Relevant bibliographies by topics / Cast Museum

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cast Museum'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Cast Museum"

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Bagapova, Nadezhda V. "COLLECTIONS OF ART CAST IRON KUSA IN THE MUSEUMS OF THE URALS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 55 (2024): 249–59. https://doi.org/10.17223/22220836/55/20.

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The paper examines the decorative and applied arts cultural heritage of the Urals – Kusa cast iron art, which existed in the 1860s–2004. The art’s stylistic features and the range were defined in its high period in pre-revolution time. The fact that Kusa plant presented fine art products at major national and international science and art exhibitions promoted the recognition of Kusa cast iron art. This study is aimed at identifying art products in Ural museum collections, presenting Kusa cast iron art as a unique artistic phenomenon, and demonstrating the variety of styles, themes, stylistic a
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Semenova, Valentina I., and Nadezhda V. Bagapova. "Western European samples in the artistical cast-iron of Kusa." Vestnik of Saint Petersburg State University of Culture, no. 3 (60) (2024): 108–12. http://dx.doi.org/10.30725/2619-0303-2024-3-108-112.

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Attribution and establishment of authorship of artistical cast-iron is one of the important tasks in Russian museums that store valuable collections of this kind. The work carried out the attribution of six sculptures from the Yekaterinburg Museum of Fine Arts, the State Historical Museum of the Southern Urals, the State Historical Museum-Reserve «Gorki Leninskie», the Zlatoust City Museum of Local Lore, the All-Russian Museum of Decorative and Folk Arts and the private museum of V. Y. Orlova in Yaroslavl. The authors were able to establish the authorship and original name of the sculptural pr
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Semenova, Valentina I., and Nadezhda V. Bagapova. "Collections of art cast iron Kusa in museums of Central Russia." Vestnik of Saint Petersburg State University of Culture, no. 4 (61) (2024): 60–64. https://doi.org/10.30725/2619-0303-2024-4-60-64.

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The article examines the cultural heritage of the decorative and applied arts of the Urals – the artistical castiron of Kusa (1860s – 2004). This study is aimed at characterizing 6 identified collections of Kusa the artistical cast-iron in the museums of the Central Federal District of Russia: the State Historical Museum, the State Historical Museum-Reserve "Gorki Leninskie", the State Central Museum of Contemporary History of Russia, the All-Russian Museum of Decorative and Folk Arts, Sergiev Posad State Historical and Art Museum-Reserve, V. Yu. Orlov Museum. The pre-revolutionary period is r
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Flour, Isabelle. "‘On the Formation of a National Museum of Architecture: the Architectural Museum versus the South Kensington Museum." Architectural History 51 (2008): 211–38. http://dx.doi.org/10.1017/s0066622x00003087.

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Architectural casts collections — the great majority of which were created in the second half of the nineteenth or the early twentieth centuries — have in recent years met with a variety of fates. While that of the Metropolitan Museum in New York has been dismantled, that of the Musée des Monuments Français in Paris has with great difficulty been rearranged to suit current tastes. Notwithstanding this limited rediscovery of architectural cast collections, they remain part of a past era in the ongoing history of architectural museums. While drawings and models have always been standard media fo
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Kubala, Agata. "Copying after masterworks of ancient art: The plaster cast collection of the Museum of the University of Wrocław and its ideological and academic context." Quart, no. 3(61) (September 1, 2021): 120–39. http://dx.doi.org/10.19195/quart.2021.3.84933.

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Plaster cast collections of antique art, considered to be ideal form, constituted a significant part of public expositions in the European museums of the 19th c. The Museum of the University of Wroclaw was then holding one of the biggest such collections among university museums in Europe. This paper presents the collection of plaster cast copies of antique art objects held at the University of Wroclaw and contextualizes it within the tradition and purpose of academic art collections in Europe. To define the idea underpinning the creation and gradual expansion of Wroclaw-based collection, and
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Timberlake, Simon. "Lost & Found: 210. Iguanodon claw bone and the former Ely Museums." Geological Curator 5, no. 4 (1989): 161. http://dx.doi.org/10.55468/gc649.

