Journal articles: 'Cat on a hot tin roof'

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Ara Grabaskas Beal. "Cat on a Hot Tin Roof (review)." Theatre Journal 61, no. 1 (2009): 139–42. http://dx.doi.org/10.1353/tj.0.0136.

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Silva, João Victor. "On hot tin land: homosexuality and property in Tennessee William´s Cat on a hot tin roof (1955)." Dramaturgia em foco 8, no. 2 (2024): 314–31. https://doi.org/10.5281/zenodo.14018294.

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This article aims to analyze the representation of homosexuality in Tennessee Williams’ Cat on a hot tin roof (1955) with the purpose of demonstrating that the play goes beyond merely dramatizing subjective processes related to the sexuality of the characters Brick and Skipper, but rather constructs them in direct relation to the economic and social structures in which they are both embedded. Drawing on the interpretation that attributes to the figures of Straw and Ochello the “metaphysical origin” of the plantation, as suggested by Bibler (2002), we seek to examine

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Nam Jungae. "Cat on a Hot Tin Roof: Big Daddy and Sexual Politics." Studies in English Language & Literature 40, no. 4 (2014): 67–86. http://dx.doi.org/10.21559/aellk.2014.40.4.004.

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Bakhsh, Ladan Farah. "A Feminist Reading of Tennessee Williams’ Cat on a Hot Tin Roof." International Journal of English Literature and Social Sciences 7, no. 5 (2022): 012–19. http://dx.doi.org/10.22161/ijels.75.2.

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The present article aims to study Williams’ play from a feminist perspective, focusing on the life of its female protagonist – Maggie. It endeavors to reveal why Maggie, the cat, is virtually the most vulnerable character of the play, despite her beauty, intelligence, and resoluteness. The central questions of the research are: Why Maggie is the weakest link in the three couples of the family including herself and Brick, Mae and Gooper, and Big Mama and Big Daddy? To what extent does Maggie manage to perform the tasks assigned to her by the male-dominated capitalist society? What does she do t

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Afandi, Mujad Didien, Tatik Muflihah, and Novi Rahmania Aquariza. "ANXIETY AND DEFENESE MECHANISMS PORTRAYED IN “CAT ON A HOT TIN ROOF”." EXPOSURE : JURNAL PENDIDIKAN BAHASA INGGRIS 11, no. 2 (2022): 331–50. http://dx.doi.org/10.26618/exposure.v11i2.8721.

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Born and raised in a poor family, a childless woman named Margaret who is a wife of an alcoholic, has an ambition for wealth which eventually causes her to live with anxiety. To suppress the anxiety, she uses defense mechanisms. Therefore, this study was conducted to analyze the anxiety and defense mechanisms portrayed through Margaret in the drama, entitled “Cat on a Hot Tin Roof”. This qualitative study analyzed the anxiety and defense mechanisms portrayed in one of the canonical drama of Tennessee Williams using psychological lens. The data describing Margaret's anxiety and defense mechanis

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김현아. "A Study of Masculinity in Tennessee Williams’ Cat on a Hot Tin Roof." Feminist Studies in English Literature 22, no. 2 (2014): 29–58. http://dx.doi.org/10.15796/fsel.2014.22.2.002.

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Karamchandani, Poorva. "Homophobia and Family - Leading to Isolation in Tennessee Williams’ Cat on a Hot Tin Roof." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 241–43. http://dx.doi.org/10.22161/ijels.74.35.

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Cat on a Hot Tin Roof (1955) by Tennessee Williams is a play about the Pollitt family of the Mississippi Delta and the lies and uncertainty in the family relationships surfacing due to the fight for the land which leads all the characters trapped in human extremities of emotions and isolation. This research paper explores the important themes of Homophobia and Sexual Repression along with the messed-up family relationships leading to human isolation and psychological implications for each member of the family.

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Lopes, Hélder Nascimento. "Translatorial self-censorship under the Portuguese Estado Novo: Sérgio Guimarães' 1959 translation of Cat on a hot tin roof." Translation Matters 2, no. 2 (2020): 28–43. http://dx.doi.org/10.21747/21844585/tm2_2a2.

