Relevant bibliographies by topics / Carthusian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Carthusian'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 May 2024

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Journal articles on the topic "Carthusian"

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van Aelst, José. "Ad modum Cartusiensium." Church History and Religious Culture 96, no. 1-2 (2016): 65–79. http://dx.doi.org/10.1163/18712428-09601004.

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After the enclosure of the Saint-Agnes convent at Maaseik in 1430, the regular canonesses had to learn how to live within the claustrum. They received support from at least two Carthusian monks: James of Gruitrode, prior of the charterhouse in Liège, and Denys the Carthusian from the charterhouse of Roermond. Both Carthusians maintained a regular contact and exchanged literature. James seemingly had a close relation with the nuns: he helped them enlarge their corpus of relevant religious literature, and there is evidence that he was involved in practical matters of the convent. Denys corresponded with the mater of the canonesses, at whose request he sent an elaborate instruction on life within the enclosed convent, De vita inclusarum. In this triangle of religious relations, the Carthusians, experts in enclosed life, took their pastoral responsibility to support the reform of the canonesses and used the means available to them: the written word.
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Šter, Katarina. "Resacralization of the sacred: Carthusian liturgical plainchant and (re)biblicization of its texts." Musicological Annual 50, no. 2 (April 3, 2015): 157–80. http://dx.doi.org/10.4312/mz.50.2.157-180.

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The Carthusians selected and emended the traditional liturgical chant texts of the liturgy in order to bring them closer to the biblical texts. The comparison of the selected responsories from various traditions (Carthusian, Benedictine, Cistercian, Cluniac, Aquitanian) shows that it was respect for tradition of the texts as well as the melodies that led the Carthusians in their successful re-sacralization of the repertoire.
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van Dijk, Mathilde, José van Aelst, and Tom Gaens. "Introduction." Church History and Religious Culture 96, no. 1-2 (2016): 1–12. http://dx.doi.org/10.1163/18712428-09601001.

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This is the introduction to the thematic issue Faithful to the Cross in a Moving World: Late Medieval Carthusians as Devotional Reformers. The editors discuss how the Carthusian order expanded in the Late Middle Ages and how, in contrast to the first Carthusians, new charterhouses were created in or close to the cities. The introduction studies how this change came about, connecting it to the order's origin in the monastic reform movement of the eleventh and twelfth centuries, the changing economy of piety in the Late Middle Ages, and developing ideas as to what was the best form of religious of religious life.
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Šter, Katarina. "A Chant Treatise in the Service of Two Monastic Traditions of the Modern Era." Musicological Annual 56, no. 2 (December 30, 2020): 153–81. http://dx.doi.org/10.4312/mz.56.2.153-181.

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The present study discusses a chant theory treatise preserved in the Carthusian compilation manuscript (CZ-Pu I F 17) and based on the Franciscan Hermann Mott’s Musices Choralis Medulla (1670). It sheds new light on the background of the Carthusian arrangement and its connection to the Franciscan original by comparing both versions and trying to discover why the Franciscan treatise was chosen as an exemplar, who the author of the Carthusian treatise was, when and where the Carthusian version was written and used, and finally, through a study of its context and the information given in its manuscript source, how it could be transmitted and what it meant for the Carthusian order.
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Šter, Katarina. "Mary Magdalene, the Apostola of the Easter Morning: Changes in the Late Medieval Carthusian Office of St Mary Magdalene." Musicological Annual 53, no. 1 (June 23, 2017): 9–53. http://dx.doi.org/10.4312/mz.53.1.9-53.

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The Office of Mary Magdalene is one of the rare offices of the Carthusian liturgy that was changed after it had been established as a solemn feast with twelve lessons. In Matins, several chants changed their position or were even replaced by new ones. This article examines the relationship between the earlier and the later Office of St Mary Magdalene. Later corrections in the Lauds first antiphon, Maria stabat ad monumentum receive some special attention since they open new questions concerning the unity of the Carthusian liturgical tradition, and a possible connection between individual Carthusian manuscripts.
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DE COUL, THOMAS OP. "Dealing with change: the Carthusians and Corpus Christi." Plainsong and Medieval Music 30, no. 1 (April 2021): 29–53. http://dx.doi.org/10.1017/s0961137121000024.