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Simon Timberlake (AMSSEE Travelling Geology Curator, Geological Museum, Exhibition Road, London SET 2DE) is looking for a purported Fig.5. Plaster cast of Iguanodon claw bone at Wisbech and Fenland Museum from an original in a collection at Ely. Photograph by S. Timberlake. claw bone of the dinosaur Iguanodon. He found the only existing record of this specimen, a cast now at the Wisbech and Fenland Museum with an accompanying label 'Wealden in Drift' and a note reading 'The original now in the museum at Ely was found in a brick field about a mile west of Ely Cathedral* (Fig.5). Whether or not
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Taylor, Michael, Steven Sroka, and Kenneth Carpenter. "The concrete Diplodocus of Vernal—a cultural icon of Utah." Geology of the Intermountain West 10 (February 20, 2023): 65–91. http://dx.doi.org/10.31711/giw.v10.pp65-91.

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Although many casts have been made of the Carnegie Museum’s iconic Diplodocus, initially in plaster and more recently in various plastics, one stands alone as having been cast in concrete. This skeleton, made from the original Carnegie molds starting in 1956–1957, was unveiled at the Utah Field House of Natural History in Vernal, Utah, in 1957, and stood outside the museum for three decades. The fate of the molds after this casting is uncertain. The concrete Diplodocus was the museum’s icon for 32 years until the weather damage became too great. The cast was then taken down and repaired, and f
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O., DREER, and TSELISHCHEVA M. "CAST-IRON BAS-RELIEF WITH THE IMAGE OF AKINFIY DEMIDOV FROM THE ALTAI STATE MUSEUM OF LOCAL LORE: AN EXHIBIT WITH TWO CENTURIES OF HISTORY." Preservation and study of the cultural heritage of the Altai Territory 29 (2023): 25–33. http://dx.doi.org/10.14258/2411-1503.2023.29.04.

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The cast-iron bas-relief of the mining founder in Altai, Akinfiy Nikitich Demidov, is an exhibit of Altai State Museum of Local Lore. During the study, the authors found that the original cast-iron bas-relief of A.N. Demidov is a marble bas-relief made by the outstanding Russian sculptor F.I. Shubin. The basis for the bas-relief was a portrait of A.N. Demidov by Georg Christoph Grooth. In the Nizhny Tagil Museum-Preserve “Gornozavodskoy Ural” (Metallurgical Ural), there is a bronze bas-relief cast from the marble original made by the serf sculptor T.S. Sizov. Archives showed that the cast-iron
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Thorsén, David, and Eva Insulander. "Skola på museum: Ernst Klein och Nordiska museets undervisningsavdelning 1929–1938." Nordic Journal of Educational History 11, no. 1 (2024): 103–31. http://dx.doi.org/10.36368/njedh.v11i1.474.

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School at the museum: Ernst Klein and the Teaching Department at Nordiska museet, 1929–1938. This article examines the dynamic relationship between schools and museums during the 1930s. It investigates how elementary school teachers and students became a prioritized audience for Nordiska museet in Stockholm by analyzing the foundation of the museum’s teaching department (“undervisningsavdelningen”) and the work of the museum’s first lecturer Ernst Klein (1887–1937). Material from the museum’s archive reveals how a mutual beneficial relationship was established between the museum and local scho
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Boon, Gaynor. "Lost & Found: 211. Juvenile ichthyosaur cast." Geological Curator 5, no. 4 (1989): 161. http://dx.doi.org/10.55468/gc648.

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Gaynor Boon (City Museum, Weston Park, Sheffield SIO 2TP) would like to know the whereabouts of the original specimen of the cast of a young ichthyosaur illustrated here (Fig.6). It is 22 inches long and has no locality or horizon information. Fig.6. Replica of a juvenile ichthyosaur, original specimen unknown, 22 inches long. Photograph from G. Boon (Sheffield City Museum)....
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Dissertations / Theses on the topic "Cast Museum"

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Puig, Renata Guimarães. "A Arquitetura de Museus-Casas em São Paulo: 1980-2010." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-11072012-103841/.

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O termo difundido internacional historic house museums une duas categorias: casas históricas e casas-museus. No Brasil, os termos utilizados são museus-casas ou, ainda, casas-museus. Estes se constituem em espaços abertos ao público, reunindo características de conservação e apresentação das obras exigidas pelo Conselho Internacional de Museus (ICOM) e apresentando relação entre a casa (espaço arquitetônico), o acervo (conteúdo) e o proprietário (habitante). O presente estudo consiste em uma análise de três modelos de museus-casas/casasmuseus, na cidade de São Paulo, sendo eles: Fundação Maria
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Valle, Ana Luiza Rocha do. "Literatura e Museu: estudo dos museus literários Casa Guilherme de Almeida (SP) e Museu Casa Guimarães Rosa (MG)." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-07112016-123416/.

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Este trabalho apresenta alguns dos desafios e possibilidades em torno da musealização da literatura, dando ênfase à via expositiva. Buscamos referências nas discussões nacionais e internacionais sobre o tema, além de uma pesquisa de campo que compreendeu instituições brasileiras, húngaras, francesas, georgiana e sueca. Além do debate teórico em si, traçamos históricos breves de duas organizações: o Comitê Internacional de Museus Literários e Casas de Compositores do Conselho Internacional de Museus, e a Federação Nacional das Casas de Escritores e Patrimônios Literários da França. Dentre as pr
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Vilidiridis, Denny. "Museum educators' personal theories of teaching : a multi-case study." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:909f637c-5db8-4cb3-b886-9301aa670241.

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This multi-case study creates a better understanding of the relationship between four museum educators' personal theories of teaching and their practice in university museums. The question that frames this study is, "How, in a university museum setting, do museum educators' personal theories of teaching relate to their educational practices?" The aim was to produce an account of museum educators' personal theories and practices in university museums and interrogate what factors may influence the relationship between the two. While there is some literature about the personal theories and practi
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Amengual, Quevedo Irene. "Saberes y aprendizajes en la construcción de la identidad y la subjetividad de una educadora de museos: El caso del proyecto “Cartografiem-nos” en el museo Es Baluard." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/92561.

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Esta tesis es una investigación narrativa sobre la construcción de mis saberes y aprendizajes como educadora en Es Baluard Museu d’Art Modern i Contemporani de Palma. Después de una necesaria introducción al marco general dentro del cual se desarrolla este estudio, en la que analizo tanto el museo como la función del departamento educativo dentro del mismo, paso a abordar el escenario concreto donde se centra este trabajo: “Cartografiem-nos”. Éste es un proyecto educativo para trabajar a largo plazo con escuelas, que iniciamos el curso 2006-07, y que ha tenido continuidad hasta el presente, co
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Lima, Paula Coêlho Magalhães de. "Curadoria de objetos industriais: acervos de utensílios domésticos pré-elétricos em São Paulo." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-15012015-164350/.

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O presente estudo tem como objetivo central o estabelecimento de um quadro referencial que possa contribuir para uma metodologia para gestão de acervos museológicos de uma tipologia específica aqui determinada - os utensílios domésticos industrializados e pré-elétricos. Compreendemos que a relevância desta tipologia de objetos está no papel que exerceu no processo de modernização e racionalização do espaço doméstico que culminará na eletrificação das residências ao longo do século XX. Sendo assim, traçamos aqui um panorama dos ciclos de vida destes produtos em seu contexto original de fabricaç
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Lima, Paulo José Nascimento. "Plano museológico: questões e proposições a partir do estudo de caso do Museu Lasar Segall." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-09022015-111246/.

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O presente trabalho tem o intento de apresentar questões e proposições na construção de planos museológicos a partir das experiências do Museu Lasar Segall (MLS). No primeiro capítulo é apresentado o histórico do MLS, enfocando seu perfil museológico (escolhas conceituais) e suas práticas de gestão, assim como um paralelo de suas experiências com o pensamento museológico contemporâneo, e ainda um breve panorama com trabalhos acadêmicos que já foram realizados tendo o MLS como objeto. No segundo capítulo é descrito e apresentado o resultado do diagnóstico museológico que buscou mapear as funçõe
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Puig, Renata Guimarães. "Biografia da casa-museu: entre o privado e o público. Adaptações de casas-museus em São Paulo." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-11012019-150702/.

