Journal articles: 'Caryl Phillips'

1

King, Bruce, and Bénédicte Ledent. "Caryl Phillips." World Literature Today 77, no. 1 (2003): 87. http://dx.doi.org/10.2307/40157816.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Birat, Kathie. "Caryl Phillips." Commonwealth Essays and Studies 40, no. 1 (September 1, 2017): 5–10. http://dx.doi.org/10.4000/ces.4433.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Birbalsingh, F. "Interview with Caryl Phillips." Caribbean Quarterly 37, no. 4 (December 1991): 40–46. http://dx.doi.org/10.1080/00086495.1991.11671739.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Čatić, Emina, and I. Murat Öner. "Lives Fractured: Re/Naming and Identity in the Writing of Caryl Phillips." Romanian Journal of English Studies 16, no. 1 (November 1, 2019): 32–41. http://dx.doi.org/10.1515/rjes-2019-0005.

Full text

Abstract:

AbstractThe novels of Caryl Phillips often deal with the experiences and identities of those displaced and marginalized by society. Caryl Phillips is well known for employing different textual strategies such as spatiotemporal fragmentation, intertextuality, naming, and point of view shifts in order to portray the struggles and suffering of his characters. The aim of this article is to examine how Phillips uses naming of his characters to depict the effects exile, slavery and other forms of oppression may have on their lives and identities. In order to accomplish this, different characters from Phillips’s novels Cambridge (1991), The Nature of Blood (1997), Crossing the River (1993) and Higher Ground (1989) will be discussed. The analysis of the characters will draw upon three concepts of naming first proposed by Bénédicte Ledent (2002): anonymity, (re)naming and name alteration.

APA, Harvard, Vancouver, ISO, and other styles

5

Rahbek, Ulla. "Caryl Phillips and the Heroic." ariel: A Review of International English Literature 48, no. 3-4 (2017): 77–101. http://dx.doi.org/10.1353/ari.2017.0027.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Ward, Abigail. "An Interview with Caryl Phillips." Contemporary Literature 53, no. 4 (2012): 628–45. http://dx.doi.org/10.1353/cli.2012.0034.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Mardorossian, Carine. "Nature-Function in Caryl Phillips' Cambridge." ariel: A Review of International English Literature 48, no. 3-4 (2017): 187–207. http://dx.doi.org/10.1353/ari.2017.0030.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Pitts, Johny. "Daffodils: A Meeting with Caryl Phillips." ariel: A Review of International English Literature 48, no. 3-4 (2017): 37–47. http://dx.doi.org/10.1353/ari.2017.0033.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Phillips, Caryl, Kathie Birat, and Bénédicte Alliot. "Pitt à pawol de Caryl Phillips. Entretien." Cahiers Charles V 31, no. 1 (2001): 129–40. http://dx.doi.org/10.3406/cchav.2001.1320.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Bell, C. Rosalind. "Worlds Within: An Interview With Caryl Phillips." Callaloo 14, no. 3 (1991): 578. http://dx.doi.org/10.2307/2931461.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Phillips, Caryl. "Interview: George Lamming talks to Caryl Phillips." Wasafiri 13, no. 26 (September 1997): 10–17. http://dx.doi.org/10.1080/02690059708589555.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Pulitano, Elvira. "Migrant journeys: A conversation with Caryl Phillips." Atlantic Studies 6, no. 3 (November 30, 2009): 371–87. http://dx.doi.org/10.1080/14788810903264829.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Hannan, Jim. "In the Falling Snow by Caryl Phillips." World Literature Today 84, no. 2 (2010): 68–69. http://dx.doi.org/10.1353/wlt.2010.0278.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Della Valle, Paola. "Migration and Multiplicity of Belonging in Caryl Phillips." Le Simplegadi, no. 18 (November 2018): 65–74. http://dx.doi.org/10.17456/simple-96.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Guignery, Vanessa. "Crossing the River: A Conversation with Caryl Phillips." Études anglaises 69, no. 3 (2016): 321. http://dx.doi.org/10.3917/etan.693.0321.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Sarvan, Charles P., and Hasan Marhama. "The Fictional Works of Caryl Phillips: An Introduction." World Literature Today 65, no. 1 (1991): 35. http://dx.doi.org/10.2307/40146116.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

FOKKEMA, ALEID. "Identity, trauma and exile: Caryl Phillips on surviving." European Review 13, no. 2 (May 2005): 283–92. http://dx.doi.org/10.1017/s1062798705000414.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Ledent, Bénédicte. "Introduction: Thinking Caryl Phillips Out of the Box." ariel: A Review of International English Literature 48, no. 3-4 (2017): 1–11. http://dx.doi.org/10.1353/ari.2017.0034.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Kirlew, Shauna Morgan. "Caryl Phillips: writing in the key of life." Journal of Postcolonial Writing 49, no. 2 (May 2013): 244–46. http://dx.doi.org/10.1080/17449855.2012.761402.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Ledent, Bénédicte, Caryl Phillips, and Daria Tunca. "“A growth to understanding”: An interview with Caryl Phillips about biographical fiction." Journal of Commonwealth Literature 55, no. 3 (January 9, 2019): 456–68. http://dx.doi.org/10.1177/0021989418814586.

Full text

Abstract:

Starting from the recognition of a biographical impulse in the work of Caryl Phillips, this interview focuses on his practice of biographical fiction. Among the issues raised are the increased popularity of life writing, the tension between fact and fiction at the heart of biographical narratives, the linguistic exactitude involved in focusing on historical characters, the role of research in the exploration of human lives, and the importance of emotional truth in novels that deal with famous individuals. This conversation sheds light on Phillips’s specific approach to biofiction, particularly in his novels Dancing in the Dark (2005) and A View of the Empire at Sunset (2018), while also providing readers with a more general reflection on the genre in the postcolonial field.

APA, Harvard, Vancouver, ISO, and other styles

21

Antoni, Robert. "The Enigma of Unarrival: A Tribute to Caryl Phillips." ariel: A Review of International English Literature 48, no. 3-4 (2017): 29–35. http://dx.doi.org/10.1353/ari.2017.0031.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Jaggi, Maya. "Crossing the river: Caryl Phillips talks to Maya Jaggi." Wasafiri 10, no. 20 (September 1994): 25–29. http://dx.doi.org/10.1080/02690059408574360.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Clingman, Stephen. "The nature of empathy: An interview with Caryl Phillips." Journal of Postcolonial Writing 53, no. 5 (February 8, 2017): 590–612. http://dx.doi.org/10.1080/17449855.2016.1275339.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Clingman, Stephen. "Writing the biofictive: Caryl Phillips and The Lost Child." Journal of Commonwealth Literature 55, no. 3 (November 9, 2018): 347–60. http://dx.doi.org/10.1177/0021989418808010.

Full text

Abstract:

This article is an exploration of the biofictive in Caryl Phillips’s writing, in particular in his novel The Lost Child (2015). The term “biofiction” has been in critical use for some 20 years, but is in general under-theorized. The article intends to help fill that gap by considering the biofictive in Phillips’s work as a form of postcolonial epistemology. It also introduces a new but logical dimension by setting the biofictive in conversation with biopolitics. However, whereas the dominant focus in discussions of the biopolitical (formulations from Foucault to Agamben and beyond) concerns the structures and dispositions of power, the role of the biofictive is inflected differently insofar as it both acknowledges a history of power but also creates a space of narrative alterity and resistance. In Phillips’s work this is revealed both in his nonfiction and fiction, not least where the two are combined; and it is especially evident in the multimodal operations of his fiction, dispersed across time and space in the aftermath of slavery, migration, and empire. We see all this in The Lost Child, which also introduces a complex rereading of Emily Brontë’s Wuthering Heights. Overall, Phillips’s version of the postcolonial is capacious, intersecting with other forms of post-traumatic and fugitive experience. The biofictive becomes a bona fide form of knowledge in our postcolonial, post-imperial moment.

APA, Harvard, Vancouver, ISO, and other styles

25

Clingman, Stephen. "Rights, Routes, and Refugees: The Fiction of Caryl Phillips." Law & Literature 27, no. 3 (September 2, 2015): 365–81. http://dx.doi.org/10.1080/1535685x.2015.1099220.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Fediakova, Anastasiia. "Disrupted Parenthood in Caryl Phillips’s The Final Passage." Prague Journal of English Studies 10, no. 1 (July 1, 2021): 43–58. http://dx.doi.org/10.2478/pjes-2021-0003.

