Journal articles: 'Cartographic corpus'

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Szmrecsanyi, Benedikt. "Corpus-based dialectometry: a methodological sketch." Corpora 6, no. 1 (May 2011): 45–76. http://dx.doi.org/10.3366/cor.2011.0004.

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In this paper, I introduce methodologies to tap corpora for exploring aggregate linguistic distances between dialects or varieties as a function of properties of geographic space. The paper describes the different steps necessary to obtain an appropriate corpus-based dataset (a so-called ‘distance matrix’), and subsequently discusses several cartographic visualisation techniques – network maps, continuum maps and cluster maps – to project aggregate linguistic relationships to geography. In addition, the paper sketches some statistical methods to quantify these relationships. By way of example, a case study draws on the Freiburg Corpus of English Dialects – a major dialect corpus in which more than thirty traditional dialects of English from all over Great Britain are sampled. With a focus on regional variation in morphosyntax and on the basis of text frequencies of several dozen features, the study probes joint linguistic variability between the dialects sampled in the corpus.

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Haft, Adele J. "Introduction to Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas." Cartographic Perspectives, no. 70 (September 1, 2011): 5–43. http://dx.doi.org/10.14714/cp70.42.

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This is the first of seven articles comprising a book-length treatment of The Atlas by the acclaimed Australian poet and journalist Kenneth Slessor (1901–1971). Hisreputation as Australia’s first modernist poet and pioneer of her national poeticidentity began with his 1932 collection Cuckooz Contrey, which opened with one ofthe most original interpretations of cartography in verse: the five-poem sequence The Atlas. Fascinated by maps and navigators’ tales, Slessor began each poem withthe title of a map or an atlas by a cartographer prominent during Europe’s “goldenage of cartography,” and then alluded to that particular work throughout thepoem. The sequence celebrates the cartographic achievements of the seventeenthcentury while imaginatively recreating the worlds portrayed in very differentmaps, including Robert Norton’s plan of Algiers (“The King of Cuckooz”), JohnOgilby’s road maps (“Post-roads”), Joan Blaeu’s plan-view of Amsterdam (“DutchSeacoast”), John Speed’s world map (“Mermaids”), and a map of the West Indies,supposedly by Nicolas or Adrien Sanson, featuring buccaneers and a seafight (“TheSeafight”). Yet none of these maps appears in Slessor’s collections or critical studiesof his work. Nor have his poems been juxtaposed with the atlases, maps, or rarecatalogue of maps that inspired them.I plan to fill these gaps in six future issues of Cartographic Perspectives. Fivewill begin with an Atlas poem—reprinted in its entirety and in the order ofits appearance within the sequence. Analysis of the poem’s content will befollowed by discussion of its introductory quote or epigraph, which Slessor (ashis poetry notebook makes clear) found in the map catalogue. Next comes anexamination of both the cartographer and the map highlighted in the epigraph.By reproducing the map as well as the catalogue’s description of the map, eacharticle will uncover the cartographic connections between Slessor’s publishedpoem and its manuscript versions, its map(s), and the map catalogue. AnEpilogue will round out my series by exploring the unique atlas-like structure ofSlessor’s sequence and identifying the likely author of the catalogue that Slessorcreatively transformed into The Atlas.My Introduction, the only part of the series published in this issue, providesthe background for what will become the first extended examination of The Atlas. Opening with a brief biography of Slessor as poet, journalist, and man-about-Sydney, it surveys Cuckooz Contrey before turning to The Atlas, which debuted inthat collection. The effort that Slessor lavished on his sequence and on masteringthe period in which it is set are revealed throughout the notebook in whichhe drafted all five poems. Reviewing his corpus shows that The Atlas uniquelycombines strategies apparent in Slessor’s earlier and later poems, includinghis emphasis on the arts and the use of illustrations to heighten his poetry’sallure. The Introduction presents the maps created to illustrate his poetry,especially Strange Lands, made by the famously controversial Norman Lindsayand featured as the frontispiece of Cuckooz Contrey. Slessor’s poetic allusionsto maps lead to the magnificent nautical library in which he may have foundthe inspiration for The Atlas. Yet, as the second half of this article demonstrates,that library collection has proved one of many challenges to producing thisgroundbreaking study.

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Cherrier, Pierre, Sebastian Lentz, Jana Moser, and Laura Pflug. "Maps under the global condition: a new tool to study the evolution of cartographic language." Abstracts of the ICA 1 (July 15, 2019): 1–4. http://dx.doi.org/10.5194/ica-abs-1-44-2019.

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Abstract. Maps are a means of communication with their own language. This contribution makes a methodological proposal for a tool for to analyse the cartographic language of thematic maps and atlases. Based on the work of Jacques Bertin and on approaches of the Visual Studies, this methodology works on decoding maps in terms of their basic elements, the signs and graphic objects that compose them. As a tool it should allow comparative research on cartographic productions, both, synchronically and diachronically. It suggests two analytical schemes, one for maps and the other for complex map-editions, e.g. atlases. On the example of spatial entities (state territories, natural areas etc.), the first part of this contribution introduces the semiotic analysis-scheme for thematic maps. It shows how to deal systematically with signs, signatures and graphic objects on maps. Such analyses should produce the fundament for comparative approaches, which allow to detect typical patterns in cartography and to identify elements of cartographic languages. We are interested in the cartographic languages of maps used in atlases. To do this we have chosen a quantitative analysis of the visual content, maps, diagrams and images. The quantitative method makes it possible to analyse a large corpus of maps and atlases, thus making it possible to make comparisons between contents both diachronically and synchronically, i.e. comparisons in time and space. This is an approach relatively rarely used in cartography. There are few studies that produce a quantitative analysis of cartographic content. Among the existing ones, that of Alexandre Kent and especially that of Muelhenhaus on the Goode atlas series. We are following in the footsteps of these studies. To do this, we decided to adopt a semiological approach to the study of maps. Of course, we cannot talk about maps and semiology without mentioning Jacques Bertin and his book: graphic semiology: diagrams, networks, maps (1963) in which he tried to define a “grammar” by establishing rules of good cartographic practice, even if the book is not exclusively reduced to the map. The book itself does not contain any reference, but it can be said that graphic semiology is itself derived from linguistic semiology, developed in particular by Ferdinand Saussure. However, although Bertin's work has influenced many cartographers in the design of maps, the method has been little used in the cartographic analysis itself. Semiology is an approach that has been used mainly in the analysis of images and diagrams rather than in cartography. Although it is true that iconographic analysis studies in semiology claim more Barthes and Saussure than Bertin. The map can also be considered as an image. Several iconographic analysis studies have thus integrated the map as an object of study. This is the case, for example, of engelhardt who, in his thesis “the language of graphics: a framework for the analysis of syntax and meaning in maps, charts and diagram” (2002), focuses on several types of iconography, even if the map remains a central element of his analysis. Another example is the work of André Lavarde, who in his article “la flèche : le signe qui anime les schémas” (1996) focuses on the history of the use of the arrow in diagrams, while evoking its use in geographical maps. There are therefore bridges between iconographic and cartographic analysis. This research is therefore a continuation of the work of Bertin, Mulhenhaus and to a certain extent Engelhardt. The coding system we have developed for our cartographic analysis is divided into three parts and divided tehemselves into several categories. Each category corresponds to a column in the table. From there, there are two ways to fill in the columns. In the first case by filling in the field with the requested information such as the title of a map. Or in a second case to enter 0; 1; or 2 depending on whether the information that corresponds to the absence, presence or uncertainty of the requested information. So if the map coded uses the Mercator projection then it will be entered 1 in the column “map projection: cylindrical projection” and 0 in the column “map projection: compromise”. The table is composed of three parts. The first part concerns the general information of the coded map (image 1). This is for example the name of the atlas, the page, the chapter in which the map is located. Then more general information about the map itself is coded like for example its title, theme, scale, type of projection used, etc. This makes it possible to collect a set of basic data. It should be noted that, as mentioned above, we do not only code maps but also other forms of visual representations of space that can be found in atlases. For example, there are images, satellite photos or diagrams that can represent different geographical areas. If the coded object is not a map, this is specified. There is a category provided for this purpose. When coding, cartography-specific elements, such as map projection, are therefore not taken into account. Not all the columns in our table are intended to be filled by each map or coded image. The codification process is therefore flexible. Although the code does not focus only on maps, they represent the vast majority of the content of the atlases studied. This is why we refer more to the “map” rather than to the “visual representation of space”. However, even if they are in the minority, it is important in the analysis to take into account representations of space other than cartography. The second part of the table focuses on the signs used by the maps. First of all, we have chosen to divide them into three categories: symbols that are related to the point of the line and the surface. These are the three elementary figures of geometry that Bertin calls implantations. It is from these three types of locations that the different symbols are created. We have distinguished them between the thematic symbols, which are there to illustrate the theme of the map, to convey its message and the Background symbol present to help the reader to orientate himself in space. This is the case, for example, of the equator's path, which is rarely thematic, but rather serves as a geographical point of reference. Of course, the thematic symbols vary according to the theme of the map. Thus, territorial borders can be considered thematic if it is a political map, but will be considered Background information if it is present on a map representing global forest cover. The purpose of this part is to have as much content as possible on the elements that make a map. The third and last part of the table refers to visual variables. To be interested in visual variables is to be interested in the interactions between symbols. It is on this part that we rely most on Bertin's work. We have thus taken 5 of the 7 variables he defined. The orientation and the two dimensions of the plan were excluded from our study because they are constant in the cartographic production. It would therefore be irrelevant to record them each time. This is not the case for the remaining components: size, value, texture, shape, and colour. These are elements that may be present in cartography but are not individually necessary. These visual variables form the basic grammar of the “cartographic language”. Studying the visual variables is a way for us to observe how the different signs interact with each other and to see how an information is convey. These visual rules have been established in the 1960s, therefore it the relevance of using this framework to study historical map can be questioned. But Bertin did not design his rules from scratch, he relied on previous mapping practices. It is therefore interesting to observe how often they have been used. The second part deals with map themes and regional structures of atlases. Using principles of Visual Studies, it suggests to observe atlases as a whole as cultural products, each subject to a visual programme that determines the frameworks of its expressions and its claim for representativeness. By comparing elements like projection, scale, maps-themes, regional sequences etc. systematically, one may unveil the specific interpretations of world views which are contained in the atlas’ concepts. As some atlases are published in a long series of editions, they become interesting research objects in an evolutionary perspective. In a diachronic perspective the coding scheme suggested here, focussing themes and regional subdivisions of atlases, builds the fundament for longitudinal studies. Both methodological parts should make cartographic and atlas-studies more compatible to cultural and historical research approaches. Taking the example of a few maps from French atlases from nineteen centuries to the early 2000s the second part of this contribution wants to give an idea, how this methodology can be used to study the evolution of cartographic language over time under the influence of the global condition and how French cartographers faced the challenge of representing a growing interconnected world and which graphical tools they developed.

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Kocher, Anna. "From verum to epistemic modality and evidentiality." Rise and Development of Evidential and Epistemic Markers 7, no. 1-2 (November 23, 2017): 77–110. http://dx.doi.org/10.1075/jhl.7.1-2.04koc.

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Abstract In this article, I investigate the diachronic development of a construction in Modern Spanish. It consists of an epistemic or evidential modifier followed by the complementizer (hence Adv+C) that heads root clauses (Seguro Adv que C viene ‘Surely he/she will come’). I demonstrate that the distributional, semantic, and pragmatic properties support a monoclausal analysis for Modern Spanish Adv+C as well as for its historical source construction. I propose a cartographic analysis associating Adv+C and the source construction with a low position in Rizzi’s split CP. Supported by corpus data, I identify a verum focus construction (Aff+C) as the origin of Adv+C. I claim that the loss of the verum interpretation triggers the reanalysis of the construction. This ultimately gives rise to its productive extension to other epistemic and evidential modifiers.

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O’Doherty, Marianne. "Holy Land Pilgrimage and Geography in Fifteenth-Century England." Journal of Medieval and Early Modern Studies 51, no. 1 (January 1, 2021): 105–39. http://dx.doi.org/10.1215/10829636-8796270.

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This article discusses a single late-fifteenth-century English manuscript as evidence for an understudied form of “virtual” pilgrimage. Bringing together the techniques of codicological, textual, and cartographic-historical research, the article shows how Cambridge, Corpus Christi College, MS 426 presents a vision of the world profoundly inflected by Holy Land pilgrimage, in which scholarly, mathematical geography is placed in the service of knowledge and understanding of the Holy Land. Indeed, within MS 426, the process of gaining understanding of the world’s geography and of the place of the Holy Land within it becomes a kind of virtual pilgrimage: a form of vicarious wandering that prompts religious contemplation and devotion. The article, which includes discussion of the manuscript’s unique and previously unstudied Jerusalem map, thus reminds us to keep in mind the inadequacy of modern taxonomies for dealing with the messy materialities of medieval texts.

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Meece, Stephanie. "A bird's eye view – of a leopard's spots The Çatalhöyük ‘map’ and the development of cartographic representation in prehistory." Anatolian Studies 56 (December 2006): 1–16. http://dx.doi.org/10.1017/s0066154600000727.

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AbstractThe striking wall paintings uncovered in the excavations at Çatalhöyük have fascinated archaeologists and non-archaeologists alike, and many interpretations of their content and meaning have been proposed. This article re-evaluates the claim that one of these paintings is a map of the village, with Hasan Dağ erupting above it. It is argued that the excavator's first interpretation of the objects depicted in the painting, that is, that they are a leopard skin above a panel of geometric design, is in fact a far more reasonable one, when this painting is contextualised within the entire corpus of painting and other art objects found at the site. Implications of this re-interpretation for our understanding of Neolithic spatial and symbolic representation, and the origin of mapmaking are considered, as well as the importance of the depiction of animals and felines in the Neolithic period.

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Do Valle, Lílian. "Corpos e cartografias da ingovernabilidade na arte e na educação." EDUCAÇÃO E FILOSOFIA 33, no. 68 (December 1, 2020): 643–57. http://dx.doi.org/10.14393/revedfil.v33n68a2019-51966.

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Resumo: O corpo está por toda parte: ele é aquele que «está irreparavelmente aqui» onde estou, eu que não «posso me deslocar sem ele», já disse o filósofo. Talvez por isso mesmo seja tão antigo e tão insistente o movimento que, multiplicando as metáforas para dizer sua presença, visa de fato a maior parte do tempo seu ocultamento. Assim, se é possível falar aqui de uma cartografia, ela sem dúvida designará o intenso movimento filosófico de ocultamento do corpo, que paradoxalmente dá a ver o que tanto se buscou evitar: é que o corpo sempre resiste, insistindo em se fazer disponível aos «mundos múltiplos e divergentes» que a cada vez a arte aproxima. Palavras-chave: Corpo. Movimento. Formação humana. Cartography of the body and unmanageability Abstract: The body is everywhere: he is «is irreparably here» where I am, for «I cannot move without him», as the philosopher said. Perhaps it is why this ancient and persistent movement that multiplies the metaphors to tell its presence seeks in fact its concealment most of the time. Thus, if it is possible to speak about a cartography, it will undoubtedly designate the intense philosophical movement of body concealment, which paradoxically hints at what it has sought so much to avoid: is that the body always resists, insisting on making itself available to « multiple and divergent worlds» which art approaches each time. Keywords: Body. Mouvement. Human Formation. Cartographies du corps et de l’ingovernabilité Résumé: Le corps est partout: « il est ici irréparablement» où je suis, car «je ne peux pas me déplacer sans lui», comme le philosophe l’a dit. Et c’est peut-être là la raison par laquelle, à force de multiplier les métaphores pour signaler as présence, ce que lui vise, finalement, la plupart du temps est bien son effacement. Ainsi, s’il nous est permis de parler de cartographie, elle devra sans doute désigner cet intense mouvement philosophique d’oubli du corps, qui finalement révèle ce qui l’on a tellement voulu éviter : car le corps résiste, à chaque fois, et qu’il insiste de se faire disponible aux «mondes multiples et divergents» que, à chaque fois, l’art rend présent. Mots-clés: Corps. Mouvement. Formation humaine.

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Polo Martín, Bárbara. "Antonio Revenga Carbonell, cartógrafo de ensanches en la España de mediados del siglo XX / Antonio Revenga Carbonell, urban extension projects cartographer in mid-twentieth-century Spain." Ería 2, no. 2 (October 10, 2019): 223–35. http://dx.doi.org/10.17811/er.2.2019.223-235.

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Antonio Revenga Carbonell fue un ingeniero geógrafo que destacó por su actividad cartográfica y geográfica. Tras su ingreso en el cuerpo, en 1912, adquirió diferentes competencias en el Instituto Geográfico Nacional y diversificó sus conocimientos técnicos. La cartografía es la menos conocida entre sus actividades y la más importante. Su experienciaprofesional como topógrafo e ingeniero contribuyó a que diferentes Ayuntamientos requirieran sus servicios, durante las décadas 1940-1960, para levantar planos urbanos precisos y realizar proyectos de ensanche acordes con la legislación urbana de la época. El objetivo es dar a conocer un capítulo del legado cartográfico español que, en su mayor parte, ha permanecido oculto en los archivos, o ha sido desconocido por las propias instituciones.Antonio Revenga Carbonell était un ingénieur géographe qui se distinguait par son activité cartographique et géographique. Après être entré dans le corps, en 1912, il acquit différentes compétences à l’Institut géographique national et diversifia ses connaissances techniques. La cartographie est la moins connue de ses activités et la plus importante. Son expérience professionnelle d’arpenteur-géomètre et d’ingénieur a permis à différentes municipalités, dans les années 1940 et 1960, de solliciter ses services pour élaborer des plans précis et mener à bien des projets d’élargissement conformes à la législation urbaine de l’époque. L’objectif est de faire connaître un chapitre de l’héritage cartographique espagnol qui, pour l’essentiel, est resté caché dans les archives ou inconnu des institutions elles-mêmes.Antonio Revenga Carbonell was a Geographical Engineer who stood out for his cartographic and geographical activity. After entering the corps, in 1912, he acquired different skills at the National Geographic Institute and diversified his technical knowledge. Cartography is the least known among his activitiesbut the most important. His professional experience as a surveyor and engineer contributed to different municipalities requiring their services, during the 1940s and 1960s, to build accurate urban plans and carry out extension projects in accordance with the urban legislation of that time.The objective is to present a chapter of the Spanish cartographic legacy that, for the most part, has remained hidden in the archives, or has been unknown by the institutions themselves.

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Wesner, Ashton Bree. "Contested Sonic Space: Settler Territoriality and Sonographic Visualization at Celilo Falls." Catalyst: Feminism, Theory, Technoscience 4, no. 2 (October 16, 2018): 1–32. http://dx.doi.org/10.28968/cftt.v4i2.29909.

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In this article, I argue that “seeing with sound" is a fraught political process with the potential to both obfuscate and assist Indigenous claims to land. I do so by analyzing the Portland District U.S. Army Corps of Engineers’ 2007 sonar images of Celilo Falls on the Columbia River. I take up feminist materialist analytics developed by Native American and Indigenous Studies scholarship on cartography and refusal, and place them in conversation with the sonic geographies of Columbia River Indigenous writers. Namely, I use Elizabeth Woody’s poem Waterways Endeavor to Translate Silence from Currents (1994) to investigate how overlapping and conflicting deployments of sonic imaging play a major cultural, political, and material role in the (re)mapping of Celilo Falls. First, I present a theoretical framework that considers the role of what I call sonic knowledges in unsettling colonial visual cartographies. I use archival Army Corps’ maps and critical sonar studies literature to show how the Army Crops’ 2007 riverbed sonograms emerge from a longer context of US settler practices of enclosing land with maps and surveying water with sound. I then turn to a close reading of newspaper articles and state legislation to analyze how the sonograms take on a present political life in ways that repackage ocularcentrism and assuage settler guilt, thus authorizing ongoing US enclosure of Indigenous lands. Yet, I also bring to bear Indigenous sonic knowledges that position imaging processes as potentially antithetical to addressing questions of access to land and self-determination. Through examining newspaper interviews, public testimonies, and Elizabeth Woody’s poem, I elucidate deployments of sonic knowledge that can help us think about what anti-colonial (re)mapping practices demand of contemporary cartographic imaging processes. Attending to sonic knowledges under conditions of settler-ocularcentrism, I suggest, might assist anti-colonial feminist science studies engagements with processes of imag(in)ing Indigenous space.

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Simão de Freitas, Alexandre. "Corpos alterados, corpos ingovernáveis: cartografias ético-estéticas para segurar o céu pelas diferenças." EDUCAÇÃO E FILOSOFIA 33, no. 68 (November 30, 2020): 617–42. http://dx.doi.org/10.14393/revedfil.v33n68a2019-51965.

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Resumo: O artigo desdobra algumas implicações decorrentes de uma análise ficcional em torno das artes neoliberais de governo. Nessa direção, articula os pressupostos das teorias biopolíticas da formação humana agenciadas pela entrada no Antropoceno, a fim de pensar a desabilitação do que Elizabeth Povinelli chama de imaginário do carbono e seus processos de marcação, distinção e desqualificação ontológica. Trata-se, portanto, de um ensaio especulativo produzido em torno do diagnóstico de um desmoronamento catastrófico da distinção fundamental da episteme moderna, a distinção entre as ordens cosmológica e antropológica, sugerindo uma cartografia precária dos corpos ingovernáveis ancorada em uma sutil arte política: a arte de segurar o céu pelas diferenças. Essa arte almeja atravessar o abismo que historicamente separou um povo com filosofia em oposição aos povos com mito, construindo pontes que incitem a Filosofia da educação e seus praticantes a se situarem na equivocidade dos mundos e aí habitar. Palavras-chave: Antropoceno. Geontologia. Cartografias da diferença. Formação humana. Altered bodies, ungovernable bodies: ethical-aesthetic cartographies to hold the sky through diferences Abstract: The article unfolds some implications arising from a fictional analysis around the neoliberal arts of government. In this sense, it articulates the presuppositions of the biopolitical theories of human formation that were introduced by the entry into the Anthropocene, in order to think about the disabling of what Elizabeth Povinelli calls the carbon imaginary and its processes of marking, distinction and ontological disqualification. The argument is a speculative essay produced around the diagnosis of a catastrophic collapse of the fundamental distinction of modern episteme, suggesting a precarious cartography of ungovernable bodies anchored in a subtle political art: art of holding the sky through the differences. This art aims to bridge the chasm that has historically separated a people with philosophy as opposed to people with myth, building bridges that incite the Philosophy of education and its practitioners to lie in the equivocity of worlds and dwell there. Keywords: Anthropocene. Geontology. Cartographies of the difference. Human formation. Cuerpos alterados, cuerpos ingobernables: cartografías ético-estéticas para sostener el cielo a través de las diferencias Resumen: El artículo desarrolla un análisis sobre las artes neoliberales del gobierno. En este sentido, refleja las presuposiciones de las teorías biopolíticas de la formación humana frente a la entrada al Antropoceno, a fin de pensar la desactivación de lo que Elizabeth Povinelli llama el imaginario del carbono y sus procesos de distinción y descalificación ontológica. Es, por lo tanto, un ensayo especulativo producido en torno al diagnóstico de un colapso catastrófico de la distinción fundamental de la episteme moderna, sugiriendo una cartografía de cuerpos ingobernables anclados en un sutil arte político: la arte de sostener el cielo a través de las diferencias. Esta arte tiene como objetivo cerrar el abismo que ha dividido un pueblo con filosofía y un pubelo con mitos, construyendo puentes que inciten a la Filosofía de la educación y a sus practicantes a pararse en la ambigüedad de los mundos y habitar allí. Palabras clave: Antropoceno. Geontología. Cartografías de la diferencia. Formación humana.

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Elalouf, Marie-Laure, and Yelle Koulibali. "Les emplois du verbe dire dans un corpus d’écrits scolaires : Étude exploratoire pour un lexique-grammaire des usages." SHS Web of Conferences 78 (2020): 07006. http://dx.doi.org/10.1051/shsconf/20207807006.

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L’article vise à poser les principes méthodologiques d’une cartographie des emplois de verbes hyperfréquents fondée sur le modèle valenciel, en prenant pour exemple le verbe « dire » et pour corpus un ensemble de récits scolaires transcrits et annotés dans lequel ce verbe apparaît comme le plus fréquent. À partir d’une confrontation de différentes descriptions syntactico-sémantiques, il s’est agi de construire une grille permettant à la fois une exploitation textométrique sur des grands corpus et une exploitation didactique. L’étude de ces textes fait apparaitre une variété d’emplois qui excède de beaucoup ceux induits par la consigne.