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Taking as a starting point Chesterman’s (2009) proposal for an interdiscipline of Translator Studies within a sociological scope, this article discusses the concept of translatorial selfcensorship in light of the 20th-century Portuguese dictatorship. The play Gata em telhado de zinco quente, a translation of Tennessee Williams’ Cat on a hot tin roof, commissioned to Sérgio Guimarães in 1959 by impresario Vasco Morgado, provides sufficient archival material for a debate on the multiple layers of censorship in the target (con)text, with implications for translator agency.

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Nicolay. "Hoboes, Sissies, and Breeders: Generations of Discontent in "Cat on a Hot Tin Roof"." Tennessee Williams Annual Review, no. 12 (2011): 57. http://dx.doi.org/10.2307/45344089.

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Husien, Saddam. "MARGARET’S EMOTIONAL AND SOCIAL LONELINESS IN TENNESSEE WILLIAM’S “A CAT ON THE HOT TIN ROOF”." ANAPHORA: Journal of Language, Literary and Cultural Studies 3, no. 2 (2021): 81–87. http://dx.doi.org/10.30996/anaphora.v3i2.3929.

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This study concentrates to analyze Margaret’s character about loneliness that experience by her in Tennessee William’s a Cat on the Hot Tin Roof. Loneliness is unpleasant situation that experience by someone when the one’s desire or ambition is not equivalent in social relationship. Furthermore, the source of the data is telling about someone who experiences loneliness which contains the type of loneliness, effect of loneliness and the effort to overcome from loneliness, consequently the theory of loneliness is chosen. Besides that, this study is qualitative design because the data are collect

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O'Conor, Daniel K., John F. Kragh, James K. Aden, and Michael A. Dubick. "Cat on a Hot Tin Roof: Mechanical Testing of Models of Tourniquet After Environmental Exposure." Journal of Special Operations Medicine 17, no. 1 (2017): 27. http://dx.doi.org/10.55460/v2l7-ir4q.

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Pease, D. E. "Cat on a Hot Tin Roof: Restoring Tennessee Williams's Production of the 1950s Primal Scene." boundary 2 42, no. 2 (2015): 25–56. http://dx.doi.org/10.1215/01903659-2866508.

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Rowen. "Cat on a Hot Tin Roof and Bananas Burlesque." Tennessee Williams Annual Review, no. 22 (2023): 117. http://dx.doi.org/10.2307/48780080.

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Lemos, Adriana Falqueto, and Johnny César dos Santos. "Absent presence: homosexuality in three plays by Tennessee Williams." Dramaturgia em foco 8, no. 2 (2024): 279–95. https://doi.org/10.5281/zenodo.13958677.

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Having as a corpus three plays by Tennessee Williams, A streetcar named Desire, Suddenly, last summer, and Cat on a hot tin roof, this text seeks to observe, using historical-social analysis and literature review, how the absent homosexual characters become present and how, even absent, they constitute breaking points in the works. The analysis is undertaken aiming to understand Williams’ discourse when dealing with homosexuality in the plays. We concluded that, even with absent homosexual characters, Williams manages to make them present through the characters

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Holder, Rebecca. "Making the Lie True: Tennessee Williams’s Cat on a Hot Tin Roof and Truth as Performance." Southern Quarterly 53, no. 2 (2016): 77–93. http://dx.doi.org/10.1353/soq.2016.0007.

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Cañadas, Ivan. "The Naming of Jack Straw and Peter Ochello in Tennessee Williams's Cat on a Hot Tin Roof." English Language Notes 42, no. 4 (2005): 57–62. http://dx.doi.org/10.1215/00138282-42.4.57.

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Parker, Brian. "A Preliminary Stemma for Drafts and Revisions of Tennessee Williams's "Cat on a Hot Tin Roof" (1955)." Papers of the Bibliographical Society of America 90, no. 4 (1996): 475–96. http://dx.doi.org/10.1086/pbsa.90.4.24304888.

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Santos, Daniele, and Leandro Francisco de Paula. "Conflict and familiar drama in Cat on a hot tin roof from Norbert Elias´ perspective of Social Figuration." Dramaturgia em foco 8, no. 2 (2024): 296–313. https://doi.org/10.5281/zenodo.14018041.