Full text

Abstract:

Abstract In his debut novel The Final Passage, first published in 1985, Caryl Phillips (dis)connects the English and the Caribbean spaces simultaneously imposing this inbetweenness onto his continuously misplaced characters. This paper explores the novel through the lens of disrupted parenthood, demonstrating that the ties between the family members mirror the inability of the protagonists to belong or to sustain relationships. By applying a postcolonial framework and including both canonical and recent texts produced in the field, this paper analyses how racial labels and assumptions weaken fragile bonds and further displace the characters as it also attempts to fill a gap since aspects of distress and breakdown are often neglected in literary criticism. Finally, given the background of the West Indies, the paper incorporates social and anthropological works dedicated to the region and connects Phillips’s narrative to the stories of migrants in contemporary Britain.

APA, Harvard, Vancouver, ISO, and other styles

27

Frątczak-Dąbrowska, Marta. "Social (in)Justice, or the Condition of Global Capitalism in the Lost Child (2015) by Caryl Phillips." Studia Anglica Posnaniensia 54, no. 1 (March 1, 2019): 5–20. http://dx.doi.org/10.2478/stap-2019-0001.

Full text

Abstract:

AbstractThe present article is a critical rereading of Caryl Phillips’s latest novel The Lost Child (2015). It looks at the text as both a literary comment on the crisis of today’s global capitalism and as an acute socio-economic analysis of the crisis’ roots and effects. It is being argued that, by placing Wuthering Heights (1847) as an intertext for his contemporary novel and by linking the figure of Heathcliff with African slavery and contemporary poverty, Caryl Phillips aims to emphasise the affinity between the socio-economic conditioning of the nineteenth- and twentieth-century England, as well as between the contemporary and historical experience of economic marginalisation. Thus, he shows global capitalism as a universal experience of long modernity and asks some vital questions about its shape and its future. The following analysis, in line with recent scholarship in the field of postcolonial studies, combines postcolonial criticism with socioeconomic theories and argues that the novel deserves a place in the ongoing debates on the condition of the global economy, social (in)justice and (in)equality, which nowadays become part of the postcolonial literary scholarship.

APA, Harvard, Vancouver, ISO, and other styles

28

Fejer, Azhar. "The Stereotypical Representation of Black Women in Caryl Phillips’ "Cambridge"." International Journal of Literary Humanities 17, no. 2 (2019): 51–64. http://dx.doi.org/10.18848/2327-7912/cgp/v17i02/51-64.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Smethurst, O. "Postmodern blackness and unbelonging in the works of Caryl Phillips." Journal of Commonwealth Literature 37, no. 2 (August 1, 2002): 5–20. http://dx.doi.org/10.1177/002198902322439754.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Smethurst, Paul. "Postmodern Blackness and Unbelonging in the Works of Caryl Phillips." Journal of Commonwealth Literature 37, no. 2 (June 2002): 5–19. http://dx.doi.org/10.1177/002198940203700202.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Savory, Elaine. "A View of the Empire at Sunset, by Caryl Phillips." Review: Literature and Arts of the Americas 51, no. 2 (July 3, 2018): 315–17. http://dx.doi.org/10.1080/08905762.2018.1541156.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Laursen, Ole Birk. "Caryl Phillips, David Dabydeen and Fred D’Aguiar: Representations of slavery." Journal of Postcolonial Writing 48, no. 4 (September 2012): 449–50. http://dx.doi.org/10.1080/17449855.2011.639950.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Stephens, Michelle Ann. "The Comic Side of Gender Trouble and Bert Williams’ Signature Act." Feminist Review 90, no. 1 (October 2008): 128–46. http://dx.doi.org/10.1057/fr.2008.29.

Full text

Abstract:

Using the turn of the century blackface performer Bert Williams as a case study, this essay explores how we might think about black male performativity in the New World as a historical formation, one that extends both over the time of modernity and across the space of diaspora. I draw from contemporary theories of circum-atlantic performance and black feminist studies of the impact of slavery on black racial and gendered identities, to argue that performance affords a unique window into how blackness is constructed in a space between the black male performer and his equally racialized New World audience. The essay theorizes a notion of key black male performances as ‘signature acts’, then explores discussions of minstrelsy by other black American writers such as Ralph Ellison, Ishmael Reed, and the black British writer Caryl Phillips. Using Fanon's notions of triple-consciousness in tandem with Brechtian and Freudian theories of alienated performances and jokes, the essay concludes with a brief analysis of some of the gendered significations in lyrics from Bert Williams’ first musical comedy and then also in a novel about the performer by Caryl Phillips.

