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Dissertations / Theses on the topic 'Carson McCullers'

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1

Zaich, Fatiha. "L'oeuvre de Carson McCullers : étude psychanalytique." Paris 7, 1989. http://www.theses.fr/1989PA070107.

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Cette these a pour objectif une etude psychanalytique de l'oeuvre de carson maccullers. Partant de l'idee freudienne selon laquelle le texte litteraire, comme toute creation artistique, est un "accomplissement imaginaire" des desirs inconscients de l'auteur, j'ai tente d'analyser l'oeuvre de carson mccullers dans cette optique. Le texte litteraire est considere comme un ensemble de signifiants -mots, style, structurequi ne sont la que pour representer quelque chose qui n'est pas donne d'avance : l'inconscient du sujet producteur<br>This thesis aims at a psychoanalytic study of carson mccullers
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2

Lidoyne-Franke, Valérie. "La solitude dans l'oeuvre de Carson McCullers." Dijon, 2001. http://www.theses.fr/2001DIJOL017.

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3

Hershon, Laurence Mark. "Transcendence in the major fiction of Carson McCullers." Thesis, Royal Holloway, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407955.

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4

Woods, Ashley-Ann Dorn. "Adolescent Transformation In the Short Stories of Carson McCullers." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1196.

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Carson McCullers's neglected short stories "Sucker", "Like That", and "The Haunted Boy" depict stark adolescent crises. Her character analyses dramatize important elements of many theories of adolescent psychology. Each of these stories depicts what happens when something goes horribly wrong in the course of an already difficult stage of life. In "Sucker" two different stages of adolescent development collide. Pete and Sucker go through different psychological adjustments. The two boys discover the difficulties of adolescent romance, hero-worship, peer group formation and exclusion, and power
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5

Hise, Patricia Jean Fielder. "Carson McCullers Beyond Southern Boundaries: Diagnosing "An American Malady"." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935671/.

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The loneliness theme of Carson McCullers' fiction falls into three divisions or levels. And because of her focus on the individual, her general theme of loneliness as it results from human isolation is universal. She develops her "broad principal theme" through an examination of human characteristics common to all human beings. In expressing her concept of isolation as a human condition, however, she presents loneliness as she believes it exists in her own culture, and, for this reason, her works present a loneliness that results from American cultural attitudes and is tempered by a Southern s
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6

Queiroz, Paulo Roberto. "Estranged lives : the romantic grotesque in Carson McCullers fiction." reponame:Repositório Institucional da UFSC, 1995. https://repositorio.ufsc.br/xmlui/handle/123456789/157940.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão<br>Made available in DSpace on 2016-01-08T19:45:55Z (GMT). No. of bitstreams: 1 102605.pdf: 2176514 bytes, checksum: af16123982ce0fec9aa636ee0822127a (MD5) Previous issue date: 1995<br>Análise da função do grotesco no estabelecimento da atmosfera em Reflections in a Golden Eye e The Ballad of the Sad Café, de Carson McCullers, a partir do conceito de grotesco Romântico, de Mikhail Bakhtin. A análise mostra que a falta do poder regenerativo que é característico do grotesco Romântico está present
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7

Junior, Valdemir Pinto da Silva. "Transgression in Carson McCullers The Ballad of the Sad Café." Universidade do Estado do Rio de Janeiro, 2007. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4330.

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Este trabalho tem como objetivo principal discutir a obra The Ballad of the Sad Café, publicada em 1951, pela escritora norte-americana Carson McCullers, que abordou temas polêmicos, como a sexualidade, papéis sociais e suas respectivas e muitas vezes concomitantes transgressões. Em tal discussão serão analisadas as presenças do Gótico, do Grotesco e de outros elementos literários que se mostram eficazes ao lidarmos com a subversão dos valores patriarcais construídos socialmente. Como pontos cruciais deste trabalho, será traçado um paralelo entre a sociedade vitoriana e a sociedade do Sul nort
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8

Shakely, Raz. "Intersectional Identities in Carson McCullers' The Heart Is a Lonely Hunter." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-16116.