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José Martins, Carlos, and Flávio Soares Alves. "Cartografias da ingovernabilidade dos corpos na arte e na vida." EDUCAÇÃO E FILOSOFIA 34, no. 70 (January 18, 2021): 31–44. http://dx.doi.org/10.14393/revedfil.v34n70a2020-55513.

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Cartografias da ingovernabilidade dos corpos na arte e na vida Resumo: Sofremos uma crescente governamentalização dos corpos e das condutas ao longo do mundo moderno e contemporâneo. Essa foi uma das expressivas contribuições do pensamento do filósofo francês Michel Foucault. No entanto, tal governamentalização não adveio sem contrapartida. Trata-se, em todo caso, de um empreendimento sistemático de investimento pelo poder e de redução dos corpos à sua dimensão extensiva, utilitária, funcional e orgânica, numa palavra, instrumental. Uma pletora de práticas foi criada em vários campos – saúde, educação, trabalho, lazer, esporte, etc. – com este fim. No entanto, por mais incontornável que seja, os corpos não se deixam reduzir a um estado de coisa, a sua extensão, em resumo, a sua reificação. Este trabalho visa circunscrever esta problemática, para os fins de explorar o tema que concerne a relação entre os corpos, a cultura e o papel da arte como cartografia intensiva, sob o signo da ingovernabilidade. Palavras-chave: cartografias, ingovernabilidade, corpo, arte, filosofia. Cartographies of the ungovernability of bodies in art and life Abstract: We have suffered a growing governmentalization of the bodies and behaviors throughout the modern and contemporary world. This was one of the expressive contributions of the French philosopher Michel Foucault’s thought. However, such governmentalization has not come without a counterpart. In any case, it is a systematic undertaking of investment by the power and of reduction of the bodies to their extensive, utilitarian, functional and organic dimension to a word, instrumental. A plethora of practices has been created in various fields - health, education, work, leisure, sports, etc. - to this end. However, bodies are not reduced to a state of affairs, to their extension, in short, to their reification, as unavoidable as it might be. This work aims to circumscribe this problem, in order to explore the theme that concerns the relationship among the bodies, the culture and the role of the art as an intensive cartography, under the sign of ungovernability. Keywords: cartography, ungovernability, body, art, philosophy. Cartografias de la ingobernabilidad de los cuerpos en el arte y la vida Resumen: Sufrimos una creciente gubernamentalización de los cuerpos y el comportamiento en todo el mundo moderno y contemporáneo. Esta fue una de las contribuciones expresivas del pensamiento del filósofo francés Michel Foucault. Sin embargo, tal gubernamentalización no se produjo sin una contraparte. En cualquier caso, es una empresa sistemática de inversión por poder y la reducción de los cuerpos a su dimensión extensiva, utilitaria, funcional y orgánica, en una palabra, instrumental. Se han creado una gran cantidad de prácticas en diversos campos: salud, educación, trabajo, ocio, deportes, etc. - con este fin. Sin embargo, por inevitable que sea, los cuerpos no se reducen a un estado de cosas, su extensión, en resumen, su reificación. Este trabajo tiene como objetivo circunscribir este problema, a fin de explorar el tema que concierne a la relación entre los cuerpos, la cultura y el papel del arte como cartografía intensiva, bajo el signo de ingobernabilidad. Palabras clave: cartografía, ingobernabilidad, cuerpo, arte, filosofía Data de registro:16/06/2020 Data de aceite: 22/07/2020

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Roos, Djeovani, and Cláudio Benito Oliveira Ferraz. "CARTOGRAFIAS GEOGRÁFICAS: O QUE PODE UM MAPA..." GEOgraphia 19, no. 41 (January 25, 2018): 101. http://dx.doi.org/10.22409/geographia.v19i41.769.

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Resumo: Pensar o mapa é pensá-lo como o agenciamento de forças, de linhas/corpos que se afetam e apontam para sentidos de localização e orientação espacial. Desdobra-se que os mapas não se restringem a representação plana da superfície terrestre, logo, há outras formas de se relacionar e vivenciar as representações que o processo de mapeamento promove. A espacialidade constitui-se na multiplicidade, e a relação da cartografia deve estar inclusa nessa maleabilidade espacial, sendo o mapa o próprio acontecer do mundo. O que faz de um ser um mapa é uma das prerrogativas eloquentes que recaem sobre o processo de mapeamento. Assim, intentamos que capturar e mostrar informação espacial são modos de apreensão de um possível do que faz uma imagem cartográfica ser um mapa. Realça-se que os sentidos deste trabalho situam-se no intuito de pensar sobre as possibilidades e potencialidades referentes aos processos cartográficos e à criação de mapas. Buscando deslocar o pensamento cartográfico, friccionando as suas dimensões comunicativa e informativa à qual ela se vincula atualmente. A potência que se instaura aqui é instigar o pensamento na relação dos mapas com a produção artística; enquanto obra de arte não se fixa representativamente, mas é um instigador de processos possíveis. O mural “Polimorfia Fronteiriça”, exposto na FCH/UFGD, entra aqui como um possível na articulação com o pensamento geográfico e cartográfico, em que os mapas se vislumbram na contingencialidade criativa do pensar/viver o mundo enquanto lugar.Palavras-chave: Mapa. Cartografias geográficas. Multiplicidades. Pensamento geográfico. GEOGRAPHICAL CARTOGRAPHY: WHAT CAN A MAP... Abstract: Think the map is think of it as the freight forwarding, forces of lines/bodies affect and point to senses of place and spatial orientation. Unfolds that the maps are not restricted to flat representation of the Earth’s surface, so there are other ways to relate and experience the representations that the mapping process promotes. The spatiality is constituted in the multiplicity and the relationship of cartography should be included in the suppleness and the spatial map of the world happen himself. What makes a map is one of the prerogatives eloquent that fall on the mapping process. Thus, we capture and show spatial information are modes of apprehension of a possible of what makes an image be a cartographic map. Emphasises that the directions of this work are in order to think about the possibilities and potentialities for the Cartographic processes and creating maps. Seeking to shift cartographic thought, rubbing their communicative and informational dimensions to which she links these days. The power which introduces here is instigating the thought in relationship of maps with artistic production; While artwork is not fixed but representatively is an instigator of possible processes. The mural “Polimorfia Fronteiriça”, exposed on FCH/UFGD, comes here as a possible in conjunction with the geographic and cartographic thought, in which the maps are glimpsing at contingencialidade creative thinking/living the world while place. Keywords: Map. Geographical Cartography. Multiplicities. Geographic Thought. CARTOGRAFÍA GEOGRÁFICA: QUÉ PUEDE UN MAPA... Resumen: Creo que el mapa es pensar como el manejo de fuerzas, de líneas y órganos afecta y sentidos de lugar y orientación espacial. Revela que los mapas no se limitan a la representación plana de la superficie terrestre, como hay otras formas de relacionar y las representaciones que promueve el proceso de asignación de experiencia. La espacialidad se constituye en la multiplicidad y la relación de la cartografía se debe incluir en este espacio flexible y el mapa del mundo se suceden. Lo que hace que un mapa es una de las prerrogativas elocuentes que caen en el proceso de asignación. Así, capturar y mostrar información espacial son modos de aprehensión de un posible de lo que hace que una imagen sea un mapa cartográfico. Hace hincapié en que las instrucciones de este trabajo son para pensar acerca de las posibilidades y potencial de los procesos cartográficos y crear mapas. Buscando cambiar el pensamiento cartográfico, frotando su dimensión comunicativa e informativa a la que se vincula. La energía que se presenta aquí es promover el pensamiento en la relación de los mapas con la producción artística; mientras que el arte no es fijo pero representativo es un instigador de procesos posibles. El mural “Polimorfia Fronteiriça”, expuesto en FCH/UFGD, viene aquí como un posible junto con el pensamiento geográfico y cartográfico, en que el encuentro mapas contingencialidade creativo pensamiento estar del mundo mientras al lugar. Palabras-clave: Mapa. Cartografía Geográfica. Multiplicidad. Pensamiento Geográfico.

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Roos, Djeovani, and Cláudio Benito Oliveira Ferraz. "CARTOGRAFIAS GEOGRÁFICAS: O QUE PODE UM MAPA..." GEOgraphia 19, no. 41 (January 25, 2018): 101. http://dx.doi.org/10.22409/geographia2017.1941.a13821.

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Resumo: Pensar o mapa é pensá-lo como o agenciamento de forças, de linhas/corpos que se afetam e apontam para sentidos de localização e orientação espacial. Desdobra-se que os mapas não se restringem a representação plana da superfície terrestre, logo, há outras formas de se relacionar e vivenciar as representações que o processo de mapeamento promove. A espacialidade constitui-se na multiplicidade, e a relação da cartografia deve estar inclusa nessa maleabilidade espacial, sendo o mapa o próprio acontecer do mundo. O que faz de um ser um mapa é uma das prerrogativas eloquentes que recaem sobre o processo de mapeamento. Assim, intentamos que capturar e mostrar informação espacial são modos de apreensão de um possível do que faz uma imagem cartográfica ser um mapa. Realça-se que os sentidos deste trabalho situam-se no intuito de pensar sobre as possibilidades e potencialidades referentes aos processos cartográficos e à criação de mapas. Buscando deslocar o pensamento cartográfico, friccionando as suas dimensões comunicativa e informativa à qual ela se vincula atualmente. A potência que se instaura aqui é instigar o pensamento na relação dos mapas com a produção artística; enquanto obra de arte não se fixa representativamente, mas é um instigador de processos possíveis. O mural “Polimorfia Fronteiriça”, exposto na FCH/UFGD, entra aqui como um possível na articulação com o pensamento geográfico e cartográfico, em que os mapas se vislumbram na contingencialidade criativa do pensar/viver o mundo enquanto lugar.Palavras-chave: Mapa. Cartografias geográficas. Multiplicidades. Pensamento geográfico. GEOGRAPHICAL CARTOGRAPHY: WHAT CAN A MAP... Abstract: Think the map is think of it as the freight forwarding, forces of lines/bodies affect and point to senses of place and spatial orientation. Unfolds that the maps are not restricted to flat representation of the Earth’s surface, so there are other ways to relate and experience the representations that the mapping process promotes. The spatiality is constituted in the multiplicity and the relationship of cartography should be included in the suppleness and the spatial map of the world happen himself. What makes a map is one of the prerogatives eloquent that fall on the mapping process. Thus, we capture and show spatial information are modes of apprehension of a possible of what makes an image be a cartographic map. Emphasises that the directions of this work are in order to think about the possibilities and potentialities for the Cartographic processes and creating maps. Seeking to shift cartographic thought, rubbing their communicative and informational dimensions to which she links these days. The power which introduces here is instigating the thought in relationship of maps with artistic production; While artwork is not fixed but representatively is an instigator of possible processes. The mural “Polimorfia Fronteiriça”, exposed on FCH/UFGD, comes here as a possible in conjunction with the geographic and cartographic thought, in which the maps are glimpsing at contingencialidade creative thinking/living the world while place. Keywords: Map. Geographical Cartography. Multiplicities. Geographic Thought. CARTOGRAFÍA GEOGRÁFICA: QUÉ PUEDE UN MAPA... Resumen: Creo que el mapa es pensar como el manejo de fuerzas, de líneas y órganos afecta y sentidos de lugar y orientación espacial. Revela que los mapas no se limitan a la representación plana de la superficie terrestre, como hay otras formas de relacionar y las representaciones que promueve el proceso de asignación de experiencia. La espacialidad se constituye en la multiplicidad y la relación de la cartografía se debe incluir en este espacio flexible y el mapa del mundo se suceden. Lo que hace que un mapa es una de las prerrogativas elocuentes que caen en el proceso de asignación. Así, capturar y mostrar información espacial son modos de aprehensión de un posible de lo que hace que una imagen sea un mapa cartográfico. Hace hincapié en que las instrucciones de este trabajo son para pensar acerca de las posibilidades y potencial de los procesos cartográficos y crear mapas. Buscando cambiar el pensamiento cartográfico, frotando su dimensión comunicativa e informativa a la que se vincula. La energía que se presenta aquí es promover el pensamiento en la relación de los mapas con la producción artística; mientras que el arte no es fijo pero representativo es un instigador de procesos posibles. El mural “Polimorfia Fronteiriça”, expuesto en FCH/UFGD, viene aquí como un posible junto con el pensamiento geográfico y cartográfico, en que el encuentro mapas contingencialidade creativo pensamiento estar del mundo mientras al lugar. Palabras-clave: Mapa. Cartografía Geográfica. Multiplicidad. Pensamiento Geográfico.