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O museu transformou seus espaços interiores para receber um público ativo a estímulos. Casas-museus ou museus-casas incluem a diversidade étnica e cultural, geram conhecimentos e nos transportam ao passado por caminhos históricos; preservam modos de viver, desafiando o visitante/ receptor. Essa tipologia de museu encerra-se em torno de sua coleção e de seus espaços. A arquitetura parte da atividade interior buscando os focos de luz natural e perspectivas do entorno. A partir da hipótese de que as casas-museus devem ser adaptadas e como essa adaptação acontece, o objetivo da pesquisa foi criar
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Guerra, José Wilton Nascimento. "O Projeto de Ernani Silva Bruno: uma discussão sobre as bases de criação, implantação e gestão do Museu da Casa Brasileira (1970-1979)." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-12112015-155635/.

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O presente projeto tem por objetivo discutir, sob a ótica da gestão de museus, em perspectiva histórica, a criação, implantação e a gestão do Museu da Casa Brasileira (MCB) sob a direção do historiador e memorialista Ernani Silva Bruno, entre 1970 e 1979. A hipótese que investigamos foi que a gestão de Silva Bruno, no âmbito dos museus públicos ligados a Secretaria da Cultura do Governo do Estado de São Paulo, encontrou um ambiente favorável para o desenvolvimento das atividades museológicas, se comparado a outros museus criados em períodos anteriores. Isto motivado por um cenário que consider
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Alhadi, Esameddin. "Transforming School Museum Partnership: The Case of the University of Florida Harn Museum Teacher Institute." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1214496613.

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Sturgess, Caroline. "The marketization of museum discourse? a case study of the Auckland Museum 1978-2006 : a dissertation submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Bachelor of Communication Studies with Honours (BCS (Hons)), 2007." Abstract. Full dissertation, 2007.

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Dissertation (BCS (Hons)--Communication Studies) -- AUT University, 2007.<br>Includes bibliographical references. Also held in print (iii, 53 leaves ; 30 cm.) in City Campus Theses Collection (T 069 STU)
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Books on the topic "Cast Museum"

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Saripanidi, Vassiliki. Thessaloniki, Aristotle University, Cast Museum. Published by the Research Centre for Antiquity of the Academy of Athens, 2012.

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Rüggeberg, Helmut. Ofenplatten. Bomann-Museum, 1992.

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Nienburg, Museum. Gusseiserne Ofenplatten: Aus der Sammlung des Museums Nienburg/Weser : Ausstellung des Museums 1987 im Fresenhof. Edited by Engelbracht Gerda and Ommen Eilert. Das Museum, 1987.

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Walker, Elizabeth Owen. Cast in stone: The Molly Brown House revealed. Historic Denver, 2001.

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Schwab, Katherine A. Casting the past: The Metropolitan Museum of Art plaster cast collection at Fairfield University. Thomas J. Walsh Art Gallery, Fairfield University, 1994.

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Schwab, Katherine A. Casting the past: The Metropolitan Museum of Art plaster cast collection at Fairfield University. Edited by Thomas J. Walsh Art Gallery., Fairfield University, and Metropolitan Museum of Art (New York, N.Y.). Thomas J. Walsh Art Gallery, Fairfield University, 1994.

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Heiniger, Kevin, and Kevin Heiniger. Schwarze Kunst: Bilder in Eisenguss 1500 bis 1800. Historisches Museum Basel, 2009.

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Heiniger, Kevin. Schwarze Kunst: Bilder in Eisenguss 1500 bis 1800. Historisches Museum Basel, 2009.

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Mleziva, Jindřich. Litina ze sbírek Západočeského muzea v Plzni: Cast iron in the collections of the West-Bohemian Museum in Pilsen. Západočeské muzeum v Plzni, 2009.

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Museum, Royal Ontario. Roman Republican coins in the Royal Ontario Museum: And aes rude, Italic cast bronze coins, and Italic issues from the Social War of 91-87 BC. Royal Ontario Museum, 1998.

