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Journal articles on the topic 'Catachresis'

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1

Iqbal, Basit Kareem. "Disfiguring Christianity." Method & Theory in the Study of Religion 31, no. 3 (June 25, 2019): 261–80. http://dx.doi.org/10.1163/15700682-12341448.

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Abstract This essay reads Anidjar’s “critique of Christianity” to confront the history of Western rhetoric, in its separation of figure from referent. He reads blood as catachrestic—catachresis not as abuse of language but its actualization. From the perspective of the tropological system, one might track the different meanings of blood (metaphorical, metonymic, symbolic) of historical Christianity. But from the asymmetrical perspective of catachresis, blood maps out the divisive activity of Christianity, even in its institution of the propriety of figure. Blood thus does not deliver a revolutionary program somehow “against” Christianity so much as demonstrate its impropriety. In so doing Blood partakes of the temporality of besiegement expressed in the Darwish poem with which the essay opens, where the possibility of escape is neither relinquished nor celebrated but endured. A postscript takes up Anidjar’s reading of Moses and Monotheism in order to raise the question of Islam.
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2

Tobin *, Joseph. "Scaling up as catachresis." International Journal of Research & Method in Education 28, no. 1 (April 2005): 23–32. http://dx.doi.org/10.1080/01406720500036687.

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3

Bos, René ten. "Governmentality, Catachresis, and Organizational Theory." Philosophy Today 54, no. 1 (2010): 18–29. http://dx.doi.org/10.5840/philtoday201054132.

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4

Hawthorne, Sîan Melvill, and Adriaan S. Van Klinken. "Catachresis: Religion, Gender, and Postcoloniality." Religion and Gender 3, no. 2 (August 6, 2013): 159. http://dx.doi.org/10.18352/rg.9170.

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Hawthorne, Sîan Melvill, and Adriaan S. van Klinken. "Catachresis: Religion, Gender, and Postcoloniality." Religion and Gender 3, no. 2 (February 19, 2013): 159–67. http://dx.doi.org/10.1163/18785417-00302001.

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Teahan, Sheila. "The Rhetoric of Consciousness in Henry James." Keeping Ourselves Alive 3, no. 2-3 (January 1, 1993): 127–37. http://dx.doi.org/10.1075/jnlh.3.2-3.02rhe.

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Abstract Although traditionally viewed from a phenomenological perspective, Henry James's compositional device of the center of consciousness can be understood rhetorically as a representational strategy that illustrates the problematics of figurative language and causality. The Jamesian reflector does not simply "re-flect" but crucially intervenes in the causal logic of the texts it claims to focalize. The reflector's relation to the material he or she mediates is one of catachresis, or of "translation," of figurative transfer without a nonfigurative ground. But the rhetorical consequences of this catachrestic mediation cannot be reconciled with James's claims for the center of consciousness as the formal and meta-physical ground of his fictions. James's center of consciousness texts typically reach a representational impasse that thematizes this incompatibility and sacri-fices the central consciousness himself or herself in an allegory of this rhetorical situation. (Literary criticism, rhetorical approach)
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Huttunen, Tomi, and Jussi Lassila. "Zakhar Prilepin, the National Bolshevik Movement and Catachrestic Politics." Transcultural Studies 12, no. 1 (November 22, 2016): 136–58. http://dx.doi.org/10.1163/23751606-01201007.

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This article examines the Russian writer and publicist Zakhar Prilepin, a visible representative of Russiaʼs patriotic currents since 2014, and a well-known activist of the radical oppositional National Bolshevik Party (nbp) since 2006. We argue that Prilepinʼs public views point at particular catachrestic political activism. Catachresis is understood here as a socio-semantic misuse of conventional concepts as well as a practice in which political identifications blur the distinctions defining established political activity. The background for the catachrestic politics, as used in this article, was formed by the 1990s post-Soviet turmoil and by Russiaʼs weak socio-political institutions, which facilitate and sustain the space for the self-purposeful radicalism and non-conformism – the trademarks of nbp. Prilepinʼs and nbpʼs narrated experience of fatherlessness related to the 1990s was compensated by personal networks and cultural idols, which often present mutually conflicting positions. In Pierre Bourdieuʼs terminology, Prilepin and the Nationalist Bolshevik’s case illustrate the strength of the literary field over the civic-political one. Catachrestic politics helps to conceptualize not only Prilepin’s activities but also contributes to the study of the political style of the National Bolshevik Party, Prilepinʼs main political base. As a whole, the paper provides insights into the study of Russiaʼs public intellectuals who have played an important role in Russiaʼs political discussion in the place of of well-established political movements.
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Park,Woo-Su. "Catachresis and Decorum in the Rhetorical Criticism." Journal of Classic and English Renaissance Literature 19, no. 1 (June 2010): 83–99. http://dx.doi.org/10.17259/jcerl.2010.19.1.83.

