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Journal articles on the topic 'Carpentier'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Carpentier, Alejo, and Charlotte Rogers. "Notes on the Trip to the Great Savannah." PMLA/Publications of the Modern Language Association of America 134, no. 5 (2019): 1104–8. http://dx.doi.org/10.1632/pmla.2019.134.5.1104.

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In July 1947, the Cuban Author Alejo Carpentier traveled from his home in caracas to the sparsely inhabited interior of venezuela, visiting the country's tropical forests and its great plains. At the time, Carpentier was known principally as a music critic and newspaper columnist for El Nacional in Venezuela and Carteles in Cuba; he had yet to publish El reino de este mundo (The Kingdom of This World; 1949), which would launch his career as a novelist and earn him international renown. Carpentier later wrote a novel about a trip much like the one he took in 1947. In the now-canonical Los pasos

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2

Carpentier, Jean. "Jean Carpentier." Raison présente 89, no. 1 (1989): 27–29. http://dx.doi.org/10.3406/raipr.1989.2733.

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3

Gonzalez, Eduardo. "Framing Carpentier." MLN 101, no. 2 (1986): 424. http://dx.doi.org/10.2307/2905774.

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4

Minale, Carmine. "Carpentier ring." Journal of Thoracic and Cardiovascular Surgery 99, no. 2 (1990): 373a—373. http://dx.doi.org/10.1016/s0022-5223(19)37029-1.

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5

Bischoff, Thomas. "Jean Carpentier." Revue Médicale Suisse 10, no. 438 (2014): 1522–23. http://dx.doi.org/10.53738/revmed.2014.10.438.1522_1.

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6

Maldonado, Ezequiel. "Alejo Carpentier y la música popular." Fuentes Humanísticas 30, no. 56 (2018): 9–16. http://dx.doi.org/10.24275/uam/azc/dcsh/fh/2018v30n56/maldonado.

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7

Craig, Herbert E., and Sally Harvey. "Carpentier's Proustian Fiction: The Influence of Marcel Proust on Alejo Carpentier." Chasqui 24, no. 1 (1995): 88. http://dx.doi.org/10.2307/29741184.

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8

Shivers, George. "Alejo Carpentier: The Pilgrim at Home:Alejo Carpentier: The Pilgrim at Home." Latin American Anthropology Review 5, no. 1 (1993): 46–47. http://dx.doi.org/10.1525/jlat.1993.5.1.46.

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9

Dr. Ajay Bhargava and Ashok Kumar Malviya. "The Chronicle of French Revolution in Alejo Carpentier’s Explosion in a Cathedral." Creative Launcher 4, no. 5 (2019): 41–49. http://dx.doi.org/10.53032/tcl.2019.4.5.07.

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Alejo Carpentier was a well-known author of Latin American Literature of twentieth century. Explosion in a Cathedral, (El siglo de las luces, 1962) has disclosed the author’s approach, who knew how to take advantages of the chance. This is considered Carpentier’s most effective historical achievement that revealed his destiny accidently. The novel is based on chronicle of French revolution in different circumstances and revealed the French history with winning destiny. It portrays the revolutionary hurdles, which were adopted from the other historians, who wrote about revolutions. Ultimately,

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10

Leroux, François. "Entrevue avec Richard Carpentier." Horizons philosophiques 7, no. 1 (1996): 51. http://dx.doi.org/10.7202/801028ar.

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11

Echevarría, Roberto González. "Dante in Alejo Carpentier." MLN 127, no. 1S (2012): S216—S224. http://dx.doi.org/10.1353/mln.2012.0013.

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12

Rückel, Rita De Cássia Germano. "Jogos primaveris: (Alejo Carpentier)." Revista de História, no. 123-124 (July 30, 1991): 95. http://dx.doi.org/10.11606/issn.2316-9141.v0i123-124p95-115.

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13

Aparicio, Yannelys. "Colón en Carpentier y Carpentier en Colón: «El arpa y la sombra»." Hipogrifo. Revista de literatura y cultura del Siglo de Oro 9, no. 1 (2021): 1077–87. http://dx.doi.org/10.13035/h.2021.09.01.60.

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14

Vieira, Felipe de Paula Góis. "Alejo Carpentier: um escritor em busca da América." Revista Eletrônica da ANPHLAC, no. 17 (March 22, 2015): 107–38. http://dx.doi.org/10.46752/anphlac.17.2014.2162.

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ResumoEste artigo analisa a trajetória política, intelectual e literária do escritor cubano Alejo Carpentier (1904-1980). Considerando alguns dos seus dados biográficos, a ideia é compreender como, em suas obras iniciais, se articula um projeto narrativo de descrição do continente americano. Fortemente influenciado pelas vanguardas europeias do pós-guerra, Carpentier deu início à busca de uma identidade americana através da literatura. Ao analisar as obras Visión de América, El reino de este mundo e Los pasos perdidos, a intenção do artigo é compreender os protocolos através dos quais o autor

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15

Gelado, Viviana. "La legitimación de la música afrocubana en la crítica periodística de Alejo Carpentier." Aletria: Revista de Estudos de Literatura 17, no. 1 (2015): 67–73. http://dx.doi.org/10.17851/2317-2096.17.1.67-73.

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Resumo: No marco do questionamento da “alta” cultura e da arte como instituição, levado a cabo pelos movimentos de vanguarda na América Latina, este trabalho analisa os meios utilizados por Alejo Carpentier no exercício da crítica musical, desenvolvida em crônicas jornalísticas e orientada pelo propósito de legitimar a música afro-cubana através do questionamento da cultura musical institucionalizada no final da década de vinte em Cuba.Palavras-chave: afrocubanismo; Alejo Carpentier; música.Resumen: En el marco del cuestionamiento de la “alta” cultura y del arte como institución, llevado a cab

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16

Cañete Quesada, Carmen. "LA PROPUESTA DE ALEJO CARPENTIER EN "LO REAL MARAVILLOSO DE AMÉRICA" (1948) Y LA MIRADA SURREALISTA INSULAR EN ISLA COFRE MÍTICO (1951) DE EUGENIO F. GRANELL." Visitas al Patio, no. 14 (November 21, 2019): 60–78. http://dx.doi.org/10.32997/2027-0585-vol.0-num.14-2019-2436.

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El presente estudio ofrece puntos de comparación y contraste entre la mirada insular caribeña del artista y autor exiliado Eugenio F. Granell y la tesis identitaria sobre América Latina del escritor y musicólogo Alejo Carpentier. En su ensayo “Lo real maravilloso de América”, Carpentier denunciaba la falsa representación de América Latina por parte de los seguidores de la corriente surrealista que -como André Breton y Granell en su libro Isla cofre mítico- fueron arrastrados al nuevo continente por las guerras en Europa. El interrogante de quién podría adjudicarse el legítimo papel de represen

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17

Sánchez López, Pablo. "La invasión de la metrópoli: la literatura latinoamericana en Madrid y Barcelona." Revista Valenciana estudios de filosofía y letras, no. 2 (July 5, 2016): 43. http://dx.doi.org/10.15174/rv.v0i2.276.

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En un artículo de 1927, el novelista cubano Alejo Carpentier, entonces todavía poco conocido, planteaba con una metáfora afectiva el mayor peligro, a su juicio, de las relaciones culturales entre España y Latinoamérica. Carpentier trataba de separar claramente las dos orillas del Atlántico en el terreno cultural y evitar cualquier nueva subordinación a la metrópoli. La reacción de Carpentier venía a denunciar rotundamente las pretensiones de algunos intelectuales de Madrid de proponer a la capital de España como centro de la cultura hispánica, desplazando a un segundo plano el tradicional enca

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18

Kalenic Ramsak, Branka. "Alejo Carpentier, “Y caminaba semejante a la noche”." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 12-14 (July 9, 2021): 195–200. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.200312-145795.

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Uno de los aspectos más importantes de la narrativa de Alejo Carpentier es el estudio del tiempo. El interés por la estructura espacio-temporal narrativa proviene a veces de su preocupación filosófica; en otros casos la trata como uno de los recursos técnicos. En su empeño de romper con el sistema de transcurso cronológico Carpentier ha logrado importantes renovaciones, también en el cuento Semejante a la noche (1952). Su estructura espacio-temporal, además presentada gráficamente, representa el tema del presente artículo. Con este cuento Carpentier ha añadido a la amplia gama de las técnicas

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19

HARMANDAR, Buğra. "Ebstein Anomalisinde Carpentier Tipi Kapak Tamiri / Carpentier Type Valve Reconstruction in Ebstein’s Anomaly." Osmangazi Journal of Medicine 39, no. 2 (2017): 65–69. http://dx.doi.org/10.20515/otd.329936.

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20

Tal-mason, Ali. "Voyage to the Marvelous: A Traveler’s Guide to The Kingdom of This World." Cambridge Journal of Postcolonial Literary Inquiry 7, no. 1 (2019): 50–68. http://dx.doi.org/10.1017/pli.2019.31.

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Following a legacy of four and a half centuries of literature written by foreign travelers landing on Haiti’s shores, Alejo Carpentier’s seminal novel about the Haitian Revolution is predicated upon Carpentier’s voyage to Haiti six years earlier. This article attends to the role of voyage in Carpentier’s The Kingdom of This World, revealing the ways in which Carpentier’s storytelling and rendering of Haiti in both the novel and its prologue, and his accompanying theory of the marvelous real, adhere to Eurocentric conceptions of time that reinscribe this neocolonial space as anachronistic space

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21

Andrade Martínez, Kathya Berenice. "De los Ballets Rusos a las letras cubanas: La consagración de la primavera de Alejo Carpentier." Revista de Arte Ibero Nierika, no. 26 (July 5, 2024): 130–59. http://dx.doi.org/10.48102/nierika.vi26.734.

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En el mundo literario el crédito por la autoría de La consagración de la primavera se da al cubano Alejo Carpentier. Sin embargo, en realidad la obra proviene de otros dos actantes: el compositor Ígor Stravinsky y el coreógrafo Vaslav Nijinsky, creadores, ambos, de un ballet del mismo nombre que Carpentier usaría posteriormente como base para su novela. Por tal razón es que el presente artículo busca establecer una relación entre las diferentes dimensiones —musicales, dancísticas y literarias— de esta obra artística, a fin de que la novela de Carpentier pueda ser entendida y considerada como u

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22

Gomi, A. "Carpentier repair for Ebstein's anomaly." Japanese Journal of Cardiovascular Surgery 19, no. 6 (1990): 1229–31. http://dx.doi.org/10.4326/jjcvs.19.1229.

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23

García-Bedoya Maguiña, Carlos. "Cien años con Alejo Carpentier." Letras (Lima) 75, no. 107-108 (2004): 87–96. http://dx.doi.org/10.30920/letras.75.107-108.5.

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El presente artículo destaca el rol del escritor cubano Alejo Carpentier en la configuración de la denominada nueva narrativa hispanoamericana. Se examina el impacto del vanguardismo sobre esa vertiente narrativa. Se aborda la etapa inicial de la obra literaria carpenteriana en el contexto de las vanguardias históricas latinoamericanas de los años 20-30. La asimilación del aporte de la vanguardia se combina con una atención del aporte africano a la cultura caribeña. Se evalúa luego el impacto en su producción de las teorías del realismo mágico o de lo real maravilloso y sus conexiones con el s

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24

López Lemus, Virgilio. "Alejo Carpentier o el periodista." Revista Iberoamericana 57, no. 154 (1991): 171–80. http://dx.doi.org/10.5195/reviberoamer.1991.4865.

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25

González Echevarría, Roberto. "Fiestas cubanas : Villaverde, Ortiz, Carpentier." America 27, no. 1 (2001): 123–39. http://dx.doi.org/10.3406/ameri.2001.1524.

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26

Deloche, Alain, Victor A. Jebara, John Y. M. Relland, et al. "Valve repair with Carpentier techniques." Journal of Thoracic and Cardiovascular Surgery 99, no. 6 (1990): 990–1002. http://dx.doi.org/10.1016/s0022-5223(20)31455-0.

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27

Silva, Guadalupe. "Alejo Carpentier, from Niggerism to the Marvellous Real-life." Anclajes 19, no. 1 (2015): 53–70. http://dx.doi.org/10.19137/anclajes-2015-1915.

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28

Felippe, Eduardo Ferraz. "Notas sobre uma tradução: pensamento estético e escrita da história em Alejo Carpentier." Anos 90 16, no. 29 (2009): 237–59. http://dx.doi.org/10.22456/1983-201x.7983.

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Este artigo tenciona analisar a relação entre pensamento estético e escrita da história nas conferências do escritor latino-americano Alejo Carpentier. Argumenta-se que as considerações de Carpentier acerca do papel do romancista são sintomas do esgotamento do esteticismo que orientava a produção literária cubana, fruto da percepção de que a arte, na modernidade, encontra-se desviada de seu destino, que é de ser a base da vida dos homens em sociedade. Carpentier percebe a necessidade de construção de um novo “espaço de experiências”, capaz de orientar a América Latina em seu destino, alicerçad

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29

Valerio-Holguín, Fernando. "The Vulture of History in The Kingdom of This World by Alejo Carpentier." Theory in Action 14, no. 4 (2021): 113–26. http://dx.doi.org/10.3798/tia.1937-0237.2135.