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Book chapters on the topic "Cast Museum"

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Hauptman, Katherine. "Curatorial Challenges: Discussion Forums and Fragmented Narratives." In Museum Digitisations and Emerging Curatorial Agencies Online. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-80646-0_2.

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AbstractThis chapter explores discussions surrounding research on the Swedish History Museum’s collection of Viking Age objects on Internet forums, blogs and digital news media during the period 2004–2020. It argues that there has been a clear escalation of questioning, confrontational and antagonistic reactions directed at research that brings into question issues of nationhood and stereotypes of gender roles and power. The discussions evolve around disagreements that focus on details rather than historical synthesis and quickly escalate into hostility, personal attacks and distrust in academ
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Nikonanou, Niki, Panagiotis A. Kanellopoulos, Elena Viseri, and Elina Moraitopoulou. "Educational Commons in Art Museums." In Educational Commons. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51837-9_9.

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AbstractThis chapter reports on four case studies that took place at four museums of the Metropolitan Organisation of Museums of Visual Arts (MOMus) in Thessaloniki, Greece, the Museum of Contemporary Art, the Experimental Center for the Arts, the Museum of Photography and the Museum of Modern Art-Costakis Collection. Different groups of young people participated in case studies that sought to bring together educational commons and collaborative artistic experimentation, leading to the co-creation of artistic projects. The chapter focuses on how commoning processes might contribute to the tran
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Halperin, Ilana. "Autobiographical Trace Fossils." In Making the Geologic Now. punctum books, 2012. https://doi.org/10.21983/p3.0014.1.25.

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Ephemeral islands, petrified raindrops, volcanic dust from Pompeii, a shared birthday with a volcano. Certain geological processes have a way of evoking a more personal response to the idea of geological time. What does a time span of 300,000,000 years actually mean? Physical Geology is an ongoing project which explores our desire to make corporeal contact with geo-logical phenomena.While conducting research as an Alchemy Fellow at the Manchester Museum, in the “oddi-ties drawer” of the geology department I came across a fine collection of lava medallions from Mount Vesuvius, magma pressed bet
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Axelsson, Bodil, Fiona R. Cameron, Katherine Hauptman, and Sheenagh Pietrobruno. "Introduction." In Museum Digitisations and Emerging Curatorial Agencies Online. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-80646-0_1.

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AbstractCuratorial agency is situated in the introduction via an elaboration of the intersection between the mission of public museums to care for collections and their increased reliance on digital capitalism’s social, technical and material infrastructures for the circulation of digitisations, narratives and new research findings. We explain how this book approaches curatorial agency in four individually authored chapters, each taking its own approach to museum knowledge and curatorial agency in regard to the junction of humanistic interpretations and new materialist and posthuman frameworks
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Biondo, Sandra. "Corporate Fashion Museums Communication Strategies: The Case of the Louis Vuitton Maison de Famille in Asnières-sur-Seine." In Fashion Communication in the Digital Age. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_28.

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AbstractThe case of the Louis Vuitton ‘maison de famille’ in Asnières-sur-Seine allows investigation of communications strategies implemented by Corporate Fashion Museums. It is argued these museum types are used by luxury fashion brands as marketing tools to retain their customers. The data relied upon are primarily qualitative: interviews and exploratory observations were specifically conducted between January 2020 and November 2022. It is suggested that the process of commodification of the family patrimonium as well as the enhancement of for-sale products within the museum is made possible
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Ambrose, Timothy, and Crispin Paine. "Making the case for museums." In Museum Basics, 5th ed. Routledge, 2025. https://doi.org/10.4324/9781003466598-1_4.

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Carlini, Alessandra. "Museum Education Between Digital Technologies and Unplugged Processes. Two Case Studies." In Makers at School, Educational Robotics and Innovative Learning Environments. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77040-2_21.

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AbstractThis document presents the results of architectural design and prototyping of educational kits within the museum context, two case studies featuring a combination of digital technologies and unplugged processes. The field of application is cultural heritage and the topics are part of school curricula. The first case study is a museum display of digital video installations and educational kits that reproduce mechanisms of symmetry from patterned flooring (“www.formulas.it” laboratory, Department of Architecture, Roma Tre University and Liceo Scientifico Cavour” high school). The second
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Cosaert, Annelies, Geert Bauwens, and Estelle De Bruyn. "Enhance Performance and Reduce Energy Use in Storage Areas: Two Belgian Case Studies." In Springer Proceedings in Archaeology and Heritage. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-85655-6_17.

