Academic literature on the topic '«Cartesian theater»'

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Journal articles on the topic "«Cartesian theater»"

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Glymour, Bruce, Rick Grush, Valerie Gray Hardcastle, et al. "The Cartesian Theater stance." Behavioral and Brain Sciences 15, no. 2 (1992): 209–10. http://dx.doi.org/10.1017/s0140525x0006831x.

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Dennett, Daniel C., and Marcel Kinsbourne. "Escape from the Cartesian Theater." Behavioral and Brain Sciences 15, no. 2 (1992): 234–47. http://dx.doi.org/10.1017/s0140525x00068527.

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Levine, Joseph. "PHENOMENAL EXPERIENCE: A CARTESIAN THEATER REVIVAL." Philosophical Issues 20, no. 1 (2010): 209–25. http://dx.doi.org/10.1111/j.1533-6077.2010.00188.x.

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Dennett, Daniel C. "Calling in the Cartesian loans." Behavioral and Brain Sciences 27, no. 5 (2004): 661. http://dx.doi.org/10.1017/s0140525x04240158.

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Wegner's tactic of describing the conscious mind as if it inhabited a Cartesian Theater in the brain is a stopgap solution that needs to be redeemed by paying off these loans of comprehension. Just how does Wegner propose to recast his points?
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Dennett, Daniel C., and Marcel Kinsbourne. "Time and the observer: The where and when of consciousness in the brain." Behavioral and Brain Sciences 15, no. 2 (1992): 183–201. http://dx.doi.org/10.1017/s0140525x00068229.

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AbstractWe compare the way two models of consciousness treat subjective timing. According to the standard “Cartesian Theater” model, there is a place in the brain where “it all comes together,” and the discriminations in all modalities are somehow put into registration and “presented” for subjective judgment. The timing of the events in this theater determines subjective order. According to the alternative “Multiple Drafts” model, discriminations are distributed in both space and time in the brain. These events do have temporal properties, but those properties do not determine subjective order
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Nash, Woods. "The Moviegoer's Cartesian Theater: Moviegoing as Walker Percy's Metaphor for the Cartesian Mind." Perspectives on Political Science 40, no. 3 (2011): 153–60. http://dx.doi.org/10.1080/10457097.2011.585938.

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Hubbard, Timothy L. "Random cognitive activation in dreaming does not require a Cartesian Theater." Dreaming 4, no. 4 (1994): 255–66. http://dx.doi.org/10.1037/h0094418.

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Roselli, Andrea. "The mind beyond the head: Two arguments in favour of embedded cognition." Filozofija i drustvo 29, no. 4 (2018): 505–16. http://dx.doi.org/10.2298/fid1804505r.

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In this paper I defend situated approaches of cognition, and the idea that mind, body and external world are inseparable. In the first section, I present some anti-Cartesian approaches of cognition and discuss the intuition they share that there is a constitutive interaction between mind, body and external environment. In the second section, I present the fallacy of the Cartesian theater of the mind and explain its theoretical premises. In the third section, I present a spatial argument against it, and argue that some case studies could give support to the idea of the mind stretching over the
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Krumholz, Brad. "R. Darren Gobert. The Mind-Body Stage: Passion and Interaction in the Cartesian Theater." Theatre Research in Canada 35, no. 3 (2014): 403–5. http://dx.doi.org/10.3138/tric.35.3.403.

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Samuel Bellini-Leite and Alfredo Pereira Jr. "Is Global Workspace a Cartesian Theater? How the Neuro-Astroglial Interaction Model Solves Conceptual Issues." Journal of Cognitive Science 14, no. 4 (2013): 335–60. http://dx.doi.org/10.17791/jcs.2013.14.4.335.

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Dissertations / Theses on the topic "«Cartesian theater»"

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Jęczmińska, Kinga. "Consciousness beyond the Cartesian Theatre: Contemporary Anti-Cartesian Theories of Consciousness." Doctoral thesis, 2017. https://depotuw.ceon.pl/handle/item/2459.

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In the dissertation, I analyse anti-Cartesian theories of consciousness, i.e. theories that reject the model of the Cartesian theatre defined by Dennett (1991): Baars's global workspace theory, Dennett's multiple drafts model, O'Regan and Noë's sensorimotor theory and the predictive processing framework. These theories reject the assumption about the existence of some central point in the mind that each piece of information would have to go through in order to become conscious. I compare the global workspace theory, the multiple drafts model, conservative predictive coding, the radical predict
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Books on the topic "«Cartesian theater»"

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Slezak, Peter. Spectator in the Cartesian Theater. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978728776.