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Roos, Djeovani, and Cláudio Benito Oliveira Ferraz. "CARTOGRAFIAS GEOGRÁFICAS: O QUE PODE UM MAPA..." GEOgraphia 19, no. 41 (January 25, 2018): 101. http://dx.doi.org/10.22409/geographia2017.v19i41.a13821.

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Resumo: Pensar o mapa é pensá-lo como o agenciamento de forças, de linhas/corpos que se afetam e apontam para sentidos de localização e orientação espacial. Desdobra-se que os mapas não se restringem a representação plana da superfície terrestre, logo, há outras formas de se relacionar e vivenciar as representações que o processo de mapeamento promove. A espacialidade constitui-se na multiplicidade, e a relação da cartografia deve estar inclusa nessa maleabilidade espacial, sendo o mapa o próprio acontecer do mundo. O que faz de um ser um mapa é uma das prerrogativas eloquentes que recaem sobre o processo de mapeamento. Assim, intentamos que capturar e mostrar informação espacial são modos de apreensão de um possível do que faz uma imagem cartográfica ser um mapa. Realça-se que os sentidos deste trabalho situam-se no intuito de pensar sobre as possibilidades e potencialidades referentes aos processos cartográficos e à criação de mapas. Buscando deslocar o pensamento cartográfico, friccionando as suas dimensões comunicativa e informativa à qual ela se vincula atualmente. A potência que se instaura aqui é instigar o pensamento na relação dos mapas com a produção artística; enquanto obra de arte não se fixa representativamente, mas é um instigador de processos possíveis. O mural “Polimorfia Fronteiriça”, exposto na FCH/UFGD, entra aqui como um possível na articulação com o pensamento geográfico e cartográfico, em que os mapas se vislumbram na contingencialidade criativa do pensar/viver o mundo enquanto lugar.Palavras-chave: Mapa. Cartografias geográficas. Multiplicidades. Pensamento geográfico. GEOGRAPHICAL CARTOGRAPHY: WHAT CAN A MAP... Abstract: Think the map is think of it as the freight forwarding, forces of lines/bodies affect and point to senses of place and spatial orientation. Unfolds that the maps are not restricted to flat representation of the Earth’s surface, so there are other ways to relate and experience the representations that the mapping process promotes. The spatiality is constituted in the multiplicity and the relationship of cartography should be included in the suppleness and the spatial map of the world happen himself. What makes a map is one of the prerogatives eloquent that fall on the mapping process. Thus, we capture and show spatial information are modes of apprehension of a possible of what makes an image be a cartographic map. Emphasises that the directions of this work are in order to think about the possibilities and potentialities for the Cartographic processes and creating maps. Seeking to shift cartographic thought, rubbing their communicative and informational dimensions to which she links these days. The power which introduces here is instigating the thought in relationship of maps with artistic production; While artwork is not fixed but representatively is an instigator of possible processes. The mural “Polimorfia Fronteiriça”, exposed on FCH/UFGD, comes here as a possible in conjunction with the geographic and cartographic thought, in which the maps are glimpsing at contingencialidade creative thinking/living the world while place. Keywords: Map. Geographical Cartography. Multiplicities. Geographic Thought. CARTOGRAFÍA GEOGRÁFICA: QUÉ PUEDE UN MAPA... Resumen: Creo que el mapa es pensar como el manejo de fuerzas, de líneas y órganos afecta y sentidos de lugar y orientación espacial. Revela que los mapas no se limitan a la representación plana de la superficie terrestre, como hay otras formas de relacionar y las representaciones que promueve el proceso de asignación de experiencia. La espacialidad se constituye en la multiplicidad y la relación de la cartografía se debe incluir en este espacio flexible y el mapa del mundo se suceden. Lo que hace que un mapa es una de las prerrogativas elocuentes que caen en el proceso de asignación. Así, capturar y mostrar información espacial son modos de aprehensión de un posible de lo que hace que una imagen sea un mapa cartográfico. Hace hincapié en que las instrucciones de este trabajo son para pensar acerca de las posibilidades y potencial de los procesos cartográficos y crear mapas. Buscando cambiar el pensamiento cartográfico, frotando su dimensión comunicativa e informativa a la que se vincula. La energía que se presenta aquí es promover el pensamiento en la relación de los mapas con la producción artística; mientras que el arte no es fijo pero representativo es un instigador de procesos posibles. El mural “Polimorfia Fronteiriça”, expuesto en FCH/UFGD, viene aquí como un posible junto con el pensamiento geográfico y cartográfico, en que el encuentro mapas contingencialidade creativo pensamiento estar del mundo mientras al lugar. Palabras-clave: Mapa. Cartografía Geográfica. Multiplicidad. Pensamiento Geográfico.

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García-Avello, Macarena. "Resisting Borders: Transnational Cartographies in US Latinx Studies." International Journal of English Studies 21, no. 1 (June 29, 2021): 1–20. http://dx.doi.org/10.6018/ijes.419541.

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This article examines the evolution of the borderlands as an organizing trope by focusing on how the transcendence beyond cultural nationalist perspectives traces the shift from Chicano/a to Latinx discourses. In order to address this issue, I will analyse two twenty-first-century Latinx texts that delve into the intricate ways in which transnational forces collide with economic, cultural and political processes that persistently revolve around the framework of the nation-state: Alicia Gaspar de Alba´s Desert Blood: The Juarez Murders (2005) and Maya Chinchilla´s The Cha Cha Files: A Chapina Poética (2014). The corpus of works selected will focus on the political readings derived from textual negotiation with a changing political, social and economic reality. This results in constant tensions between globalising processes, worldwide interconnectedness and transnational interactions, on the one hand, and the regulatory power of the state, on the other.

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Gehres, Adriana De Faria, and Marcos Garcia Neira. "A pesquisa intervenção com o currículo cultural de educação física, seus corpos e suas danças: três exercícios cartográficos." Revista Pesquisa Qualitativa 8, no. 16 (April 22, 2020): 79. http://dx.doi.org/10.33361/rpq.2020.v.8.n.16.316.

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Resumo: Este artigo objtivou cartografar encontros os corpos, as danças e a Educação Física culturalmente orientada, a partir dos pressupostos da esquizoanálise (DELEUZE; GUATTARI, 1996), como pesquisa intervenção. Para tanto, realizamos três exercícios cartográficos como encontros/processos de acionamento de: um texto; quinze relatos de experiência; e ações didáticas. Neste último, contudo, operamos também com a “palavra” experiência, conforme proposto por Larrosa, (2009, 2013, 2018). Cartografar, procedimento, objetivo e texto da pesquisa, apresentou-se como uma “atitude” que nos fez percorrer materialidades, inventar conceitos e produzir línguas nos encontros com o curículo culturalmente orientado de Educação Física.Palavras-chave: Esquizoanálise; Intervenção; Experiência; Escola. Research intervention with the cultural physical education curriculum, its bodies and their dances: three cartographic exercisesAbstract: This article aimed to map encounters with bodies, dances and culturally oriented Physical Education, based on the assumptions of schizoanalysis (DELEUZE; GUATTARI, 1996), as intervention research. For this purpose, we carried out three cartographic exercises as meetings / processes for triggering: a text; fifteen experience reports; and didactic actions. In the latter, however, we also operate with the “word” experience, as proposed by Larrosa, (2009, 2013, 2018). Mapping, procedure, objective and text of the research, presented itself as an “attitude” that made us go through materialities, invent concepts and produce languages in the meetings with the culturally oriented Curriculum of Physical Education.Keywords: Schizoanalysis; Intervention; Experience; School.

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Kergosien, Eric, Marie-Noelle Bessagnet, and Mauro Gaio. "Exploitation d’une cartographie sémantique à des fins de validation : application à l’indexation experte de corpus documentaires." Documentation et bibliothèques 57, no. 1 (February 25, 2015): 19–28. http://dx.doi.org/10.7202/1028961ar.

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Notre approche vise à aider le travail d’indexation des bibliothécaires via les concepts provenant d’un vocabulaire contrôlé par des relations de sens contenues dans les notices descriptives. Dans notre travail de recherche, nous définissons automatiquement le thésaurus TERRIDOC en exploitant les spécificités du corpus liées à des termes qui « ont fait sens » au bibliothécaire lors de la constitution de la notice descriptive. Une phase de conceptualisation a permis dans un premier temps de définir en détails les différents modules pour créer automatiquement la structure sémantique représentant le travail d’indexation des experts, puis dans un second temps de proposer des interfaces représentant visuellement ce travail à des fins de validation du travail d’indexation des bibliothécaires et de navigation dans le fonds documentaire. À la suite de l’analyse et de la création de ce premier outil, nous proposons des moyens de contrôler et de valider le travail d’indexation. Notre travail s’inscrit dans le champ de la classification documentaire et de ses usages en environnement « réseauté ».

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Romani, Cesare. "Il corpo delFesotismo: cartografia, fotografia, cinema - Le corps de l'exotisme : Cartographie, photographie, cinéma." Le Globe. Revue genevoise de géographie 148, no. 1 (2008): 107–28. http://dx.doi.org/10.3406/globe.2008.1542.

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Jolivet, Vincent, and Henri Broise. "L'archéologue et le topographe sur la colline du Pincio: à propos du grand plan de Rome du Jubilé 2000." Journal of Roman Archaeology 14 (2001): 199–216. http://dx.doi.org/10.1017/s1047759400019887.

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But the city, in its corruption, refused to submit to the dominion of the cartographers, changing shape ai will and without warning…S. Rushdie, The Satanic versesLes plans et les vues cavalières ou panoramiques de Rome, à partir de celle de Paolino da Venezia, de peu postérieure à 1320, et jusqu'à la naissance de la cartographie moderne, considérée comme définitivement acquise avec le plan de Nolli de 1748, sont utilisés comme une source primordiale d'informations pour la topographie de la ville. Par rapport au prodigieux corpus de dessins laissés par les antiquaires de la Renaissance, ces documents présentent l'avantage de figurer l'insertion des différents monuments, même mineurs, dans le tissu urbain, mais souvent l'inconvénient, compte tenu l'échelle des cartes, de les représenter de manière moins détaillée, voire même purement symbolique. De plus, ils répondent à un certain nombre d'exigences, idéologiques ou pratiques, qui déterminent leur degré de fidélité par rapport au réel: le souci de mettre en évidence certains monuments (par exemple le long des itinéraires de pèlerinage), l'impact de la politique d'urbanisme d'un pontife, ou le système défensif de la ville, ont souvent porté à privilégier certains monuments, ou entraîné des changements de proportions entre les édifices figurés, parfois la suppression de quartiers d'habitations entiers; par ailleurs, le souci de rendre plus lisible le réseau viaire, et de dessiner les façades, a porté à l'élargissement des rues, et donc à des distorsions dans la représentation des bâtiments. Surtout, l'attitude de l'auteur de la carte par rapport à son objet à joué, à l'évidence, un rôle déterminant: pour un Bufalini, un Falda ou un Nolli, conscients de la nouveauté et de l'importance de leur projet, et qui y ont consacré de longues années de travail, combien de cartographes pressés, indifférents à la ville, simples compilateurs de leurs prédécesseurs?

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Bugnon, Fanny. "De l’« agitation » au « terrorisme ». Enjeux de la médiatisation de la violence révolutionnaire en France (1973-1986)." Lien social et Politiques, no. 68 (March 12, 2013): 247–63. http://dx.doi.org/10.7202/1014814ar.

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L’article propose d’analyser la manière dont sont construites les perceptions de la violence révolutionnaire dans la France contemporaine, à travers la médiatisation de quatre organisations inscrites dans cette dynamique entre 1973 et 1986. À partir d’un corpus de quotidiens nationaux envisagé sous l’angle d’une analyse du discours social émerge une cartographie des registres médiatiques et l’examen du pouvoir labellisateur des médias. Soulignant la prégnance du registre moral dans la définition du terrorisme, l’auteure étudie la construction de cette catégorie médiatique à partir des actes et des déclarations des organisations violentes, dans un contexte marqué par le reflux progressif des utopies post-1968.

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Patrakeyev, Igor, Victor Ziborov, and Nadia Lazorenko-Hevel. "Determination of Anthropogenic Changes in Urbanized Territories Using GIS Technology." GeoScience Engineering 63, no. 1 (March 1, 2017): 8–14. http://dx.doi.org/10.1515/gse-2017-0002.