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Abstract Resilient Storage is a project that focuses on designing a protocol for Belgian museums to implement short term energy-savings strategies, decrease CO2 emissions and improve preservation conditions. Cultural institutions’ mandate to optimally preserve their collections often encourages them to invest in Heating, Ventilation and Air-Conditioning (HVAC) systems to strictly control the indoor climate in their collection storage. These HVAC systems induce high operating costs and energy use. Today’s context calls for a combined strategy, one that reduces an institution’s environmental imp
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Papoulias, Evangelos, and Theoklis-Petros Zounis. "Artists and the University Heritage: The Case of the Athens University History Museum and the Exhibition “Opy Zouni: In First Person”." In Strategic Innovative Marketing and Tourism. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51038-0_88.

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AbstractThe university museums protect, conserve and present the cultural heritage related to education. The paper presents the initiative of the Athens University History Museum of the National and Kapodistrian University of Athens (NKUA), a university museum that organizes for the first time in a university space a temporary exhibition dedicated to Opy Zouni, a painter with international recognition in the contemporary art of geometric abstraction. The exhibition “Opy Zouni: in first person” presented selected works by Opy Zouni with the main purpose of attributing the artistic dimension of
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"Competition, Exchange, Comparison. Nineteenth-Century Cast Museums in Transnational Perspective." In The Museum Is Open. De Gruyter, 2013. http://dx.doi.org/10.1515/9783110298826.31.

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Conference papers on the topic "Cast Museum"

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Incerti, Manuela, and Stefano Costantini. "AR and VR for the Casa Romei Museum." In 2024 26th International Symposium on Symbolic and Numeric Algorithms for Scientific Computing (SYNASC). IEEE, 2024. https://doi.org/10.1109/synasc65383.2024.00059.

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Li, Zixiang, Ying Qian, and Mengzhu Liu. "Predicting Video Popularity of the Military Museum: A TikTok Case Study." In 2024 5th International Conference on Information Science and Education (ICISE-IE). IEEE, 2024. https://doi.org/10.1109/icise-ie64355.2024.11025519.

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Bard, Joshua, and Francesca Torello. "Exhibition & Pedagogy: Probing Architecture’s Virtual Past in Museum Cast Collections." In 107th ACSA Annual Meeting. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.am.107.48.

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Mucci, Alessandro. "Systemic Design Path to Innovate Italian Archaeological Museums into Hybrid Museums." In 8th International Visual Methods Conference. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.168.21.

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The paper traces a methodological path to innovate the communication and visitor’s experience of Italian cultural heritage museums, converting them into hybrid museums by adopting a systemic design approach. Starting with an overall social and technological context observation, this design path defines both the scenario in which analyze users' interaction with the museum system and the principles for innovation strategies that could allow museums to remain relevant in a contemporary context. Insight and intervention hints have been acquired by a qualitative analysis comparing Museo Archeologic
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Nitu, Florentina. "UNIVERSITY MUSEUMS AND DIGITAL DATA. CASE STUDY: UNIVERSITY OF BUCHAREST MUSEUM." In eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-238.

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Museum of the University of Bucharest represents the cultural memory and the institutional identity in the specific field of higher education in Romania. But this mission needs to be adapted to the public nowadays, in cultural contexts that are different from those of the last century, when the museum was founded. The impact of an university museum in society is increasingly based on the diversification of communication paths, with the use of the new media, on the development of new audiences for whom the museum's message is relevant. Also, the university museum must investigate future develop
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Жилина, Н. В. "Buttons in costume of Muscovian Rus’ in the second half of the 13th – to early 17th century." In Археология Подмосковья: Материалы научного семинара. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-272-8.214-226.

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Data on buttons known upon archaeological material, museum collections and written sources are combined. Cast small buttons on large hinges, convenient for fastening of everyday clothes are still used. Larger spherical embossed buttons are developed, designed to adorn and fasten the best and outer garments. Geometric and curl ornaments in techniques of engraving and filigree prevail. Buttons correspond to a fastener on air loops.
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Konstantinova, N. N. "On the subject of copper cast collection authentication in the Zabaikalsky Museum of Local Lore and History." In Old Belief: History and Modernity, Local Traditions, Relations in Russia and Abroad. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0771-8-345-352.

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Granados González, Jerónimo. "Captando la mirada. Publicidad y reclamo en el espacio expositivo de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.699.

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Resumen: Dentro de la obra de Le Corbusier, el espacio expositivo fue un tema ampliamente desarrollado. La idea de generar un prototipo teórico de museo, por ejemplo, fue recurrente a lo largo de toda su obra, como una idea latente, en gestación, a la espera del momento para ser llevada a la realidad de la construcción. En el caso concreto del museo de crecimiento ilimitado, desarrollado teóricamente a lo largo de la década de 1930, los pocos ejemplos construidos son ejecutados a partir de los años cincuenta. Al realizar una compilación de los ejemplos de espacios expositivos proyectados por L
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Borsotti, Marco. "From the invisible from the everyday, the unmentionable towards narrative strategies to explain, understand, remember. New Perspectives on Cultural Preservation." In Systems & Design: Beyond Processes and Thinking. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3211.

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This proposal takes into consideration three categories of unusual narrative, connected to human life - the invisible, the everyday and the unmentionable - often placed in the outer fringe of our attention or completely ignored. The invisible: that which inhabits our world and often influences our lives, even though escaping our awareness because active in dimensions that we cannot see or do not know to guess. The everyday: what accompanies us in every moment of our lives and that produces in us a habit that makes it obvious (and then again, but otherwise invisible). The unmentionable: what ha
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Revetneva, Olesia Evgenevna. "Museum art coaching: experience of museums around the world, study of the effectiveness of use on the example of a group format." In All-Russian Scientific and Practical Conference. Publishing house Sreda, 2025. https://doi.org/10.31483/r-127611.

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The article provides an overview of examples of the use of museum art coaching in various museums around the world, and also describes a case of the author's use of museum art coaching in Russia, and presents the results of a study of the effectiveness of this method on the example of group museum art coaching sessions. The article is aimed at specialists in the field of coaching, psychology and art, as well as at a wide audience interested in art as a way of self-knowledge and the experience of using coaching in museums. The article also discusses the prospects for using the method and the po
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Reports on the topic "Cast Museum"

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Jaramillo, Pedro. The Sustainability of Urban Heritage Preservation: The Case of Quito. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0006912.

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This study analyzes the Historic Center of Quito, which was declared as a World Heritage Site by UNESCO in 1978. The churches, squares, museums, and heritage monuments characterize this area and make up a fundamental part of the city's identity.
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Im, Piljae, and Xiaobing Liu. Case Study for the ARRA-funded Ground Source Heat Pump Demonstration at Denver Museum of Nature & Science. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1319163.

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Sweeney, Liam, and Roger Schonfeld. Interrogating Institutional Practices in Equity, Diversity, and Inclusion: Lessons and Recommendations from Case Studies in Eight Art Museums. Ithaka S+R, 2018. http://dx.doi.org/10.18665/sr.309173.

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López Bóo, Florencia, Mohammed Niaz Asadullah, and Uma Kambhampati. Social Divisions in School Participation and Attainment in India: 1983-2004. Inter-American Development Bank, 2009. http://dx.doi.org/10.18235/0010920.

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This study documents the size and nature of boy-girl and Hindu-Muslim gaps in childrens school participation and attainments in India. Individual-level data from two successive rounds of the National Sample Survey suggest that considerable progress has been made in decreasing the Hindu-Muslim gap. Nonetheless, the gap remains sizable even after controlling for numerous socioeconomic and parental covariates, and the Muslim educational disadvantage in India today is greater than that experienced by girls and Scheduled Caste Hindu children. A gender gap still appears within as well as between com
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Suárez, Nicólas. Museos del cine latinoamericanos Políticas de preservación fílmica en contextos conviviales y desiguales. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2022. http://dx.doi.org/10.46877/suarez.2022.46.