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ABSTRACTThe Carthusian Order is known for its conservative attitude towards liturgy and music. This article will explore how this attitude played out in practice when the Carthusians were confronted with the introduction of a major new feast. Since its origins in the late eleventh century, the Order incorporated several new feasts in its calendar. These additions were normally made with a significant delay, and almost always without any new chants created for these feasts. The feast of Corpus Christi provides an interesting case study. Contrary to their habit, the Carthusians were apparently quick to adopt it, and they included most of the chants that were compiled and edited for this feast. In doing this, they took the Cibavit eos Mass and the Sacerdos in aeternum Office, most famously found in a late thirteenth-century libellus (F-Pnm, lat. 1143) as a point of departure. The Mass Propers were largely taken over, but small variations in the melodies raise interesting questions about how they were transmitted. By contrast, the office chants were thoroughly reordered and melodically edited in various ways, giving us a tangible sense of how Carthusians dealt with change.
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Allen, Joanne. "Carthusian Choir Stalls and the Misericord in Italy." Antiquaries Journal 92 (July 10, 2012): 307–30. http://dx.doi.org/10.1017/s0003581512000066.

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The majority of choir stalls in Italy lack misericords. Their unusual presence in Piedmont and the Valle d'Aosta most probably reflects their proximity to, and the influence of, northern Europe. This paper reveals that the rare instances of misericords elsewhere in Italy are connected to the Carthusian order. Rather than performing an artistic role, their presence is derived from the specific rubrics of Carthusian liturgy, which legislated in detail on the correct use of misericords. The Cistercians also regulated their use, but a similar correlation cannot be assessed because of the lack of surviving furniture. The Carthusian connection, meanwhile, suggests a purely liturgical function for the carved rests, expanding the study of misericords beyond stylistic and iconographic analyses.
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Satue, K., O. Blanco, and A. Munoz. "AGE-related differences in the hematological profile of Andalusian broodmares of Carthusian strain." Veterinární Medicína 54, No. 4 (May 12, 2009): 175–82. http://dx.doi.org/10.17221/32/2009-vetmed.

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Normal hematological values need to be defined for each equine breed and age in order to increase diagnostic precision. No published data on hematology exist for Carthusian horses. This research compares the hematological characteristics of pregnant Carthusian broodmares of different ages. Forty-four pregnant Carthusian broodmares were divided into three age Groups: A (4–7 years; <I>n</I> = 18), B (8–12; <I>n</I> = 15) and C (13–17; <I>n</I> = 11). Jugular blood samples were taken every 14 days during pregnancy and data were pooled for each animal. The following hematological variables were determined: red blood cells (RBC), hemoglobin (HB), hematocrit (HCT), volumetric indices, white blood cells (WBC) and platelets (PLT). Furthermore, the numbers and percentages of lymphocytes (LYMP), band (BNL) and total neutrophils (NL), eosinophils (EOS), monocytes (MON), basophils (BAS) and the neutrophil/lymphocyte ratio (N/L) were counted on blood smears. Total serum protein concentrations (TSP) were also measured. The lower values of RBC, WBC, LYMP and PLT in the older broodmares (Group C) possibly reflected a decline in bone marrow activity. The lower RBC of these mares was compensated by an increased MCV. The higher NL values in Group C, both BNL and NL, could have represented subclinical infections, since these animals also presented the highest TSP. Likewise, the animals of Group C showed the highest EOS counts. This research demonstrated that ageing significantly influences the hematological values of Carthusian broodmares, with the most marked differences in mares older than 13 years and that these physiological variations must be taken into account in a clinical context.
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Pérez, C. C., I. Rodrı́guez, J. Mota, J. Dorado, M. Hidalgo, M. Felipe, and J. Sanz. "Gestation length in Carthusian Spanishbred mares." Livestock Production Science 82, no. 2-3 (August 2003): 181–87. http://dx.doi.org/10.1016/s0301-6226(03)00027-7.

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CHRISTENSEN, Kirsten M. "Maria van Hout and het Carthusian Editor." Ons Geestelijk Erf 72, no. 1 (March 1, 1998): 105–21. http://dx.doi.org/10.2143/oge.72.1.2003380.

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Dissertations / Theses on the topic "Carthusian"

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Lundell, William Paul. "Carthusian policy and the Council of Basel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ35443.pdf.