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In thesis IX of the Theses on the Philosophy of History, Walter Benjamin indicates, from the painting “Angelus Novus” by Paul Klee, that the Angel of History has his face turned back, contemplating a catastrophe. He wants to stay, but the great wind of progress is pushing him forward into the future, leaving rubble on its pass. The new historical novel The Kingdom of this World by Alejo Carpentier narrates the long and tortuous process of the Haitian Revolution and beyond. At the end of the novel, there is a great green wind that sweeps across the Northern Plain and the ruins of the old sugar

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30

Felippe, Eduardo Ferraz. "Os nomes do nome: o caso da assinatura Alejo Carpentier." Varia Historia 30, no. 54 (2014): 827–46. http://dx.doi.org/10.1590/s0104-87752014000300011.

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Este texto parte do problema do falseamento da assinatura Alejo Carpentier para analisar sua trajetória intelectual e a intenção de controlar lugares de leitura de sua obra. Utiliza-se a troca epistolar com Roberto González Echevarría como um momento privilegiado desse controle por meio de sua escrita de si e da assinatura Alejo Carpentier. Ao fim, utiliza-se do tema da dupla assinatura com o fito de ponderar acerca das relações entre memória, escrita de si e engajamento político.

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31

Marinin, V. A., A. M. Osadchiy, D. Lebedev та ін. "Radiofrequency ablation in the treatment of atrial ﬁ bril-lation and ﬂuttering in patients on cardiopulmponary bypass". "Arterial’naya Gipertenziya" ("Arterial Hypertension") 15, № 2 (2009): 146–52. http://dx.doi.org/10.18705/1607-419x-2009-15-2-146-152.

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Two cases of the successful cool radiofrequency ablation of the atrial fibrillation and typical atrial flutter in the conditions of artificial blood circulation after performance of the basic stage of surgery (the first case - bioprosthetics of the mitral valve, anuloplastic of the tricuspidal valve on the basic ring «Carpentier-Edwards», the second case - a plastic of the mitral and tricuspidal valves on basic rings «Carpentier-Edwards», defect elimination of the interatrium partitions by autopericard) are represented.

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32

Kovalski, Josoel. "Alejo Carpentier e o barroco americano." Ensino & Pesquisa 21, no. 2 (2023): 196–210. http://dx.doi.org/10.33871/23594381.2023.21.2.7594.

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O escritor cubano Alejo Carpentier conseguiu, a partir de uma prática escriturária emancipatória em relação aos escritos tradicionalmente aceitos, estabelecer uma releitura da práxis americana de narrar. Esforçando-se para reinserir o insólito como evento movimentador de narrativas, debruçou-se nos acontecimentos relatados pela vivência americana, tendo como conceito operatório o real maravilhoso, termo chave na invocação de uma América barroca, um barroco espacial e telúrico, a-histórico e plural. Polígrafo, e habitante esporádico da Ilha cubana, Alejo Carpentier retoma a América Latina como

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33

Zárate, Julio. "“El descubridor descubierto” o cuestionar a Cristóbal Colón en "El arpa y la sombra", de Alejo Carpentier." Anales de Literatura Hispanoamericana 44 (October 14, 2015): 41–54. http://dx.doi.org/10.5209/rev_alhi.2015.v44.50699.

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En su última novela, El arpa y la sombra (1979), el escritor cubano, Alejo Carpentier (1904- 1980) propone un cuestionamiento, personal e histórico, de la vida y los viajes de Cristóbal Colón al Nuevo Mundo. La novela de Carpentier confronta lo humano al impacto político y religioso de lo que hubiera sido la eventual beatificación de un hombre, cuyos actos determinaron en cierta medida la dinámica de las relaciones entre España y el Nuevo Mundo. En este artículo se analiza la forma en la que el “descubridor” es puesto al “descubierto” a través del proceso de desenmascaramiento. Lejos del discu

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34

Britton, R. K., Richard A. Young, and Verity Smith. "Carpentier: El reino de este mundo." Modern Language Review 81, no. 2 (1986): 520. http://dx.doi.org/10.2307/3729785.