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Abstract The research aim is to obtain a cartographic model of an urbanized territory by means of thermal survey in an infrared range. With this cartographic model, it will be then possible to reduce the zones in the urbanized territories differing in the level of superficial heat. Further, we will be able to reduce the proof thermal anomalies and thermal structures of the localities that are related to the natural and anthropogenic systems. On the examples of the cities of Ukraine – Energodar and Nikopol, we defined the sources of caloradiances from major industrial concerns as well as from thermal and nuclear power plants. For comparison, we built the model of thermal structure of the city of Tokai and the nuclear power plant with the same name Tokai (Japan). The sources of caloradiances can be, for example, pipes of thermal power stations, ponds-coolers, corps of steel-making production, and other similar objects. If the sizes of such source are known, then we are able to get the absolute values of temperatures.

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Mason, Roger. "The Medici-Lazara Map of Alanya." Anatolian Studies 39 (December 1989): 85–105. http://dx.doi.org/10.2307/3642815.

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The discovery of a hitherto unknown map of Alanya dating from the early seventeenth century enables a comparison to be made between the very detailed fortifications that it depicts and those that are standing today. Such a comparative analysis should permit some inferences about the form of the Seljuk and early Ottoman fortifications that are now ruinous. The Italian military provenance of the map gives an opportunity to illuminate briefly the depredations of the Medici navy in southern and western Anatolia.Most historians have been reluctant to use maps as evidence, the few who have done so have often fallen into the pit of misinterpretation that the former, and perhaps wiser, have avoided: but the study of the history of cartography is gradually emerging from the exclusively archaeological stage, in which it has been delving for over a century, and the corpus of information about maps has now grown to the point where no historian can afford to ignore their value as evidence, provided that he is able to evaluate them accurately. It is in evaluation that the historian of cartography owes a duty to his fellow historians.

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Dumas, P., M. Benatar, N. Cardot-Leccia, E. Lebreton, and B. Chignon-Sicard. "Étude de la rétraction cutanée appliquée à la prise en charge des tumeurs cutanées. Cartographie du corps humain." Annales de Chirurgie Plastique Esthétique 57, no. 2 (April 2012): 118–24. http://dx.doi.org/10.1016/j.anplas.2012.02.004.

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Mundy, Barbara E. "The Emergence of Alphabetic Writing: Tlahcuiloh and Escribano in Sixteenth-Century Mexico." Americas 77, no. 3 (July 2020): 361–407. http://dx.doi.org/10.1017/tam.2020.36.

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ABSTRACTOver the course of the sixteenth century in Mexico (New Spain), alphabetic writing replaced pictography as the chosen form of written expression in indigenous communities. A new social role, that of the native language escribano (notary), emerged, eventually to become a principal cultural broker in the colonial period. Despite the indigenous escribano's importance, his origins and the source of his authority within the native sphere are poorly understood. This article offers a close reading of a corpus of hybrid pictographic-alphabetic documents, written in Nahuatl and created between 1553 and 1572 in the indigenous cabildo (town council) of Mexico-Tenochtitlan. Within this important body, escribanos appear early in the documentary record; it was within the established indigenous ecosystem of governance that escribanos first found a niche.Here, pictography flourished, as did performances unique to the indigenous sphere. The corpus reveals how escribanos worked side by side with indigenous tlahcuilohqueh, or painters, who drew on a long-established tradition of manuscript painting and cartography to create property maps. These maps adhered to established codes, both social and visual. Initially preeminent in itself, the work of the tlahcuilohqueh came to supply meaning and public authority to the work of the escribano in this crucial formative period.

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de Lobado García, Ester Saiz, and Almudena Revilla Guijarro. "Analysis of Lavapiés through its Linguistic Landscape and the Press." Open Linguistics 5, no. 1 (December 13, 2019): 466–87. http://dx.doi.org/10.1515/opli-2019-0025.

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AbstractThe XXth century gateway cities in Europe, such as Madrid, have followed and in-depth population readjustment, due to the arrival of immigrants from all over the world. This readjustment has left traces in the public spaces of the city; and the media have noted this phenomenon as well.This paper aims at analysing the superdiversity present in Lavapiés, through two different and complementary methodologies: the analyses of the Linguistic Landscape and of press corpora. The analysis of the landscape of the territory will be conducted through a corpus of images or Linguistic Cartography that includes samples of multilingualism present in the area. The press corpora contain news stories, interviews and articles on immigration. These analyses will provide a better picture of the area, in terms of diversity. This paper is part of the Post-conference Special Issue on Language and Migration.

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Bovo, Martine. "Igiaba Scego’s Roma negata: The ethical nomadism of a second generation migrant writer." Letras de Hoje 54, no. 4 (December 31, 2019): 512. http://dx.doi.org/10.15448/1984-7726.2019.4.33259.

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Igiaba Scego (Rome 1974-) appartient à la seconde génération d’auteures italo-somaliennes. L’article se concentre sur son essai Roma negata, Percorsi postcoloniali nella città publié en 2014, et montre que l’itinérance dans la ville de Rome proposée par l’auteure n’a rien d’une simple visite touristique mais relève d’une démarche éthique visant à informer les Italiens de la persistance, encore de nos jours, d’un héritage du colonialisme dans leur sensibilité, et leur vécu quotien. La déambulation de Scego dans Rome s’apparente au nomadisme qui rappelle la culture maternelle, et focalise l’attention sur les corps humains et les monuments de Rome, en mettant en relation les temps passés de l’époque coloniale au temps présent de l’histoire italienne. Ce faisant, Scego déconstruit la perception habituelle de Rome et reconstruit, par une opération de décentrement du regard, une cartographie de la capitale, émotive et engagée, postcoloniale.Mots-clés : Igiaba Scego. Rome. Nomadisme. Écriture éthique. Vision postcoloniale. Roma negata.***Roma negata de Igiaba Scego: o nomadismo ético de uma escritora migrante de segunda geração***Igiaba Scego (Roma, 1974) pertence à segunda geração de autores ítalo somalis. O artigo concentra-se em seu ensaio Roma negata, Percorsi postcoloniali nella città, publicado em 2014, mostrando que a itinerância pela cidade de Roma proposta pela autora não tem nada de uma simples visita turística, mas está ligada a uma atitude ética que visa a revelar a persistência do colonialismo na maneira de agir e nas vivências cotidianas dos italianos. A deambulação de Scego em Roma aparenta-se ao nomadismo próprio à sua cultura materna. Ao focalizar-se nos corpos humanos e nos monumentos de Roma, a autora estabelece ligações entre o presente e o passado colonial. Desse modo, Scego desconstrói a percepção habitual de Roma e reconstrói, por uma operação de descentramento do olhar, uma cartografia emotiva e engajada da capital pós-colonial.

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Souza, Joseline Corrêa, José Antonio Tosta dos Reis, and Antonio Sergio Ferreira Mendonça. "Importance of adequate appropriation of physiographic information for concentration times determination." Ambiente e Agua - An Interdisciplinary Journal of Applied Science 13, no. 4 (July 3, 2018): 1. http://dx.doi.org/10.4136/ambi-agua.2184.

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Concentration time is an important parameter for drainage systems design and is closely related to the physiographic characteristics of a given hydrographic basin. Information from cartographic bases or images obtained by remote sensing, which present certain scales/resolutions, are often employed for the appropriation of concentration times. The present study sought to investigate the influence that the combination of different physiographic information, in different scales, and different calculation methods can produce in concentration times’ values. The applied methodology included a concentration times appropriation methods survey, identification of methods compatible with the study area characteristics, physiographic variables appropriation from information plans at different scales and concentration times determination for different regions. The results show that there is an equivalence between Tulsa District and US Corps of Engineers methods, and that these methods produce higher concentration times estimates than those produced by the George Ribeiro method. For the study area, the maximum calculated relative error was 52%.

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Ullah, Irfan, Liaqat Iqbal, and Ayaz Ahmad. "Pakistani Identity and Kamila Shamsies Novels: An Analysis in Stylistics (Thematic Parallelism)." Global Regional Review IV, no. II (June 30, 2019): 301–9. http://dx.doi.org/10.31703/grr.2019(iv-ii).32.

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This paper explored thematic parallelism in Kamila five of Shamsies novels i.e. Salt and Saffron, Cartography, Broken Verses, Burnt Shadows, and Home Fire. The paper identify here conflicts, depressions, identity fluctuations and a relentless machination of transformations by the powerful and resisting quarters of the region. The repetitive rule of military in Pakistan, the negative fallouts of engagement in Afghanistans resistance against the Soviets, the alienation of Muhajirs, the national and international catastrophe of 9/11 emerge as the strings that reflect the dilemma of the nomadism of modern times. The tyranny of destructive forces is amply reflected in the parallel desolation of places, characters and cultures. Karachi in its violence is parallel to Tokyo and New York. These parallels sublimate each other in conveying the poignancy of uprootedness and loss of identity. The lexical and syntactic parallels identifiable through corpus tools helped in identifying such parallels.

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Kchikach, Azzouz, Mohammed Jaffal, Tahar Aı̈fa, and Lahcen Bahi. "Cartographie de corps stériles sous couverture quaternaire par méthode de résistivités électriques dans le gisement phosphaté de Sidi Chennane (Maroc)." Comptes Rendus Geoscience 334, no. 6 (January 2002): 379–86. http://dx.doi.org/10.1016/s1631-0713(02)01767-4.

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Pennonber, Gwenaëlle. "Vers une cartographie des trajectoires des communautés récifales en réponse aux perturbations : approche du blanchissement corallien sur l'Ile de la Réunion." Revue Française de Photogrammétrie et de Télédétection, no. 197 (April 22, 2014): 102–11. http://dx.doi.org/10.52638/rfpt.2012.86.

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L'élévation de la température de l'eau associée à El Niño Southern Oscillation (ENSO) en 1997/98 a provoqué un blanchissement généralisé des récifs coralliens à l'échelle de la planète. Après cet événement, un peu partout dans le monde, des projets ont été lancés afin d'évaluer les impacts de la phase aiguë de blanchissement. Les données detélédétection ont été largement utilisées pour caractériser et prévoir le blanchissement des coraux. Les images satellites ont permis de développer des outils opérationnels en phase d'alerte de blanchissement. Pourtant, la détection du corail blanchi se cantonne aux épisodes aigus de blanchissement. Jusqu'à présent, il n'existe pas de données de télédétection qui contribuent à un suivi régulier des formes interannuelles de blanchissement dont l'occurrence devrait augmenter en raison des changements climatiques en cours. La principale raison est que, dans les longueurs d'onde du visible, il n'est pas possible d'identifier une signature du blanchissement des coraux sans confusion avec d'autres entités récifales. À partir de l'exemple d'un épisode de blanchissement sur l'île de La Réunion (sud-ouest de l'Océan Indien), cet article présente une nouvelle contribution de la télédétection pour caractériser le blanchissement des coraux, mais aussi et surtout les contraintes et limites méthodologiques de telles méthodologies. L'approche orientée objet et l'analyse diachronique dans un temps très court ouvrent de nouvelles perspectives. Quatre images Spot 5 orthorectifiées ont été utilisées pour tenter de caractériser l'épisode de blanchissement de l'été austral 2003-2004.

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Giacomini, Francielli Cristina. "LE CORPS DANS LAUTISME SELON JACQUES LACAN ET FERNAND DELIGNY." PLURAIS - Revista Multidisciplinar 3, no. 3 (May 5, 2019): 136. http://dx.doi.org/10.29378/plurais.2447-9373.2018.v3.n3.136-148.