APA, Harvard, Vancouver, ISO, and other styles

34

Rosenberg, Beth. "The Postcolonial Jew in Anita Desai’s Baumgartner’s Bombay and Caryl Phillips’ The Nature of Blood." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 8 (December 1, 2015): 32. http://dx.doi.org/10.12681/syn.16211.

Full text

Abstract:

Anita Desai’s Baumgartner’s Bombay (1988) and Caryl Phillips’ The Nature of Blood (1997) are novels that feature Jewish protagonists; both represent the history of the Holocaust and diverge from the postcolonial landscapes the authors are associated with. Though the Indian Desai and the Anglo-Caribbean Phillips are distinct as postcolonial subjects, their Jewish protagonists help to create what Rebecca Walkowitz terms “comparison literature,” the “work of books that analyse… the transnational contexts of their own production, circulation, and study.” In other words, Desai and Phillips are interested in the structures and dynamics of ethnic identification in a global context. Through what I term the postcolonial Jew, these novels move beyond the notion of ethnic authenticity to a cosmopolitan view of identity as hybrid and positional. The authenticity of and in these novels does not rely on the authors’ ethnic backgrounds, but is found in their ways of telling history. Their intention is to break from the traditional association of Jews with the Judeo-Christian tradition, to represent them instead as separate from the Occidental tradition. As a result, Desai and Phillips utilise a decentred Jew, one who is constantly in flux, disparate, conflicted, and the embodiment of diaspora. The existential condition of this Jew —the placeless place he is called upon to inhabit, which the reader is invited to visit— and the paradoxical states of belonging and displacement become the conditions of all displaced others and represent the constant deferral of meaning in the narrative act.

APA, Harvard, Vancouver, ISO, and other styles

35

Acquarone, Cecilia. "Barriers, borders and crossing in two postmodern novels: Caryl's Phillips's The Nature of Blood and Zadie Smith's White Teeth." Epos : Revista de filología, no. 24 (January 1, 2008): 207. http://dx.doi.org/10.5944/epos.24.2008.10581.

Full text

Abstract:

The present article is a study of the novels the Nature of Blood by Caryl Phillips and White Teeth by Zadie Smith as paradigmatic examples of postmodern writing as well as of two different responses that the movement has elicited in our times. While The Nature of Blood deals tragically with the postmodern condition, White Teeth laughs at the contradictions and celebrates the achievements of postmodernism.

APA, Harvard, Vancouver, ISO, and other styles

36

Brown, J. Dillon. "A State of Interdependence: Caryl Phillips and the Postwar World Order." ariel: A Review of International English Literature 44, no. 2-3 (2013): 85–111. http://dx.doi.org/10.1353/ari.2013.0022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Carter, Tomeiko Ashford. "Signifying (Non)Linguistic and Subliminal Spirituality: Caryl Phillips’ Crossing the River." ariel: A Review of International English Literature 45, no. 1-2 (2014): 247–60. http://dx.doi.org/10.1353/ari.2014.0006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Ledent, Bénédicte, and Evelyn O'Callaghan. "Caryl Phillips' The Lost Child: A Story of Loss and Connection." ariel: A Review of International English Literature 48, no. 3-4 (2017): 229–47. http://dx.doi.org/10.1353/ari.2017.0032.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Yelin, Louise. "Migrant Subjects, Invisible Presences: Biography in the Writings of Caryl Phillips." ariel: A Review of International English Literature 48, no. 3-4 (2017): 103–28. http://dx.doi.org/10.1353/ari.2017.0036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Ledent, Bénédicte. "Radio drama and its avatars in the work of Caryl Phillips." Journal of Postcolonial Writing 54, no. 1 (January 2, 2018): 32–42. http://dx.doi.org/10.1080/17449855.2017.1417761.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Bewes, Timothy. "Shame, Ventriloquy, and the Problem of the Cliche in Caryl Phillips." Cultural Critique 63, no. 1 (2006): 33–60. http://dx.doi.org/10.1353/cul.2006.0014.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Luburić Cvijanović, Arijana. "MEMORY IN THE WORK OF CARYL PHILLIPS: SANCTUARY AND/OR PRISON?" Годишњак Филозофског факултета у Новом Саду 40, no. 1 (December 10, 2015): 163. http://dx.doi.org/10.19090/gff.2015.1.163-174.