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The “Cartesian Theater” is Dennett’s famous metaphor for the idea that a homunculus or “little man” watches the screen on which our thoughts appear. However, contrary to much academic teaching and scholarship, Spectator in the Cartesian Theater: Where Theories of Mind Went Wrong since Descartes shows that Descartes was not guilty of this fallacy for which he has been blamed. In his physiological writings neglected by philosophers, Descartes explained that the pseudo-explanation arises not from what is included in our theory of consciousness, but rather from what is missing. We fail to notice t
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Gobert, R. Darren. Mind-Body Stage: Passion and Interaction in the Cartesian Theater. Stanford University Press, 2013.

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The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. Stanford University Press, 2013.

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Spectator in the Cartesian Theater: Where Theories of Mind Went Wrong since Descartes. Lexington Books/Fortress Academic, 2023.

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Spectator in the Cartesian Theater: Where Theories of Mind Went Wrong since Descartes. Lexington Books/Fortress Academic, 2023.

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Spectator in the Cartesian Theater: Where Theories of Mind Went Wrong since Descartes. Lexington Books/Fortress Academic, 2023.

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Levine, Joseph. Phenomenal Experience. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198800088.003.0013.

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This paper presents a sketch of a theory of phenomenal consciousness, one that builds on the notion of a “way of appearing,” and draws out various consequences and problems for the view. I unabashedly endorse a version of the Cartesian Theater, while assessing the prospects for making such a view work. As I treat phenomenal consciousness as a relation between a subject and what it is she is conscious of, I face a difficulty in making sense of hallucination, since the object of awareness is missing. I distinguish my position from direct realists who endorse disjunctivism, and end on a somewhat
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Book chapters on the topic "«Cartesian theater»"

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Madary, Michael. "Showtime at the Cartesian Theater?" In Consciousness in Interaction. John Benjamins Publishing Company, 2012. http://dx.doi.org/10.1075/aicr.86.04mad.

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Caston, Victor. "Aristotle and the Cartesian Theatre." In Encounters with Aristotelian Philosophy of Mind. Routledge, 2021. http://dx.doi.org/10.4324/9781003008484-11.

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Gobert, R. Darren. "Prologue: Another Cartesian Theater." In The Mind-Body Stage. Stanford University Press, 2013. http://dx.doi.org/10.11126/stanford/9780804786386.003.0001.

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"Prologue: Another Cartesian Theater." In The Mind-Body Stage. Stanford University Press, 2020. http://dx.doi.org/10.1515/9780804788267-004.

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Žižek, Slavoj. "The Cartesian Subject versus the Cartesian Theater." In Cogito and the Unconscious. Duke University Press, 1998. http://dx.doi.org/10.1215/9780822382126-010.

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Žižek, Slavoj. "The Cartesian Subject versus the Cartesian Theater." In Cogito and the Unconscious. Duke University Press, 1998. http://dx.doi.org/10.2307/j.ctv125jqkh.12.

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"9 The Cartesian Subject versus the Cartesian Theater." In Cogito and the Unconscious. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382126-010.

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Barnett, David James. "Perceptual Justification and the Cartesian Theater." In Oxford Studies in Epistemology Volume 6. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833314.003.0001.

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According to a traditional Cartesian epistemology of perception, perception does not provide one with direct knowledge of the external world. Instead, your immediate perceptual evidence is limited to facts about your own visual experience, from which conclusions about the external world must be inferred. Cartesianism faces well-known skeptical challenges. But this chapter argues that any anti-Cartesian view strong enough to avoid these challenges must license a way of updating one’s beliefs in response to anticipated experiences that seems diachronically irrational. To avoid this result, the a
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Slezak, Peter. "4. Cogito, Ergo Sum: The Diagonal Deduction." In Spectator in the Cartesian Theater. Lexington Books, 2023. http://dx.doi.org/10.5771/9781666923766-69.

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Slezak, Peter. "6. In the Chinese Room: Life Without Meaning1." In Spectator in the Cartesian Theater. Lexington Books, 2023. http://dx.doi.org/10.5771/9781666923766-119.

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