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Maroney, Fr Simon Mary of the Cross M. Carm. "Mary, Summa Contemplatrix in Denis the Carthusian." IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1620301036422259.

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Gribbin, Joseph A. "Aspects of Carthusian liturgical practice in later medieval England." Salzburg, Austria : Institut für Anglistik und Amerikanistik, Universität Salzburg, 1995. http://catalog.hathitrust.org/api/volumes/oclc/34017348.html.

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Breeden, Francesca. "Communal solitude : the archaeology of the Carthusian houses of Great Britain and Ireland, 1178-1569." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/21565/.

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This thesis examines the Carthusians in Great Britain and Ireland from an archaeological standpoint and highlights the role of the lay brother in the everyday life of the charterhouse. Using the case studies of Witham Charterhouse and Hinton Priory, the layouts of the lay brothers’ complexes are explored through geophysical survey and comparison with Carthusian material culture assemblages from other British charterhouses. This method of investigation provides a singular view of the lay brother in medieval society and for the first time proposes a layout of an English Carthusian lower house. The thesis begins with an introduction to the topic and gives an overview history of the Carthusians in Great Britain, before discussing in more detail areas of the charterhouse complex - the cell, church and cloister. Following this is a discussion of everyday life for the monks and lay brothers, exploring various facets including death and memory. The thesis then moves on to investigate the wider landscape of the monastery complex, and how the local area was exploited and utilised by the Carthusians. The monks’ and lay brothers’ interactions with secular society are considered through excavated assemblages from a number of charterhouses, which also demonstrates specific occupations for each of the inhabitants. The final chapter of the thesis presents the results of resistivity and magnetometer surveys at the two Somerset charterhouses and provides an interpretation of these results. It is concluded that it is not currently possible to identify the Carthusian lay brother as archaeologically distinct as there are not sufficient assemblages to provide an accurate understanding of the differences in monastic and lay objects. More research is therefore required before the lay brother can be properly understood.
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McClelland, Lauren S. "Studies in pre-Reformation Carthusian vernacular manuscripts : the cases of Dom William Mede and Dom Stephen Dodesham of Sheen." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/5256/.

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In the field of manuscript studies, the identification of individual scribes and the reconstruction of their lives and work through examination of manuscript material has recently undergone revival. This thesis contributes to that field by presenting two biobibliographical case-studies of two fifteenth-century scribes and Carthusian monks, William Mede and Stephen Dodesham of Sheen. It sets out to demonstrate the value of an integrated biographical and comparative approach in the examination of the making and circumstances of making of manuscript books. This is demonstrated by building scribal biographies based on the integration of evidence from documentary record and the analysis of the material manuscript output of Mede and Dodesham. Dodesham, as the more prolific of the two, has been more fully investigated in recent scholarship. New documentary evidence, however, has necessitated a fresh appraisal of his life and the contexts of his copying, contexts which I argue are strongly educational. I show that Mede’s life and work as a Carthusian reader, copyist, and perhaps writer, is therefore worth further scholarly investigation. Chapter one considers the current state of the field of historical biography and, more specifically, scribal biography. It assesses the usefulness of integrating biographical and codicological approaches in the study of manuscripts and provides a definition of codicology in its broader sense (as a means of writing biobibliographical histories). As not all aspects of codicology are considered here, I also identify those aspects of codicological enquiry I have chosen to apply to the manuscripts of Mede and Dodesham. The case is made for the usefulness of codicological methods as a means of interpreting historical material. As the main focal points of this study are the lives and work of two Carthusian scribes, chapter two provides context on the Carthusian life, incorporating an evaluation of recent work on Carthusian textual culture, a brief summary of the Order’s history, its administrative structure, Carthusian spirituality, its participation in the intellectual culture of the late medieval period, how it responded to changing patterns in devotion, and its members’ attitudes and approaches to the acts of reading, writing and copying. This background is essential in contextualising the scribal activity of Mede and Dodesham and will be referred to in the following chapters. Chapters three and four are dedicated to the case studies examining the lives and work of William Mede and Stephen Dodesham of Sheen. Chapter three, containing the case study of William Mede, includes analysis of his Anglicana and other idiosyncratic features of his hand; full descriptions of each of the six manuscripts so far attributed to him; and study of his language and punctuation practices, which vary, I argue, depending upon for what sorts of audience Mede is writing or copying. A detailed study of the Speculum devotorum demonstrates this adaptive scribal behaviour in action and also investigates the possibility that Mede may have been the author of the text. The above are all discussed in relation to the making and circumstances of making of Mede’s manuscripts. The conclusion to the chapter offers a summary of Mede’s life and work and makes the case for the importance of further investigation of this Carthusian scribe. Chapter four, the case study of Stephen Dodesham, includes a reappraisal in light of new evidence of his early scribal career, including his ordination at Sheen charterhouse, potential connections with the prominent Dodesham family of Somerset and connections with middle-class, professional families in London and around the south-western counties of England. This new evidence has made it possible to more firmly place the contexts of Dodesham’s manuscript copying. Much of chapter four is dedicated to analysing his language, and providing brief descriptions of those manuscripts so far attributed to him; the above all discussed in relation to the making and circumstances of making of Dodesham’s manuscripts. The conclusion offers a summary of Dodesham’s life and work and makes the case for the importance of further investigation as of particular interest in the areas of developing literacy and education. In chapter five, I bring both case studies together, assess the usefulness of the biographical approach in the context of this particular study, and evaluate its successes and limitations as a framework for combined biographical and codicological investigation.
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Sinclair, Nicola K. "En Route to the Ave: Rogier van der Weyden's Miraflores Altarpiece and the Nascent Rosary." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/190436.

