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Journal articles on the topic 'Cartoon affair'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Göktürk, Deniz. "Jokes and Butts: Can We Imagine Humor in a Global Public Sphere?" PMLA/Publications of the Modern Language Association of America 123, no. 5 (2008): 1707–11. http://dx.doi.org/10.1632/pmla.2008.123.5.1707.

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In his essay titled “Drawing Blood” for Harper's magazine in June 2006, written as a response to the Muhammad cartoon affair, Art Spiegelman argued convincingly that a cartoon is, first and foremost, a cartoon. It sounds straightforward, but is it really? Following Spiegelman, we can define caricatures as charged or loaded images that compress ideas into memorable icons, namely clichés. A cartoon must have a point, and a good cartoon can change our perspective on the ruling order. Spiegelman opens his discussion with classical caricatures such as Honoré Daumier's 1831 depiction of King Louis-P

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Eko, Lyombe, and Lea Hellmueller. "One meta-media event, two forms of censorship: The Charlie Hebdo affair in the United Kingdom and Turkey." Global Media and Communication 16, no. 1 (2020): 75–101. http://dx.doi.org/10.1177/1742766519899118.

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This study analyses British and Turkish media conceptualizations of the Charlie Hebdo affair. Editorial decisions to republish or not to republish the Mohammed cartoon cover reflected the politico-cultural pressures on the journalistic fields in both countries. The controversy demonstrated that the editorial autonomy of the British media outlets enabled them to engage in ‘eclectic neutrality’, the right to decide to republish or not to republish the cartoons. Despite the severely constrained journalistic environment of Turkey, where expectations of respect for religion take precedence over fre

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Powers, Shawn. "Examining the Danish cartoon affair: mediatized cross-cultural tensions?" Media, War & Conflict 1, no. 3 (2008): 339–59. http://dx.doi.org/10.1177/1750635208097050.

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Modood, Tariq, Randall Hansen, Erik Bleich, Brendan O'Leary, and Joseph H. Carens. "The Danish Cartoon Affair: Free Speech, Racism, Islamism, and Integration." International Migration 44, no. 5 (2006): 3–62. http://dx.doi.org/10.1111/j.1468-2435.2006.00386.x.

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Lægaard, Sune. "The Cartoon Controversy: Offence, Identity, Oppression?" Political Studies 55, no. 3 (2007): 481–98. http://dx.doi.org/10.1111/j.1467-9248.2007.00685.x.

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If the publication of twelve drawings of the Prophet Mohammad in the Danish newspaper Jyllands-Posten, which sparked the ‘cartoon controversy’, was wrong, why might this be the case? The article considers four arguments advanced in relation to the quite similar Rushdie affair for judging such publications to be wrong, and asks whether they provide plausible moral reasons against such publications, and whether they justify legal restrictions on freedom of speech. The arguments concern: (a) the consistent extension of group defamation legislation to cover Muslims; (b) offence to religious sensib

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Yılmaz, Ferruh. "The Politics of the Danish Cartoon Affair: Hegemonic Intervention by the Extreme Right." Communication Studies 62, no. 1 (2011): 5–22. http://dx.doi.org/10.1080/10510974.2011.533340.

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Pedrazzini, Ana, and Nora Scheuer. "Distinguishing cartoon subgenres based on a multicultural contemporary corpus." European Journal of Humour Research 6, no. 1 (2018): 100. http://dx.doi.org/10.7592/ejhr2018.6.1.pedrazzini.

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A literature review reveals the lack of empirical and theoretical work dedicated to systematically grasping the diversity of cartoons. Most studies have focused on political and/or editorial cartoons and have neglected other subgenres, which however are gaining space in many forms of media—such as gag cartoons. Taking genre discursive studies as a starting point, this paper is aimed at distinguishing cartoon subgenres considering their modal, thematic, pragmatic and rhetorical features. The corpus is composed of 85 cartoons (51 multimodal and 34 solely visual) from 22 countries. This corpus wa

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Williams, Ryan. "Is Violence Critique?" Religions 13, no. 11 (2022): 1111. http://dx.doi.org/10.3390/rel13111111.

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The offence and violence surrounding episodes like the Salman Rushdie Affair and the Danish cartoon controversies have furnished Western critique of Islam. While important work has challenged this criticism of Islam by interrogating the secular foundations of critique, the relationship between violence and critique remains troubling. Through reflecting on an excerpt from an attempted murder trial following an attack in purported retaliation for offending Islam in an English prison, this article considers an expanded notion of violence that recognizes the structural conditions behind violence a

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Witwer, David. "Unionized Teamsters and the Struggle over the Streets of the Early-Twentieth-Century City." Social Science History 24, no. 1 (2000): 183–222. http://dx.doi.org/10.1017/s0145553200010117.

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Two political cartoons from the 1905Chicago Tribuneportrayed how some elements in society viewed the rise of a powerful Teamsters Union.On 29 April 1905, the front page cartoon depicted a husky teamster engaged in a sympathetic strike while the caption read, “The Dictator in His Old Act of Blocking Commerce” (Figure 1). A month later, on 3 June 1905, a cartoon played on the coincidence of the June 1905 uprising in Russia and a grand jury investigation of Teamster strike leaders in Chicago. The title caption read, “The Grand Dukes of Russia and the Grand Dukes of Chicago” (Figure 2). Both carto

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GOLDIE, MARK. "VOLUNTARY ANGLICANS Restoration, reformation, and reform, 1660–1828: archbishops of Canterbury and their diocese. By Jeremy Gregory. Oxford: Oxford University Press, 2000. Pp. 355. ISBN 0-19-820830-8. £45.00. The church in an age of danger: parsons and parishioners, 1660–1740. By Donald A. Spaeth. Cambridge: Cambridge University Press, 2000. Pp. 279. ISBN 0-521-35313-0. £40.00. The Quakers in English society, 1655–1725. By Adrian Davies. Oxford: Oxford University Press, 2000. Pp. 262. ISBN 0-19-8280820-0. £40.00. Hawksmoor's London churches: architecture and theology. By Pierre de la Ruffinière du Prey. Chicago: University of Chicago Press, 2000. Pp. 179. ISBN 0-226-17301-1. £26.50 (hb); 2003. ISBN 0-226-17303-8. £17.50 (pb). The national church in local perspective: the Church of England and the regions, 1660–1800. Edited by Jeremy Gregory and Jeffrey S. Chamberlain. Woodbridge, Suffolk: Boydell Press, 2003. Pp. 315. ISBN 0-85115-897-8. £50.00." Historical Journal 46, no. 4 (2003): 977–90. http://dx.doi.org/10.1017/s0018246x03003388.

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The historiography of the eighteenth-century Church of England remains peculiarly preoccupied with vindicating that institution from the condemnation heaped upon it by Anglo-Catholics and Evangelicals in the nineteenth century. The chapters of Jeremy Gregory's Restoration, reformation, and reform characteristically begin with quotations from Victorians on the somnolence and negligence of the Hanoverian Establishment. The starting point is, as it were, a Hogarth cartoon of a corpulent curate and a snoozing congregation. In part this preoccupation is indicative of how little has been done on the

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Bamigboye, Omolade, and Samuel Adebayo Omotunde. "Stylistic Foregrounding in The Socio-Political Commentary of Selected Guardian Cartoons." Journal of Language and Literature 19, no. 2 (2019): 98. http://dx.doi.org/10.24071/joll.v19i2.2134.

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<p><em>The paper investigates the role of textual foregrounding in the understanding of cartoons in The Guardian, a Nigerian daily newspaper. To achieve this aim, Bally’s stylistics of humor is used as theoretical basis. Bally’s theory claims that there is a connection between language and the thoughts and feelings of its user. It also espouses the idea that as human beings, we respond emotionally in one way or the other to how a language is crafted in a particular context and by a particular user. This is especially the case for structures that are deemed humorous. Using a purposi

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Denisova, Galina L. "Links to bread and porridge in political cartoons of the Great Patriotic War." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 53 (2024): 135–48. http://dx.doi.org/10.17223/22220836/53/11.

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The article studies links to images of bread and porridge in Kukryniksy’s political cartoons of the Great Patriotic War as one of constituents of the political discourse, and evaluates their role in expression of the main idea of a political cartoon as a creolized text. The paper is based on the idea of the addressness of the Great Patriotic War cartoons to the Russian language personality and takes into account the role of the addressee’s background knowledge in the process of decoding a message in the form of a political cartoon. The article underlines that bread and porridge have a particul

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Izquierdo, José María. "La Guerra civil española como tema en la novela gráfica actual." Bergen Language and Linguistics Studies 10, no. 1 (2019): 11. http://dx.doi.org/10.15845/bells.v10i1.1443.

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The Spanish civil war and its postwar period remain two of the most important historical references of present-day Spain. Along with themes of strictly political nature addressing that period of time and with the negative aspects of the transition to democracy, themes of memory and postmemory (Hirsch 1992 / Liikanen 2015) appear. Both are closely related to – although not only to – the silencing of the victims of the mentioned historical periods. By this, I am referring to the ones defeated and to the next of kin of the disappeared.  Despite the famous affair of the so-called “gent

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Eko, Lyombe, and Dan Berkowitz. "Le Monde, French Secular Republicanism and `The Mohammed Cartoons Affair'." International Communication Gazette 71, no. 3 (2009): 181–202. http://dx.doi.org/10.1177/1748048508100912.

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Soria-Yenez, Meritxell, Lucía Sapiña, and Martí Domínguez. "Cartoons of mental illness after COVID-19. A decalogue of good practices for a non-stigmatising visual representation." Estudios sobre el Mensaje Periodístico 30, no. 1 (2024): 233–45. http://dx.doi.org/10.5209/esmp.91907.

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The mental health of the population has deteriorated as a result of the COVID-19 pandemic. It has been shown that people with mental illnesses face discrimination and stigma. In this context, communication is an essential tool to make these illnesses more visible and, in particular, cartoons can play an important role. In this paper we analyze 317 cartoons dealing with mental health. We compared the cartoons published before and during the pandemic to see if there were any changes, if stigma was reduced and if journalistic good practice guidelines were applied to the cartoons. The data suggest

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Sturges, Paul. "Limits to Freedom of Expression? considerations arising from the Danish cartoons affair." IFLA Journal 32, no. 3 (2006): 181–88. http://dx.doi.org/10.1177/0340035206070164.

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Welch Behringer, Paul J. "Images of Empire: Depictions of America in Late Imperial Russian Editorial Cartoons." Russian History 45, no. 4 (2018): 279–318. http://dx.doi.org/10.1163/18763316-04504001.

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Although historians have paid much attention to American perceptions of Russia, few have looked at Russian views of the United States, particularly in the imperial period. This paper surveys editorial cartoons in Novoe Vremia, one of the few Russian newspapers to publish illustrations as commentary on international affairs. Novoe Vremia published cartoons depicting the United States in the years between 1898 and 1912 in the late imperial period, that is, beginning with the War of 1898 and ending with the abrogation of the u.s.-Russia commercial treaty. This paper finds evidence for the argumen

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BENOIT, William, Andrew KLYUKOVSKI, John McHALE, and David AIRNE. "A fantasy theme analysis of political cartoons on the Clinton-Lewinsky-Starr affair." Critical Studies in Media Communication 18, no. 4 (2001): 377–94. http://dx.doi.org/10.1080/07393180128097.

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SAUNDERS, ROBERT A. "The ummah as nation: a reappraisal in the wake of the ‘Cartoons Affair’." Nations and Nationalism 14, no. 2 (2008): 303–21. http://dx.doi.org/10.1111/j.1469-8129.2008.00322.x.

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Narayana, D. B. Anantha. "NEED FOR REGULATORY AFFAIRS PERSONNEL DEVELOPMENT." INDIAN DRUGS 57, no. 09 (2020): 5–6. http://dx.doi.org/10.53879/id.57.09.p0005.

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Dear Reader, Scientists seldom try to read regulations, let alone understand or interpret them. Most pharmacy students would have studied a subject called Forensic Pharmacy and read the almost bible like book by late Prof. B M Mittal with the same title. Late Mr. KattiShettar, the then Drugs Controller of Karnataka taught me this subject. He used to bring printed cartons, labels, literature while teaching Drugs and Cosmetics Act and Rules in 1970-71. He used to tell me “what kind of research scientist would you become if you don’t know regulations?”