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35

Navarro Salazar, María Teresa. "Le scelte dantesche di Alejo Carpentier." Epos : Revista de filología, no. 22 (January 1, 2006): 203. http://dx.doi.org/10.5944/epos.22.2006.10515.

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Dante Alighieri sigue siendo hoy un autor vital, modelo en vigor para la literatura de recepción. Reflejo de su modernidad son los ejemplos de intertextualidad activos en el panorama literario universal, en el que la Divina Comedia y, en especial el Infierno, forman parte de un acervo cultural común, fuente de inspiración para muchos autores contemporáneos.

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36

Cruz, Humberto Lopez, and Antonio Fama. "Las ultimas obras de Alejo Carpentier." Hispania 81, no. 1 (1998): 101. http://dx.doi.org/10.2307/345470.

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37

Beardsell, Peter, and Antonio Fama. "Las ultimas obras de Alejo Carpentier." Modern Language Review 93, no. 1 (1998): 261. http://dx.doi.org/10.2307/3733723.

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38

William Wallet, Jean. "Claude Carpentier : « Un honnête homme indigné »." Carrefours de l'éducation HS 2, no. 4 (2011): 71. http://dx.doi.org/10.3917/cdle.hs02.0071.

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39

Ontaneda, Juan Suárez. "Alejo Carpentier and the Musical Text." Caribbean Quarterly 67, no. 3 (2021): 372–74. http://dx.doi.org/10.1080/00086495.2021.1957533.

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40

Volek, Emil. "Filos y sophia bibliográficos: Alejo Carpentier." Revista Iberoamericana 52, no. 135 (1986): 559–64. http://dx.doi.org/10.5195/reviberoamer.1986.4223.

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41

Peavler, Terry J., Patricia Rubio deLertora, and Richard A. Young. "Carpentier ante la critica: bibliografia comentada." Hispania 70, no. 3 (1987): 521. http://dx.doi.org/10.2307/343427.

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42

Shivers, George. "Alejo Carpentier: The Pilgrim at Home." Latin American Anthropology Review 5, no. 1 (2008): 46–47. http://dx.doi.org/10.1525/jlca.1993.5.1.46.

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43

Pancrazio, James J., and Antonio Fama. "Las últimas obras de Alejo Carpentier." Chasqui 27, no. 1 (1998): 154. http://dx.doi.org/10.2307/29741414.

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44

Jamieson, W. R. Eric, A. Ian Munro, Robert T. Miyagishima, et al. "The Carpentier-Edwards supraannular porcine bioprosthesis." Journal of Thoracic and Cardiovascular Surgery 96, no. 4 (1988): 652–66. http://dx.doi.org/10.1016/s0022-5223(19)35221-3.

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45

Jamieson, W. R. Eric, Alfred N. Gerein, G. Frank O. Tyers, et al. "Carpentier-Edwards supra-annular porcine bioprosthesis." Journal of Thoracic and Cardiovascular Surgery 91, no. 4 (1986): 555–65. http://dx.doi.org/10.1016/s0022-5223(19)36025-8.

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46

Nashef, Samer A. M., B. Sethia, M. A. Turner, K. G. Davidson, Steven Lewis, and W. H. Bain. "Björk-Shiley and Carpentier-Edwards valves." Journal of Thoracic and Cardiovascular Surgery 93, no. 3 (1987): 394–404. http://dx.doi.org/10.1016/s0022-5223(19)36417-7.

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47

Eric Jamieson, W. R., Peter Allen, Robert T. Miyagishima, et al. "The Carpentier-Edwards standard porcine bioprosthesis." Journal of Thoracic and Cardiovascular Surgery 99, no. 3 (1990): 543–61. http://dx.doi.org/10.1016/s0022-5223(19)36986-7.

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48

Brown, Nancy Carpentier, and Sean P. Dailey. "An Interview with Nancy Carpentier Brown." Chesterton Review 42, no. 1 (2016): 201–5. http://dx.doi.org/10.5840/chesterton2016421/233.

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49

Rogers, Charlotte. "Carpentier, Collecting, and Lo Barroco Americano." Hispania 94, no. 2 (2011): 240–51. http://dx.doi.org/10.1353/hpn.2011.a441838.

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50

Beltrán, Rafael Rodriguez. "Historia de lunas de Alejo Carpentier." Manuscrítica: Revista de Crítica Genética, no. 20 (March 18, 2011): 83–96. http://dx.doi.org/10.11606/issn.2596-2477.i20p83-96.

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