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Art History
M.A.
Rogier van der Weyden's Miraflores Altarpiece (c. 1440) was installed in the Carthusian Monastery of Miraflores, Castile, during a period when early rosary meditation cycles were gaining popularity, particularly amongst Carthusians. This previously unexplored historical context offers a rationale for the innovative iconographic content and structure of the work, as well as for the ways in which it had meaning for its viewers. Like early rosary meditations, the Miraflores Altarpiece combines diverse meditational cycles including life of Christ and the Virgin narratives with the tripartite division of the Marian Psalter. The altarpiece has much in common with the later standardized form of the rosary, which indicates that this format had much earlier roots than had been thought previously. The Miraflores Altarpiece contributes to our understanding of the way visual media participated in the rosary tradition, and of the ways that tradition developed and changed over the fifteenth and sixteenth centuries.
Temple University--Theses
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Morrison, Leah. "Liber alphabeti super cantu plano, a fifteenth-century carthusian plainchant treatise in Huntington Library manuscript FI 5096 : an edition, translation and commentary /." Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb40063548t.

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Martone, Dragani Concetta. "Between Heaven and Earth: Negotiating Sacred Space at the Church of the Certosa di San Martino in Early-Seventeenth-Century Naples." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/200336.

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Art History
Ph.D.
At the beginning of the viceregal era, the Certosa di San Martino, a Carthusian monastery of medieval foundation, experienced a resurgence that culminated in the rebuilding of its church starting in the late 1580s. The new church of the Neapolitan Certosa featured an innovative design and an extensive and complex decorative program that distinguished it from all other churches of the order. This dissertation examines the rebuilding of the church of the Certosa di San Martino as a process deeply rooted in the changing religious culture of the time and one that also reveals the tensions inherent to the redefinition of monastic identity in Post-Tridentine Spanish Naples. The development of the Carthusian project paralleled the institutional re-organization of the order, but it also assumed a unique trajectory aimed at highlighting the role of the white monks and contemplative spirituality in the production of sanctity in Naples. By tracing the evolution of the rebuilding initiative within its proper cultural, religious and social context, I clarify the goals of the patrons and the expectations placed on the artists, and I define the scope of the project according to new parameters of spiritual authority. The reconstruction of the rebuilding process relies on primary sources from the Neapolitan State Archives and on recent historical and archaeological research, in addition to comparative studies. This dissertation challenges the view of Post-Tridentine monastic architecture as a mere response to the new liturgical requirements and sides with more recent interpretations by seeing monastic sacred spaces as dynamic places of exchange, and their designs and decorations as expressions of the spiritual authority of the monastic body they house. The rebuilding of the church of the Certosa di San Martino stands as an important example of the process by which spiritual authority was produced and redirected in Spanish Naples. Since 1973, when the first and only monograph on the art of the Certosa di San Martino was published, studies have been sporadic and limited to the analysis of particular works contained in the church. I analyze the new architectural plan and decoration of the church as fundamentally bound to the transformation of Spanish Naples into a holy city.
Temple University--Theses
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Smith, Tamytha Cameron. "Personal Passions and Carthusian Influences Evident in Rogier Van Der Weyden's Crucified Christ between the Virgin and Saint John and Diptych of the Crucifixion." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5245/.