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Hacia mediados del siglo XX, en distintas partes del mundo se crearon diversos museos del cine y cinematecas, para preservar el patrimonio cultural de sus respectivas comunidades. En el caso de Latinoamérica, al establecerse en contextos socialmente desiguales y culturalmente diversos, estas instituciones se desarrollaron como configuraciones conviviales en las que las relaciones entre las personas y los archivos se vieron afectadas por profundas diferencias culturales y asimetrías de financiamiento. Este artículo provee un análisis comparativo de la historia de una serie de instituciones embl
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Yusupov, Dilmurad. Deaf Uzbek Jehovah’s Witnesses: The Case of Intersection of Disability, Ethnic and Religious Inequalities in Post-Soviet Uzbekistan. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/creid.2021.008.

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This study explores how intersecting identities based on disability, ethnicity and religion impact the wellbeing of deaf Uzbek Jehovah’s Witnesses in post-Soviet Uzbekistan. By analysing the collected ethnographic data and semi-structured interviews with deaf people, Islamic religious figures, and state officials in the capital city Tashkent, it provides the case of how a reaction of a majority religious group to the freedom of religious belief contributes to the marginalisation and exclusion of religious deaf minorities who were converted from Islam to the Jehovah’s Witnesses. The paper argue
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de Brun, Pat. Facebook’s Role in Rohingya Atrocities Underlines Big Tech’s Accountability Gap. Balsillie School of International Affairs, 2025. https://doi.org/10.51644/bcs010.

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Investigations have found that Meta, through its Facebook platform, played a role in the ethnic cleansing and persecution of the Rohingya, a Muslim minority from Myanmar’s Rakhine State, in 2017. Some of the key findings showed how Facebook’s algorithms – which were designed to maximize engagement above all else, with minimal safeguards in place – had actively and disproportionately amplified the most harmful content targeting the Rohingya, including hate speech, disinformation and incitement to ethnic violence. But with access to justice for survivors of tech harms apparently blocked in the U
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Khuder, Wafaa. The Role of Small and Medium Industries in the Heritage Identity in Iraq: A Case Study of Bashiqa Town. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/creid.2023.005.

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This paper aims to identify the most famous Yazidi heritage industries in the town of Bashiqa, in Nineveh governorate. It explores the economic, social and cultural reality of three non-material industries (the manufacture of al-rashi, olive oil and soap) in the town of Bashiqa by comparing how they were manufactured in the past with how they are manufactured in the present, and assessing the impact of ISIS gangs on these industries. Finally, the paper puts forward proposals for how these industries can be developed to maintain their heritage and sustainability. The research also aims to invok
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Gallien, Max, Umair Javed, and Vanessa van den Boogaard. Zakat, Non-State Welfare Provision and Redistribution in Times of Crisis: Evidence from the Covid-19 Pandemic. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/ictd.2023.021.

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Around the world, pandemic relief efforts saw renewed attention to state social protection and its limitations. Less attention has been paid to alternative forms of welfare provision, including zakat in Muslim countries. We ask how states and citizens engage with zakat during a crisis through a case study of the Covid-19 pandemic in Pakistan, Egypt and Morocco, drawing on novel and nationally representative survey data from 5,484 respondents. While we might expect citizens to be less motivated to pay zakat at times of personal economic hardship, we find that a large majority of the general pop
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Yilmaz, Ihsan, and Kainat Shakil. Gender Populism: Civilizational Populist Construction of Gender Identities as Existential Cultural Threats. European Center for Populism Studies (ECPS), 2023. http://dx.doi.org/10.55271/pp0023.

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In the Islamist version of civilizational populism, the emotional backlash against the rise of secularism, multiculturalism, progressive ideas, and ‘wokeness,’ has been skillfully employed. While for the populists, populist far right and civilizational populists in the West, usually the Muslims are the civilizational other, we argue in this article, in the Islamist civilizational populism, the list of civilizational enemies of the Muslim way of life also includes feminists and LGBTQ+ rights advocates.Gender populism is a relatively new concept that refers to the use of gender symbolism, langua
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