Full text

Abstract:

Memory and rememoration were crucial for the (re)construction of postcolonial identities in the heyday of historical and cultural retrieval in earlier postcolonial literature. With the gradual change of focus towards considerations of identity construction in neocolonial societies, the importance of rememoration faded while memory continues to haunt characters in contemporary postcolonial fiction, as Caryl Phillips’s writing illustrates. His protagonists retrace memories of past lives, seeking refuge from loss, exile and marginalization, risking permanent entrapment in the labyrinths of past traumas. Although withdrawal into memory prevents some of them from adapting to their surroundings, memory in Phillips’s work as a whole serves as a meeting point for pogrom survivors. It is a polyphonic, heterotopian, heterogeneous imaginary community to which the uprooted figures of his novels belong. The aim of this article is to examine the function of memory in Phillips’s vision, arguing that the established space of memory is designed to mend the rift between value-infested polarities.

APA, Harvard, Vancouver, ISO, and other styles

43

Goyal, Yogita. "Theorizing Africa in Black Diaspora Studies: Caryl Phillips' Crossing the River." Diaspora: A Journal of Transnational Studies 12, no. 1 (2003): 5–38. http://dx.doi.org/10.1353/dsp.2011.0033.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Goyal, Yogita. "Theorizing Africa in Black Diaspora Studies: Caryl Phillips’ Crossing the River." Diaspora: A Journal of Transnational Studies 12, no. 1 (March 2003): 5–38. http://dx.doi.org/10.3138/diaspora.12.1.5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Nadal-Ruiz, Alejandro. "Celebrating Cultural Hybridity Through Storytelling: Othello as a Borderlands Character in Caryl Phillips’ The Nature of Blood." ES Review. Spanish Journal of English Studies, no. 42 (November 9, 2021): 199–215. http://dx.doi.org/10.24197/ersjes.42.2021.199-215.

Full text

Abstract:

This paper provides a new approach to Othello’s story in Caryl Phillips’ polyphonic novel The Nature of Blood (1997). The fictional Othello finds himself at the crossroads between different cultures and is struggling to define his identity. Making use of Gloria Anzaldúa’s borderlands theory as exposed in her work Borderlands/La Frontera (1987), this study explores Phillips’ Othello as a borderlands character. Accordingly, it is the purpose of this paper to demonstrate that, as a borderlands character-narrator, Othello succeeds in bringing together the two hitherto conflicting cultures that he knows (Africa and Venice) through storytelling. Indeed, his narrative proves a transborder testimony that contributes to creating a debate forum where cultural hybridity is celebrated.um where cultural hybridity is celebrated.

APA, Harvard, Vancouver, ISO, and other styles

46

Ferraz, João Paulo. "Displacement and unfulfillment." Revista Letras Raras 5, no. 2 (November 18, 2016): 169–78. http://dx.doi.org/10.35572/rlr.v5i2.677.

Full text

Abstract:

O objetivo deste ensaio é discutir brevemente a questão sobre pertencimento cultural e identitário, a partir do texto “Imaginary Homelands” (1982), de Salman Rushdie, do conto “Mericans” (1991), de Sandra Cisneros e da peça Strange Fruit (1981), de Caryl Phillips. Os três autores escrevem de uma perspectiva multicultural sobre a aceitação da identidade e os conflitos étnicos, raciais e sociais entre percepção da realidade pelo indivíduo e diversidade cultural em espaços de diáspora pós-colonial.

APA, Harvard, Vancouver, ISO, and other styles

47

Holland, Samantha Reive. "Forgetting to Remember: Multidirectional Communities in Caryl Phillips' In the Falling Snow." ariel: A Review of International English Literature 48, no. 3-4 (2017): 209–27. http://dx.doi.org/10.1353/ari.2017.0025.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Field, Douglas. "The evidence of a film not seen: An interview with Caryl Phillips." Wasafiri 18, no. 39 (June 2003): 24–26. http://dx.doi.org/10.1080/02690050308589840.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Singh, Dr Neha. "Carnival of Cultural Hybridity and Racial Ethnicity in Caryl Phillips’ The Final Passage." POETCRIT 32, no. 1 (February 14, 2019): 57–60. http://dx.doi.org/10.32381/poet.2019.32.01.8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Saez, E. M. "Postcoloniality, Atlantic Orders, and the Migrant Male in the Writings of Caryl Phillips." Small Axe: A Caribbean Journal of Criticism 9, no. 1 (January 1, 2005): 17–39. http://dx.doi.org/10.1215/-9-1-17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Caryl Phillips'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles