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Books on the topic 'Casting powder'

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Published: 4 June 2021
Last updated: 18 February 2022

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1

Degenhardt, Rolf. Beitrag zur Klärung der Wirkmechanismen beim Einsatz von Stranggiesspulvern. Leipzig: VEB Deutscher Verlag für Grundstoffindustrie, 1985.

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2

Mills, Kenneth C., and Carl-Åke Däcker. The Casting Powders Book. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53616-3.

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3

F, Garfield Curtis, ed. Power surfcasting. New York, NY: Lyons & Burford, 1991.

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4

D'Haeyer, R. Development of new mould powders for continuous casting. Luxembourg: Commission of the European Communities, 1987.

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5

Jular Pérez-Alfaro, Cristina, and Carlos Estepa Díez, eds. Land, Power, and Society in Medieval Castile. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.tmc-eb.6.09070802050003050206020302.

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6

The limits of royal authority: Resistance and obedience in seventeenth-century Castile. Cambridge, United Kingdom: Cambridge University Press, 1999.

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7

The Queen's hand: Power and authority in the reign of Berenguela of Castile. Philadelphia: University of Pennsylvania Press, 2012.

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8

Bianchini, Janna. The Queen's hand: Power and authority in the reign of Berenguela of Castile. Philadelphia: University of Pennsylvania Press, 2012.

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9

Berenguela of Castile (1180-1246) and political women in the High Middle Ages. New York: Palgrave Macmillan, 2009.

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10

Walsh, Ronald A. McGraw-Hill machining and metalworking handbook. 3rd ed. New York: McGraw-Hill, 2006.

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11

Walsh, Ronald A. McGraw-Hill machining and metalworking handbook. 3rd ed. New York: McGraw-Hill, 2006.

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12

Walsh, Ronald A. McGraw-Hill machining and metalworking handbook. New York: McGraw-Hill, 1994.

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13

1946-, Karlsson L., and ASM International, eds. Modeling in welding, hot powder forming, and casting. Materials Park, Ohio: ASM International, 1997.

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14

Bhardwaj, Pooja. Characterization of carbonaceous materials with respect to mold powder design for continuous casting of steel. 2007.

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15

Mills, Kenneth C., and Carl-Åke Däcker. The Casting Powders Book. Springer, 2018.

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16

Wich, Serge A., and Lian Pin Koh. Future casting. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198787617.003.0008.

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In this final chapter we discuss emerging technologies that are relevant to the use of remotely piloted aircraft for environmental and conservation applications. These technologies include new power systems, smart navigation systems, and integration with other platforms.
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17

National Physical Laboratory (Great Britain), Institut de Recherche de la Sidérurgie., Technische Universität Clausthal, and Commission of the European Communities. Directorate-General for Science, Research and Development., eds. Fundamental study of the behaviour of casting powders. Luxembourg: Commission of the European Communities Directorate-General Information Market and Innovation, 1985.

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18

George, Harry, and Iron and Steel Society, eds. Mold powders for continuous casting and bottom pour teeming. Warrendale, Pa: Iron and Steel Society, 1987.

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19

National Institute for Occupational Safety and Health., ed. General Castings-Power Street Facility, Cincinnati, Ohio. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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20

National Institute for Occupational Safety and Health, ed. General Castings-Power Street Facility, Cincinnati, Ohio. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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21

General Castings-Power Street Facility, Cincinnati, Ohio. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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22

National Institute for Occupational Safety and Health., ed. General Castings-Power Street Facility, Cincinnati, Ohio. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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23

National Institute for Occupational Safety and Health., ed. General Castings-Power Street Facility, Cincinnati, Ohio. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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24

F, Weissberger Barbara, ed. Queen Isabel I of Castile: Power, patronage, persona. Woodbridge, Suffolk: Tamesis, 2008.

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25

Queen Isabel I of Castile: Power, patronage, persona. Woodbridge, Suffolk: Tamesis, 2008.

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26

F, Weissberger Barbara, ed. Queen Isabel I of Castile: Power, patronage, persona. Woodbridge, Suffolk: Tamesis, 2008.

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27

Land Power and Society in Medieval Castile Medieval Countryside. Brepols Publishers, 2010.

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28

Murphy-Hiscock, Arin. Spellcrafting: Strengthen the Power of Your Craft by Creating and Casting Your Own Unique Spells. Adams Media Corporation, 2020.

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29

Murphy-Hiscock, Arin. Spellcrafting: Strengthen the Power of Your Craft by Creating and Casting Your Own Unique Spells. Adams Media Corporation, 2020.

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30

Queen Isabel I of Castile: Power, Patronage, Persona (Monografías A). Tamesis Books, 2008.

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31

Wilkinson, Benedict, and James Gow, eds. The Art of Creating Power. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190851163.001.0001.

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The Art of Creating Power explores the intellectual thought and wider impact — on military affairs, politics and the universities — of Professor Sir Lawrence Freedman, one of the world’s leading authorities on strategy, conflict and international politics. Freedman’s oeuvre is vast and his legacy, from nuclear strategy to US foreign policy via humanitarian intervention, terrorism, the Falklands and Iraq, has already been recognized around the world. Some of that work is considered in the present volume, although by no means all of it. The contributions to this volume address some of the highlights in the Freedman canon, as well as casting light into some of the less well-known corners of his thought and work. In this volume, senior scholars who have crossed the academic-practitioner boundary, and former students and colleagues in international and strategic studies who have been influenced by, and who have influenced, Freedman, trace the long trajectory of his career, examining his scholarly contribution to a whole host of areas - the book has five sections, reflecting Freedman’s different realms of scholarship: strategy, policy and history, ethics and intervention, theory and, lastly, practice. Recognizing that the importance of social context and constitutive interaction is vital to Freedman’s approach and, in practice, to research at the frontiers of knowledge, but with deep relevance, often, to the ‘real world’, the book as a whole provides signposts to, and markers of, a distinctive approach and a elements of a nascent school of thought — all testimony to a distinguished intellectual figure.
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32

Effects of nonstandard heat treatment temperatures on tensile and charpy impact properties of carbon-steel casting repair welds. Washington, DC: Division of Engineering, Office of Nuclear Regulatory Research, U.S. Nuclear Regulatory Commission, 1993.

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33

Robinson, Eric. Thucydides on the Causes and Outbreak of the Peloponnesian War. Edited by Sara Forsdyke, Edith Foster, and Ryan Balot. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199340385.013.23.

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Thucydides repeatedly explains that the Peloponnesian War arose not simply from the specific grievances of this or that state but from a longer process of growing Athenian power that inspired fear among the Spartans, making the war inevitable. Thucydides’ balanced and richly detailed account has not convinced everyone, however. Many scholars investigating the war’s causes have disagreed with Thucydides’ thesis, typically using the historian’s own narrative to fix primary blame for the war on the Athenians or the Spartans, or more rarely casting the war’s outbreak in broader terms, with varying degrees of success. This chapter validates Thucydides’ explanation and shows that alternative modern explanations are unsatisfactory.
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34

Blanche of Castile, Queen of France: Power, Religion and Culture in the Thirteenth Century. Yale University Press, 2016.

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35

Drelichman, Mauricio, and Hans-Joachim Voth. Tax, Empire, and the Logic of Spanish Decline. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691151496.003.0009.

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This chapter examines the impact of debt leveraging on the long-run development of Castile. Compared to the other great European powers after 1500, Spain's fiscal policy showed no signs of imperial overstretch. Its finances were no worse—and better in a variety of ways—than those of other countries at the height of their power. According to several criteria, Castilian finances were managed with greater probity than even those of Britain, with primary surpluses being maintained during wartime and rapid improvements in the budget position when debts accumulated. There is also no evidence of the supposedly deleterious effects of serial default; after each payment stop, the Crown's revenues increased, suggesting no decline in fiscal capacity.
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36

Godreau, Isar P. Place, Race, and the Housing Debate. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0002.

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This chapter provides a detailed ethnographic account of the housing controversy in San Antón. It places particular emphasis on the racial and spatial coordinates that informed debate over its implementation, pointing to the problematic and contested deployment of scripts of nostalgia, homogeneity, matrifocality, harmony, and unchanging traditions that marked San Antón as an exceptional place of racialized difference. The controversy over housing showed the inadequacy of an approach that romanticized the community without considering the social relationships of power that shaped it and, more importantly, without discussing its transformations with residents. Moreover, the housing project failed to recognize San Antón residents' everyday practices and desires as modern, casting them instead as bearers of unchanging traditions.
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37

Stam, Robert. Revisionist Adaptation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.13.

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Cross-cultural adaptations can revitalize their source texts through provocative changes in their setting, genre, casting, or production processes. Chapter 13 examines a series of frankly revisionist adaptations that mount a critique of source texts drawn from other cultures by adapting new perspectives, restoring excised material, or allowing previously silenced voices to speak. The power of such cross-cultural adaptations finds subversive new meanings in their canonical texts by staging conflicts of languages and discourses. Instead of reflecting or refracting the reality beneath their source texts, they emphasize the refractions of those source texts themselves. In translating the discourses of past cultures into those of present, often insurgent cultures, they can give voice to a revealing kind of social unconscious.
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38

MacKay, Ruth. The Limits of Royal Authority: Resistance and Obedience in Seventeenth-Century Castile (Cambridge Studies in Early Modern History). Cambridge University Press, 2007.

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39

Shadis, Miriam. Political Women in the High Middle Ages: Berenguela of Castile and Her Family. Palgrave Macmillan, 2002.

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40

Clark, Emily Suzanne. African American Religions in the Nineteenth Century. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.23.

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The typical story of African American religions narrates the development and power of the Protestant black church, but shifting the focus to the long nineteenth century can reorient the significance of the story. The nineteenth century saw the boom of Christian conversions among African Americans, but it also was a century of religious diversity. All forms of African American religion frequently pushed against the dominance of whiteness. This included the harming and cursing element of Conjure and southern hoodoo, the casting of slaves as Old Israel awaiting their exodus from bondage, the communications between the spirit of Abraham Lincoln and Afro-Creoles in New Orleans, and the push for autonomy and leadership by Richard Allen and the rest of the African Methodist Episcopal Church. While many studies of African American religions in the nineteenth century overwhelmingly focus on Protestantism, this is only part of the story.
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41

Vauchez, Antoine, Pierre France, and Samuel Moyn. The Neoliberal Republic. Translated by Meg Morley. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501752544.001.0001.

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This book traces the corrosive effects of the revolving door between public service and private enrichment on the French state and its ability to govern and regulate the private sector. Casting a piercing light on this circulation of influence among corporate lawyers and others in the French power elite, the book analyzes how this dynamic, a feature of all Western democracies, has developed in concert with the rise of neoliberalism over the past three decades. Based on interviews with dozens of public officials in France and a unique biographical database of more than 200 civil-servants-turned-corporate-lawyers, the book explores how the always blurred boundary between public service and private interests has been critically compromised, enabling the transformation of the regulatory state into either an ineffectual bystander or an active collaborator in the privatization of public welfare. The cumulative effect of these developments, the authors reveal, undermines democratic citizenship and the capacity to imagine the public good.
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42

Palmer, Landon. Rock Star/Movie Star. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888404.001.0001.

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When midcentury Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock ’n’ roll stars. Such stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. This book examines how casting rock stars for film provided a tool for bridging new relationships across media industries and practices. Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock’s emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. Examining stars from Elvis Presley to Madonna, this book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new—ideal media laborers whose power lies in the fact that they are rarely recognized as such.
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43

Drelichman, Mauricio, and Hans-Joachim Voth. Financial Folly and Spain’s Black Legend. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691151496.003.0010.

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This epilogue argues that Castile was solvent throughout Philip II's reign. A complex web of contractual obligations designed to ensure repayment governed the relationship between the king and his bankers. The same contracts allowed great flexibility for both the Crown and bankers when liquidity was tight. The risk of potential defaults was not a surprise; their likelihood was priced into the loan contracts. As a consequence, virtually every banking family turned a profit over the long term, while the king benefited from their services to run the largest empire that had yet existed. The epilogue then looks at the economic history version of Spain's Black Legend. The economic history version of the Black Legend emerged from a combination of two narratives: a rich historical tradition analyzing the decline of Spain as an economic and military power from the seventeenth century onward, combined with new institutional analysis highlighting the unconstrained power of the monarch.
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44

Carroll, Ross. Uncivil Mirth. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691182551.001.0001.

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The relaxing of censorship in Britain at the turn of the eighteenth-century led to an explosion of satires, caricatures, and comic hoaxes. This new vogue for ridicule unleashed moral panic and prompted warnings that it would corrupt public debate. But ridicule also had vocal defenders who saw it as a means to expose hypocrisy, unsettle the arrogant, and deflate the powerful. This book examines how leading thinkers of the period searched for a humane form of ridicule, one that served the causes of religious toleration, the abolition of the slave trade, and the dismantling of patriarchal power. It brings to life a tumultuous age in which the place of ridicule in public life was subjected to unparalleled scrutiny. It shows how the Third Earl of Shaftesbury, far from accepting ridicule as an unfortunate byproduct of free public debate, refashioned it into a check on pretension and authority. The book examines how David Hume, Mary Wollstonecraft, and others who came after Shaftesbury debated the value of ridicule in the fight against intolerance, fanaticism, and hubris. Casting Enlightenment Britain in an entirely new light, the book demonstrates how the Age of Reason was also an Age of Ridicule, and speaks to our current anxieties about the lack of civility in public debate.
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45

Schäfer, Peter. Two Gods in Heaven. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691181325.001.0001.

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Contrary to popular belief, Judaism was not always strictly monotheistic. This book reveals the long and little-known history of a second, junior god in Judaism, showing how this idea was embraced by rabbis and Jewish mystics in the early centuries of the common era and casting Judaism's relationship with Christianity in an entirely different light. The book demonstrates how the Jews of the pre-Christian Second Temple period had various names for a second heavenly power—such as Son of Man, Son of the Most High, and Firstborn before All Creation. The book traces the development of the concept from the Son of Man vision in the biblical Book of Daniel to the Qumran literature, the Ethiopic Book of Enoch, and the Jewish philosopher Philo of Alexandria. After the destruction of the Second Temple, the picture changes drastically. While the early Christians of the New Testament took up the idea and developed it further, their Jewish contemporaries were divided. Most rejected the second god, but some—particularly the Jews of Babylonia and the writers of early Jewish mysticism—revived the ancient Jewish notion of two gods in heaven. Describing how early Christianity and certain strands of rabbinic Judaism competed for ownership of a second god to the creator, this book radically transforms our understanding of Judeo-Christian monotheism.
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46

Maçães, Bruno. History Has Begun. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197528341.001.0001.

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Popular consensus says that the US rose over two centuries to Cold War victory and world domination, and is now in slow decline. But is this right? History's great civilizations have always lasted much longer, and for all its colossal power, American culture was overshadowed by Europe until recently. What if this isn't the end? This book offers a compelling vision of America's future, both fascinating and unnerving. From the early American Republic, it takes us to the turbulent present, when, it argues, America is finally forging its own path. We can see the birth pangs of this new civilization in today's debates on guns, religion, foreign policy, and the significance of Trump. Should the coronavirus pandemic be regarded as an opportunity to build a new kind of society? What will its values be, and what will this new America look like? The book traces the long arc of US history to argue that in contrast to those who see the US on the cusp of decline, it may well be simply shifting to a new model, one equally powerful but no longer liberal. Consequently, it is no longer enough to analyze America's current trajectory through the simple prism of decline vs. progress, which assumes a static model—America as liberal leviathan. Rather, the book argues that America may be casting off the liberalism that has defined the country since its founding for a new model, one more appropriate to succeeding in a transformed world.
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47

Phillips, Victoria. Martha Graham's Cold War. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190610364.001.0001.

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“I am not a propagandist,” declared the matriarch of American modern dance, Martha Graham, while on her State Department–funded tour in 1955. Graham’s claim inspires questions: the United States government exported Graham and her company internationally to more than thirty nations in Asia, Europe, Eastern Europe, and the Middle East, representing every seated president from Dwight D. Eisenhower through Ronald Reagan, and planned under George H. W. Bush. Although in the diplomatic field she was titled the “Picasso of modern dance,” and in later years “Forever Modern,” Graham was known to proclaim, “I am not a modernist.” In addition, she declared, “I am not a liberationist,” yet she intersected with politically powerful women such as Eleanor Roosevelt; Eleanor Dulles, sister of Eisenhower’s Dulles brothers in the State Department and CIA; Jackie Kennedy Onassis; Betty Ford; and political matriarch Barbara Bush. While bringing religious characters inspired by the Bible and the American frontier to the stage in a battle against the atheist communists, Graham insisted, “I am not a missionary.” To her abstract, mythic and biblical works, she added the trope of the American frontier. While her work promoted the United States as modern and culturally sophisticated, her casting promoted a vision of America as racially and culturally integrated. During the Cold War, the reconfigured history of modernism as apolitical in its expression of “the heart and soul of mankind” met political needs abroad with Graham’s tours. With her modernism, Graham demonstrated the power of the individual, republicanism, immigrants, and ultimately freedom from walls and metaphorical fences with the unfettered language of movement and dance as cultural diplomacy.
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48

Walsh, Ronald A. McGraw-Hill Machining and Metalworking Handbook. 2nd ed. McGraw-Hill Professional, 1998.

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49

Walsh, Ronald A. McGraw-Hill Machining and Metalworking Handbook. McGraw-Hill Professional, 1998.

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