Academic literature on the topic 'Cartoons'

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Journal articles on the topic "Cartoons"

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OKATA, Gift Ngozi, Thomas K. EGWUONWU, and Clara O.K. EGWUONWU. "Language and Image Interaction in Cartoons: A Stylistic Analysis of Language Use and Humour in Selected Punch Newspaper Cartoons." Beyond Babel: BU Journal of Language, Literature and Humanities 7, no. 1 (2020): 1–23. https://doi.org/10.5281/zenodo.10794384.

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<em>Although double semiotic modes characterize meaning deduction in cartoons, nonetheless the visual is the most pivotal mode. The interaction between language and image is usually encapsulated around the expressive pattern of the cartoonist in forms of caricature, exaggeration, metaphor, size, registers and symbols. In spite the robust studies on political cartoons, scant studies exist on the persuasive stylistic analysis of three political cartoons of the Punch newspaper of April to June, 2016. Therefore, this study fills this gap.&nbsp; Using a total of three randomly selected political ca
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Abd Aziz, Mohamad Kamal, Nor Nadhirah Aniqah Abd Rahim, and Arbaiyah Ab. Aziz. "The Theme, Style, And Humor Malaysian Popular Magazines in Malaysia Gila – Gila, Ujang and Gempak (1978 – 2015)." International Journal of Art and Design 6, no. 2 (2022): 11–26. http://dx.doi.org/10.24191/ijad.v6i2.1144.

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Due to the emergence of digital technology and the popularity of social media, many local cartoon magazines, including Ujang and Gempak, have ended their publications. The decline is because people have many options and access to digital and free cartoons. The inclination and tendency to change from the sociocultural aspect affect the cartoon theme, style, and humor. This study aims to critically analyze the style, theme, and humor of cartoons in magazines like Gila-Gila, Ujang, and Gempak. This study was conducted through contextual analysis of the selected samples of cartoons. Feldman’s meth
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Sani, Komang Andri, I. Ketut Darma Laksana, and I. Wayan Simpen. "Semiotic Analysis of Charles Sanders Pierce in Nuriarta’s Cartoon Discourse." e-Journal of Linguistics 15, no. 2 (2021): 206. http://dx.doi.org/10.24843/e-jl.2021.v15.i02.p06.

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Nuriarta presents cartoons by utilizing two texts, namely visual text and verbal text. The visual text that is meant is pictures in the form of humans, plants and animals. Verbal text is a series of words that can be read and have meaning according to the message the cartoonist wants to convey. Cartoon discourse by Nuriarta has been uploaded on social media and published in Kompas, Radar Bali, and the Bali Post from 2016 to 2019. Cartoon discourse Nuriarta's work has been published in a book entitled Cartoons and News; Cartoons Bring News and Context by Nuriarta in 2019. The result of research
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Chakraborty*, Prasun, and Anirban Chowdhury. "Study of Acceptance of Indian Political Cartoons in Facebook Landscape." International Journal of Innovative Technology and Exploring Engineering 10, no. 10 (2021): 137–42. http://dx.doi.org/10.35940/ijitee.j9450.08101021.

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Indian society changed after digitalization and economical reformation. Currently, the Facebook is the most popular social media in India. The political cartoonist took that platform as an opportunity to share their thoughts and raise socio-political issues through their cartoons. The aim of the paper is to study responses (likingness and affective) to political cartoons in respect to responsiveness towards cartoons, gender, and socio-economic status. The study was conducted among 875 Indians from different parts of India including males and females with various socio-economic backgrounds. The
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Prasun, Chakraborty, and Chowdhury Anirban. "Study of Acceptance of Indian Political Cartoons in Facebook Landscape." International Journal of Innovative Technology and Exploring Engineering (IJITEE) 10, no. 10 (2021): 137–42. https://doi.org/10.35940/ijitee.J9450.08101021.

