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1

Castine. Garden City, N.Y: Doubleday, 1987.

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2

Casting. Materials Park, OH: ASM International, 2008.

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3

Stone, Lynn M. Castores. Vero Beach, Fla: Rourke Enterprises, 1991.

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4

Castorp. London: Serpent's Tail, 2007.

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5

1875-1955, Mann Thomas, ed. Castorp. Gdańsk: Słowo/Obraz Terytoria, 2004.

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6

Perry, Brian. Casting. Bilston: Midland Independent Steel Training Association, 1985.

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7

Coviello, Michelangelo. Casting. Bergamo: CDC, 1999.

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8

Huelle, Paweł. Castorp. Gdansk: Wydawnictwo slowo/obraz terytoria, 2004.

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9

Casting Spells: Sugar Maple Chronicles - 1. New York: Berkley Books, 2008.

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10

Casting angles. Bryson City, NC: Highland Press, 1997.

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11

1954-, Straczynski J. Michael, and Copyright Paperback Collection (Library of Congress), eds. Casting shadows. New York: Ballantine Pub. Group, 2001.

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12

Casting off. London: Macmillan, 1995.

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13

Society, American Foundrymen's, ed. Casting design. Des Plaines, Ill: American Foundrymen's Society, 1987.

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14

Ford, John M. Casting fortune. New York: Tom Doherty Associates, 1989.

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15

Gawesworth, Simon. Spey casting. 2nd ed. Mechanicsburg, PA: Stackpole Books, 2007.

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16

Casting about. Thorndike, Me: Center Point Pub., 2011.

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17

Purves, Libby. Casting off. London: Sceptre, 1995.

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18

Centrifugal casting. Des Plaines, Ill: American Foundrymen's Society, 1988.

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19

Salat, M. Dolors. Verd Castany. Barcelona: Columna, Edicions de l'Eixample, 1995.

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20

Dickson, Nicole R. Casting Off. New York: Penguin USA, Inc., 2009.

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21

Casting brass. Blue Ridge Summit, Pa: Tab Books, 1985.

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22

Haas, Claudia. Casting Juliet. Tallahassee, FL (P.O. Box 14367, Tallahassee 32317): Eldridge Pub, 2007.

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23

Bretton, Barbara. Casting spells. Waterville, Me: Thorndike Press, 2009.

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24

Casting off. London: Sceptre, 1996.

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25

Müller, H. R., ed. Continuous Casting. Weinheim, Germany: Wiley-VCH Verlag GmbH & Co. KGaA, 2005. http://dx.doi.org/10.1002/9783527607969.

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26

Tiryakioğlu, Murat, William Griffiths, and Mark Jolly, eds. Shape Casting. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06034-3.

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27

Tiryakioğlu, Murat, John Campbell, and Paul N. Crepeau, eds. Shape Casting. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2011. http://dx.doi.org/10.1002/9781118062050.

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28

DuBois, Thomas David, ed. Casting Faiths. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230235458.

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29

Casting shadows. London: Simon & Schuster, 2013.

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30

Casting shadows. 2nd ed. Beltsville, Md: Sea Island Information Group, 1989.

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31

Casting off. New York: NAL Accent, 2009.

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32

Bretton, Barbara. Casting spells. New York: Berkley Books, 2008.

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33

DuLong, Terri. Casting about. New York: Kensington Books, 2010.

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34

Dickson, Nicole R. Casting off. Thorndike, Me: Center Point Pub., 2010.

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35

Ammen, C. W. Casting Aluminum. Blue Ridge Summit, PA, USA: Tab Books, 1985.

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36

Wick, James H. Vital records of Castine, Maine. Rockland, ME: Picton Press, 2009.

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37

Wick, James H. Vital records of Castine, Maine. Rockland, ME: Picton Press, 2009.

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38

Society, Castine Historical. Castine. Arcadia Publishing, 1996.

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39

Society, Castine Historical, ed. Castine. Dover, N.H: Arcadia, 1996.

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40

Society, Castine Historical. Castine, ME. Arcadia Pub, 1996.

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41

Castanet. Rhythm Band Instruments, 1991.

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42

Casting. Corgi, 1993.

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43

Schuster, Gaby. Casting. Schäfer, Bernhard, 2001.

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44

Barry, Jane. Casting. Bantam Press, 1991.

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45

Vermot, Marie-Sophie. Casting. L'Ecole des loisirs, 2000.

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46

Viswanathan, Srinath, Diran Apelian, Raymond J. Donahue, Babu DasGupta, Michael Gywn, John L. Jorstad, Raymond W. Monroe, Mahi Sahoo, Thomas E. Prucha, and Daniel Twarog, eds. Casting. ASM International, 2008. http://dx.doi.org/10.31399/asm.hb.v15.9781627081870.

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47

Casting. Tipton (Unit 19c, Ground Floor, Vaughan Trading Estate, Sedgeley Road East, Tipton, West Midlands, DY4 7UJ): M.I.S.T.A. Open Learning, 1990.

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48

Thompson, Katrina Dyonne. Casting. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038259.003.0003.

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This chapter examines the manner in which African captives were forced to perform music, song, and dance during the Atlantic voyage. Within the Middle Passage, white slavers brought the slaves on deck for airing. While on deck, the slavers drenched the captives with salt water, inspected them for any hint of disease, and, ironically, made them sing and dance. Historically, music and dance during the Middle Passage were viewed as a form of exercise used to preserve the human cargo. This chapter analyzes those scenes to illustrate the transformation of the top deck of the ship into a stage upon which race and gender roles were prescribed and performed. It shows that European and American ideals of Africanness were forced upon the captives in order to transition the diverse populations into chattel. The coerced performances on slave ships distorted the normally sacred or ritualistic meanings of music, song, and dance.
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49

Huelle, Paweł. Castorp. Serpent's Tail, 2007.

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50

Hire, Work for. Continuous Casting: Horizontal Continuous Casting, Vol. V (Continuous Casting). Iron & Steel Society, 1988.

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