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9

Bollobás, Enikő. "Troping the Unthought: Catachresis in Emily Dickinson’s Poetry." Emily Dickinson Journal 21, no. 1 (2012): 25–56. http://dx.doi.org/10.1353/edj.2012.0005.

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Stokes, Christopher. "Coleridge’s Philosophy of Prayer: Responsibility, Parergon, and Catachresis." Journal of Religion 89, no. 4 (October 2009): 541–63. http://dx.doi.org/10.1086/600876.

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11

Krips, Henry. "Catachresis, Quantum Mechanics, and the Letter of Lacan." Configurations 7, no. 1 (1999): 43–60. http://dx.doi.org/10.1353/con.1999.0009.

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12

Balashov-Eskin, Kirill. "Catachresis in the Poetical Style of V. A. Sosnora." Russkaia rech, no. 3 (2020): 65–76. http://dx.doi.org/10.31857/s013161170009961-6.

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13

Brown, J. Camp. "Catachresis, and Mandolin in White Wood, Signing the Tag." New England Review 36, no. 4 (2015): 154–56. http://dx.doi.org/10.1353/ner.2015.0129.

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14

Virdee, Douglass. "Backwards time: Causal catachresis and its influence on viewpoint flow." Cognitive Linguistics 30, no. 2 (May 27, 2019): 417–38. http://dx.doi.org/10.1515/cog-2018-0040.

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AbstractThis paper proposes a cognitive linguistic explanation of the unusual narrative construal of time as moving backwards. It shows that backwards time in narrative involves setting up an alternative space in which a second narrative is constructed simultaneously, resulting in a viewpoint hierarchy which postulates four viewpoints on each discourse statement. The paper draws together research on conceptual metaphor, mental spaces theory and viewpoint multiplicity, bringing it to bear on discourse fragments. The majority of these are taken from Martin Amis’s Time’s Arrow (Amis, Martin. 2003 [1991]. Time’s Arrow. London: Vintage.) (a logically consistent and linguistically revealing text), but the discussion is contextualised with further examples. It is argued that the causal construal implied by narrative is not limited by our phenomenological experience, as other studies (e.g., Evans, Vyvyan. 2013. Language and time: A cognitive linguistics approach. Cambridge: Cambridge University Press.) might suggest, but is instead prompted by conceptual re-interpretation of deictic markers in the discourse. The analysis focuses on causal construal, negation (especially causal catachresis), and alternativity. It shows how linguistic features at the sentential level generate top-down reorganization of both episodic structure and discourse meaning, and how this relies on multiplicity of viewpoint and a conceptual “zooming out” prompting the perception of irony.
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Mazaj, Meta. "Border aesthetics and catachresis in Ali Abbasi’s Gräns/Border (2018)." Transnational Screens 11, no. 1 (October 22, 2019): 34–47. http://dx.doi.org/10.1080/25785273.2019.1682229.

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Wang, Orrin Nan Chung. "Kant's Strange Light: Romanticism, Periodicity, and the Catachresis of Genius." diacritics 30, no. 4 (2000): 15–37. http://dx.doi.org/10.1353/dia.2000.0036.

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Theodosiou, Aspasia. "Multiculturalism and the catachresis of otherness: Settling Gypsies, unsettling Gypsy belongings." Critique of Anthropology 31, no. 2 (June 2011): 89–107. http://dx.doi.org/10.1177/0308275x11399971.

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Tsou, Elda E. "Catachresis: Blu's Hanging and the Epistemology of the Given." Journal of Asian American Studies 14, no. 2 (2011): 283–303. http://dx.doi.org/10.1353/jaas.2011.0014.

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Malashchuk-Vyshnevska, Nataliia. "Catachresis in the system of poetics of nonsense (on postmodern american poetry)." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 20 (2019): 198–203. http://dx.doi.org/10.34079/2226-3055-2019-12-20-198-203.

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Weihua Wu. "In Memory of Meishu Film: Catachresis and Metaphor in Theorizing Chinese Animation." Animation 4, no. 1 (March 2009): 31–54. http://dx.doi.org/10.1177/1746847708099741.

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21

Clark, E. G. "Adam's womb (Augustine, Confessions 13.28) and the salty sea." Proceedings of the Cambridge Philological Society 42 (1997): 89–105. http://dx.doi.org/10.1017/s0068673500002054.

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a quo [sc. Deo] si non esset lapsus Adam, non diffunderetur ex utero eius salsugo maris, genus humanum profunde curiosum et procellose tumidum et instabiliter fluidumThis paper begins with a puzzle, a passage of Confessions 13 which has left commentators baffled. How can Adam have a uterus? Gibb and Montgomery, in 1927, gave the problem a name; O'Donnell, in 1992, opted for citing their comment with a quiet gloss of his ownutero G–M (understatement): ‘A remarkable example of catachresis. It is to be explained, no doubt, by the fact that “Adam” is used generically rather than personally.
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Van Raemdonck, An. "Egyptian Activism against Female Genital Cutting as Catachrestic Claiming." Religion and Gender 3, no. 2 (February 19, 2013): 222–39. http://dx.doi.org/10.1163/18785417-00302005.

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This paper deals with questions of the politics of location in knowledge andnorm production within the context of Egyptian feminist activism for abandoningfemale genital cutting practices. It seeks to determine underlying schemesof international campaigning discourse and analyzes how these predicate andcomplicate Egyptian postcolonial activism. It draws on a broad literature studyin addition to fieldwork in Cairo consisting of in-depth interviews with activistsand policy makers. My focus is on the national Task Force against FGMfrom 1994 until 1999 and its subsequent cooptation by the National Council ofChildhood and Motherhood. I argue through the concept of catachresis thatlocation matters in setting the terms of anti-FGC discourse and its relation toreligion.
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Conley, Donovan. "Deliverance." Communication and the Public 5, no. 1-2 (March 2020): 65–73. http://dx.doi.org/10.1177/2057047320950856.

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This essay proposes thinking about civic wounds as assemblages. It draws on the historical case of antebellum Cincinnati, where the physical contagion of cholera entangled with the social contagion of slavery in ways that articulated across both cultural and physical domains of activity at once. Taking this approach reveals the ways rhetoric’s pharmakon mediates the operations of delivery within assemblages; I further suggest that the intersecting figural movements of catachresis and metonymy account for the granular pharmacological work of a given wound/assemblage’s historical emergence. Along the way we see how both rhetoric and liberal democracy are toxic enterprises wherein goods and bads commingle in fateful ways.
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Grillo, Laura S. "Catachresis in Côte d’Ivoire: Female Genital Power in Religious Ritual and Political Resistance." Religion and Gender 3, no. 2 (May 7, 2013): 188. http://dx.doi.org/10.18352/rg.8329.

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Grillo, Laura S. "Catachresis in Côte d’Ivoire: Female Genital Power in Religious Ritual and Political Resistance." Religion and Gender 3, no. 2 (February 19, 2013): 188–206. http://dx.doi.org/10.1163/18785417-00302003.

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Ivoirian women vehemently protest the violence and calamity of civil war by deploying an embodied rhetoric of ritual, appealing to the traditional religious concept of “Female Genital Power.” I propose that their imagistic resistance to the postcolonial state represents a catachresis, with a few interesting twists. Most salient is that what women reinscribe onto the political scene is not as a feature of the imperial culture but the concept-metaphors of indigenous religion, and especially the image of Woman as the source of moral and spiritual power from which proceeds all political, religious, and juridical authority. Whereas the logocentrism of the academy, and postcolonial theory in particular, leads to aporia, ritual remands scholars into the situation of the actual world, where women are actively engaged in self-representation that both defies projected depictions of them and rejects their absence from state conceptions of power
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Bhattacharya, Atanu, and Preet Hiradhar. "The Insectesimal tall tale: Historical catachresis and ethics in the science fiction of Premendra Mitra." Journal of Postcolonial Writing 54, no. 2 (June 5, 2017): 174–86. http://dx.doi.org/10.1080/17449855.2017.1332676.

