A history of the Carpenters'Company. Carpenters' Company, 1995.

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8

Stephen, Jones, Martin Burdfield, and Stephen Redfern. The City & Guilds Textbook: Site Carpentry & Architectural Joinery for the Level 3 Apprenticeship , Level 3 Advanced Technical Diploma & Level 3 Diploma. Hodder Education, 2019.

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Stephen, Jones, and Stephen Redfern. City and Guilds Textbook: Site Carpentry and Architectural Joinery for the Level 2 Apprenticeship , Level 2 Technical Certificate and Level 2 Diploma. Taylor & Francis Group, 2019.

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Spencer, Scott. Man in the Woods: A Novel. HarperCollins Publishers, 2010.

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Book chapters on the topic "Carpenters guild"

1

Rokosz, Mieczysław. "Dzwon Zygmunta – świadek polskich dziejów." In 500 lat dzwonu Zygmunta. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381388627.03.

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Funded by King Sigismund the Old, the great bell for the Wawel cathedral, cast by Hans Behem in 1520, transported from the bell foundry to Wawel in the early summer of 1521, after a solemn consecration and baptism, was hung on the new cathedral belfry. Like every church bell, it became a liturgical parament whose task was to toll during church holidays. However, the bell was royal. It was supported by the guild of carpenters of Krakow, Kleparz and Kazimierz under a document issued by the king, which strictly defined the dates of tolling. The service of the bell was paid for by the royal treasury. In addition, Sigmund tolled on the occasion of state ceremonies or events in the royal family. And this is the first time that Sigismund sounded over the Jagiellonian capital on July 13, 1521, in the memory of St. Margaret, that is on the eve of the Sending of the Apostles ( July 15), which was the yearly celebration of the victory at Grunwald. It was the second day, apart from the annual feast of St. Stanisław (in May 8th) which is church, state and national holiday. From then on, the sound of Sigmund adorned coronation ceremonies, tributes and royal funerals, royal entrances and entrances of royal brides to the capital, announced victories, and welcomed the victorious hetmans and King Jan III Sobieski when he returned from Vienna. It also tolled on the occasion of important events in the royal family, especially the birth of a descendant. After the partitions, when there was no king and the guild organization ceased to exist, the bell passed to the cathedral chapter and the bishop. Cathedral sanctuaries and random bell towers began to operate it. Most often its body was struck by the clapper. Full tolling only took place on the most important occasions.

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Livesey, Ruth. "Engendering a New Age: Isabella Ford and Alfred Orage." In Socialism, Sex, and the Culture of Aestheticism in Britain, 1880-1914. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197263983.003.0007.

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This chapter analyses the dissemination of socialist aesthetics in the press up until 1914. During the 1890s, the rise of the ILP shifted the locus of such debates from London to northern manufacturing towns, as is evident from the contributions of Isabella Ford, Margaret McMillan, Robert Blatchford, and Alfred Orage to the Clarion, Labour Leaden and the Leeds Arts Club. The discussion focuses on the development of Orage's politics and aesthetics from his early work with Isabella Ford and Edward Carpenter in Leeds to the peak of his influence as editor of the New Age in 1914. Orage came to reject both the ‘sentimental’ aesthetics of the ILP and the compromises of the Parliamentary Labour Party in the early twentieth century; turning instead to the model of guild socialism.

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Jarvis, Katie. "Exacting Change." In Politics in the Marketplace. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190917111.003.0005.

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After the Assembly overhauled the currency system and issued assignats in denominations too large for retail trade, a small change shortage rocked the nation. To facilitate marketplace exchanges, the Dames, their suppliers, their clients, and other merchants turned to promissory notes. These bills were inadequately backed by local financial societies and contributed to rapid inflation. Beginning in 1790, the lack of practical cash spurred market actors to innovatively ally across guilds and occupational boundaries. Vegetable merchants formed coalitions with carpenters to demand new assignat denominations, retailers joined forces with brokers to protect promissory notes, and clients and merchants rallied to support overlapping credit networks. Thus, the Dames and their allies forged novel socioeconomic associations before the Le Chapelier law and d’Allarde decree legally dismantled the corporate world in 1791. Money thus became a concrete conduit for effecting the core social transformations at the heart of the Revolution. While spurring the state to protect the monetary networks of productive citizens, the Dames and their allies also changed the trajectory of national currency reform.

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Cuenca, Esther Liberman. "Unenfranchisement." In The Making of Urban Customary Law in Medieval and Reformation England. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198916802.003.0006.

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Abstract This chapter looks at the flipside of the “common good” discussed in the previous chapter, examining custumals for how lawmakers, particularly John Carpenter of London, addressed different urban populations to reaffirm political hierarchies, as well as differences based on class and gender. Because the purpose of the law was to regulate, for example, trade and guilds, the activities of the local courts, the holding of private property, and the privileges that came with burgess franchise, it goes without saying that not all people living in medieval towns were affected by the law in the same manner. Urban customary law reflected social divisions because the men who composed these laws generally did not want to upset the political order. The law was thus replete with exemptions, privileges, and conditions that applied to people of different social status. Urban lawmakers outlined rights and imposed restrictions on groups with distinct, though often intersecting, legal identities. These groups could include privileged citizens, but also non-citizen merchants and women laborers. This chapter investigates the social and political inequalities inherent in urban customary law, as well as how legal discourses, including those on civic masculinity, sustained these inequalities over time.

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Conference papers on the topic "Carpenters guild"

1

Madan, Elena. "The activity of carpenters and joiners in guilds, workshops and factories in the XIX century – middle of the XX century." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.16.

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Wooden parts, from the simplest utensils to furniture, and the basic components of house construction, have been present since ancient times. It should be noted that almost any householder could provide the minimum number of parts needed in a household. The basic craftsmen in making the furniture were carpenters and joiners, who, in addition to work performed in their own household, were also employed in guilds, workshops and later in factories. Initially, the carpenters, who were involved in the construction of the houses, also made the necessary furniture. Starting with the 19th century, and in the peasant household with the end of the 19th century, the beginning of the 20th century, in addition to the carpenter's furniture the joiner's (city) furniture appears. This delimitation of craftsmen in the carpenters and joiners is based on the tools used, the joining techniques, as well as the characteristic ornamentation; however this division is a conventional one without precise borders. The domestic trades of Bessarabia played an important role in the industrial production from the end of the 19th century, mid-20th century. Factories appeared mainly on the basis of such small trades.

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