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This study aims to consider the family represented in Cat on a hot tin roof, a play written by Tennessee Williams in 1955, as a social configuration, a theory proposed by Norbert Elias, in his studies, such as The civilizing process (1993; 2011), in both volumes; and Established and outsiders (2000). Our proposal is to justify how this social configuration marked by such a Pollit family presents power relations along the lines proposed by Elias, that is, in a multilateral and non-hierarchical dynamic that focuses on each member as Big Daddy’s dinner hours are c

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Martin, Brian. "Forthcoming: The Roger L. Stevens Collection at the Library of Congress." Theatre Survey 38, no. 2 (1997): 159–61. http://dx.doi.org/10.1017/s0040557400002118.

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Roger Stevens has always been a visionary. His career began in real estate, where he gained national recognition for buying the Empire State Building for $51.5 million—at the time the highest price ever paid for one building—and selling it three years later for a ten-million dollar profit. As he expanded into theatre, he quickly became one of the nation's foremost producers on Broadway, producing more than 200 shows over the last half century, including West Side Story, A Man for All Seasons, Bus Stop, Cat on a Hot Tin Roof, Deathtrap, and Mary, Mary. He “discovered” playwrights such as Tom St

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Gontarski, S. E. "Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre." New Theatre Quarterly 37, no. 1 (2021): 82–99. http://dx.doi.org/10.1017/s0266464x20000810.

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The world around Tennessee Williams in the 1960s, 1970s, and into the 1980s was changing at an astonishing pace, the cultural revolution of the period rendering most of his themes of sexual closeting and repression almost inconsequential. At least the entrenched cultural taboos against which he wrote seem to have disappeared by the mid-1960s and 1970s. In the 1980s, Broadway productions of his work grew infrequent, while those mounted tended to have short runs. He told interviewers from Theatre Arts magazine: ‘I think my kind of literary or pseudo-literary style of writing for the theatre is o

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Silva, João Victor. "Sobre terras de zinco quente: homossexualidade e propriedade em Cat on a hot tin roof (1955), de Tennessee Williams." Dramaturgia em foco 7, no. 2 (2025): 211–31. https://doi.org/10.5281/zenodo.14871166.

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Este artigo tem como objetivo analisar como a homossexualidade é figurada em Cat on a hot tin roof (1955), de Tennessee Williams, a fim de demonstrar que a peça não se limita a meramente representar processos subjetivos relativos à sexualidade das personagens de Brick e Skipper, mas os constrói em direta relação com as estruturas econômicas e sociais em que ambos estão inseridos. A partir da interpretação que atribui às figuras de Straw e Ochello a “origem metafísica” da plantatio

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28

Klabbers, Jan. "Case Analysis: Cat on a Hot Tin Roof: The World Court, State Succession, and the Gabčíkovo-Nagymaros Case." Leiden Journal of International Law 11, no. 2 (1998): 345–55. http://dx.doi.org/10.1017/s0922156598000259.

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The law relating to state succession played a small but important role in the World Court's recent decision in Gabčíkovo-Nagymaros. Hungary's argument that the 1977 Treaty had not survived the transition from Czechoslovakia to Slovakia notwithstanding, the Court found that the 1977 Treaty had continued to be in force. Hungary presented several arguments relating to succession: the absence of consent; and that only certain rights and obligations (but not the Treaty itself) had survived. The present article analyzes these arguments in context and concludes that the Court came up with the right d

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Shackelford. "The Truth That Must Be Told: Gay Subjectivity, Homophobia, and Social History in "Cat on a Hot Tin Roof"." Tennessee Williams Annual Review, no. 1 (1998): 103. http://dx.doi.org/10.2307/45343913.

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30

Palmer. "Elia Kazan and Richard Brooks do Tennessee Williams: Melodramatizing "Cat on a Hot Tin Roof" on Stage and Screen." Tennessee Williams Annual Review, no. 2 (1999): 1. http://dx.doi.org/10.2307/45344355.

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Williams, Tennessee. "“Mending Sails by Candlelight”: A Preface to Clothes for a Summer Hotel." F. Scott Fitzgerald Review 13, no. 1 (2015): 15–28. http://dx.doi.org/10.5325/fscotfitzrevi.13.1.15.