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Lund, Anker Brink. "Domesticating the Simpsons - Four Types of Citizenship in Monitorial Democracy." MedieKultur: Journal of media and communication research 22, no. 40 (2006): 11. http://dx.doi.org/10.7146/mediekultur.v22i40.1290.

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Inspired by Michael Schudson, four types of historically informed citizenship (cast in the cartoon characters of The Simpsons) are presented, developing gradually in an ongoing struggle between liberal and communitarian politics. The four types are succesive in time, but not mutually exclusive. Based on data from the MODINET project, we claim that the Danish Simpsons are somewhat more trusting and associational than their American counterparts. The Marges, Homers, Lisas, and Barts of Denmark live together in a relatively peaceful Institution of Citizens' Affairs (ICA), supplemen- ting one anot

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Hoffman, Zachary. "Stepan Sokolovskii, Novoe vremia, and the Cartoons of Empire." Experiment 28, no. 1 (2022): 71–89. http://dx.doi.org/10.30965/2211730x-12340025.

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Abstract Stepan Fedorovich Sokolovskii (pen name Coré) served as the primary caricaturist for the prominent St. Petersburg newspaper Novoe vremia (New Times, 1868–1917) in the late 1890s and early 1900s. While his vibrant style and prolific output have led his cartoons to appear frequently in scholarship, few studies examine his work specifically. Interestingly, his illustrations for Novoe vremia focus almost exclusively on international politics, and thus, prominently engage in national and ethnic stereotypes. These caricatures not only offered eye-catching and amusing visual depictions of fo

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Guleva, Mariia. "Through the Looking Glass of Intimate Friendship and Common Enemies: Images of Sino–Soviet Relations in Chinese and Soviet Political Cartoons of the 1950s." AUC PHILOLOGICA 2021, no. 3 (2022): 79–106. http://dx.doi.org/10.14712/24646830.2022.5.

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This article examines Sino–Soviet relations in the 1950s through the medium of political cartoons in Manhua and Krokodil, satire magazines published in the People’s Republic of China and the Soviet Union. Images of friendship and enmity produced an intricate narrative about world affairs and the paths of socialism and capitalism. By comparing the stories and visual representations in Krokodil and Manhua, this study underscores the similarities and contradictions existing between the Soviet Union and China in the years before their split. This approach provides an example of two ideological mac

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N.Surega. "Paradigm Shift Towards Pull Strategy in Education System – A Study." Shanlax International Journal of Management 6, no. 2 (2019): 77–83. https://doi.org/10.5281/zenodo.2591094.

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“To learn is to change. Education is a process that changes the learner.” – George Leonard Modern education should focus on the students independent activity, the organization of self-learning environment and experimental practice training, where students have a choice of actions and can use initiative and  exible training programs inorder to make students more comfortable. Modern or Interactive methods of teaching methods -are widespread in the scienti c and methodological literature and have potential to form competency.  Many great artists are still relevant because

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Zencirci, Gizem. "Affective Politics of Structural Adjustment: “Cruel Optimism” and Turhan Selçuk’s Cartoons in Turkey, 1983–1986." Journal of Social History 53, no. 1 (2019): 53–75. http://dx.doi.org/10.1093/jsh/shz030.

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Abstract This article contributes to the social history of neoliberalism by analyzing the emotions, feelings, and sentiments through which Turkish people experienced the structural adjustment program of the 1980s. I argue that market reforms were experienced through a paradoxical entanglement of desire and disillusionment—an affective politics that Lauren Berlant defines as “cruel optimism.” This concept captures the ways in which neoliberalism generates a series of aspirations, longings, and yearnings that can never be fully achieved or satisfied but nevertheless pulls subjects toward an imag

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Bustanji, Lauriane, Marie Birken, Marguerite de Cibeins, Louise Guerot, Asya Kurtuldu, and Marie-Laure Rebora. "Les archives de l’occupation française en Autriche à La Courneuve." Austriaca 95 (2022): 27–51. https://doi.org/10.4000/132qi.

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Le Centre des archives diplomatiques de La Courneuve a entrepris en 2019 une importante mise à jour des inventaires des archives concernant l’occupation française de l’Autriche, en vue de l’ouverture du futur portail documentaire. Sources abondantes mais jusqu’à présent peu exploitées, ces archives se rapportent à l’activité du Haut-Commissariat de la République française en Autriche (environ 5 000 cartons), ainsi qu’à celles du Commissariat général aux Affaires allemandes et autrichiennes et à d’autres services techniques des Affaires étrangères. Cet article présentera les étapes de ce travai

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Bogomolov, Igor K. "N. I. Levitsky’s Letter to A. I. Lysakovsky about the Ministry of Foreign Affairs Representatives in the Petrograd Military Censorship Commission (1916)." Herald of an archivist, no. 2 (2021): 581–92. http://dx.doi.org/10.28995/2073-0101-2021-2-581-592.

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The article publishes a letter from the chairman of the Petrograd Military Censorship Commission, Nikolai Ivanovich Levitsky, to the manager of the Press and Information Department of the Ministry of Foreign Affairs, Alexander Iosifovich Lysakovsky (dated December 22, 1916). In the letter, Levitsky insists on the need to include representatives of the Ministry of Foreign Affairs in the military censorship commission on a permanent basis. At the time, a different scheme was in effect: Levitsky sent diplomatic materials (newspaper and magazine articles, books, pamphlets, and cartoons) for verifi

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Yang, Jeonghyeon. "Kim Seung-ok’s Science Fiction : Research Tradition and Scholarly Significance of “50 years from now, One Day of the D.π.9 Editor”". Korean Association for Literacy 16, № 1 (2025): 651–74. https://doi.org/10.37736/kjlr.2025.02.16.1.22.

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This study aims to recontextualize the themes and significance of Kim Seung-ok’s only science fiction work, “50 years from now, One Day of the D.π.9 Editor”. Originally commissioned in 1970 to commemorate the 50th anniversary of Dong-A Ilbo, “D.π.9” has traditionally been regarded as a conte. However, recent research has rediscovered this concept as science fiction. While both perspectives provide valuable insights, they fail to establish a broader continuum that links “D.π.9” to Kim’s other literary works, which this study seeks to achieve. First, the motif of distorted diagnosis and prescrip

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Duran, Erol, and İncinur Dolaylar Özkul. "Türk Çocuk Dergileri İle İlgili Öğrenci Görüşlerinin Belirlenmesi / The Determination of Student Views on Turkish Children's Magazines." Journal of History Culture and Art Research 7, no. 1 (2018): 467. http://dx.doi.org/10.7596/taksad.v7i1.1362.

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<p><strong>Abstract</strong></p><p>Children's magazines are literature products that are published in several literary genres and can be considered suitable for children's ages and development levels. Following the developments in scientific subjects, the magazines are eager to develop children's creativity; some magazines try to appeal to children's world by addressing different sports, lifestyles, technology, animals, or geographical themes. These magazines include funny word puzzles, short and clear information, poems, current affairs, experiment with children

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Pugacheva, V. V., and O. V. Gruzdeva. "SOCIAL, PERSONAL AND CLINICAL FEATURES OF JUVENILE SUSPECTS, ACCUSED, AND CONVICTED PERSONS SUFFERING FROM SUBSTANCE ADDICTION." Bulletin of Krasnoyarsk State Pedagogical University named after V.P. Astafiev 62, no. 4 (2022): 74–86. http://dx.doi.org/10.25146/1995-0861-2022-62-4-370.

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Statement of the problem and the purpose of the article. The article presents the results of studying the social, personal and clinical characteristics of juvenile suspects, accused, and convicted persons suffering from alcohol and drug addiction. The characteristic features are analyzed of adolescents in conflict with the law, suffering from alcohol and drug addiction. An average psychological portrait of juvenile suspects, accused, and convicted persons suffering from substance addiction is presented. The necessity to study the problem of the formation of alcohol and drug addiction in penite

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Rahman, P., C. Selmi, E. Rampakakis, et al. "AB1092 GUSELKUMAB RAPIDLY IMPROVES ACTIVITIES OF DAILY LIVING IN PATIENTS WITH ACTIVE PSA: POOLED ANALYSIS OF 2 PHASE 3, RANDOMIZED, PLACEBO-CONTROLLED STUDIES." Annals of the Rheumatic Diseases 82, Suppl 1 (2023): 1768.1–1769. http://dx.doi.org/10.1136/annrheumdis-2023-eular.365.

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BackgroundMaintaining daily activities is a critical treatment goal for patients (pts) with psoriatic arthritis (PsA). The Health Assessment Questionnaire-Disability Index (HAQ-DI), a mainstay tool for evaluating physical function in pts with PsA, assesses 20 common activities of daily living that should be evaluated given the heterogeneous clinical presentation of PsA.ObjectivesIn this post hoc analysis from DISCOVER (D)-1 and -2, we examined the level of impairment in individual activities of daily living assessed by the HAQ-DI, and the effect of guselkumab (GUS) on pts’ ability to accomplis

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Grischuk, Tatiana. "Symptom. Toxic story." Mental Health: Global Challenges Journal 4, no. 2 (2020): 19–24. http://dx.doi.org/10.32437/mhgcj.v4i2.91.

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Introduction Such symptoms as hard, complex, bodily or mental feelings, that turn our everyday life into a hell, at first, lead us to a doctor, and then - to a psychotherapist. A sick man is keen to get rid of a symptom. A doctor prescribes medication, that is ought to eliminate a symptom. A psychotherapist searches for a reason of the problem that needs to be removed. There is such an idea that a neurotic symptom, in particular, an anxiety - is a pathological (spare or extra) response of a body. It is generally believed that such anxiety doesn’t have some real, objective reasons a

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Liu, Jian. "Metamorphoses of Puccini’s “La bohème” in Jonathan Larson’s musical “Rent”." Aspects of Historical Musicology 21, no. 21 (2020): 83–97. http://dx.doi.org/10.34064/khnum2-21.05.

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Theoretical background. Depending on the choice of the original source underlying the work, all Broadway musicals can be divided into three main types – with the original libretto and plot (“Next to normal” by T. Kitt), based on (or even on the material) of the same name cartoons (E. John’s “The Lion King”, D. Stewart’s and G. Ballard’s “Ghost”) and operas (E. John’s “Aida” after G. Verdi’s opera of the same name, J. Larson’s “Rent” written after “La boh&#232;me” by G. Puccini). In the latter group there is a contrasting branching, which can be observed even on the example of the two named

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Jensen, Tina Gudrun. "The Cartoon Affair and the Question of Cultural Diversity in Denmark." e-cadernos CES, no. 03 (March 1, 2009). http://dx.doi.org/10.4000/eces.176.

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Diogo, Maria Paula, Paula Urze, and Ana Simões. "Cartoon diplomacy: visual strategies, imperial rivalries and the 1890 British Ultimatum to Portugal." British Journal for the History of Science, April 20, 2023, 1–20. http://dx.doi.org/10.1017/s0007087423000067.

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Abstract This paper offers a novel interpretation of the 1890 British Ultimatum, by bringing to the front of the stage its techno-diplomatic dimension, often invisible in the canonical diplomatic and military narratives. Furthermore, we use an unconventional historical source to grasp the British–Portuguese imperial conflict over the African hinterland via the building of railways: the cartoons of the politically committed and polyvalent Portuguese artist and journalist Rafael Bordalo Pinheiro (1846–1905), published in his journal Ponto nos iis, from the end of 1889 and throughout 1890. We arg

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Neves Júnior, Edson José, and Cristine Koehler Zanella. "Bolsonaro’s Foreign Policy in Laerte Coutinho’s Cartoons." Contexto Internacional 47, no. 1 (2025). https://doi.org/10.1590/s0102-8529.20254701e20230028.

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Abstract This article examines former President Jair Bolsonaro’s foreign policy through Laerte Coutinho’s cartoons, published in the Folha de São Paulo newspaper, contextualised within Brazilian opening speeches at the UN General Assembly’s Annual Debate from 2019 to 2021. The work is epistemologically tied to the aesthetic turn in International Relations, broadly in line with a post-structuralist approach and uses iconographic analysis (including the tools of particular meanings and each cartoon’s situational context) and iconological interpretation methods (applying area concepts to explain

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de Groot Heupner, Susan. "“Je suis … Charlie, Samuel, Muhammed”: Practicing Muhammed Cartoons in Far Right and Islamist Politics." Politics and Religion, June 6, 2022, 1–20. http://dx.doi.org/10.1017/s1755048322000220.

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Abstract Since the 2005 Jyllands-Posten controversy, both far right and Islamist actors have employed Muhammed cartoons to construct a radical frontier between Muslims and non-Muslims. This article aims to provide a better understanding of the linkages between two opposing forms of popular identification by looking at the utilization of the Muhammed cartoons to crystallize a multitude of (conflicting) subjects, affects, and demands. Following a vantage point of mutual relations, the article investigates the discursive performances of the Dutch branch of the transnational Islamist party Hizb ut

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Laschinger, Verena. "“I knew a dog once—”: Laura Richards’s Literary Animals and the Poetics of Animacy." European journal of American studies 19, no. 4 (2024). https://doi.org/10.4000/12wau.

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Stomping, crawling, buzzing, waddling through her works, animals are Laura E. Richards’s (1850–1943) main narrative fare, especially in her early works. For the most part figurations of humans and human affairs, Richards’s literary animals uphold the human-animal divide, abounding in anthropomorphism, anthropocentrism, and speciesism. Richards’s nonsense poem “Eletelephony” (1932), however, dynamically entangles the human, the animal, and the machine, pronouncing “pleasure in the confusion of boundaries” decades before Donna Haraway’s “A Manifesto for Cyborgs” (8). A first scholarly engagement

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Embong, Rohani, and Hanita Hassan. "The Representations of Tun Dr Mahathir in Lat’s Cartoons in Addressing Issues of International Affairs." Jurnal Teknologi 65, no. 2 (2013). http://dx.doi.org/10.11113/jt.v65.2354.

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Alawneh, Hatem Salem, and Mohammad Mahroum. "A Content Analysis Of News Coverage Of The Danish Cartoons Affairs In Al-Ghad Jordanian Daily Newspapers." مجلة المنارة للبحوث والدراسات, 2015, 379. http://dx.doi.org/10.33985/0531-021-003-013.

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Muller, Vivienne. "Motherly Love." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2008.

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There is a humorously disturbing cartoon by Mary Leunig of a mother as a suffering Jesus figure crucified on the cross of motherhood. The image simultaneously evokes and countersigns the idealised portrait of mothers as serene and self-sacrificing Madonna figures. In Leunig’s cartoon the mother wears a crown of nappy pins; her children, inconsolable, bereft of the mother as a site of selfless love and nurture, look up at her on the cross. Over twenty years old, this cartoon haunts the viewer with its ironic/iconic motifs of motherhood, because it signifies the presence of an absence – the abse

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Jafarzadeh-Kenarsari, Fatemeh, and Parand Pourghane. "College Students, Experiences on Smart Phone Technology Usage: A Qualitative Content Analysis Study." Qualitative Report, November 3, 2017. http://dx.doi.org/10.46743/2160-3715/2017.2783.

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Besides many benefits of the cell phone technology, numerous arguments are raised on the different and important negative effects of such a technology. This qualitative content analysis study explored the common usages of smart phone technology, its challenges, and benefits among Iranian college students. Participants were 32 bachelor degree students who were recruited using purposive sampling method with maximum variation. Data were collected through 11 individual semi-structured interviews and 3 focus group discussions (5-8 students in each group). Data analysis was done based on a conventio

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Allatson, Paul. "The Virtualization of Elián González." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2449.

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For seven months in 1999/2000, six-year old Cuban Elián González was embroiled in a family feud plotted along rival national and ideological lines, and relayed televisually as soap opera across the planet. In Miami, apparitions of the Virgin Mary were reported after Elián’s arrival; adherents of Afro-Cuban santería similarly regarded Elián as divinely touched. In Cuba, Elián’s “kidnapping” briefly reinvigorated a torpid revolutionary project. He was hailed by Fidel Castro as the symbolic descendant of José Martí and Che Guevara, and of the patriotic rigour they embodied. Cubans massed to deman

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Flowers, Arhlene Ann. "Swine Semantics in U.S. Politics: Who Put Lipstick on the Pig?" M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.278.