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27

Gow, Andrew. "Christianity: “A Manner of Dividing the Sensible”." Method & Theory in the Study of Religion 31, no. 3 (June 25, 2019): 299–303. http://dx.doi.org/10.1163/15700682-12341447.

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Abstract Anidjar’s Blood can be read, with Amy Hollywood, as a political intervention designed to alienate and creatively reuse the familiar terms ‘blood’ and ‘Christianity’ to mean quite different things, namely a set of biologically, emotionally, and politically charged metaphors circulating within and fuelling a hegemonic cultural world system. While this is a clear possible reading throughout, Anidjar provides an explicit key to justify these meanings only on page 258, allowing that he has used each term as ‘catachresis’— to command our attention but also to redirect it. Contrary to Francis Landy’s wish that Andijar provide an accounting of how (actual) blood in (actual) Christian tradition relates to blood in Judaism, I suggest that Anidjar’s project requires nothing of the sort, working as it does at an entire level of abstraction above the plane of paratactically organized and comparable ‘religions’.
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Heo, Mansup. "A Review of Politicians’ Catachresis And Spiteful Words : Focusing On Their Discordance With A Cultural Environment." Korean Journal of Rhetoric 41 (September 30, 2021): 225–56. http://dx.doi.org/10.31325/kjr.2021.9.41.225.

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Gotchold, Agnieszka. "Koncepcje podmiotowości w filozofii kartezjańskiej i psychoanalizie lacanowskiej z perspektywy retorycznej." Idea. Studia nad strukturą i rozwojem pojęć filozoficznych 31 (2019): 24–45. http://dx.doi.org/10.15290/idea.2019.31.02.

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The paper discusses the question of human subjectivity as defined by René Descartes (1596-1650) and Jacques Lacan (1901-1981). It examines the similarities as well as differences between the selfconscious and rational Cartesian subject, and the unconscious Lacanian subject (subject as desire and subject as drive). Further, it applies these categories to the subsequent discussion on the psychotic subject. Taking a rhetorical perspective means that the Cartesian and Lacanian subjects are considered an effect of specific tropological processes, such as the mechanisms of metonymy, synecdoche, metaphor, or catachresis. As it turns out, an analysis of rhetorical tropes allows us to uncover the unconscious linguistic mechanisms governing the formation of the human subject. Despite the obvious differences between the concepts of subjectivity in Cartesian philosophy and Lacanian psychoanalysis, there is a common denominator: it is due to the process of metaphorical substitution that the human subject comes into being.
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Ryczek, Wojciech. "Ut figura sit. Beda Czcigodny o tropach Pisma." Vox Patrum 69 (December 16, 2018): 573–94. http://dx.doi.org/10.31743/vp.3276.

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The main purpose of the paper is to discuss thirteen tropes presented by the Venerable Bede, a Benedictine monk from the Kingdom of Northumbria, in the manual On figures and tropes (De schematibus et tropis, ca. 710), dedicated to his disciple, Cuthbert. Using the definitions and examples given by Donatus (Ars maior), Bede described thirteen tropes and their variants: metaphor, catachresis, metalepsis, metonymy, antonomasia, epithet, synecdoche (totum a parte, pars a toto), onomatopoeia, periphrasis, hyperbaton (histerologia, anastrophe, paren­thesis, tmesis, synchysis), hyperbole, allegory (irony, antiphrasis, enigma, chari­entism, paremia, sarcasm, asteism), and homoeosis (icon, parable, paradigm). Each of these rhetorical devices was illustrated with examples drawn from the Scripture. Therefore, the categories form the grammatical tradition were trans­formed into the exegetical means, particularly useful during reading the Bible and discovering its hidden meanings. Deploying tropes for interpretative purposes, Bede proposed the model of exegesis concentrated on both what is signified and the mode of signification.
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Taufiqurrochman, Taufiqurrochman. "FENOMENA LAHN DALAM RITUAL IBADAH." El-HARAKAH (TERAKREDITASI) 9, no. 2 (August 13, 2008): 165. http://dx.doi.org/10.18860/el.v9i2.4653.

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<p class="Bodytext50"><span>One of the language characteristic</span><span lang="EN-US">s</span><span> is that </span><span lang="EN-US">it</span><span> is composed of a certain sound system that is distinctive to each other. </span><span lang="EN-US">Alquran</span><span> that is revealed in Arabic should be articulated appropriately and accurately in order to avoid mistakes, explicitly or implicitly. Lahn is called as solecism in linguistics and catachresis in literature. According to tajwid science (</span><span lang="EN-US">Alquran</span><span> Phonology), Lahn is defined as. mis pronunciation in reading </span><span lang="EN-US">Alquran</span><span>. That is why the readers should be able to learn more about tajwid. It is important to avoid making lahn that will change the meaning of the Holly </span><span lang="EN-US">Alquran</span><span>. This article is aimed at describing lahn phenomenon that appears in religious activities such as adzan, iqamat, tahlil, talbiyah, and praying.</span></p><p class="Bodytext50"><span lang="EN-US"> </span></p><p class="Bodytext50"><span>Salah satu karakteristik bahasa ialah ia terdiri dari sistem bunyi tertentu yang dapat membedakannya dengan lainnya. Alquran yang tertulis dalam Bahasa Arab harus diartikulasikan dengan tepat dan akurat agar terhindar dari kesalahan baik itu yang tampak maupun yang tersembunyi. <em>Lahn</em> disebut sebagai kesalahan tata bahasa dalam ilmu Linguistik dan <em>catachresis</em> dalam ilmu Sastra. Menurut ilmu Tajwid (Fonologi Alquran), <em>Lahn</em> didefinisikan sebagai kesalahan pengucapan dalam membaca Alquran. Maka dari itu, pembaca harus mempelajari Tajwid lebih jauh lagi. Artikel ini bertujuan untuk mendeskripsikan fenomena <em>Lahn</em> yang tampak dalam aktivitas keagamaan seperti azan, iqamah, <em>tahlil</em>, <em>talbiyah</em>, dan berdoa.<em></em></span></p>
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Hawthorne, Sîan Melvill. "Displacements: Religion, Gender, and the Catachrestic Demands of Postcoloniality." Religion and Gender 3, no. 2 (February 19, 2013): 168–87. http://dx.doi.org/10.1163/18785417-00302002.

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In this paper I examine the uneasy intersection between ‘religion’, ‘gender’ and ‘postcoloniality’ as it is staged in the sub-field of religion and gender within religious studies and theology. Noting the lack of sustained attention in this field to those postcolonial challenges that might question the prioritization of gender as the site from which critique should be originated, and suggesting that this neglect might compromise the assumption that, because of its alignment with the politics of the marginal, it is comparatively less implicated in colonial knowledge formations, I argue that scholars of religion and gender risk perpetuating imperialist figurations found elsewhere in the academic study of religions. I propose the figure of the catachresis, as theorized by Gayatri Spivak, as a potential step towards displacing those European concept-metaphors and value-codings that both derive from imperialist ideologies and sustain the fiction operational within much, though not all, religion and gender scholarship of a generalizable or normative epistemic subjectivity. I suggest these ideologies ultimately prevent an encounter with the women and men who exist beyond this mode of production and whose priorities may be configured entirely differently to those that seem currently to inform and produce the intellectual itineraries of the field.
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Persard, Suzanne C. "The Radical Limits of Decolonising Feminism." Feminist Review 128, no. 1 (July 2021): 13–27. http://dx.doi.org/10.1177/01417789211015334.