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Lorsqu'on parle de l'autisme on est vite confronté à la question du langage et de l'absence de la parole. Comment peut-on s'en passer sans la voie traditionnel du symbolique ? L'abord plus raisonnable serait d'effectuer une recherche à ce propos étudiant les raisons de cette absence, de ce « déficit » qui cause de différents dysfonctionnements à niveau social, de l'apprentissage, etc. réfléchissant sur des méthodes de la prise en charge de l'autiste qui donneraient de réponses à ce vide. Toutefois, nous avons pris le contresens de direction. Notre abord théorique est justement étudier deux méthodes clinique et clinic-éducationnelle de prise en charge de l'autiste développé par Lacan et Deligny qui ne travaillent pas sur le manque ou sur le défaut du langage mais ils prennent la réponse donné par le corps lui-même comme façon d'établir un bord qui permet un certain équilibre dans le monde chaotique de l'autiste. Pourquoi le corps est-il en premier plan dans notre recherche ? Par absence de parole et non du langage, c'est le corps de l'autiste qui permet d'établir un lien avec le monde extérieur. Notre recherche a pour objectif mener une étude sur le corps dans l'autisme dans l'approche clinique en sciences de l'éducation à partir des théories de Jacques Lacan et de Fernand Deligny. Cette démarche est donc d'examiner un sujet qui a été très peu exploité et qui n'a jamais été affronté directement ni systématisé, rendant notre recherche inédite. Cette recherche, qui s'inscrit dans une démarche qualitative, est organisée selon un double enjeu : d'un côté l'enjeu théorique développant les concepts apportés par la DSM et les lois concernant la prise en charge de l'autisme dans la sphère médicale et éducationnelle ; et également l'apport psychanalytique de Jacques Lacan concernant la constitution du corps chez l'autiste et ses modes de traitements aussi bien que les méthodes innovatrices de prise en charge clinic-éducationnelle de Fernand Deligny. De l'autre côté l'enjeu empirique : en France, nous nous proposons d'accompagner le travail clinique d'orientation lacanienne fait avec les autistes dans l'Association Main à l'Oreille tandis qu'au Brésil au sein d'une institution éducationnelle nous allons réfléchir à l'application des méthodes de la cartographie et lignes d'erre proposées par Deligny. Notre objectif est de réfléchir la prise en charge de l'autisme comme un moyen de révéler un langage là où il y a vacance de la parole. Les résultats partiels qui nous avons pu repérer c'est qu'il n'y a pas de méthode unique d'apprentissage, ni de recette, ni de routine possibles appliquée à l'autisme parce que dans le monde auquel il vit, le symbolique est réel et l'imaginaire ne trouve pas forme dans la relation spéculaire. Par conséquent, les meilleures inventions qui se révèlent les plus solides pour (mieux) répondre à la souffrance de l'autiste sont celles du sujet lui-même.

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Proença, Eder Rodrigues. "Cartografias dos corpos estranhos: narrativas ficcionais das homossexualidades no cotidiano escolar / Cartography of strange bodies: fictional narrative of homosexuality in school everyday." Revista Latino-americana de Geografia e Genero 1, no. 2 (December 21, 2010): 190–206. http://dx.doi.org/10.5212/rlagg.v.1.i2.190206.

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Eboli Nogueira, Pedro Caetano. "ESTAÇÃO ADÍLIO: POR UMA POLÍTICA DA MEMÓRIA A CORPOS INVISIBILIZADOS / Estação Adílio: towards a politics of memory for invisibilized bodies." arte e ensaios 26, no. 40 (December 2, 2020): 77–91. http://dx.doi.org/10.37235/ae.n40.6.

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O ensaio analisa a ação performática Estação Adílio, realizada por Elilson em 2016. Tratou-se de uma homenagem a Adílio Cabral, vendedor ambulante atropelado por três trens na Estação Madureira, Rio de Janeiro, em julho de 2015. Para compreender os vínculos políticos do trabalho, partimos dos subsídios teóricos de Jacques Rancière, em cruzamento com o pensamento de Judith Butler. Nos baseamos em Maurice Halbwachs e Walter Benjamin para explicitar o modo como a performance mobiliza uma escuta da memória no próprio território. Compreendemos que a performance reorganiza a cartografia de visibilidades e invisibilidades que coaduna a produção coletiva da memória.Palavras-chave: Políticas da memória; Arte e política; Memória coletiva; Performance; Distribuição desigual do luto.AbstractThis essay analyzes Estação Adílio, performed by Elilson in 2016. It was a tribute to Adílio Cabral, a street vendor run over by three trains at Estação Madureira, Rio de Janeiro, in July 2015. To understand the politics underlying the artwork, we start from the theoretical subsidies of Jacques Rancière, along with the thought of Judith Butler. Based on Maurice Halbwachs and Walter Benjamin, we explain how the performance mobilizes a listening based on territory’s memory. We understand the performance reorganizes the cartography of visibilities and invisibilities that follows the collective production of memory.Keywords: Politics of memory; Art and politics; Collective memory; Performance; Differential distribution of grief.

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GUIMARÃES DE LIMA, WILLIAMS DA SILVA, and RICARDO FARIAS DO AMARAL. "Mapeamento dos Recifes de Corais de Maracajaú/RN com o uso de Fotografias Aéreas de Pequeno Formato." Pesquisas em Geociências 28, no. 2 (December 31, 2001): 417. http://dx.doi.org/10.22456/1807-9806.20316.

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The Rio Grande do Norte State has many attractive natural resources. One of them is its large coast, which still contains many native beaches. Due the tropical weather, beaches of the Rio Grande do Norte can be visited by local people and tourist nearly all seasons of the year. The Maracajaú Coral Barrier, located at the shallow platform of Maxaranguape – RN, consists of a region that has turned into a touristic attraction in the last decades. The principal reason for the increasing in the touristic exploration of the region is the favorable conditions of temperature of water, transparence and the shallow depth of the region that surround the Maracajú Coral Barrier. Despite of supporting a large part of the local finances, the disorganized exploration of the touristic activities, specially at the adjacencies of the coral barrier, has produced several damages to the environment. The first step to a prudent exploration of the touristc activities, and other ways of exploration of the coral barrier, is the identification of the protected areas by developing of an appropriate cartographic basis that can be used to aid planning for the exploration of the environment. The development of maps began with the interpretation of small format aerial photographs (scale near of 1:5000), which were used to delimitate the geometry and morphologic features of the coral reef. The acquisition of small format photographs depends of climatic parameters, such as influence of tides, winds and the limpidity of the sky. Respecting these parameters, it is possible to investigate many features. In this work was identified sand waves, submerged and emerged coral reef bodies and submerged channels. Thus, it is necessary to improve the knowledge of the coral barriers of Maracajaú in the way to support more specific researches on this ecosystem, which can establish the potentialities of the area, allowing the exploration with minimized environmental damages.

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Cardinal, Serge. "Où (en) est (l’étude de) la musique (au cinéma ?) du film ?" Articles 33, no. 1 (June 12, 2014): 35–49. http://dx.doi.org/10.7202/1025554ar.

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Où est la musique du film ? Cette question devrait permettre de cartographier le territoire de notre expérience cinématographique de la musique. Nous partirons d’une séquence tirée du filmMauvais sang,de Leos Carax (1986). Cette séquence fait de la musique l’objet même du dialogue, elle se sert de la diffusion radiophonique de deux chansons pour configurer l’espace filmique, et elle laisse leur rythme entraîner le corps des personnages. Ce faisant, cette séquence se soumet tout entier à une phénoménologie et à une logique expressive de la musique : transparences et reflets, couleurs et formes, chorégraphie de la figure humaine et rythme du montage, etc., tout cela est articulé ou animé par la mobilisation musicale. Par conséquent, la mise en scène dégage un espace pour le spectateur, le théoricien du cinéma et le musicologue ; cet espace en est un de rencontres entre tous les matériaux d’un film. C’est un espace à partir duquel faire l’expérience d’une oeuvre musicale, du musical et de la musicalité au cinéma. C’est cet espace qu’il faut aussi chercher à rejoindre si l’on veut répondre à la question : Où est la musique du film ?

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Rocha S., Luz Angela, Johnatan Bonilla, Julio Bernal, Catherine Duarte, and Alejandro Rodriguez. "Design and implementation of the web Linguistic and Ethnographic Atlas of Colombia." Proceedings of the ICA 1 (May 16, 2018): 1–4. http://dx.doi.org/10.5194/ica-proc-1-96-2018.

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The Atlas Lingüístico y Etnográfico de Colombia (Linguistic and Ethnographic Atlas of Colombia), known by “ALEC” is a compilation of popular speaking Spanish of the populations of Colombia; such research was carried out for more than fifty years. The result of this work is a collection of thematic maps organized in six volumes and its supplements in analog format. In that sense was created the project entitles “Interactive ALEC” which main objective is to develop a digital and interactive web version of the ethnographic and Linguistic Atlas of Colombia (1983) and its supplements. In this way the Corpus linguistics research group belonging to the Institute Caro y Cuervo and the research group NIDE of the Universidad Distrital “Francisco José de Caldas” have been working together in the design and development of the Atlas Web, that allows the visualization and consulting of the spatial information contained in the volume III of the analog ALEC Atlas, applying concepts of Geographical Information Systems and web cartography. Therefore, the objective of this paper is to show the process of design and development of the web prototype of the ALEC as a collection of static and dynamic maps, which show spatial information, combined with multimedia content, taking into account that in addition to all maps, the total compendium includes images, illustrations, photographs, audio and text comments. Likewise, the interactive ALEC is a good example of how to use geo-technology tools nowadays, because they are essential for the dissemination of geo linguistic information through internet, achieving more access and distribution of the Atlas web.

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Ribeiro, Karoline Veloso, and Emanuel Lindemberg Silva Albuquerque. "Mapeamento das Formas de Uso e Cobertura da Terra na Bacia Hidrográfica do Rio Mulato, Estado do Piauí / Mapping of Shapes of Use and Coverage of the Land in the Mulato River Basin, State of Piaui." Caderno de Geografia 27, no. 1 (November 23, 2017): 106. http://dx.doi.org/10.5752/p.2318-2962.2017v27nesp1p106.

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Os avanços tecnológicos ocorridos nos últimos anos têm contribuído de forma relevante para potencializar os estudos geoespaciais, dando ênfase as abordagens a respeito do uso e cobertura da terra. Nesse sentido, o trabalho em epígrafe objetivou avaliar as condições de uso e cobertura da terra na bacia hidrográfica do Rio Mulato, Estado do Piauí, na perspectiva de subsidiar as ações de planejamento territorial. A mencionada bacia hidrográfica encontra-se inserida no grupo das bacias difusas do Médio Parnaíba, englobando uma área de aproximadamente 1.050 km². Os procedimentos teóricos e metodológicos pautaram-se no levantamento bibliográfico e cartográfico do setor espacial em análise, sendo que os produtos geocartográficos foram validados em trabalhos de campo. O mapeamento e processamento dos dados matriciais e vetoriais foram realizados em software de geoprocessamento, a partir das técnicas de processamento digital de imagens, utilizando a classificação supervisionada (pixel a pixel) pelo Método da Máxima Verossimilhança. Dessa forma, foi possível mapear as seguintes classes, a saber: i) Área antrópica não-agrícola (áreas urbanizadas); ii) Área antrópica agrícola (culturas permanentes, culturas temporárias e pastagem); iii) Área de vegetação natural (área florestal e área campestre) e; iv) Corpos d’água. O produto cartográfico gerado visa contribuir, do ponto de vista espacial, com medidas pautadas para um melhor planejamento territorial da bacia hidrográfica em destaque.Palavras–chave: geotecnologias, recursos hídricos, uso da terra.Abstract The technological advances that have occurred in the last years have contributed in a relevant way to potentiate the geospatial studies, emphasizing the approaches to the use and land cover. The objective of this work was to evaluate the conditions of use and land cover in the Mulato River basin, in the state of Piaui, in order to subsidize territorial planning actions. The mentioned basin is inserted in the group of the diffuse basins of the Parnaíba Middle, encompassing an area of approximately 1050 km². The theoretical and methodological procedures were based on the bibliographical and cartographic survey of the sector under analysis, and the geocartographic products were validated in field work. The mapping and processing of matrix and vector data were performed in geoprocessing software using digital image processing techniques using the supervised classification (pixel by pixel) by the Maximum Likelihood Method. In this way, it was possible to map the following classes, namely: i) Non-agricultural anthropic area (urbanized areas); ii) Agricultural anthropic area (permanent crops, temporary crops and pasture); iii) Area of natural vegetation (forest area and countryside) and; iv) Bodies of water. The cartographic product generated aims to contribute, from the spatial point of view, with measures aimed at a better territorial planning of the hydrographic basin in focus.Keywords: geotechnologies, water resources, land use.

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Pinho, Rafaela Barros de, and Eduardo Rocha. "Feira das pulgas na contemporaneidade: cartografia nas cidades de Buenos Aires, Montevidéu e Curitiba | Flea markets in contemporary: cartography in the cities of Buenos Aires, Montevidéu and Curitiba." Oculum Ensaios 17 (June 16, 2020): 1. http://dx.doi.org/10.24220/2318-0919v17e2020a4370.