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9

Coulomb-Buffa, Chantal. "Carson Mc Cullers : ou la symphonie impossible." Nice, 1991. http://www.theses.fr/1992NICE2015.

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Cette étude porte sur Carson Mc Cullers, écrivain du sud des États-Unis, et sur son oeuvre romanesque qui fut publiée entre 1940 et 1961. Carson Mc Cullers accéda au succès et à la célébrité à l'âge de vingt-trois ans. Ses écrits, à la fois douloureux et provoquants, continuent à soulever des interrogations. L'analyse du texte de Carson Mc Cullers permet de mettre à jour les signifiants majeurs qui constituent la structure symbolique de son oeuvre. Le déchiffrage du signifiant nous fait accéder à la dialectique du désir et de l'aliénation qui soutend l'univers imaginaire de l'écrivain. Cette l
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10

Šimkienė, Ina. "A functional analysis of noncanonical word order patterns in CARSON McCULLERS‘ short stories." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140724_101113-92224.

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In communication, a language user is naturally disposed to proceed from what is known to, or shared by, both the speaker/writer and hearer/reader and end with the information that is the most important. Such a disposition complies with the requirements of Functional Sentence Perspective (FSP), but it also makes a language user “transform” the basic word order. The present work took a functional approach to language study to explore the syntactic potential of English to produce various sentence patterns by carrying out a communicative (functional) analysis of Carson McCullers’ short stories. Th
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11

Matlok-Ziemann, Ellen. "Tomboys, belles, and other ladies : the female body-subject in selected works by Katherine Anne Porter and Carson McCullers /." Uppsala : Uppsala universitet, 2005. http://catalogue.bnf.fr/ark:/12148/cb40062052f.

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12

Oberhausen, Tammy. "The Southern Misfit and the Dream of Escape in the Fiction of Carson McCullers and Flannery O’Connor." TopSCHOLAR®, 1990. http://digitalcommons.wku.edu/theses/1791.

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The misfit and the dream of escape are popular motifs in American literature, particularly in the literature of the South. Critical studies of works employing these themes have largely ignored the connection between the two. The Southern misfit – the Southerner who fails to or refuses to conform to his society’s strict standards – often dreams of escaping the restrictions of the South for some Northern “promised land.” In the works of two Georgia writers, Carson McCullers and Flannery O’Connor, the related themes receive different treatments. Carson McCullers’s misfits in the novels The Hea
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13

Reece, Stacey. "Hopelessness and Despair: Alienation and Oppression in The Heart is a Lonely Hunter by Carson McCullers." [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-0711103-191525/unrestricted/ReeceS072503f.pdf.

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Thesis (M.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-0711103-191525. Includes bibliographical references. Also available via Internet at the UMI web site.
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14

Christovich, Michelle M. "Eloquent Distortion: The Southern Grotesque and Ideal Femininity in the works of Flannery O'Connor, Eudora Welty, and Carson McCullers." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/206.

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In this paper, I will examine works of Flannery O’Connor, Eudora Welty, and Carson McCullers, three Southern women writers who wrote during the first half of the twentieth century. While these authors differ in a number of ways, each of them produced work that deals, often explicitly, with ideal Southern womanhood and the expectations this ideal places upon women. Additionally, each of these three authors uses the grotesque as a tool for examining ideal womanhood, most often represented through the ideal of the Southern Lady. This paper is concerned with analyzing the link between the grotesqu
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15

Marion, Carol A. v. "Distorted Traditions: the Use of the Grotesque in the Short Fiction of Eudora Welty, Carson Mccullers, Flannery O'connor, and Bobbie Ann Mason." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4591/.