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From yoga to the Anthropocene to feminist theory, recent calls to ‘decolonise’ have resulted in a resurgence of the term. This article problematises the language of the decolonial within feminist theory and pedagogy, problematising its rhetoric, particularly in the context of the US. The article considers the romanticised transnational solidarities produced by decolonial rhetoric within feminist theory, asking, among other questions: What are the assumptions underpinning the decolonial project in feminist theory? How might the language of ‘decolonising’ serve to actually de-politicise feminism, while keeping dominant race logics in place? Furthermore, how does decolonial rhetoric in sites such as the US continue to romanticise feminist solidarities while positioning non-US-born women of colour at the pedagogical end of feminist theory? I argue that ‘decolonial’, in its current proliferation, is mainstreamed uncritically while serving as a catachresis within feminist discourse. This article asks feminism to reconsider its ease at an incitement to decolonise as a caution for resisting the call to decolonise as simply another form of multicultural liberalism that masks oppression through imagined transnational solidarities, while calling attention to the homogenous construction of the ‘Global South’ within decolonising discourse.
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Scully, Matthew. "Democratic Aesthetics: Scenes of Political Violence and Anxiety in Nari Ward and Ocean Vuong." American Literature 93, no. 4 (October 22, 2021): 685–712. http://dx.doi.org/10.1215/00029831-9520236.

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Abstract By attending to art and writing that interrogates US citizenship and state violence, this essay foregrounds the structural antagonism between democracy as an instituted form of rule, which depends on inegalitarian hierarchies, and democracy’s egalitarian drive. It argues that the realization of democracy as a form of governance (consensus democracy) occurs by substituting the rule of a part for the whole, which violently forces democracy’s constitutive figures to conform to and negotiate its organizing logics. Nari Ward’s We the People (2011) allegorizes this inherent tension in democracy as one between synecdoche and metonymy. The article then theorizes a new form of democratic politics through an engagement with Jacques Rancière before turning to Ocean Vuong’s “Notebook Fragments” (2016) and “Self-Portrait as Exit Wounds” (2016) as articulations of a democratic aesthetics constituted by figures—including metonymy, irony, and catachresis—that interrupt the substitutions of synecdoche. Vuong’s poetry foregrounds the violence enacted by state fantasies and insists on the democratic equality disavowed by consensus democracy. Together, Ward and Vuong locate the political force of aesthetics not in reassuring visions of inclusion but in operations that disturb and resist any form of hierarchy.
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Howarth, David, and Steven Griggs. "Metaphor, Catachresis and Equivalence: The Rhetoric of Freedom to Fly in the Struggle over Aviation Policy in the United Kingdom." Policy and Society 25, no. 2 (January 2006): 23–46. http://dx.doi.org/10.1016/s1449-4035(06)70073-x.

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Nardi, Steven A. "Unremembered Plots: Catachresis and Narrativity in Lucille Clifton’s “why some people be mad at me sometimes” and Countee Cullen’s “Heritage”." Narrative 22, no. 2 (2014): 252–68. http://dx.doi.org/10.1353/nar.2014.0013.

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POLAT, NECATI. "European integration as colonial discourse." Review of International Studies 37, no. 3 (July 9, 2010): 1255–72. http://dx.doi.org/10.1017/s0260210510000495.

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AbstractA not infrequent musing on the growing European integration is that the process may signal a historic discontinuity with the logic and functioning of the modern state, forming an alternative to the Westphalian order. This article takes issue with this notion, holding that, more accurately, the interaction in Europe between the currents of post-national integration and the nation-state may have reduced the integrated Europe to a mere parody of the nation-state. In articulating this argument, the article draws on the ‘hybrid’ anxiety placed by Homi Bhabha at the heart of the encounter between the coloniser and the colonised – a binary perversely reproduced, the article claims, in the dichotomy between the European integration and the European nation-state. Next, through a discussion of ‘catachresis’ and ‘time-lag’, strategies of reversal introduced by Gayatri Spivak and Bhabha, respectively, the article rehearses ideas as to whether or not something of a post-Westphalian order can still be salvaged from the ongoing process of integration. Throughout, the article seeks to rely on the later Wittgenstein on meaning, especially his privileging of what is conventionally treated as secondary in meaning formation; namely appearances, difference, absence, mimesis, and the burlesque, as opposed to a transcendental essence, presence, or identity.
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Komarevtseva, O. V. "STUDYING THE ISSUE OF THE RUSSIAN ECONOMY DIGITALIZATION IN THE CONDITIONS OF LABILITY, CATACHRESIS AND DEFORMATION OF PARAMETRIC PHENOMENA OF SMALL TERRITORIES." Territory Development, no. 2(19) (2019): 69–80. http://dx.doi.org/10.32324/2412-8945-2019-2-69-80.