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As feiras na contemporaneidade transcorrem caminhos múltiplos e mutáveis através da reunião de cores, sabores, cheiros e sociabilidades. As feiras das pulgas, que serão abordadas neste artigo, compõem este cenário, posto que promovem a troca de culturas, memórias, histórias. Com o intuito de mapear a inserção das feiras das pulgas no espaço público, visando descobrir como elas modificam e/ ou interferem no espaço da cidade e no cotidiano das pessoas, a presente pesquisa desenvolve-se através do processo de cartografia/corpografia, A partir das viagens para as feiras de San Telmo (Buenos Aires), Tristan Narvaja (Montevidéu) e Feira do Largo da Ordem (Curitiba), foi possível estabelecer encontros potentes entre o corpo que pesquisa e outros corpos que constituem a cidade. A cartografia das feiras das pulgas, junto às teorias do urbanismo contemporâneo e da filosofia da diferença, resultou nos agenciamentos de hospitalidade + hostilidade e estrutura + ruptura. Não capturadas pelos poderes hegemônicos, as feiras das pulgas resistem, tornam a cidade mais humana, viva e sensível. Como resultado, notou-se que mapear essas intensidades a partir de uma experiência corpográfica permitiu explorar essa essência em constante movimento.

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Silva, Emanuel Araújo, Rinaldo Luiz Caraciolo Ferreira, José Antônio Aleixo da Silva, Iêdo Bezerra Sá, and Simone Mirtes Araújo Duarte. "DINÂMICA DO USO E COBERTURA DA TERRA DO MUNICÍPIO DE FLORESTA, PE." FLORESTA 43, no. 4 (December 31, 2013): 611. http://dx.doi.org/10.5380/rf.v43i4.27931.

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Objetivou-se mapear a dinâmica de mudança do uso da terra e da cobertura florestal no período de 21 anos (1987 a 2008), no município de Floresta, PE. Foram utilizadas imagens de satélite LANDSAT 5 nos períodos de 1987, 1997 e 2008. Utilizou-se o aplicativo SPRING para elaboração da base de dados cartográficos e do processamento digital das imagens. As imagens foram segmentadas e classificadas pelo algoritmo de Bhattacharya, com a finalidade de produzir mapas temáticos nos seguintes usos da terra: vegetação densa, vegetação semidensa, solo exposto, agropecuária (cultivos/pecuária), corpos d´água e mata ciliar. Para um período de 21 anos, a cobertura florestal recuou 14,83%. O solo exposto teve um ganho de 8,61%, a classe agropecuária acumulou um ganho de 5,75%, os corpos d’água, ao longo do tempo, demonstraram um aumento de 4,03% e a mata ciliar teve tendência à queda ao longo dos períodos analisados, com uma perda total de 3,57%. Esses dados refletem as transformações por que o município de Floresta vem passando quanto ao uso da terra. A diminuição da cobertura florestal do município entre 1987 e 2008 foi a principal consequência da interação clima e pressão antrópica por recursos florestais, necessidade de expansão urbana e atividades agropecuárias.Palavras chave: Sensoriamento remoto; gestão florestal; semiárido; caatinga. AbstractUse dinamics and land cover in Floresta-PE. The objective was to map the dynamic changes of land use and forest cover in the last 21 years (1987 to 2008), the City of Forest-PE. We used satellite images LANDSAT 5 periods in 1987, 1997 and 2008. We used the SPRING software for compiling the database and cartographic processing of digital images. The images were segmented and classified by the algorithm Bhattacharya, in order to produce thematic maps in the following land uses: dense vegetation, semi-dense vegetation, bare soil, agriculture (crops / livestock), water bodies and riparian vegetation. For a period of 21 years the forest cover decreased by 14.83%. The soil was exposed to a gain of 8.61%, the class agricultural accumulated gain of 5.75%, water bodies, over time, showed an increase of 4.03% and riparian tended to fall over the periods analyzed with a total loss of 3.57%. These data reflect the changes that the city has been experiencing as of forest land use. The decrease in forest cover between 1987 and 2008 the city was the main consequence of the interaction of climate and anthropogenic pressure forest resources, need for urban expansion and agricultural activities.Keywords: Remote sensing; forest management; semiarid; caatinga.

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Prichonnet, Gilbert, André Doiron, and Marc Cloutier. "Le mode de retrait glaciaire tardiwisconsinien sur la bordure appalachienne au sud du Québec." Géographie physique et Quaternaire 36, no. 1-2 (November 29, 2007): 125–37. http://dx.doi.org/10.7202/032473ar.

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RÉSUMÉ Le retrait glaciaire sur la bordure occidentale des Appalaches du Québec fut influencé par la topographie. Le relief est marqué par des crêtes et des dépressions orientées NNE-SSO, d'origine structurale (écailles, klippen) et quelques monadnocks de roches intrusives : il s'élève par paliers vers l'E, de 80 à 960 m (monts Sutton). On ne peut pas déceler de front de stabilisation important. De plus, les dépôts de contact glaciaire cartographies ne paraissent pas avoir de signification climatique précise. Les corps sédimentaires fluvioglaciaires associés au retrait glaciaire sont dispersés sur les pentes, au coeur des vallées majeures et dans des talwegs mineurs. Les dépôts sont organisés selon deux types nets: l'un arqué, concentrique, fait de segments morainiques NE-SO, subparallèles et irrégulièrement espacés (100 à 500 m); l'autre, SE-NO, donc radial et perpendiculaire au précédent. L'analyse des structures sédimentaires démontre le caractère unidirectionnel des courants à l'origine de chaque dépôt fluvio-glaciaire (vers le SE et le S). Chaque accumulation, ou série d'accumulations, constitue un phénomène qui doit être analysé et interprété « individuellement ». Plusieurs segments des dépôts antérieurement attribués au « Complexe morainique du front des Hautes Terres » ne font pas exception à ce modèle de retrait des glaces. Les fronts glaciaires s'adaptent aux reliefs, au cours d'un recul quelque peu erratique. Il paraît difficile de relier ces fronts glaciaires mineurs. Leur direction est oblique au « Complexe morainique du front des Hautes Terres » : celui-ci n'existe pas en tant que tel dans la région étudiée.

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Rodrigues, Bruno Magro, Lucas Prado Osco, Patricia Alexandra Antunes, and Ana Paula Marques Ramos. "Avaliação da influência do uso e cobertura da terra na qualidade das águas superficiais da bacia hidrográfica do rio Pirapozinho (SP) (Evaluation of the effects of land use and occupation on superficial water quality of the hydrographic basin of the Pirapozinho river (SP))." Revista Brasileira de Geografia Física 12, no. 3 (June 2, 2019): 738. http://dx.doi.org/10.26848/rbgf.v12.3.p738-753.

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A ocupação extensiva e, por vezes, indevida do solo pode resultar em uma série de problemas ambientais que aceleram a degradação de uma bacia hidrográfica, com consequências diretas na qualidade dos seus recursos hídricos. Esse trabalho avalia o impacto do uso e cobertura da terra em parâmetros quantitativos e de qualidade das águas superficiais da bacia hidrográfica do rio Pirapozinho. A produção cartográfica consistiu de mapa de uso e cobertura da terra, declividade, rede de drenagem, mapa de área de preservação permanente e mapa de Índice de Qualidade da Água (IQA). Tanto a coleta quanto as análises das águas superficiais da bacia foram desenvolvidas seguindo os procedimentos do Standard Methods. Os resultados das análises foram comparados com os valores de referência CONAMA, n° 357/05, alterada pela Resolução 410/2009 e pela 430/2011, sendo os padrões estabelecidos para rios de classe 2, mesma classe que se enquadra os corpos hídricos inseridos na bacia em estudo. Conclui-se que há um desequilíbrio ambiental na bacia do rio Pirapozinho. O mapa de uso e cobertura aponta que aproximadamente 90% da área da bacia encontra-se ocupada por pastagem e culturas. Outro aspecto é que mais de 84% da área de preservação permanente encontra-se desprovida de vegetação arbórea. Embora o mapa do IQA revele que a água da bacia possa ser classificada como boa (IQA entre 52 e 79) predominantemente, as análises laboratoriais apontam que há pontos na área com contaminação. Isto pode ser atribuído a atividades industriais e agropastoris desenvolvidas na bacia em estudo. Recomenda-se ações de manejo sustentável na bacia do rio Pirapozinho para a recuperação dos seus recursos naturais. A B S T R A C TExtensive and unduly occupation of soil may result in several environmental problems those contribute to accelerate the degradation of a hydrographic basin bringing diretly consequences to quality of its water resources. This paper evaluates the impact of land use and occupation on quantitative parameters and of superficial waters quality of the hydrographic basin of the Pirapozinho river. The cartographic products designed consisted of land use and occupation map, declivitity map, drainage network map, permanent preservation area map and map of Water Quality Index (WQI) of hydrographic basin. Both collection and analysis of the superficial waters samples were developed following the Standard Method procedure. The results of the laboratorial analyses were compared with the reference values at CONAMA 357/05 and 430/11 resolutions. We conclude that there is an environmental disequilibrium at the hydrographic basin of the Pirapozinho river. The land use and occupation map shows that approximately 90% of the area of the basin is occupied by pasture and crop fields. Other finding is that there is no arboreal vegetation in 84% of the permanent preservation area of the hydrographic basin. Although the WQI map revels that water of the basin can be classified as good (WQI among 52 and 79) predominately, the laboratorial analyses point out taht there is some points in area with contamination of water. This may be related to the industrial and agricultural activities performed in the area. We recommend sustainable management actions in the Pirapozinho river basin to recovery of its natural resources.Keywords: Cartographic production; water quality; environmental analysis; hydrographic basin.

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Froger, Jean-Louis, Thierry Souriot, Nicolas Villeneuve, Thierry Rabaute, Philippe Durand, Valérie Cayol, Andréa Di Muro, Thomas Staudacher, and Bénédicte Fruneau. "Apport des données TERRASAR-X pour le suivi de l'activité du Piton de la Fournaire." Revue Française de Photogrammétrie et de Télédétection, no. 197 (April 22, 2014): 86–101. http://dx.doi.org/10.52638/rfpt.2012.85.

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Nous présentons les résultats préliminaires d'un suivi interférométrique de l'activité du Piton de la Fournaise entre septembre 2009 et janvier 2010 réalisé à partir de données TerraSAR-X. Dans un premier temps, nous avons mené une analyse détaillée des performances de la bande X, en terme de cohérence interférométrique à partir d'un jeu de 57interférogrammes TerraSAR-X. Ces performances ont été comparées à celles de la bande C (sur la base d'un jeu de 340 interférogrammes Envisat ASAR). Nous montrons que sur des surfaces sans végétation la cohérence en bande X est significativement meilleure que celle de la bande C. Sur les zones recouvertes de végétation, en revanche, lacohérence en bande X se dégrade rapidement comme attendu. Nous montrons aussi que cette cohérence peut être utilisée pour cartographier, avec une bonne précision, les coulées de lave mises en place pendant la période couverte par l'interférogramme. Les interférogrammes TerraSAR-X apportent également une vision inédite des déplacements associés à l'intrusion du 18-19 octobre 2009 et aux éruptions du 5-6 novembre 2009, du 14 décembre 2009 et du 2-12 janvier 2010. Une analyse qualitative des différents motifs de franges visibles sur les interférogrammes montre que chacune des phases d'activité est, au premier ordre, associée à un gonflement du Cône Central. Ces gonflements sont induits par des intrusions localisées sous le versant extérieur sud du cratère Dolomieu. Des subsidences de la bordure sud du Dolomieu accompagnent ces gonflements. Elles peuvent apparaître à la verticale des corps intrusifs, mais pourraient également traduire une tendance à l'affaissement de la paroi sud du Dolomieu et demandent donc une surveillance approfondie.

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Arce-Nazario, Javier A. "Geovisualizing space and time in a science-art exhibit." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-14-2019.

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Abstract. The question of how to communicate with lay audiences about dynamic spatial processes is important in many disciplines. A diversity of paradigms for representing space and time have been developed in cartography, GIS science, and geovisualization, but these paradigms are unlikely to converge to a standard representation of spatiotemporal data (Goodchild 2013). Thus, finding the best visualization techniques to support the general public’s understanding of spatiotemporal analysis requires some exploration. In the following, I discuss how this exploration produced the novel approaches to representing time and landscape dynamics in geo/visual/isla, which was a science-art exhibit about social and ecological changes in the landscape of Puerto Rico over the past century.geo/visual/isla (Museo Casa Blanca, San Juan, 2017) was developed from static, large-format prints of aerial imagery of the Caribbean island nation of Puerto Rico, which were created by a collective of undergraduate students and a geographer at the University of Puerto Rico at Cayey. The data associated with times in the 1930s were derived from aerial photographs provided by the Puerto Rican Department of Transportation, and more recent data were derived from the United States Geological Survey and United States Army Corps of Engineers. The exhibit ultimately presented an 80-year history of changes in the natural and constructed landscape, during a period in which shifting global and local economies, migration, climate events and colonial policies were drivers of dramatic landscape transitions. The purpose of the exhibit was to capture the beauty and the dynamics of the landscape’s history, while helping visitors to envision and discuss past landscape change and future land use in Puerto Rico.The problem of geovisualizing time and change is an old one that has been extensively reviewed – for example, by Yuan (2016) – but when the audience is a general public, there are additional challenges. Most notably, the limited period of interaction that a lay person will have with the geospatial data in question means that the scheme for representing space and time together must be either simple or familiar to be successful. Many creators of geographic exhibits for lay audiences do utilize well-established geovisualization paradigms such as the space-time cube (Bogucka and Jahnke 2017), the time-animated series of maps (Harner, Knapp, and Davis-Witherow 2017), and the annotated timeline (Caine 2017). However, these techniques must be adapted for the intended audience: the authors in each case highlight the specific techniques they use to help viewers by reducing the information burden and interpretation ambiguity of the representations they choose. Like these other public geographic exhibits, geo/visual/isla extensively used an early cartographic representation of time, which was chosen for its simplicity and familiarity. Several of the works in the exhibit were “time-slice snapshots,” as described by Langran and Chrisman (1998). We took advantage of the rich vocabulary of the human experience of time to help viewers more easily navigate the temporal dimension of the data being displayed. For example, we encouraged viewers to associate neighboring time-slices by using the visual metaphor of the triptych, and used color schemes emphasizing the time coordinate (Figure 1). Spatial orientation between images was reinforced by choosing images with prominent, essentially consistent landscape features such as a coastline. The triptych format also reduced the temporal resolution to a manageable level, reducing the information burden noted above. Perhaps the most important distinction between science-art exhibits and GIS representations or standalone geovisualizations is possibility to use the exhibit site as an additional dimension of experience. Harner, Knapp, and Davis-Witherow (2017) used this space for physical objects, and describe how their exhibit’s interactive maps replace interpretation of these objects by curators. In geo/visual/isla, we chose the inverse relationship: the space itself provided orientation that helped viewers interpret the maps. This was achieved by two techniques: first, the viewers’ path through the exhibit allowed them to learn the “vocabulary” of the space-time representation as they progressed. Timeslice snapshots gave way to more complex presentations where data with different space and time coordinates appeared in the same frame (Figure 2). By the end of the exhibit, viewers were easily able to read the spatial landscape enough to understand the story of change in these blended presentations. Second, the environment in different parts of the exhibit hall reinforced an understanding of timescales. Images in the exhibit depicting topological landscape features in the 1950s and 1960s were portrayed in red-blue anaglyph images and viewed with paper anaglyph glasses. In this corner of the exhibit, which was populated by other visitors in “retro” glasses and complemented by artworks referencing visual tropes of other dimensions and flashbacks, our intention was to make the actual ambiance provoke discussions of this particular period of Puerto Rico’s past (Figure 3).The techniques explored in geo/visual/isla made the dimensions of space and time equally easy to navigate for users, and our observation of visitors and their responses on surveys demonstrated that we successfully produced a conducive environment for substantive discussions of landscape change. The demonstrated effectiveness of the format is consistent with our visitor survey results from prior exhibitions (Arce-Nazario 2016). Our choices were specifically designed for a physical, artistic exhibit and a non-expert audience, but the training and cueing used to make geo/visual/isla work so well could also be adapted to other geovisualization presentations and tools.

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Dai Prà, Elena, and Nicola Gabellieri. "Imago proelii. La cartografia storica della Prima Guerra Mondiale dal Museo Storico della Terza Armata: spigolature per una analisi tipologica e semiologica." Bollettino della Società Geografica Italiana, April 5, 2021, 59–79. http://dx.doi.org/10.36253/bsgi.v3i1.445.

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International historiography has extensively assessed the innovations in war practice experienced during the First World War. However, the consequences of trench warfare in military cartographic production have not been fully investigated yet. Following this line, the essay presents the cartographic corpus of the historical archive of the Terza Armata (Third Army); the Terza Armata had a fundamental role in the conflict, settling on the Piave river after Caporetto and leading the final advance towards Istria. The analysis of the collection, which is still unpublished, can open a new front of research aimed at developing categories of semiological analysis and typological classification of military maps as sources produced in fieri, i.e. manuscript IGM maps that were constantly updated during war operations. First, the cartographic corpus is presented; second, a first typological classification and a semiological decoding of maps are proposed, based on the interpretation of the symbols used, of the legend and of the methods of representation. In particular, the contribution focuses on tactical maps, i.e. cartographies that were continuously updated in proelio to document the evolution of war events on the front line.

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Kryszeń, Adam. "The Hittite Notion of Border. A practical view." BAF-Online: Proceedings of the Berner Altorientalisches Forum 4, no. 1 (March 3, 2021). http://dx.doi.org/10.22012/baf.2019.17.

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The Hittite cuneiform texts (16th-12th cent. BCE) contain a number of detailed descriptions of borders of various countries and territories. Such fragments, mainly found in the international treaties as well as the annals of the kings, clearly reflect the particular formal interest on the part of the Hittite rulers in specific delimitation of political territories. Although the Hittite listings of the topographical points, which make up a frontier can extend over many lines of texts, one never finds any use of cardinal directions which would indicate the position of these points. Instead, the Hittite scribes applied a peculiar internal reference system that combines the position of the speaker and another point of reference in order to locate a specific part of the border. The talk will briefly review the corpus of the Hittite border descriptions and discuss how such fragments were conceptualized. It will also tackle the question, whether they reflect a ‘bird’s eye’, cartographic view of the land, or rather a ground-level, hodological perspective.

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Lauvin, Rémi. "Cartographie/Thermographie. Regards et corps instruits dans Hollow Man (Paul Verhoeven, 2000)." Intermédialités, no. 30-31 (July 10, 2018). http://dx.doi.org/10.7202/1049953ar.

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Cet article porte sur les images thermographiques dans le film hollywoodien Hollow Man (Paul Verhoeven, 2000). La thermographie y est employée comme outil de surveillance faillible, permettant au corps scruté de se camoufler et brisant le pouvoir de contrôle de l'observateur. Nous mettons également en évidence la part impure de l'image thermique, presque étrangère au modèle rétinien de la caméra. En cela, la thermographie annonce le devenir abstrait du cinéma numérique.

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Tchounikine, Anne, Maryvonne Miquel, Thierry Pécout, and Jean-Luc Bonnaud. "Prosopographical data analysis. Application to the Angevin officers (XIII–XV centuries)." Journal of Data Mining & Digital Humanities Special Issue on Data Science... (August 14, 2018). http://dx.doi.org/10.46298/jdmdh.4457.

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The EUROPANGE project, involving both medievalists and computer scientists, aims to study the emergence of a corps of administrators in the Angevin controlled territories in the XIII–XV centuries. Our project attempts to analyze the officers' careers, shared relation networks and strategies based on the study of individual biographies. In this paper, we describe methods and tools designed to analyze these prosopographical data. These include OLAP analyzes and network analyzes associated with cartographic and chronological visualization tools.

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Côté, Nicole. "Mobilité des féminins dans quelques récits dystopiques franco-québécois et anglo-canadiens: indice d’agentivité ?" Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 3, no. 1-2 (December 18, 2013). http://dx.doi.org/10.33776/candb.v3i1-2.3049.

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Je comparerai ici les espaces tels qu’ils sont représentés dans divers récits dystopiques (ou comportant des noyaux dystopiques) franco-québécois et anglo-canadiens en me concentrant sur la mobilité des personnages féminins comme indice d’agentivité. Dans le corpus comparatif que j’étudie se dessinent certaines tendances : réticents à imaginer un avenir même immédiat, divers personnages féminins recourent le plus souvent aux déplacements dans l’espace pour ouvrir l’horizon du présent (Tarmac (Nicolas Dickner), Les larmes de Saint Laurent (Dominique Fortier), Il pleuvait des oiseaux (Jocelyne Saucier), Le sablier des solitudes (Jean-Simon Desrochers). Le parcours remarquable de l’espace par des personnages féminins, que l’auteur du récit soit masculin ou féminin, semble représenter un changement récent de paradigme. Mais peut-on pour autant dire de ces parcours qu’ils permettent une certaine agentivité? Les œuvres anglo-canadiennes étudiées (Oryx and Crake, Year of the Flood (Margaret Atwood), Brown Girl in the Ring (Nalo Hopkinson), Ossuaries (Dionne Brand) présentent des parcours féminins très contrastés dans chacun des cas : le passage de la quasi-immobilité à la mobilité est forcé par un événement perturbateur. Souvent, ce sont de petites collectivités mixtes, représentant les plus grandes, qui sont mises en scène. On peut penser qu’en raison des diverses crises que traverse l’extrême contemporain, de nouveaux paradigmes émergent, dont celui d’un parcours effréné de l’espace du côté féminin afin d’esquisser des repères qu’un avenir bloqué empêche de se créer du côté de la temporalité. Néanmoins, on peut conclure qu’il s’agit pour ces deux littératures d’une tentative de cartographier ces temps troubles afin d’offrir des repères à la collectivité. Cependant cette cartographie est particulièrement genrée ou sexuée, car si les personnages de femmes ont acquis une grande mobilité dans l’espace, la garantie de leur agentivité dans cet espace semble résider dans un dévouement auprès de collectivités, qui restreint leur liberté individuelle.

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Lúcio Dias Soares, João. "Cartografia da Rasura/Cartographies of Erasure." Geografares, December 22, 2016, 21–24. http://dx.doi.org/10.7147/geo23.14825.

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RESUMOA ruptura entre o pensamento da Natureza como physis e o pensamento humano conduz a sofrimentos e equívocos para o homem no campo das subjetividades. Uma relação afirmativa com o devir, em acordo com a proposta de Nietzsche de sabedoria dionisíaca, reconduziria o homem ao caminho da vida trágica – aquela que produz vigor ao afirmar a dor e a diferença – anulando a falsa oposição homem/natureza. Inspirados em Nietzsche, Deleuze e Guattari realizam o combate contra os fascismos do socius, do Estado, do capitalismo – ou seja, dos vários territórios de saberes e poderes estabelecidos – que capturam os corpos e anulam suas potências. Um instrumento para essas lutas é a produção de rasuras contrafascistas sobre as codificações do poder. A questão de como produzir para si corpos sem órgãos, como forma de escapar à organicidade do socius, se faz possível pelo potencial que a sensação tem de rasurar e rediagramar as cartografias das subjetividades.Palavras-chave: rasura, cartografia, socius RESUMENLa ruptura entre el pensamiento de la naturaleza como physis y el pensamiento humano conduce a sufrimientos y equívocos para el hombre en el campo de las subjetividades. Una relación afirmativa con el devenir, en acuerdo con la propuesta de Nietzsche de sabiduría dionisíaca, reconduciría al hombre al camino de la vida trágica - aquella que produce vigor al afirmar el dolor y la diferencia - anulando la falsa oposición hombre/naturaleza. Inspirado en Nietzsche, Deleuze y Guattari proponen combates contra el fascismo de socius, del Estado, del capitalismo - es decir, de los varios territorios de saberes y poderes establecidos - que capturan los cuerpos y anulan sus potencias. Un instrumento para estas luchas es la producción de borraduras contra-fascistas sobre las codificaciones de poder. La cuestión de cómo producir por sí mismos cuerpos sin órganos como una forma de escapar a la organicidad del socius, se hace posible gracias al potencial que la sensación de borrar y redimensionar las cartografías de las subjetividadesPalabras clave:borradura, cartografía, socius ABSTRACTThe rupture between the thought of nature as physis and human thought leads to suffering and confusion for man in the fields of subjectivity. An affirmative relationship with becoming, in accordance with the proposal of Nietzsche's concept of dionysian wisdom, might lead man once again to the path of tragic life - one that produces strength by asserting pain and difference – thus surpassing the false opposition man/nature. Inspired by Nietzsche, Deleuze and Guattari propose fighting against the fascism of the socius, the State, of capitalism and all the dominant discourses of established knowledge and established power that capture body and its will. An instrument for such struggle is the production of counterfascist erasures on the encodings of power. The question of how to produce bodies without organs as a way to escape the organic structure of the socius is made possible by the power of sensation to erase and rediagram the cartographies of subjectivity.erasure, cartography, sociusKeywords: erasure, cartography, socius

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Journal articles on the topic 'Cartographic corpus'

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