Relevant bibliographies by topics / Catacombs in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Catacombs in art'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Catacombs in art"

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Fatyushyna, N. Yu. "Basic features of early Christian art (painting, mosaic, architecture, music)." Ukrainian Religious Studies, no. 25 (December 27, 2002): 110–17. http://dx.doi.org/10.32420/2003.25.1434.

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The most ancient monuments of ancient Christian art were found in catacombs located outside the cities. The Christian catacombs were a complex plexus of underground narrow galleries with numerous niches where the coffins of martyrs and bishops were placed. These niches formed a kind of rectangular chambers, the walls and surfaces of which were decorated with images. Thus, early Christian art begins with catacomb paintings.
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Tiurina, Svetlana Nikolaevna. "Between image and depiction: The Second Commandment in the Context of Catacomb Painting." Философская мысль, no. 4 (April 2025): 1–25. https://doi.org/10.25136/2409-8728.2025.4.73641.

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Catacomb painting, formed in the context of the biblical prohibition on images (the Second Commandment), is a unique phenomenon of early Christian culture. The article analyzes methodological approaches to its study: iconographic analysis, concepts of identity, artistic style, dialogue and the role of the viewer. Special attention is paid to the juxtaposition of an "image" (a material object) and an "image" (a symbol indicating the transcendent), which reveals the apophatic principle of overcoming prohibition. The author criticizes the limitations of existing methods, offering an interdiscipli
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Sherazi, Melanie Masterton. "William Demby's Rome and the Transnational 1960s." MLN 140, no. 1 (2025): 65–78. https://doi.org/10.1353/mln.2025.a963655.

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Abstract: The late African American author William Demby's writings in postwar Rome for the Italian cinema and for periodicals suffuse the experimental aesthetics of his semi-autobiographical 1965 novel The Catacombs ( Le catacombe , 1967) at the level of content, style, and form. This essay analyzes filmic and televisual elements that animate The Catacombs ' striking revision of protest art through its Black female protagonist Doris's relation to the image. Demby's own life narrative enters into a playful, metafictional relationship with that of his novel's narrator, "Bill Demby," an African
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Kardis, Mária, and Dominika Tlučková. "The Symbol of the Phoenix in the Catacombs of Priscilla in Rome and Its Transformation in Early Christianity." Biblical Annals 12, no. 1 (2022): 65–88. http://dx.doi.org/10.31743/biban.12903.

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The presented study deals with the oldest Christian depiction of a phoenix found in the Catacombs of Priscilla in Rome. Since catacomb art is a narrative depiction of biblical stories, it is important to incorporate the motive of phoenix into historical context. The study performs analysis and comparison the links and connections of the phoenix symbol in pagan and Christian thought. As Christian iconography is associated with allegorical symbols, the intention is to anticipate the meaning, origin and etymology of the phoenix symbol. The article therefore summarizes how the symbol and position
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Yavorska, V. V., V. A. Sych, K. V. Kolomiyets, and A. M. Shashero. "Odessa catacombs as an integral part of the tourist image of the Black Sea region." Вісник Дніпропетровського університету. Геологія, географія 26, no. 1 (2018): 219–26. http://dx.doi.org/10.15421/111822.

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The article examines the history of the Odessa catacombs, focuses on the history of research of underground labyrinths, and their gradual transformation from objects of scientific interest to tourist objects. We understand the tourist image of the region as the system of rationally and emotionally formed ideas, which are based on specific features of the territory, emphasizing its individuality from the point of view of the tourists. Tourist image always is woven into a certain historical context and social situation. Each era generates its special perception of the environment, changing the e
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Szkołut, