Academic literature on the topic 'Cartoon ants'
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Journal articles on the topic "Cartoon ants"
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Tahir Mahmood, Urwah Iftikhar, and Muhammad Ahsan Bhatti. "Impact of Violent Cartoons on the Behaviour of Children: A Case Study of South Punjab." Journal of Business and Social Review in Emerging Economies 6, no. 2 (June 30, 2020): 689–702. http://dx.doi.org/10.26710/jbsee.v6i2.1212.
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Basically, this is a survey research that investigates the impact of violent cartoons on the behaviour of children. Children often draw strong social or anti-social ideas from children’s movies and cartoons. Television is the most popular medium in which the children are exposed. The media is constantly creating new cartoons with increased violence and children do not realize how harmful this is to them. The study investigates that how children are being exposed to anti-social content and what impact is done on their behavior. Cartoons have much value in personality construction of children especially in very early age. Children try to become like their favorite cartoon character. They try to mimic and copy the actions performed by their favorite cartoon hero. The environment in which the children watch horror or violent cartoons is also very important. They may develop fears or anti-social behavior in the absence of parental guidance.
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Tromble, Rebekah. "A discussion of Paul M. Sniderman, Michael Bang Petersen, Rune Slothuus, and Rune Stubager's Paradoxes of Liberal Democracy: Islam, Western Europe, and the Danish Cartoon Crisis." Perspectives on Politics 13, no. 2 (June 2015): 466–67. http://dx.doi.org/10.1017/s1537592715000328.
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The 2005 Danish cartoon crisis has been the topic of much discussion among political science scholars. In September 2011 we ran a symposium on Jytte Klausen’s The Cartoons That Shook the World that centered on the tensions between multiculturalism, civility, and freedom of expression disclosed by the controversy. Paul M. Sniderman, Michael Bang Petersen, Rune Slothuus, and Rune Stubager’s Paradoxes of Liberal Democracy: Islam, Western Europe, and the Danish Cartoon Crisis (Princeton 2014) revisits the Danish crisis. Drawing on randomized experiments linked to broader survey research, the authors offer a nuanced account of Danish public opinion, and argue that the sensitivity of Danes to civil liberties concerns explains why the cartoon controversy did not result in an anti-Muslim backlash. The topic, the argument, and the methodology are important, and so we have invited a range of political science scholars to review the book. — Jeffrey C. Isaac
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Edwards, Louise. "Drawing Sexual Violence in Wartime China: Anti-Japanese Propaganda Cartoons." Journal of Asian Studies 72, no. 3 (June 20, 2013): 563–86. http://dx.doi.org/10.1017/s0021911813000521.
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During the War of Resistance against Japan (1937–45), China's leading cartoon artists formed patriotic associations aimed at repelling the Japanese military. Their stated propaganda goals were to boost morale among the troops and the civilian population by circulating artwork that would ignite the spirit of resistance among Chinese audiences. In keeping with the genre, racialized and sexualized imagery abounded. The artists created myriad disturbing visions of how militarized violence impacted men's and women's bodies differently. By analyzing the two major professional journals, National Salvation Cartoons and War of Resistance Cartoons, this article shows that depictions of sexual violence inflicted on Chinese women were integral to the artists' attempts to arouse the spirit of resistance. By comparing their depictions of different types of bodies (Chinese and Japanese, male and female, soldiers' and civilians') the article argues that the cartoonists believed that the depiction of sexually mutilated Chinese women would build resistance and spur patriotism while equivalent depictions of mutilated male soldiers would sap morale and hamper the war effort. The article concludes with a discussion about the dubious efficacy of propaganda that invokes a hypersexualized, masculine enemy other.
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Konstantynow, Dariusz. "Gdynia i Żydzi w antysemickich rysunkach z prasy II Rzeczypospolitej." Porta Aurea, no. 19 (December 22, 2020): 174–91. http://dx.doi.org/10.26881/porta.2020.19.09.
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The issue of the defence of Polish interests on the Baltic against the threat that could be seen in the sudden inflow of Jewish business people and merchants to the coast, seeking new space and new opportunities for their activities, emerged in the anti-Semitic discourse of the Second Polish Republic already in the year in which the independent Polish state was born. However, it was only in the 1930s that the question of the ‘Jewish invasion’ of the ‘Polish coast’ in the anti -Semitic campaigning by means of a word and a cartoon (often the combination of both) was fully displayed. Then Gdynia also became the leading motif. In the paper analysis of selected press cartoons, most frequently published in such nationalistic magazines as ‘Samoobrona Narodu’, ‘Pod Pręgierz’, ‘Orędownik’, or ‘Kurier Poznański’ has been presented; their task was to convince the public that it was necessary to ‘de -Jewishize’ Gdynia and bestow a ‘Polish national character’ on it. The cartoons have to be treated as a very effective tool of nationalistic campaigning in press, since they referred to the perception of Gdynia shared by all the Polish people as one of the most important elements within the symbolic universe of the Second Polish Republic.