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Ingala, Emma. "Catachresis and Mis-Being in Judith Butler and Étienne Balibar: Contemporary Refigurations of the Human as a Face Drawn in the Sand." Literature and Theology 32, no. 2 (May 30, 2018): 142–60. http://dx.doi.org/10.1093/litthe/frx036.

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Campos Salvaterra, Valeria Rocío. "Alimentación ontológica e incorporación ética en Levinas." Daimon, no. 83 (May 1, 2021): 139–52. http://dx.doi.org/10.6018/daimon.369531.

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En el siguiente trabajo exponemos la tesis de Emmanuel Levinas según la cual en la subjetividad se entrelazan dos momentos, uno ontológico y uno propiamente ético, alejándose así del paradigma de la identidad. Sostenemos que dicha estructura co-implicada de la subjetividad puede entenderse, a partir de las dos obras principales de Levinas (Totalidad e infinito y De otro modo que ser o más allá de la esencia), a la luz de un movimiento incorporativo no-asimilativo de la alteridad. Mostramos así, en primer lugar, cómo la retórica alimentaria del comer-al y con-otro no sólo puede tener rendimiento especulativo en el caso de la tematización de la estructura ontológica del vivir de… sino que incluso funciona como catacresis fundamental en el caso de la exposición de la subjetividad como substitución. Finalmente, proponemos que estos análisis permiten una relectura de la estructura misma de la relación general con la alteridad en Levinas en términos de incorporación. In the following article we expose Emmanuel Levinas’ thesis about an altered subjectivity that has two intertwined moments: one ontological and one properly ethical. We hold that this co-implicated structure of subjectivity can be understood, in the context of the two main works of Levinas (Totality and Infinity and Otherwise than Being or Beyond Essence), in the light of a non-assimilative incorporative movement of alterity. We show, in the first place, how the rhetoric of eating the-other and with-other has an speculative function both in the thematization of the ontological structure of the living of ... and in the thesis about subjectivity as a substitution – as a fundamental catachresis. Finally, we propose that these analyzes allow a rereading of the structure of the general relationship with otherness in Levinas in terms of incorporation
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41

Schaefer, Sarah Josefine. "Anglicisms in German media: Exploring catachrestic and non-catachrestic innovations in radio station imaging." Lingua 221 (April 2019): 72–88. http://dx.doi.org/10.1016/j.lingua.2019.01.002.

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42

Bentley, N. "Du Bois, Kinlessness, and the Catachrestic Novel." Novel: A Forum on Fiction 42, no. 2 (June 1, 2009): 223–30. http://dx.doi.org/10.1215/00295132-2009-008.

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43

Đurčević, Jovana, and Nataša Kostić. "Pragmatic functions of anglicisms in the Montenegrin language." Círculo de Lingüística Aplicada a la Comunicación 86 (April 16, 2021): 171–86. http://dx.doi.org/10.5209/clac.75500.

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This paper deals with the traditional distinction between necessary and unnecessary loanwords as a problematic one because it marginalises the functions of so-called unnecessary loanwords. By adopting a cognitive-linguistic approach, this paper aims to highlight the importance of both types of loanwords from a language user’s point of view. To this end, we examine anglicisms in Montenegrin on the basis of a new pragmatic model which distinguishes between catachrestic and non-catachrestic loanwords (Onysko, Winter-Froemel 2011). Our study has shown that the pragmatic distinction of anglicisms is possible in Montenegrin, thereby proving it is unacceptable to divide them into necessary and unnecessary ones. The results also show that anglicisms do not always have all the characteristics typical of their categories, which brings us back to the cognitive-linguistic approach we have taken in our study.
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44

Scarlett, Ashley. "Interpreting An Improper Materialism." Digital Culture & Society 1, no. 1 (September 1, 2015): 111–30. http://dx.doi.org/10.14361/dcs-2015-0108.