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Indian society changed after digitalization and economical reformation. Currently, the Facebook is the most popular social media in India. The political cartoonist took that platform as an opportunity to share their thoughts and raise socio-political issues through their cartoons. The aim of the paper is to study responses (likingness and affective) to political cartoons in respect to responsiveness towards cartoons, gender, and socio-economic status. The study was conducted among 875 Indians from different parts of India including males and females with various socio-economic backgrounds. The
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Veinberga, Elīna. "STYLISTIC TECHNIQUES IN THE REPRESENTATION OF LATVIAN CHARACTER: A STUDY OF GATIS ŠĻŪKA’S CARTOONS." Culture Crossroads 16 (November 2, 2022): 16–29. http://dx.doi.org/10.55877/cc.vol16.82.

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The purpose of the article is to study a variety of cartoons by the famous Latvian cartoonist Gatis Šļūka who often represents Latvia and Latvians, capturing their very character and spirit. The main objective of this study is to examine diverse stylistic patterns and their visual and verbal interaction. The frequent use of stylistic patterns implies that Latvian thinking is naturally figurative. The cartoons often mock various predicaments in different domains of life. To appreciate the complete meaning of a cartoon, it is crucial to understand the historical and social context of the cartoon
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Nyoni, Mika, Nesbeth Grand, and Tsitsi Nyoni. "Beyond The Humour: a Newspaper Cartoon as Socio-Politico-Economic Commentary: The Case of 'Wasu' of the Manica Post in Zimbabwe." Greener Journal of Social Sciences 2, no. 5 (2012): 179–90. https://doi.org/10.15580/gjss.2012.6.102512152.

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The research looks at the role of a newspaper cartoon (&#39;Wasu&#39; of The Manica Post in Zimbabwe) in the socio-economic and political landscape of Zimbabwe. Up to one hundred cartoons were collected from the period 2004 to 2010 and from these a few were selected for thorough scrutiny. Besides analyzing the cartoons collected, the researchers also interviewed Blessing Mukuze, the cartoonist and creator of the cartoon character &#39;Wasu&#39; to provide an illumination on the background of the persona. The analysis reveals that although cartoons are perceived by the ordinary reader as primar
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Guz, Maria Nikolaevna, and Natalia Vladimirovna Pigina. "Contemporary German political cartoons (based on the cartoons by Klaus Stuttmann)." Philology. Theory & Practice 17, no. 8 (2024): 2967–75. http://dx.doi.org/10.30853/phil20240422.

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The aim of the study is to identify the linguostylistic features of creating a comic effect in modern German political cartoons. The paper examines political cartoons by Klaus Stuttmann. The scientific novelty of the research lies in the linguistic and cultural analysis of the verbal and nonverbal components of political cartoons by one of the most famous contemporary German cartoonists, Klaus Stuttmann, a winner of numerous awards. Based on the analysis of Stuttmann’s cartoons from 2022-2024, it has been found that cartoons are polycode texts in which the combination of verbal and nonverbal c
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Aye, Aye Mon. "The Life of Peasants in Colonial Period told by U Ba Glay's Cartoons." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.37–41. https://doi.org/10.5281/zenodo.3547085.

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The art of cartoon occurred simultaneously with the journals and magazines in the world of journalism in Myanmar. The cartoons which produced in 1915 were drawn by Shwe Talay (a) Cartoonist Saya U Ba Glay. U Ba Galay recorded the Myanmar&rsquo;s social and political events with cartoons during 1915 and 1939 and also created the jolly type old man U Shwe Yoe in Myanmar&rsquo;s film and dramatic art.
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Muttaqien, Muhammad, and Zein Mufarrih Muktaf. "Kartun untuk Periklanan: Studi Kasus Desain Kartun Koyoiki Design Studio." Jurnal Audiens 6, no. 1 (2025): 214–23. https://doi.org/10.18196/jas.v6i1.586.

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Cartoons are visual works that are predominantly used in advertising works, such as logos, mascots, illustrations, comics, and even animations. Cartoons are creative works that involve an imaginative creative visual process. This study is a study of the creative process of making cartoons for advertising. Koyoiki Design Studio is a design studio that produces a lot of cartoon production works for mascots, logos, or advertisements. This study wants to see how the process of making cartoon works at Koyoiki Design Studio. The method used is a case study approach. The reason for using this approac
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Dissertations / Theses on the topic "Cartoons"

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Hanna, Elias Issa. "Electronically generated cartoons." Thesis, University of Essex, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.278622.