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This thesis examines Rogier Van Der Weyden's two unique fifteenth century Crucifixions, The Crucified Christ Between the Virgin and Saint John and The Diptych of the Crucifixion, in light of Carthusian beliefs, practices and relevant devotional texts. The specific text used to support this examination is the Vita Christi by Ludolph of Saxony, which in part deals specifically with the Hours of the Passion. Ludolph's text is given visual form in Rogier's paintings and supports the assertion that Rogier and Ludolph were connected by a shared belief and worldview. Key aspects of Rogier's life, supported by original documentation- familial ties, associates, patrons, use of finances, and his close involvement with the Carthusians-- support this assertion. Other models of connections of belief, evidenced through artist's work, are corroborated in the work of Grunewald, Sluter and Durer.
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Bernardi, Cristina. "Testimonianze liturgico - musicali delle certose venete. Antifonari dei secoli XV-XVII." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3423847.

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The dissertation concerns the musical and liturgical sources belonged to the carthusian monasteries of the Veneto region: Montello Charterhouse (San Gerolamo del Montello), Venice Charterhouse (Sant’Andrea del Lido), Padua Charterhouse (Santi Girolamo e Bernardo di Padova) and Vedana Charterhouse (San Marco di Vedana). After a preliminary description of the carthusian music-liturgical tradition and an introduction of the historical and cultural context, the research focuses on the analysis of four antiphonaries, never studied before, copied between the fifteenth and the seventeenth centuries, which hand down the chants of the Divine Office. A synoptic table has been produced, with the complete list of chants in each antiphonary and the references to the main music-liturgical repertoires. This allowed not only to verify the correspondence of the selected sources with the carthusian Divine Office and to exclude local variants, but also to understand the manuscripts macrostructure, their internal liturgical sections and to put forward hypotheses about their possible use. On the basis of this work it has been possible to identify a list of chants that appears to have no correspondence with main repertoires, being so far attested only in sources from other Italian and European charterhouses. Given the interest of these unica and in order to place the antiphonaries of the Veneto region within the carthusian tradition, they have been compared with other antiphonaries written for some Italian and European charterhouses. The results derived from this comparison have been collected in some analytical tables for the purpose of clarifying the textual choices and the musical techniques adopted by the carthusian Order, to highlight the relationship with the common tradition and to point out any textual or musical variants.
La tesi ha come oggetto le testimonianze liturgico-musicali appartenute alle certose di area veneta: San Gerolamo del Montello (TV), Sant’Andrea del Lido a Venezia, Santi Girolamo e Bernardo di Padova e San Marco di Vedana (BL). Dopo un’esposizione preliminare delle principali caratteristiche della tradizione liturgico-musicale certosina e del contesto storico e culturale, la ricerca si concentra su quattro antifonari, non ancora studiati, risalenti al periodo compreso tra i secoli XV e XVII, che tramandano i canti dell’Ufficio delle Ore. È stata realizzata una tavola sinottica con l’indicizzazione completa dei canti di ogni singolo codice, fornendo i riferimenti ai principali repertori liturgico-musicali. Ciò ha permesso innanzitutto di verificare la perfetta corrispondenza con l’Ufficio di rito certosino e di escludere la presenza di varianti locali; ha consentito, inoltre, di cogliere la macrostruttura dei quattro antifonari e la suddivisione interna nelle diverse sezioni liturgiche e di avanzare delle ipotesi sull’utilizzo dei manoscritti. Sulla base di questo lavoro è stato possibile individuare gli unica, cioè i canti che non trovano riscontro nei repertori tradizionali e che finora sono attestati solamente nelle fonti in uso presso le comunità monastiche certosine. Considerato l’interesse rappresentato da questo corpus di canti e al fine di inserire gli Antifonari veneti all’interno della tradizione certosina, gli unica sono stati messi a confronto con le testimonianze presenti in altri antifonari di certose italiane ed europee. Per raccogliere i risultati di questi confronti, sono state compilate delle schede analitiche, nelle quali si è cercato di chiarire le scelte testuali e le tecniche compositive musicali adottate dall’Ordine certosino, di far emergere il rapporto con il repertorio della tradizione e di mettere in luce le eventuali varianti testuali e musicali.
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Books on the topic "Carthusian"

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Carthusians, ed. Carthusian monks and Carthusian nuns. France: Carthusians, 2004.