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This dissertation argues that the four writers named above use the grotesque to illustrate the increasingly peculiar consequences of the assault of modernity on traditional Southern culture. The basic conflict between the views of Bakhtin and Kayser provides the foundation for defining the grotesque herein, and Geoffrey Harpham's concept of "margins" helps to define interior and exterior areas for the discussion. Chapter 1 lays a foundation for why the South is different from other regions of America, emphasizing the influences of Anglo-Saxon culture and traditions brought to these shores by t
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16

Free, Melissa M. "The grotesque as an objection to silence and oppression a queer reading of Carson McCullers's fiction /." Connect to this title online, 2002. http://www.lib.ncsu.edu/theses/available/etd-08022002-155049/.

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17

Sharp, Kellie Jean. "Convex Children: The Queer Child and Development in Nightwood and the Member of the Wedding." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277129748.

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18

Bridges, Annette. "What Mignon knows : girlhood subjectivity in three novels of the 1940's /." view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9955914.

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Thesis (Ph. D.)--University of Oregon, 1999.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 169-182). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9955914.
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19

Gardner, Stacy L. "Literary Alchemy and Elemental Wordsmithery: Linking the Sublime and the Grotesque in Carson McCullers's The Heart Is a Lonely Hunter." Ohio Dominican University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=odu148007888468904.

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20

Puel, Blandine. "Le moment adolescent : la fiction narrative à l'épreuve d'un morceau de temps : espace transatlantique (France-Italie-États-Unis), 1923-1994." Electronic Thesis or Diss., Bordeaux 3, 2020. https://scd.u-bordeaux-montaigne.fr/these/acces_reserve.php.

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La thèse explore, à travers le XXe siècle, un corps de plusieurs œuvres qui proposent d’après nous une manière inédite de narrer l’adolescence comme une période pleine et entière, ne se se définissant pas en regard de l’enfance et de l’âge adulte mais en soi, dite depuis le présent ou selon une rétrospection à (très) court terme et privilégiant, enfin, des formes littéraires plutôt brèves et parfois hésitantes (pour beaucoup, les œuvres étudiées sont des commencements dans le cheminement de leurs auteurs). Ce corpus fait le récit d’un moment, et non d’une trajectoire de vie, invitant ainsi à p
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21

Miguel-Mazoyer, Anne-Valérie de. "Psychologie de l'identité féminine au risque de la création littéraire." Montpellier 3, 2005. http://www.theses.fr/2005MON30037.

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Bordée par le maternel, l'identité féminine est remise en question à chaque crise de vie. La maternité, considérée comme une de ces crises, peut se traduire par une impossibilité à élaborer autour du maternel, comme l'enseigne la clinique de l'interruption de grossesse et de la maltraitance infantile. A la place d'une traversée du maternel, la souffrance s'installe. Ce travail se propose d'analyser l'incidence du maternel dans la création littéraire de quatre femmes écrivains (Mac Cullers, Hebert, Morrison, Huston). L'issue du dégagement du maternel au niveau personnel marque l'écriture de ces
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22

Alfort, Nils. "“I’d Rather Be a Boy Any Day”: Gender Roles in Carson McCullers’s The Heart is a Lonely Hunter." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-30093.

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This essay explores gender roles in The Heart is a Lonely Hunter (1940) by American author Carson McCullers. Theories and texts by Judith Butler, Nancy Chodorow, Raewyn Connell, Don Zimmerman, and Candice West among others, are used to support the thesis statement that stereotypical gender norms serve to compromise the main character Mick Kelly’s identity formation and her early sexual experiences. One important element of this discussion is the idea that gender is socially constructed rather than biologically given. Moreover, it is argued that gender is something that a person does repeatedly
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23

Yablecki, Katie Angeline. "The desiring child: an examination of childhood queerness in the fiction of Carson McCullers." 2014. http://hdl.handle.net/1993/23232.

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The main purpose of this thesis is to present and highlight the radical potential in the work of Carson McCullers, primarily through an examination of her representation of young, queer individuals. This thesis argues that McCullers forces her readers to re-think the categories of “child” and “adult” through her creation of ambiguously gendered, sexual child characters.
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24

Champagne, Rae Cupples. "Not your father's Southern grotesque : female identity in the short fiction of Eudora Welty and Carson McCullers /." 2008. http://proquest.umi.com/pqdweb?did=1654488241&sid=1&Fmt=2&clientId=10361&RQT=309&VName=PQD.