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Woelfer, Sidnei Werner. "Constructing meaning from cartoons." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/167472.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2016<br>Made available in DSpace on 2016-09-16T14:01:40Z (GMT). No. of bitstreams: 1 340760.pdf: 5871303 bytes, checksum: d7bbc65099a3c94372560565194b7bd6 (MD5) Previous issue date: 2016<br>Com base em pesquisas anteriores sobre os efeitos facilitadores das ilustrações na compreensão leitora (Schallert, 1980; Fang, 1996; Carney & Levin, 2002 e Pan & Pan, 2009), este estudo investigou a influência da proficiê
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Crowell, Matt. "THE BEST PLACE FOR CARTOONS: CARTOON NETWORK AND THE SILVER AGE OF AMERICAN ANIMATION." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1601.

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Cartoon Network is identified by animation scholars as a crucial point in the resurgence of animation in the 1990s termed the “Second Golden Age”, or as I term it, the “Silver Age”. The reasoning for this semantic shift is that this new age, as typified by Cartoon Network, draws heavily off of the golden age that preceded it. This, in fact, comprises Cartoon Network's primary mode of address. By creating a timeline of early Cartoon Network, I show that they used animation history to create an audience that was activated both nostalgically, through animation they saw as a child, and critically,
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Nygren, Niklas. "Concept Cartoons : En kvalitativ studie kring elevers och lärares upplevelse av Skolverkets material, Concept Cartoons." Thesis, Mittuniversitetet, Avdelningen för ämnesdidaktik och matematik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-31023.

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Denna studie handlar om det naturvetenskapliga materialet, Concept Cartoons. Materialet är publicerat av Skolverket och tanken är att det ska användas som inspirationsmaterial, diskussionsunderlag och bedömningsstöd i de naturorienterande ämnena. Syftet med studien är att undersöka hur lärare och elever upplever Concept Cartoons, på vilket sätt materialet kan användas som bedömningsstöd och hur lärare kan tänkas använda materialet både i undervisning och bedömning inom NO.För att studera Concept Cartoons och vad lärare och elever har att säga om arbetssättet har tre metoder använts; tre observ
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Dines-Levy, Gail. "Towards a sociology of cartoons a framework for sociological investigation with special reference to Playboy sex cartoons /." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1990. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.280757.

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Sandström, Evelina, and Suzana Ristic. "Concept cartoons som diskussionsunderlag i NO-undervisningen." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-33490.

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Syftet med vårt examensarbete är att få en djupare förståelse för hur concept cartoons påverkar elevers gruppdiskussioner och bidrar till deras lärande i NO-undervisningen. Eftersom vår utbildning inriktar sig mot elever i årskurs F-3, har vi valt att återspegla detta i vår studie. Det teoretiska perspektiv som legat till grund för studien är det sociokulturella lärandeperspektivet, där Mercers (1996) tre språkliga kategorier disputational talk, cumulative talk och exploratory talk har använts för att få djupare förståelse för hur elevernas olika sätt att diskutera påverkar deras lärande. Conc
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Gordon, Jon Clair. "International political cartoons as rhetoric : a content analysis /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487676847116104.

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Taylor, Ty. "Compression of Cartoon Images." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1301319148.

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Luce, Russell Ralph. "President George W. Bush a portrayal of the Iraq War through cartoons /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1134156853.

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Thesis (M.A.)--Miami University, Dept. of Speech Communication, 2005.<br>Title from first page of PDF document, author statement from p. [i]. Document formatted into pages; contains [1], iv, 40 p. : ill. Includes bibliographical references (p. 35-37).
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Bush, Lawrence Ray. "More than Words: Rhetorical Devices in American Political Cartoons." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/3924.

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This thesis argues that literary theory applied to political cartoons shows that cartoons are reasoned arguments. The rhetorical devices used in the cartoons mimic verbal devices used by essayists. These devices, in turn, make cartoons influential in that they have the power to persuade readers while making them laugh or smile. It also gives examples of literary theorists whose works can be applied to political cartooning, including Frederick Saussure, Mikhail Bakhtin, and Wolfgang Iser. Not only do those theorists' arguments apply to text, they also apply to pictorial representations. This th
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Books on the topic "Cartoons"

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Danny, Antonucci, Albrecht Jeff, and Cartoon Network (Television network), eds. Cartoon cartoons. DC Comics, 2004.