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Abstract On 26 March 1980, Tennessee Williams premiered his final play on Broadway, Clothes for a Summer Hotel, a biodrama based loosely on the lives and final days of F. Scott and Zelda Fitzgerald. As was his tradition, Williams wrote a pre-opening piece to accompany the opening that was intended for the theater section of the New York Times. On this occasion, the Times refused to publish the essay. Williams had been battling the newspaper's drama critics for over a decade, and the essay, embittered and oozing with self-pity, bears the wounds he had received from their repeated confrontations

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Colarusso, Calvin A. "Death, Rejuvenation and Immortality in Film: On Golden Pond (1981), Cat on a Hot Tin Roof (1958) and Cocoon (1985)." American Journal of Psychoanalysis 71, no. 2 (2011): 146–61. http://dx.doi.org/10.1057/ajp.2011.6.

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Santos, Daniele, and Leandro Francisco de Paula. "Conflito e drama familiar em Cat on a hot tin roof a partir da perspectiva de Norbert Elias de Figuração Social." Dramaturgia em foco 7, no. 2 (2025): 190–210. https://doi.org/10.5281/zenodo.14871123.

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Este estudo tem como pretensão considerar a família representada em Cat on a hot tin roof, peça escrita por Tennessee Williams, em 1955, como uma configuração social, teoria proposta por Norbert Elias, em seus estudos como O processo civilizador (1993; 2011), em ambos os volumes; e Os estabelecidos e os outsiders (2000), entre outros. Nossa proposta é justificar como essa configuração social, marcada pela família Pollit, apresenta relaçõe

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Kolaković, Ivana R. "TRAPPED BETWEEN TRADITIONAL AND MODERN: GENDER ROLES IN TENNESSEE WILLIAMS’ PLAYS A STREETCAR NAMED DESIRE AND CAT ON A HOT TIN ROOF." ZBORNIK ZA JEZIKE I KNJIŽEVNOSTI FILOZOFSKOG FAKULTETA U NOVOM SADU 7, no. 7 (2018): 275. http://dx.doi.org/10.19090/zjik.2017.7.275-288.

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Drame Tenesija Vilijamsa odražavaju specifičan vremenski period kada su u pitanju razumevanje i razvoj rodnih uloga. Ipak, njegovi likovi povremeno uspevaju da prevaziđu granice tradicionalnog, čime Vilijams preispituje položaj žena u Americi sredinom 20. veka. Ovaj rad se bavi dvema od njegovih najpoznatijih drama, Tramvaj zvani želja (1947), i Mačka na usijanom limenom krovu (1955), odnosno glavnim ženskim likovima ovih drama – Blanš Diboa i Megi Polit, iliti Megi „Mačka“. Postupci ta dva lika ističu performativnu prirodu roda i preispituju tradicionalne rodne uloge tipične za Ameriku pedese

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Rosa Lorés Sanz. "The Applicability of Linguistic Politeness Studies to Translation: A Case Study." Miscelánea: A Journal of English and American Studies 19 (December 31, 1998): 89–110. https://doi.org/10.26754/ojs_misc/mj.199811015.

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The present paper picks up on some aspects of a complex attempt to approach politeness studies from a new angle: translation. The most relevant approaches to the study of politeness agree on its two-sided character, which entails, on the one hand, linguistic meaning and, on the other, social meaning. This twofold concept of politeness determines the close relationship between its linguistic expression and the cultural context within which such expression is used. The cultural-relativistic stand that this assumption implies in some ways contradicts or, at least, partly questions, the universal

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Dasgupta, Archisha. "MENDACITY - A COMPARATIVE STUDY OF THE ANGUISH OF SUBTERFUGE AND SELF-DECEPTION IN THREE PLAYS OF TENNESSEE WILLIAMS." International Journal of Advanced Research 11, no. 06 (2023): 1121–29. http://dx.doi.org/10.21474/ijar01/17172.

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Tennessee Williams is often referred to as one of 20th century Americas greatest playwrights, alongside the likes of Arthur Miller and Eugene ONeill. A staunch proponent of the realism movement, Williams is known for his enduring characters and their tragic stories. His contribution to the tumultuous literary climate of the 1940s with his distinctive, brutally honest, and emotionally complex voice, makes his work a riveting basis for research and analysis. This thesis explores the moral vision of Williams through the deceptive practices of his dramatic characters. Though illusion may be effect

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Andrei Prakh. "CATS ON A HOT TIN ROOF." Current Digest of the Russian Press, The 76, no. 043 (2024): 14–15. http://dx.doi.org/10.21557/dsp.100842856.

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Frumensia, Silfira, Imelda Setiadi, and Heristama Anugerah Putra. "Pelapis Cat Hitam Pada Penggunaan Penutup Atap Seng Sebagai Perbandingan Suhu Dalam Ruang." Jurnal Lingkungan Karya Arsitektur 3, no. 2 (2024): 112–19. https://doi.org/10.37477/lkr.v3i2.651.

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The roof covering must have the function of protecting the building from weather or other disturbing and dangerous objects. Apart from that, the roof also has the function of influencing the temperature and humidity in an area within a space. There are various types of roofs that can be applied to various buildings, one of which is the tin roof. This research was carried out using quantitative methods in the form of experiments or trials using room temperature applications on the ability of roof coverings to withstand solar heat. Measurements are made by comparing the temperature between tin r

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Arrell, Douglas. "Homosexual Panic inCat on a Hot Tin Roof." Modern Drama 51, no. 1 (2008): 60–72. http://dx.doi.org/10.3138/md.51.1.60.

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Ingram, Graham, and Mary Jane Tacchi. "Service innovation in a heated environment: CATS on a hot tin roof." Psychiatric Bulletin 28, no. 11 (2004): 398–400. http://dx.doi.org/10.1192/pb.28.11.398.

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Over the past few years, numerous articles have highlighted the strain on (and drain of staff from) our specialty. Many general adult psychiatrists are developing bleak views of themselves, the world and the future. Encouragingly, consultants such as Hampson (2003) are structuring their roles with some success. However, we are going through a major overhaul of the model of delivery of care and need to adapt our roles accordingly. Although tuning a Triumph Spitfire might make it run more smoothly for a while, it is still an inferior beast compared with a modern car and might be better on the sc

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41

Price, Marian. "Cat on a Hot Tin Roof:The Uneasy Marriage of Success and Idealism." Modern Drama 38, no. 3 (1995): 324–35. http://dx.doi.org/10.3138/md.38.3.324.

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Lemos, Adriana Falqueto, and Johnny César dos Santos. "Ausência presente: a homossexualidade em três peças de Tennessee Williams." Dramaturgia em foco 7, no. 2 (2025): 172–89. https://doi.org/10.5281/zenodo.14871057.

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Tendo como corpus três peças de Tennessee Williams, Um bonde chamado Desejo, De repente, no último verão, e Gata em telhado de zinco quente, este texto pretende observar, utilizando a análise histórico-social e a revisão de literatura, como os personagens homossexuais ausentes se tornam presentes e como, mesmo ausentes, constituem-se como pontos de ruptura nas obras. A análise se empreende com vistas a entender qual foi o discurso de Williams ao trata

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Crandell, George. ""Echo Spring": Reflecting the Gaze of Narcissus in Tennessee Williams'sCat on a Hot Tin Roof." Modern Drama 42, no. 3 (1999): 427–41. http://dx.doi.org/10.3138/md.42.3.427.

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Gindt, Dirk. "WHEN BROADWAY CAME TO SWEDEN: THE EUROPEAN PREMIERE OF TENNESSEE WILLIAMS'SCAT ON A HOT TIN ROOF." Theatre Survey 53, no. 1 (2012): 59–83. http://dx.doi.org/10.1017/s0040557411000731.

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Returning fresh from her summer vacation, the suntanned managing director of Gothenburg City Theatre, Karin Kavli (1906–90), proudly announced at a press conference in early August 1955 that she had secured the rights to produce the European premiere of Tennessee Williams's acclaimed playCat on a Hot Tin Roof.1Well aware of the importance of creating a balanced repertoire that would satisfy the more artistically and literally minded audience and those who wanted some lighter forms of entertainment, Kavli understood that hosting the premiere of Williams's latest drama was quite a coup, especial

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45

Law, B. S., and M. Chidel. "Bats under a hot tin roof: comparing the microclimate of eastern cave bat (Vespadelus troughtoni) roosts in a shed and cave overhangs." Australian Journal of Zoology 55, no. 1 (2007): 49. http://dx.doi.org/10.1071/zo06069.