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25

"Hopelessness and Despair: Alienation and Oppression in The Heart Is a Lonely Hunter by Carson McCullers." East Tennessee State University, 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-0711103-191525/.

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26

Larivière, Lisanne. "L’inscription du corps sourd dans le texte : mondes et langages chez Emmanuelle Laborit et Carson McCullers." Thèse, 2015. http://hdl.handle.net/1866/18344.

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La question abordée dans ce mémoire concerne le problème de la représentation que pose l’inscription du corps sourd et de la surdité dans l’écriture. Les exemples choisis et comparés sont l’autobiographie Le Cri de la mouette d’Emmanuelle Laborit et The Heart is a Lonely Hunter de Carson McCullers. Dans son roman, cette dernière met en scène, sous l’esthétique grotesque, un Sourd gestuel recelant un monde potentiel et autre de par son dire utopique, empreint de matérialité. Emmanuelle Laborit est Sourde et conséquemment, son écriture est soumise à de nombreuses contraintes, dont l’une est cell
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27

Zelingrová, Michaela. "PŘEKLAD DIVADELNÍ HRY THE BALLAD OF THE SAD CAFÉ, EDWARD ALBEE/ CARSON MCCULLERS INTERPRETACE, PŘEKLAD, ANALÝZA." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-347915.

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The first and until now last translation of the drama The Ballad of the Sad Café which was written by Edward Albee based on the novella by Carson McCullers was published 51 years ago. This fact leads us to the assumption that the translation is already outdated. In this thesis we deliver a new translation and by comparing and contrasting the two texts we draw conclusions on aging of translations, elements that cause aging of translations and ways how current theatre-makers handle an outdated text nowadays. The first part of the thesis consists of the drama's literary analysis. The following tr
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28

Mass, Noah. "An angle of vision : southern cosmopolitanism 1935-1974." 2011. http://hdl.handle.net/2152/19997.

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As they took stock of the ways that the Great Migration and America’s post-war global role were changing the South, Richard Wright, Carson McCullers, Ralph Ellison, and Albert Murray crafted narratives that articulated a particular perspective on the South. These writers dreamed of putting the regionally distinctive characteristics that they found valuable in the South into conversation with a sense of expansiveness and possibility, one that they associated with a migratory and increasingly globally-connected nation. In this project, I examine these southern cosmopolitan negotiations in Wright
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29

Yu, Shu-Chi, and 余舒琪. "Alienation and Loneliness: Symptoms of Adolescent Chronic Depression in the Novels of J. D. Salinger, Carson McCullers, and Truman Capote." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/10956602293366019574.

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碩士<br>國立東華大學<br>創作與英語文學研究所<br>93<br>Adolescence is a transitional period as a child grows into an adult. In literature, this transitional stage is accompanied by a reflection of life and an exploration of the meaning of human existence. Three American novels written during the 1940s - J. D. Salinger’s The Catcher in the Rye, Carson McCullers’s The Heart Is a Lonely Hunter, and Truman Capote’s Other Voices, Other Rooms - examine the conflicts of adolescents as they attempt to relate to peers, family, schools, and society. All of the three novels are reflective of problems and issues confronti
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Harris, Catherine. "‘Kardinia’: a novel and exegesis." Thesis, 2015. https://vuir.vu.edu.au/32530/.

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This doctoral thesis is concerned with two interrelated components exploring literary form and style as they relate to the reading and writing of unsympathetic characters. Section one (30%), the analytical written component, examines these themes in light of three novels that have influenced my creative work: The member of the wedding (Carson McCullers), After leaving Mr. Mackenzie (Jean Rhys) and The driver’s seat (Muriel Spark). These novels have all been criticised for formal considerations, often attributed to socio-cultural qualities such as the authors’ gender, ethnicity, and/or p
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