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Abstract This paper explores catachrestic synesthesia as a key interpretive strategy that contemporary media artists are drawing upon in an effort to conceptualize and grapple with ‘digital materiality.’ I argue that these synesthetic gestures are not merely poetic flourishes. Instead they test the limits of representation, identifying gaps in language while employing the body in order to triangulate modes of computational materiality that are proving conceptually and phenomenologically evasive. Grounded within a series of materialdriven interviews that I conducted with thirty-five digital media artists, this analysis will be advanced through the following means: (1) a review of media phenomena and scholarly work that inform current debates regarding digital materiality with particular attention paid to the potential contribution of contemporary media art within this field of study; (2) an analysis of occasions where artists conjured the senses synesthetically as a disoriented means of grasping at the material attributes of their digital works; and (3) a theorization of “catachrestic synesthesia” as an interpretive strategy with broader implications for how digital materiality ‘as such’ might be better understood.
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45

Hawthorne, Sîan Melvill. "Displacements: Religion, Gender, and the Catachrestic Demands of Postcoloniality." Religion and Gender 3, no. 2 (August 2, 2013): 168. http://dx.doi.org/10.18352/rg.9168.

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Van Raemdonck, An. "Egyptian Activism against Female Genital Cutting as Catachrestic Claiming." Religion and Gender 3, no. 2 (August 6, 2013): 222. http://dx.doi.org/10.18352/rg.9169.

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Namaste, Viviane K. "The use and abuse of queer tropes: Metaphor and catachresls in queer theory and politics." Social Semiotics 9, no. 2 (August 1999): 213–34. http://dx.doi.org/10.1080/10350339909360433.

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48

van Klinken, Adriaan S. "God’s World Is Not an Animal Farm – Or Is It? The Catachrestic Translation of Gender Equality in African Pentecostalism." Religion and Gender 3, no. 2 (February 19, 2013): 240–58. http://dx.doi.org/10.1163/18785417-00302006.

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Building on scholarly debates on Pentecostalism, gender and modernity in Africa, this article engages a postcolonial perspective to explore and discuss the ambivalent, even paradoxical nature of African Pentecostal gender discourse. It analyses the conceptualization of gender equality, in particular the attempt to reconcile the notions of ‘male–female equality’ and ‘male headship’, in a sermon series delivered by a prominent Zambian Pentecostal pastor, and argues that the appropriation and interruption of Western notions of gender equality in these sermons can be interpreted, in the words of Homi Bhabha, as a catachrestic postcolonial translation of modernity. Hence, the article critically discusses the Western ethnocentrism in some scholarly debates on gender and Pentecostalism in Africa, and points to some of the fundamental questions that Pentecostalism and its ambivalent gender discourse pose to gender-critical scholarship in the study of religion.
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Erismann, Christophe. "Catachrestic Plural Forms. Gregory of Nyssa and Theodore Abū Qurrah on Naming and Counting Essences." British Journal for the History of Philosophy 22, no. 1 (January 2, 2014): 39–59. http://dx.doi.org/10.1080/09608788.2013.864596.

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50

Sharpe, Matthew. "Golden calf: Deleuze’s Nietzsche in the time of Trump." Thesis Eleven 163, no. 1 (March 30, 2021): 71–88. http://dx.doi.org/10.1177/07255136211005990.

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This paper examines how Gilles Deleuze addresses, and fail to address, the darker strata in Nietzsche’s work which has enabled his work to be claimed by almost every far-right European political movement since the 1890s to the Alt-Right today. Part I argues that four rhetorical strategies are present which serve to domesticate Nietzsche’s ideas concerning class and caste, race and sexuality, and his opposition to forms of liberalism, democracy, feminism and socialism: avoiding directly political subjects which Nietzsche returned to; catachrestic use of political words to describe ostensibly supra- or non-political data; denials of Nietzsche’s rightist positions, followed by justifications which, upon analysis, do not support the denials but ‘change the subject’; openly erroneous misrepresentations of divisive subjects, led by Nietzsche on war. Part II looks at how these sophistical strategies are played out in two key passages in Nietzsche and Philosophy, concerning the second ‘selection’ in the eternal recurrence, with its ‘annihilation of all parasitical and degenerate elements’. Closing remarks address the situation today, and the paradoxes and limitations of Left Nietzscheanism in the academy.
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