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Swine semantics erupted into a linguistic battle between the two U.S. presidential candidates in the 2008 campaign over a lesser-known colloquialism “lipstick on a pig” reference in a speech by then Democratic presidential candidate, Barack Obama. This resulted in the Republicans sparring with the Democrats over the identification of the “swine” in question, claiming “sexism” and demanding an apology on behalf of then Governor Sarah Palin, the first female Republican vice presidential candidate. The Republican Party, fearful of being criticised for its own sexist and racist views (Kuhn par. 1)

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M.Butler, Andrew. "Work and Masculine Identity in Kevin Smith's New Jersey Trilogy." M/C Journal 4, no. 5 (2001). http://dx.doi.org/10.5204/mcj.1931.

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There's a moment in Chasing Amy (Kevin Smith, US, 1997) when the character Banky Edwards defends his masculinity. He and childhood friend Holden McNeil are artists who work on a comic named Bluntman and Chronic; Holden produces the pencil drawings which Banky inks over and colours in. When confronted with the suggestion that all he does is tracing, Banky first defends himself, and then resorts to physical and verbal violence: "I'LL TRACE A CHALK LINE AROUND YOUR DEAD FUCKING BODY, YOU FUCK ... YOUR MOTHER'S A TRACER!" (Smith 182, 184). Banky is defending the work that he does, the art, from ch

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Seale, Kirsten. "Location, Location." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2668.

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   Last year, the ABC’s Media Watch (17 Oct. 2005) noted the continuing outrage in the tabloid media over “the dirtiest house in NSW”. The program took issue with Sydney newspaper The Daily Telegraph, and the descriptor “exclusive” attached to their article on a property in beachside Bondi (9 Oct. 2005). In fact, as Media Watch pointed out, Channel Seven’s current affairs flagship Today Tonight had already made repeat visits to the residence. A Current Affair, Channel Nine’s rival show, as well as Bondi’s local newspaper also offered coverage. However, I am interested not in

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Aly, Anne, and Lelia Green. "‘Moderate Islam’: Defining the Good Citizen." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.28.

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On 23 August 2005, John Howard, then Prime Minister, called together Muslim ‘representatives’ from around the nation for a Muslim Summit in response to the London bombings in July of that year. One of the outcomes of the two hour summit was a Statement of Principles committing Muslim communities in Australia to resist radicalisation and pursue a ‘moderate’ Islam. Since then the ill-defined term ‘moderate Muslim’ has been used in both the political and media discourse to refer to a preferred form of Islamic practice that does not challenge the hegemony of the nation state and that is coherent w

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Fredericks, Bronwyn, and Abraham Bradfield. "Many Bodies, One Heart." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2908.

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Introduction The Uluru Statement from the Heart (2017) offers an opportunity for the nation to cement the foundation for prosperous Indigenous futures and meaningful reconciliation between Indigenous and non-Indigenous peoples. In this article, we discuss the theme of uniformity in relation to the “From the Heart” campaign which seeks to enact the Uluru Statement by establishing a constitutionally enshrined First Nations’ Voice to Parliament via a referendum. It is important however that we first clarify our use of the word uniform as we do not wish to suggest that all supporters of the Uluru

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Aly, Anne, and Lelia Green. "‘Moderate Islam’." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2721.

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   On 23 August 2005, John Howard, then Prime Minister, called together Muslim ‘representatives’ from around the nation for a Muslim Summit in response to the London bombings in July of that year. One of the outcomes of the two hour summit was a Statement of Principles committing Muslim communities in Australia to resist radicalisation and pursue a ‘moderate’ Islam. Since then the ill-defined term ‘moderate Muslim’ has been used in both the political and media discourse to refer to a preferred form of Islamic practice that does not challenge the hegemony of the nation state a

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Otsuki, Grant Jun. "Augmenting Japan’s Bodies and Futures: The Politics of Human-Technology Encounters in Japanese Idol Pop." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.738.

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Perfume is a Japanese “techno-pop” idol trio formed in 2000 consisting of three women–Ayano Omoto, Yuka Kashino, and Ayaka Nishiwaki. Since 2007, when one of their songs was selected for a recycling awareness campaign by Japan's national public broadcaster, Perfume has been a consistent fixture in the Japanese pop music charts. They have been involved in the full gamut of typical idol activities, from television and radio shows to commercials for clothing brands, candy, and drinks. Their success reflects Japanese pop culture's long-standing obsession with pop idols, who once breaking into the

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