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We compared the microclimate experienced by maternity groups of eastern cave bats (Vespadelus troughtoni) in northern New South Wales between roosts in overhang caves versus a nearby maternity roost beneath the corrugated iron roof of a farm shed. The shed’s microclimate differed dramatically from that of the caves. Caves provided well-buffered microclimate conditions, which were cooler and more humid than ambient conditions during the day, but were warmer and less humid than ambient at night. Early summer temperatures remained between 20 and 25°C in the maternity caves. In contrast, the micro

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46

Law, B. S., and M. Chidel. "Bats under a hot tin roof: comparing the microclimate of eastern cave bat (Vespadelus troughtoni) roosts in a shed and cave overhangs." Australian Journal of Zoology 55, no. 1 (2007): 49. https://doi.org/10.5281/zenodo.13453604.

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(Uploaded by Plazi for the Bat Literature Project) We compared the microclimate experienced by maternity groups of eastern cave bats (Vespadelus troughtoni) in northern New South Wales between roosts in overhang caves versus a nearby maternity roost beneath the corrugated iron roof of a farm shed. The shed's microclimate differed dramatically from that of the caves. Caves provided wellbuffered microclimate conditions, which were cooler and more humid than ambient conditions during the day, but were warmer and less humid than ambient at night. Early summer temperatures remained between 20 and 2

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47

Law, B. S., and M. Chidel. "Bats under a hot tin roof: comparing the microclimate of eastern cave bat (Vespadelus troughtoni) roosts in a shed and cave overhangs." Australian Journal of Zoology 55, no. 1 (2007): 49. https://doi.org/10.5281/zenodo.13453604.

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(Uploaded by Plazi for the Bat Literature Project) We compared the microclimate experienced by maternity groups of eastern cave bats (Vespadelus troughtoni) in northern New South Wales between roosts in overhang caves versus a nearby maternity roost beneath the corrugated iron roof of a farm shed. The shed's microclimate differed dramatically from that of the caves. Caves provided wellbuffered microclimate conditions, which were cooler and more humid than ambient conditions during the day, but were warmer and less humid than ambient at night. Early summer temperatures remained between 20 and 2

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48

Law, B. S., and M. Chidel. "Bats under a hot tin roof: comparing the microclimate of eastern cave bat (Vespadelus troughtoni) roosts in a shed and cave overhangs." Australian Journal of Zoology 55, no. 1 (2007): 49. https://doi.org/10.5281/zenodo.13453604.

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(Uploaded by Plazi for the Bat Literature Project) We compared the microclimate experienced by maternity groups of eastern cave bats (Vespadelus troughtoni) in northern New South Wales between roosts in overhang caves versus a nearby maternity roost beneath the corrugated iron roof of a farm shed. The shed's microclimate differed dramatically from that of the caves. Caves provided wellbuffered microclimate conditions, which were cooler and more humid than ambient conditions during the day, but were warmer and less humid than ambient at night. Early summer temperatures remained between 20 and 2

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49

Law, B. S., and M. Chidel. "Bats under a hot tin roof: comparing the microclimate of eastern cave bat (Vespadelus troughtoni) roosts in a shed and cave overhangs." Australian Journal of Zoology 55, no. 1 (2007): 49. https://doi.org/10.5281/zenodo.13453604.

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(Uploaded by Plazi for the Bat Literature Project) We compared the microclimate experienced by maternity groups of eastern cave bats (Vespadelus troughtoni) in northern New South Wales between roosts in overhang caves versus a nearby maternity roost beneath the corrugated iron roof of a farm shed. The shed's microclimate differed dramatically from that of the caves. Caves provided wellbuffered microclimate conditions, which were cooler and more humid than ambient conditions during the day, but were warmer and less humid than ambient at night. Early summer temperatures remained between 20 and 2

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50

Law, B. S., and M. Chidel. "Bats under a hot tin roof: comparing the microclimate of eastern cave bat (Vespadelus troughtoni) roosts in a shed and cave overhangs." Australian Journal of Zoology 55, no. 1 (2007): 49. https://doi.org/10.5281/zenodo.13453604.

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Abstract:

(Uploaded by Plazi for the Bat Literature Project) We compared the microclimate experienced by maternity groups of eastern cave bats (Vespadelus troughtoni) in northern New South Wales between roosts in overhang caves versus a nearby maternity roost beneath the corrugated iron roof of a farm shed. The shed's microclimate differed dramatically from that of the caves. Caves provided wellbuffered microclimate conditions, which were cooler and more humid than ambient conditions during the day, but were warmer and less humid than ambient at night. Early summer temperatures remained between 20 and 2

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Journal articles on the topic 'Cat on a hot tin roof'

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