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C, Barsotti, Cochran Bruce, and Vietor Dean, eds. The USA today cartoon book: Cartoons. Andrews, McMeel & Parker, 1986.

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Graeve, Jan de. De hervormers: Knack's cartoon Cabinet : politieke cartoons. Roularta Books, 1991.

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Wells, Clyde. The Clyde Wells cartoon book: Editorial cartoons. Augusta Chronicle, 1989.

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Hartung, Rolf. Cartoons. Technische Universität Braunschweig, Universitätsbibliothek, 1987.

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Hodge, Anthony. Cartoons. Stargazer Books, 2004.

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Darracott, Joseph. A cartoon war: World War Two in cartoons. Leo Cooper, 1989.

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Austin, ed. The Spectator cartoon book: A collection of cartoons. Deutsch, 1987.

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Amanda-Jane, Doran, and Punch, eds. The "Punch" cartoon album: 150 years of classic cartoons. Grafton Books (HarperCollins), 1991.

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Amanda-Jane, Doran, ed. The Punch cartoon album: 150 years of classic cartoons. Grafton, 1990.

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Book chapters on the topic "Cartoons"

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Watson, J. R. "Cartoons." In A Handbook to English Romanticism. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_15.

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Watson, J. R. "Cartoons." In A Handbook to English Romanticism. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_15.

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Chu, Kin Wai. "Digital Cartoons." In Global Perspectives on Digital Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003214915-12.

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Jha, Divyendu. "Colonial Cartoons." In Humour and the Performance of Power in South Asia. Routledge India, 2021. http://dx.doi.org/10.4324/9781003097549-3.

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Halbheer, Ueli. "Cartoons und Bildungsreformen." In Schule und Reform. Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-19498-7_2.

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Hempelmann, Christian F., and Andrea C. Samson. "Cartoons: Drawn jokes?" In The Primer of Humor Research. Mouton de Gruyter, 2008. http://dx.doi.org/10.1515/9783110198492.609.

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Ferrandino, Matthew. "Chiptunes to Cartoons." In The Intersection of Animation, Video Games, and Music. Routledge, 2023. http://dx.doi.org/10.4324/9781032172231-15.

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Al-Rawi, Ahmed. "The Muhammed Cartoons." In Islam on YouTube. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-39826-0_3.

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Lent, John A., and John A. Lent. "Introduction." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0001.

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This introductory chapter discusses the definitions, functions, and significance of political cartoons. Besides its function as a watchdog of government and the political system, the chapter also shows that the political cartoon is also a social consciousness-raising instrument that can bring attention to social problems and then campaign to change them. Furthermore, in nearly every region of the world, the purposes political cartoons serve are heavily dependent upon the processes by which they are created and sanctioned. The chapter turns to the “freedom to cartoon.” In very rare cases, and v
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Lent, John A., and John A. Lent. "Singapore." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0015.

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This chapter explores the freedom to cartoon in Singapore. It reveals that Singapore has pioneered a form of cartooning that has since swept much of Asia—what this chapter calls “guided cartooning.” Under guided cartooning, the cartoonist is very aware of the red lines not to be crossed and the consequences if crossed, and strictly follows the guidance of the editor, who sometimes assigns the topics and stances, and screens the cartoons prepublication. The result: self-censorship with elements of pre-censorship carrying another name. The chapter traces the evolution of Singaporean political ca
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Conference papers on the topic "Cartoons"

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Su, Shuran, Mei Du, Jintao Mao, Renshu Gu, and Fei Gao. "Chinese Ink Cartoons Generation With Multiscale Semantic Consistency." In 2024 International Conference on Cyberworlds (CW). IEEE, 2024. https://doi.org/10.1109/cw64301.2024.00032.