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Vann, Michael G. "Caricaturing 'The Colonial Good Life' in French Indochina." European Comic Art 2, no. 1 (January 1, 2009): 83–108. http://dx.doi.org/10.3828/eca.2.1.6.
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André Joyeux's La Vie large des colonies ['The Colonial Good Life'] is an insider's portrait of the French colonial encounter in Southeast Asia. Published in Paris in 1912 but most likely penned in Saigon, the collection of cartoons explores the racial order of the colony. Although the artist critiques many aspects of the colony and highlights certain gross injustices, such as the coloniser's sexual predation and physical violence, he also articulates many of the bluntly racist French stereotypes of the Vietnamese, Chinese and other Asians in the colony. Joyeux, as an artist and as an art teacher, contributed to the development of cartoon and caricature as a medium in Vietnam, which would eventually be used in the anti-colonial, nationalist and communist movements. La Vie large des colonies is of importance as a primary source in the study of empire.
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Doerr, Nicole. "Bridging language barriers, bonding against immigrants: A visual case study of transnational network publics created by far-right activists in Europe." Discourse & Society 28, no. 1 (January 2017): 3–23. http://dx.doi.org/10.1177/0957926516676689.
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With the growing importance of digital and social media, visual images represent an increasingly attractive medium for far-right political entrepreneurs to mobilize supporters and mainstream voters in the context of increasing polarization and widespread fears of immigrants and refugees. This article investigates how far-right activists use cartoon images poking fun at immigrants to construct a shared ethno-nationalist bond of solidarity across multilingual and transnational networks and publics. Focusing on right-wing activists as political entrepreneurs, I will explore the visual and discursive translation of nationalist symbols and cartoons within different national political contexts and across linguistic and cultural boundaries. Combining the discourse historical approach (DHA) with multimodal analysis, I will trace the cross-cultural translation and sharing of an anti-immigrant poster created by the Swiss People’s Party (SVP), a right-wing political party in Switzerland, in its controversial ‘black sheep’ campaign. Second, I will show how far-right sympathizers in Italy and Germany, inspired by the SVP, created their own ‘black sheep’ cartoons in which they imagine a racist bond of transnational solidarity through the use of images depicting immigrants as Europe’s other. This article contributes to the study of transnational network publics by showing the relevance of non-verbal and visual translation strategies used by radical right-wing political entrepreneurs to forge stronger alliances cross-nationally and cross-linguistically.
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Sawan, Nasser, and Renata Parpolov Costa. "Political Cartoon, Revolution and Censorship in Syria." Revista de Cultura e Extensão USP 19 (May 17, 2018): 107. http://dx.doi.org/10.11606/issn.2316-9060.v19i0p107-118.
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O objetivo principal deste trabalho é discutir as relações e comunicações simbólicas entre artistas e sociedade na Síria antes e depois do início da guerra, em 2011. Perpassaremos a questão do papel do artista no questionamento do status quo durante a ditadura que se iniciou em 1970 com Hāfid Alasad e continuada durante os anos 2000 por seu filho Baššār Alasad. Durante este tempo, mesmo com a ameaça de um violento governo militar autoritário, floresceram muitas formas de expressão artística crítica ao regime, em diversos campos das artes; entre elas, a arte da charge política e dos quadrinhos foi um importante meio de expressão para tornar público o pensamento crítico censurado. Investigaremos a importância dos quadrinhos políticos de Alī Firzāt para a sociedade síria que vive sob a censura, e que deve atuar de maneira a parecer concordar com o regime.
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Barker, Jason. "Quentin Tarantino’s Cartoon Violence." Animation 16, no. 1-2 (July 2021): 51–63. http://dx.doi.org/10.1177/17468477211025662.
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In this article, the author returns to the study of Quentin Tarantino’s ‘cartoonism’ that appeared in animation 2(2) in 2007. The focus here, as in Chris Pallant’s original essay, is on how filmic live action in Tarantino’s work displays the diegetic conventions of the cartoon, namely, its (1) hyperbolic, (2) graphic novel and (3) comic strip violence. The article adopts Pallant’s interpretive framework in analysing Tarantino’s Once Upon a Time. . . in Hollywood (2019), only this time supplements the analysis with a consideration of the film’s dramatic content. Drawing on Aristotle’s Poetics the author explores whether cartoon violence in Tarantino’s film is inversely related to drama and, more generally, speculates as to whether the cartoon form is inherently non- or anti-dramatic through the ‘private’ and commercial manner of its consumption.
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Long, Mark, Rick L. Bunch, and Robert Earl Lloyd. "Measuring Anti-Americanism in Editorial Cartoons." Social Science Quarterly 90, no. 3 (September 2009): 652–73. http://dx.doi.org/10.1111/j.1540-6237.2009.00636.x.
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Raval, Yash S., Roland Stone, Benjamin Fellows, Bin Qi, Guohui Huang, O. Thompson Mefford, and Tzuen-Rong J. Tzeng. "Synthesis and application of glycoconjugate-functionalized magnetic nanoparticles as potent anti-adhesion agents for reducing enterotoxigenic Escherichia coli infections." Nanoscale 7, no. 18 (2015): 8326–31. http://dx.doi.org/10.1039/c5nr00511f.
Full textDissertations / Theses on the topic "Cartoon ants"
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Mareuse, Marcia Aparecida Giuzi. "50 anos de desenho animado na televisão brasileira." Universidade de São Paulo, 2002. http://www.teses.usp.br/teses/disponiveis/27/27134/tde-03122018-163849/.
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O presente estudo apresenta os desenhos que se destacaram nos 50 anos de televisão no Brasil, descreve algumas características de conteúdo e inserção na programação televisiva e na nossa Cultura e, com base nesses aspectos, faz uma comparação entre os desenhos de ontem e de hoje. A partir de dados relativos a origem, ano de produção e apresentação, narrativa e personagens dos desenhos mais representativos, ficou constatado que os conteúdos abordam temas semelhantes, independente de origem ou época, e as diferenças se devem a características de construção decorrentes de avanços tecnológicos e de condições de inserção no mercado televisivo, cada vez mais atreladas às questões de marketing de produtos derivados dos mesmos. Uma análise da participação do desenho animado na formação das crianças deve considerar o universo representado por essas mediações, uma vez que o desenho corresponde ao espaço de brincadeira na cultura contemporânea, é o programa preferido pelas mesmas, revive mitos e arquétipos e contribui para o desenvolvimento dos processos cognitivos e do imaginário infantilThe following study presents the cartoons that were in evidence in the television after the 50\'s. It described the contents, the TV transmission and the importance brought to our culture. In spite of the origin, production year, veiculation year, narrative and characters of the main cartoons, it was noticed that they have sim ilar subjects. The main differences are related to cultural context, technological practices used in the production and special commercial conditions. The success of a cartoon was directly related to the possibility of selling new products to the children as toys. magazines and other things. The importance of the cartoons for children\'s development is extremely consistent with the universe that they represent. They are the preferred \"children\'s play\" in the contemporary culture. The cartoons revive myths, archetypes and contribute for the cognitive and childish imaginary development.
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Newman, Melissa. "The Pictorial Stylings of Louis Raemaekers and Sir David Low: A Comparison of Anti-German Cartoons from World War I to World War II." Wittenberg University Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1534161003102886.
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Filho, Eloar Guazzelli. "Canini e o anti-herói brasileiro: do Zé Candango ao Zé - realmente - carioca." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-16092009-205951/.
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Este trabalho de pesquisa estuda um autor - Renato Canini - que construiu uma trajetória peculiar ao desenvolver uma narrativa de histórias em quadrinhos com um traço bastante pessoal apesar de inserida nas de estruturas de produção massivas. Envolve a articulação da CETPA Cooperativa Editora de Trabalhos de Porto Alegre - que pretendia publicar histórias em quadrinhos brasileiras para fazer frente à avassaladora presença de material importado , estrutura onde Canini realizou com as tiras de Zé Candango seus primeiros ensaios de uma linguagem brasileira de quadrinhos. E porque parte dessas tiras foi publicada no Jornal do Brasil, sua atuação pode ser vista dentro da construção de um sistema massivo de produção e distribuição no país. Este trabalho vai além ao abordar a seminal passagem deste autor pelas publicações Disney por meio da Editora Abril - desenhando as aventuras do personagem Zé Carioca. Deste período resultará uma obra que encontra grande significado por conseguir superar as contradições e os limites de uma estrutura caracterizada por uma rígida divisão de trabalho, dilatando os limites da questão autoral dentro da grande indústria e trazendo amplos questionamentos quanto aos elementos formadores de uma pretensa identidade nacional.This research deals with the study of the artist Renato Canini, who managed to build a very peculiar way to develop a narrative of comics with a very personal style, although included in the structures of mass production. This period includes the articulation of CETPA (Cooperative Publishing Works of Porto Alegre), which intended to publish Brazilian comics to face the huge presence of imported material. That was when Canini drew his strips of Zé Candango its first steps of a language of Brazilian comics. And because of part of these strips were published in Jornal do Brasil, this work can be seen within the perspective of building a massive system of production and distribution. This work goes beyond by researching the important work done by Renato Canini at Disney publications - by Editora Abril - drawing the adventures of the character Zé Carioca. Not forgetting a significant formal research developed by him on the pages of the Recreio magazine. This period will result in a workforce that is able to overcome significant contradictions and limits of a structure known by being rigid with the labor division and also by extending the limits of copyright issue within the major industry issues and bringing extensive discussion on the elements of an alleged national identity.
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Whitcher, Gary Frederick. "'More than America': some New Zealand responses to American culture in the mid-twentieth century." Thesis, University of Canterbury. Humanities, 2011. http://hdl.handle.net/10092/6304.
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This thesis focuses on a transformational but disregarded period in New Zealand’s twentieth century history, the era from the arrival of the Marines in 1942 to the arrival of Rock Around the Clock in 1956. It examines one of the chief agents in this metamorphosis: the impact of American culture. During this era the crucial conduits of that culture were movies, music and comics. The aims of my thesis are threefold: to explore how New Zealanders responded to this cultural trinity, determine the key features of their reactions and assess their significance.
The perceived modernity and alterity of Hollywood movies, musical genres such as swing, and the content and presentation of American comics and ‘pulps’, became the sources of heated debate during the midcentury. Many New Zealanders admired what they perceived as the exuberance, variety and style of such American media. They also applauded the willingness of the cultural triptych to appropriate visual, textual and musical forms and styles without respect for the traditional classifications of cultural merit. Such perceived standards were based on the privileged judgements of cultural arbiters drawn from members of New Zealand’s educational and civic elites. Key figures within these elites insisted that American culture was ‘low’, inferior and commodified, threatening the dominance of a sacrosanct, traditional ‘high’culture. Many of them also maintained that these American cultural imports endangered both the traditionally British nature of our cultural heritage, and New Zealand’s distinctively ‘British’ identity.
Many of these complaints enfolded deeper objections to American movies, music and literary forms exemplified by comics and pulps. Significant intellectual and civic figures portrayed these cultural modes as pernicious and malignant, because they were allegedly the product of malignant African-American, Jewish and capitalist sources, which threatened to poison the cultural and social values of New Zealanders, especially the young. In order to justify such attitudes, these influential cultural guardians portrayed the general public as an essentially immature, susceptible, unthinking and puritanical mass. Accordingly, this public, supposedly ignorant of the dangers posed by American culture, required the intervention and protection of members of this elite.
Responses to these potent expressions of American culture provide focal points which both illuminate and reflect wider social, political and ideological controversies within midcentury New Zealand. Not only were these reactions part of a process of comprehension and negotiation of new aesthetic styles and media modes. They also represent an arena of public and intellectual contention whose significance has been neglected or under-valued. New Zealanders’ attitudes towards the new cinematic, literary and musical elements of American culture occurred within a rich and revealing socio-political and ideological context. When we comment on that culture we reveal significant features of our own national and cultural selves.
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Wu, Yung-Chang, and 吳永昌. "A Study on Children's Anti-drug in Primary Schools – An Example of 3D Cartoon Film for Law Education." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/w4mfza.
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碩士崑山科技大學
資訊管理研究所
106
According to the statistics of China's Ministry of the Interior in 2016, there were 57,707 suspected drug offenders including 7748 youths, which was approximately 13.2% of the totals. Obviously, the criminality rate of drug suspects increased year by year. These statistical data indicated that drug abuse was a serious problem for young people in Taiwan. With the increasing severity of the problem, it trends toward younger drug users; the rule of law education on drug perception for young people should be seen as a high priority task. The present study used "Yameme: Episode 5 -- Rejection of Drug Use" as a multimedia-assisted instruction in the "Kids Sisters Rule of Law Education 3D Cartoons" to assist primary and secondary school children understand the current status of anti-drug concepts after watched or never viewed the animation film. In further, school children understood the different effects of the anti-drug concept of the animation film by learning the background of individual schoolchildren's gender, parental education, family background and differences between urban and rural areas. This research used a structured questionnaire approach to interview the students in the southern part of Taiwan. The students were interviewed with middle school and senior students who had never watched the movie "Yameme: Episode 5 -- Rejection of Drug Use". SPSS statistical analysis was conducted to gain the scores of the anti-drug awareness scores in the questionnaire. Moreover, statistical analysis and regression analysis were used to understand the current status of anti-drug concepts among elementary and middle school senior students. Finally, the experiment results explores whether the animated film can influence the effects of anti-drug concept and whether the anti-drug concept of school children is associated with the background of the individual's gender, parental education, family background and urban-rural differences. Statistical analysis inductions on main research findings yield the following conclusions: 1. Students with third and fourth grades of elementary school who have a good understanding of anti-drug concepts in Kaohsiung. 2. Background differences (school, gender and mother’s education) of Students with third and fourth grades of elementary school in Kaohsiung supports significant differences in the anti-drug concepts. 3. Background differences (school and gender) of Students with third and fourth grades of elementary school in Kaohsiung supports support a positive correlation on a medium scale of the anti-drug concepts. This shows that the current state of the art of anti-drug education in multimedia education still has great potential for development as an educational medium. If multimedia anti-drug teaching and advocacy activities are to be strengthened, students’ classes may be promoted and viewed through multimedia teaching or promotional videos. To achieve anti-drug education is a more general purpose, allowing students to understand anti-drug concepts and related knowledge earlier.
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Chen, Hsiu-Fang, and 陳琇芳. "The cartoon “Naruto” : construction of masculinity of school boys and the anti-sexual harassment education in elementary schools." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/99470530851787048549.
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碩士高雄醫學大學
性別研究所碩士班
95
Anti-sexual harassment education has been promoted in Taiwan since the late 1990s, but one may still find school children engage in sexual games that might amount to sexual harassment from an adult’s perspective. Using the popular cartoon “Naruto” as an example, this thesis aims to understand elementary school children’s perceptions of sexual harassment and how they make sense of certain sexual games. I interviewed 32 (14 groups) school children and one counseling leader and conducted observation in three classrooms in Kaohsiung to see how the idea of sexual harassment was explained in classrooms. Drawing on theoretical insights from feminist theories (theories of gender), I analyze how school boys learned (hegemonic) masculinity from the popular cartoon “Naruto” and played the game “Cianyan nianyan sha” in their daily life. Moreover, I analyze the ways in which school boys made a distinction between playing it as a “funny game” and as (sexual) violence against their peers. I discover that teachers made an effort to explain the concept of the sexual harassment. However there is a gap between what the children knew about sexual harassment and what they practiced. Concurring with some other researchers, I found that there is a protective and gendered tendency in anti- sexual harassment education in schools. This tendency makes the children not only saw sexual harassment prevention as merely protecting the reproductive and/or sexual organs, but also have developed gendered strategies to avoid being accused of sexual harassment when they play certain games. Moreover, there are many gender issues in the cartoon “Naruto”, for example the female protagonist is always protrayed as naïve and romance-pursuing, while the male protagonists are challenging, pursue success, and value companion friendship. The cartoon also contains many practical jokes and behaviours that convey sexual meanings. These sexual jokes and behaviours are a sexual violent text available for school boys. In some cases, school boys re-enacted these sexual practices in their daily life, and justified these practices by claiming that “everyone is playing the same game”. However, it is worth noting that not all (sexual and/or violent) games were acted out in daily life. In many cases, they picked up the game “Cianyan nianyan sha” from the cartoon and played it at schools. They rationalized this practice (which in adults’ eyes might amount to sexual harassment) by not attacking other players’ “important organs” and not targeting at girls’ and strangers’ participation. It would have been considered sexual harassment if it were targeted at girls and strangers. In addition, this research also finds that boys and girls develop different ways to cope with sexual harassment. Girls would tend to keep silent while boys would often fight back. This study recommends that the anti-sexual harassment education should emphasize on teaching students that they hold the ownership of their own bodies and sexualities rather than merely protecting their sexual organs. Key words: sexual harassment, cartoon, Cianyan nianyan sha, masculinities
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Jong, Jaw-Jinn, and 鍾兆晉. "Thermoregulation in colonies of an aboreal carton-ant, Crematogaster dohrni fabricans Forel (Hymenoptera: Formicidae)." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/27889704003874421185.
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碩士國立成功大學
生物學系
87
Crematogaster dohrni fabricans Forel forms permanent arboreal-carton nest, therefore, inevitably exposed to rapid changes of environmental temperature. I studied (1) colony temperature（Tc） of C. dohrni fabricans in natural condition to understand the thermoregulatory ability of the colony, (2) the mechanisms for thermoregulation, and (3) the relationship between colony temperature and the preferred temperatures（Tpref）of different developmental stages and castes. Thermoregulation of the colonies were carried out in Nanjenshan reserve, Kenting National Park, Pingtunghsien. From July to September, Tc showed small deviation from the ambient temperature（Ta）; from February to April, Tc was always higher than Ta , suggesting the colonies can thermoregulate. Furthermore, accumulated differences between Tc and Ta increased with colony size, indicating better thermoregulation in larger colonies. At Ta=22℃ constant dark, Tc was always 1-2℃ above Ta; however, if light was provided, Tc increased 1-2℃ from those in the dark. Nevertheless, the colony showed spontaneous temperature fluctuation at least two times a day at constant Ta, suggesting Tc has circadium rhythm. Numbers of workers on surface of the nest were abundant from 17:00 to 5:00, suggesting C. dohrni fabricans is nocturnal. Activities of workers did not correlate with Ta, neither it affected Tc. Oxygen consumption of the colony（Mo2）decreases with decreasing Ta, however, the change of Mo2 with Ta at Ta≦22℃ is slower than that at Ta＞22℃, suggesting C. dohrni fabricans can increase Mo2 to raise Tc. Respiratory quotient of the colony did not change with Ta, indicating the metabolic pathway did not vary with Ta. Cooling rate of the dead colonies was much slower than the decrease of Ta, suggesting nest materials and ant mass played an important role in maintaining Tc during the early phase of cooling. Furthermore, colonies without ants cooled slower than Ta, suggesting nest materials also contribute to colony thermoregulation. Mean Tpref. for workers and virgin queens were 28.0±0.08 and 28.56±0.26℃, respectively, and did not differ significantly. Mean Tpref for larvae and pupae were 27.46±0.19 and 26.11±0.13℃, respectively. In Nanjenshau, Tc is maintained close to Tpref in most time of a year, suggesting thermoregulation is important to colony development of C. dohrni fabricans. Nevertheless, colony size is the critical factor for regulation of colony temperature in C. dohrni fabricans.
Books on the topic "Cartoon ants"
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Lanka, Transparency International Sri, ed. Anti-corruption cartoons: Selected from National Anti-corruption Cartoon Competition 2008. Colombo: Transparency International Sri Lanka, 2008.
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Selection of anti-apartheid cartoons from around the world. New York: United Nations, Centre against Apartheid, 1989.
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I'm not anti-business, I'm anti-idiot. Kansas City [Mo.]: Andrews McMeel Pub., 1998.
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Wistrich, Robert S. Muslim anti-semitism: A clear and present danger. New York: The American Jewish Committee, 2002.
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Wistrich, Robert S. Muslim anti-semitism: A clear and present danger. New York: American Jewish Committee, 2002.
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Kevin, Ruelle, ed. Absurdities & realities of special education: The best of Ants--, Flying--, and Logs. Minnetonka, MN: Peytral Publications, 2002.
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Pereira, Beatriz Pacheco. Fantas graffiti: 20 anos Fantasporto. Porto, Portugal: Fundação Calouste Gulbenkian, 1999.
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Ants in his pants: Absurdities and realities of special education. Minnetonka, MN: Peytral Publications, 1998.
Find full textBook chapters on the topic "Cartoon ants"
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"Visualising the Holocaust: Iran’s Holocaust Cartoon Contest." In Antisemitism and Anti-Zionism, 121–34. Routledge, 2016. http://dx.doi.org/10.4324/9781315567341-13.
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Corrigan, John, and Lynn S. Neal. "Anti-Semitism." In Religious Intolerance in America, Second Edition, 147–80. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655628.003.0007.
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This chapter highlights the prominent role that religion has played in nineteenth and twentieth century anti-Semitism. The diverse primary sources, ranging from photos and political cartoons to religious texts and newspaper articles, focus on five central moments in this history—nineteenth century Christian texts, the Leo Frank Case, the Protocols of the Learned Elders of Zion, the “Summer of Hate” (1999), and Gibson’s The Passion of the Christ. These documents help readers examine the ways Christian theology and, more recently, that of white supremacist religious groups, has fomented anti-Semitism in the United States.
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Goodrich, Peter. "The Mask as Anti-Apparatus." In Critical Directions in Comics Studies, 238–62. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828996.003.0011.
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The thesis is that the graphic novel operates according to a logic of inversion, a very particular volte-face in which the anti-apparatus of the mask institutes a politics of impersonality. The idea as non-person. The comedy of the comic, the commedia dell’arte of the mask, the anti-apparatus of proliferated impersonality, the theatrics of belonging to the community of those who do not belong, becomes the driving figure of the film and even more so, of its afterlife, its viral and political role in resistance from Wall Street to Wollongong, Brazil to Bahrain, Harlem to Hong Kong. The film arrives as the fulfillment of the graphic lore, uniquely mobilizing comic studies as a praxis, making a movie that moves the comedy of depicting the person, the caricature of the cartoon, on to the streets.
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"Cartoon Life: Non-Localized Movement and Anti-Production in Animation." In Bilder animierter Bewegung/Images of Animate Movement, 221–51. Wilhelm Fink Verlag, 2013. http://dx.doi.org/10.30965/9783846756249_011.
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Etty, John. "Krokodil’s Format and Visual Language." In Graphic Satire in the Soviet Union, 35–72. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496820525.003.0003.
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The first half of the chapter considers six political, cultural and social traditions-pre-revolutionary satirical literature, pre-revolutionary satirical journals, the lubok, Orthodox iconography, Soviet satire theory, and Soviet theatre-that influenced Krokodil. Tracing a fuller picture of Krokodil's heritages than previous literature provides, this chapter shows that Krokodil was the progeny of a complex system of satirical legacies, and it was also engaged in a mutually productive relationship with contemporary satirical forms. The chapter's second half analyzes Krokodil's visual language that is intended to move beyond the support/criticism binary vision of the magazine proposed by previous interpretations, and it thus proposes a tripartite model for explaining Krokodil's visual language. Considering all of Krokodil's graphic schemata-cartoons "contesting" anti-Soviet ideology, those "affirming" Soviet ideology, and images depicting the process of "becoming" Soviet-this chapter reveals how the magazine's cartoons dialogically and self-reflexively commented on serious Soviet discourses on graphic satire.
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"Anti-Nazi-Cartoons deutschsprachiger Emigranten in Großbritannien: Ein spezielles Kapitel Karikaturengeschichte." In Ästhetiken des Exils, 93–122. Brill | Rodopi, 2003. http://dx.doi.org/10.1163/9789004334335_007.
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Thollon-Behar, Marie-Paule. "Cartons et pots de yaourt : expérimenter pour comprendre et connaître." In Accueillir l'enfant entre 2 et 3 ans, 145. ERES, 2017. http://dx.doi.org/10.3917/eres.tholl.2017.01.0145.
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Thollon-Behar, Marie-Paule. "Cartons et pots de yaourt : expérimenter pour comprendre et connaître." In Accueillir l'enfant entre 2 et 3 ans, 179. ERES, 2006. http://dx.doi.org/10.3917/eres.tholo.2006.01.0179.
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Lim, Cheng-Tju. "Singapore Cartoons in the Anti-Comics Movement of the 1950s and 1960s." In Comics Studies Here and Now, 121–30. Routledge, 2018. http://dx.doi.org/10.4324/9781351015271-9.
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Abbas, Tahir. "Islamophobia as New Racism." In Islamophobia and Radicalisation, 57–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190083410.003.0005.
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A historical process of framing Muslims negatively within popular discourses in society during imperialism and colonialism reveals how the emergence of Orientalism and the birth and eventual dominance of neoliberal capitalism had coincided. In the current period, both mainstream and social media continue to disseminate negative views on Islam and Muslims - transmitted through the 24-hour new cycle – which is heightened by an emphasis on extremism, radicalization and terrorism. These concerns reflect the unease felt about matters related to security and counterterrorism, and reinforce the notion that Muslims en masse are somehow antithetical to the norms and values of all of society. A populist politics of division has forced through the ideas of ethnic nationalism, which have come to define this anti-Muslim moment. The confluence of far right normalization in media, and Islamophobia propagated through the news cycles, has real-world implications – from attacks on people and property. In exploring the Danish Cartoons Affair of 2006, which had a global impact on Muslim-non-Muslim relations and perceptions, and the localized nature of anti-Pakistani sentiment in a popular BBC television sitcom, Citizen Khan, there is a discussion of the local and global being bound in framing Muslims.
Conference papers on the topic "Cartoon ants"
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Lourenço, Emília Vicente. "Resgate da memória em Cândido Portinari." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3856.
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O presente trabalho, fragmento da pesquisa em desenvolvimento no Programa de Pósgraduação do Instituto de Artes da Universidade de Brasília, tem como objetivo analisar o fenômeno da memória dentro do campo antropológico. Para tanto, foi utilizado como aporte pictórico o projeto em cartão para mosaico da obra “Jesus e os Apóstolos”, de Cândido Portinari. O objetivo norteador do trabalho é o estudo da lacuna existente entre o projeto e o mosaico, que não chegou a ser realizado, e o resgate da “memória de esquecimento”, correspondido entre os anos de 1958 e 2003. A questão da simbologia presente na obra também é levada em consideração através de uma análise formal da iconologia central da obra, que faz parte de uma memória comum e cujo icograma é representado desde o período paleocristão.
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Rodríguez González, Manuela Elizabeth. "Coherencia entre animación e imagen real: recursos presentes en el universo gráfico de Gumball." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4900.
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Desde la última década del s. XX, la tecnología digital toma la ventaja en casi todas las fases de la producción de cine de animación, haciendo posible entre otras cosas, la unión de cine de acción real con animación, dando lugar a series animadas de estética híbrida.El presente artículo centrará su atención en uno de estos ejemplos híbridos, El asombroso mundo de Gumball (2011), serie de animación televisiva creada por Ben Bocquelet (1983), tras proponer a Cartoon Network reunir en una única producción a todos los personajes que él había creado y que fueron rechazados por estudios de animación a lo largo de los años.Partiendo de esta unión de elementos diferentes (explicación presente en la idea base, pero no en el argumento de la serie), se analizarán los recursos que se utilizan para unir a personajes de estética dispar en un "universo gráfico" coherente. Este concepto de "universo" aparece definido por Raúl García en Actores del Lápiz (2000), como la unidad de estilo (y movimiento) en la que coexisten los personajes y elementos de diseño dentro de una serie de televisión, regidos por unas reglas que hay que mantener durante toda la creación, para hacerla verosímil ante el espectador. Teniendo en cuenta este concepto, se completará el análisis de dichos recursos estudiando producciones en las cuales la mezcla de estilos va de acorde con el argumento, o se realiza con fines de experimentación estética: desde los Lightning Sketches de Blackton (1907) o Gertie, the Good Dinosaur de McCay (1914); pasando por los personajes animados que conviven con humanos en Mary Poppins (1964), ¿Quién engañó a Roger Rabbit? (1988), o Space Jam (1996); hasta los fondos de imagen real inmersos en la animación experimental del director Masaaki Yuasa en The Tatami Galaxy (2010).http://dx.doi.org/10.4995/ANIAV.2017.4900
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Gelabert Amengual, Antoni. "Arquitectura y tapiz de Le Corbusier. La trama y la urdimbre de la casa nómada." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.669.
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Resumen: Durante la primera mitad del siglo XX Le Corbusier tuvo sus primeras experiencias con los tapices de la mano de la galerista Marie Cuttoli y, sobre todo, de Pierre Baudouin, profesor de Aubusson. El arquitecto no dudó en colocar su producción de cartones para tapices a la altura del resto de su creación artística, como ya hicieran antes Leger o Picasso. Comenzó entonces una reflexión sobre las propiedades tanto plásticas como acústicas de los tapices que tuvo oportunidad de experimentar en obras tan importantes como Chandigarh o el Hospital de Venecia. Todas las consideraciones al respecto fueron recogidas después en varios capítulos de sus Obras Completas. Pero fue en la vivienda donde Le Corbusier reconoció el mayor potencial para el tapiz. Fue en el espacio doméstico donde sus experiencias con el tejido adquirieron su máxima trascendencia, llegando a elaborar un discurso que entronca directamente con las disquisiciones de Semper y Loos sobre la potencia espacial del tapiz, al que otorgaba la capacidad de generar la casa para el hombre que la década de los 60 está moldeando. Abstract: During the first half of the twentieth century Le Corbusier had his very first experiences with tapestries thanks to the gallery director Marie Cuttoli and especially the teacher at Aubusson, Pierre Baudouin. The architect had no doubt in putting his production of tapestry cartoons at the same level of the rest of his artistic creations, as Leger or Picasso did before. Then he began a reflection on both plastic and acoustic properties of the tapestries, which he experienced in such important works as Chandigarh or the Venice Hospital. All considerations in this regard were collected in several chapters of his Complete Works. But it is in the home where Le Corbusier recognized the greatest potential for the tapestry. It is in the domestic space where his experiences with tissue acquired their utmost importance. He elaborated a discourse that connects directly with the disquisitions of Semper and Loos on the spatial power of tapestry, and that gives it the ability to generate the home for the man that the 60s decade is molding. Palabras clave: Tejido; tapiz; Semper; casa; nómada; contingencia. Keywords: Tissue; tapestry; Semper ; home; nomad ; contingency. DOI: http://dx.doi.org/10.4995/LC2015.2015.669