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Internationaler, Kongress für Kartäuserforschung (2005 Aggsbach Austria and Brno Czechoslovakia). Kartäusische Kunst und Architektur mit besonderer Berücksichtigung der Kartausen Zentraleuropas: Länderübergreifender internationaler Kongress für Kartäuserforschung, Aggsbach (NÖ, Austria), 30.8.-31.8. und Brno/Brünn (CZ) 1.9.-4.9.2005. Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 2006.

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Memoria y arte del espíritu cartujano: Las cartujas valencianas : Museo de Bellas Artes de Valencia, Marzo-Mayo 2010, Museo de Bellas Artes de Castellón, Junio-Septiembre 2010. [Valencia]: Generalitat Valenciana, Conselleria de Cultura i Esport, 2010.

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Antonius, Bönig, Inhester Günther, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, and Hamaland-Museum, eds. Judocus Vredis: Kunst aus der Stille : eine Klosterwerkstatt der Dürerzeit = Kunst uit de stilte : een kloosterwerkplaats uit de tijd van Dürer. Borken: Der Landrat, Kreis Borken, 2001.

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Favro, Michela. Certosini in Val di Susa: Strutture conventuali ed economiche da Losa ad Avigliana, 12.-17. secolo : tesi di laurea, Facoltà di architettura, A.A. 1998-1999. Condove (TO): Morra, 2000.

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Augustine, of Hippo, Saint, 354-430, Bridget, of Sweden, Saint, approximately 1303-1373, Benedict, Saint, Abbot of Monte Cassino, and Bernard, of Clairvaux, Saint, 1090 or 1091-1153, eds. Carthusian abstinence ; Brigittine legislation for Syon Abbey, Lisbon ; Carthusian annals. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1991.

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Saint Bruno, the Carthusian. San Francisco: Ignatius Press, 1995.

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James, Hogg. Dom Firmin le Ver, a Carthusian lexicographer: The Carthusian Order from its foundation to the present day ; Carthusian spirituality. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 2005.

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Carthusian. Whispers from a Carthusian cell. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 2005.

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Interior prayer: Carthusian novice conferences. Kalamazoo, MI: Cistercian Publications, 1996.

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Book chapters on the topic "Carthusian"

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Palazzo, Alessandro. "Denys the Carthusian." In Encyclopedia of Medieval Philosophy, 1–5. Dordrecht: Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1151-5_142-2.

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Palazzo, Alessandro. "Denys the Carthusian." In Encyclopedia of Medieval Philosophy, 1–5. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1151-5_142-3.

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Emery, Kent. "Denys the Carthusian." In A Companion to Philosophy in the Middle Ages, 243–44. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996669.ch34.

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Rupp, Teresa, Edward Grant, Stefano Caroti, Ivan Christov, Alessandro Palazzo, Burkhard Mojsisch, Orrin Finn Summerell, et al. "Denys the Carthusian." In Encyclopedia of Medieval Philosophy, 258–60. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_142.

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Palazzo, Alessandro. "Denys the Carthusian." In Encyclopedia of Medieval Philosophy, 434–39. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1665-7_142.

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Chappell, Julie A. "The Carthusian Connection." In Perilous Passages, 1–18. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137277688_1.

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Chappell, Julie A. "Carthusian Preaching Materials." In Perilous Passages, 19–30. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137277688_2.

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Stoppa, Michele. "The Monastic Carthusian Space." In Key Challenges in Geography, 261–76. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74590-5_12.

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Cullin, Olivier. "Notations in Carthusian liturgical books: preliminary remarks." In The Calligraphy of Medieval Music, 175–94. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.muma-eb.1.100929.

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Signori, Gabriela. "Introduction: The Rotulus." In Bruno the Carthusian and his Mortuary Roll, 3–10. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.es-eb.4.00112.

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