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Paige, Amie, Adil Soubki, John Murzaku, Owen Rambow, and Susan E. Brennan. "Training LLMs to Recognize Hedges in Dialogues about Roadrunner Cartoons." In Proceedings of the 25th Annual Meeting of the Special Interest Group on Discourse and Dialogue. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.sigdial-1.18.

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Kuntze, Sebastian, and Jens Krummenauer. "DIGITALLY-BASED CLASSROOM CARTOONS ON PRE-SERVICE MATHEMATICS TEACHERS’ OBSERVATIONS FROM SCHOOL INTERNSHIPS AS A WAY OF TURNING THEIR NOTICING AND VIEWS INTO PROFESSIONAL LEARNING OPPORTUNITIES – THE CASE OF MISTAKE-HANDLING ACTIVITIES." In 17th International Conference on Education and New Learning Technologies. IATED, 2025. https://doi.org/10.21125/edulearn.2025.0862.

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Zwelakhe Dlamini, Sizwe. "THE NATION IN TURMOIL: A POST-COLONIAL CRITIQUE OF SOUTH AFRICAN EDITORIAL CARTOONS." In HuSoc Bali – Humanities & Social Sciences International Conference, 21-22 July 2025. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.306307.

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There seems to be little research that has been done to investigate cartoons from a literary criticism point of view. Cartoons have been given attention mostly in discipline like semiotics as compared to other scholarly perspectives. The aim of this article is to attempt to bridge this gap by observing cartoons through the post-colonial approach as a literary theory. The study adopts systematic visuo-textual analysis as a qualitative research technique since cartoons are the primary sources of data collection and analysis. Through the application of the post-colonial theory, the findings demon
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OPOLOVNIKOVA, M. V., and I. V. KOKURINA. "REPRESANTATION OF THE ARAB-ISRAELI WAR IN THE GERMAN-LANGUAGE CARTOON." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_82.

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The article is devoted to a German-language cartoon covering the events of the Middle East conflict. A group of cartoons is chosen in which the direct participants in the military confrontation, as well as third countries, act as the object of evaluation. The authors conclude that the cartoonists evaluate pejorative the actions of Israel and Hamas, without giving preference to either side and expressing sympathy for the civilian population of both regiones. It is stated that the axiological vector of cartoons dedicated to third countries is evident and exposes them as the true stirrer-up of th
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Han, Kyungjin, Jieun Hwang, and Jong Weon Lee. "Creating Virtual Reality Cartoons from Traditional Cartoons." In SA '20: SIGGRAPH Asia 2020. ACM, 2020. http://dx.doi.org/10.1145/3415264.3425445.

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KROKHALEVA, E. A., and M. A. SAMKOVA. "THE FUNCTIONING OF PRECEDENT NAMES IN CARTOON DISCOURSE." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_47.

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Cartoon discourse is a unique type of communication based on the use of animation, cartoons and other forms of multimedia art. In this context, precedent names play a key role, which add depth and meaning to the multimedia works. This article examines the functioning and the concept of precedent names in cartoon discourse. The authors analyze the role of precedent names in animated films, i.e., in creating images of characters and transmitting a certain identity. The cultural and historical contexts influence the interpretation and perception of precedent names in cartoon discourse. It is conc
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Tian, Wenxin. "Converting Real Human Avatar to Cartoon Avatar using CycleGAN." In 8th International Conference on Artificial Intelligence and Applications (AI 2022). Academy and Industry Research Collaboration Center (AIRCC), 2022. http://dx.doi.org/10.5121/csit.2022.121816.

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Cartoons are an important art style, which not only has a unique drawing effect but also reflects the character itself, which is gradually loved by people. With the development of image processing technology, people's research on image research is no longer limited to image recognition, target detection, and tracking, but also images In this paper, we use deep learning based image processing to generate cartoon caricatures of human faces. Therefore, this paper investigates the use of deep learning-based methods to learn face features and convert image styles while preserving the original conte
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Koda, Tomoko, Yuka Nakagawa, Kyota Tabuchi, and Zsofia Ruttkay. "From cartoons to robots." In Proceeding of the 5th ACM/IEEE international conference. ACM Press, 2010. http://dx.doi.org/10.1145/1734454.1734497.

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Lin, Lorraine, and Sophie Jörg. "Do cartoons feel pain?" In SAP '15: ACM Symposium on Applied Perception 2015. ACM, 2015. http://dx.doi.org/10.1145/2804408.2814182.

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Reports on the topic "Cartoons"

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Castañeda Zumeta, A., and P. Pineda-Martínez. The promotion of democracy in political cartoons. The themes of cartoons in the Basque newspaper Egin (1977). Revista Latina de Comunicación Social, 2016. http://dx.doi.org/10.4185/rlcs-2016-1093en.

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Demirbas, Erkan. Storytelling with cartoons in economics and statistics. The Economics Network, 2024. http://dx.doi.org/10.53593/n3939a.

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Villegas-Navas, Victoria. How food references are portrayed in audiovisual entertainment media? A systematic review of content analyses. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.6.0119.

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Review question / Objective: To conduct a systematic review of content analyses that investigate how food references are portrayed in audiovisual entertainment media. Frequency in which food references appear, proportion of low, middle and highly recommended consumption food references, contexts (positive, negative or neutral) in which the different type of food references appear - will be some of the aspects to explore. Condition being studied: In this systematic review, the main domain being studied is the unit of analysis called “food references”. Food references could be defined as any vis
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SEREDINA, E. V., E. V. KISLITSYNA, and E. F. BEKH. JOE BIDEN’S NICKNAMES IN POLITICAL CARTOON. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-83-90.

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The article examines unofficial nicknames for Joe Biden, sitting president of the USA, in the light of political humour. All of the used nicknames express popular public opinion, highlighting the individual characteristics of the president and emphasizing his particular behavior. The common feature of the illustrated nickname is a mockery on the president constructed by adding vivid adjectives to his name.
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Reig, R., and R. Mancinas-Chávez. Transgression and critique of the system: the journalist cartoon. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1267en.

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Edwards, H. W., M. F. Kostrzewa, M. May, and G. P. Looby. Pollution prevention assessment for a manufacturer of folding paperboard cartons. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/125057.

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Thoden van Velzen, E. U., D. Huremović, E. R. P. Keijsers, R. op den Kamp, and M. T. Brouwer. Recycling of beverage cartons in the Netherlands 2016 : technical report. Wageningen Food & Biobased Research, 2017. http://dx.doi.org/10.18174/427248.

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Villagómez, P., P. Romero, and T. Villalva. Caricatura política y agenda mediática en Ecuador Political cartoon and media agenda in Ecuador. Sociedad Latina de Comunicación Social, 2020. http://dx.doi.org/10.4185/cac166-4.

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van Ginkel, Bibi, and Peter Knoope. How to respond to Quran desecrations? What we can learn from earlier incidents. ICCT, 2023. http://dx.doi.org/10.19165/2023.2.06.

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In 2008, the Dutch government prepared a strategic communications campaign to prevent and to manage a potential fall out in terms of polarisation in society and rising security risks as a result of the broadcasting of the Islam-critical movie ‘Fitna’, produced by a Dutch politician. The Dutch government learned lessons from the response by the Danish government to the Mohammed cartoon riots in 2005 to inform its own strategic communication campaign. The authors of this Policy Brief reflect on the lessons of this successful campaign to offer recommendations to governments on how to respond to t
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Melanie, Haupt, and Hellweg Stefanie. Synthèse du projet conjoint du PNR 70 «Gestion des déchets pour soutenir la transition énergétique (wastEturn)». Swiss National Science Foundation (SNSF), 2020. http://dx.doi.org/10.46446/publication_pnr70_pnr71.2020.2.fr.

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Les déchets renferment de grandes quantités d’énergie aussi bien directe qu’indirecte. Les déchets ménagers incinérés chaque année en Suisse représentent une valeur énergétique de quelque 60 pétajoules. L’énergie qui en est directement tirée couvre environ 4 % des besoins en énergie finale. Le plus gros potentiel en matière de gestion des déchets réside cependant dans le recyclage des matériaux, afin de leur donner une seconde vie et d’éviter ainsi indirectement la production énergivore de matières premières Pour optimiser la contribution de la gestion des déchets à la transition énergétique,
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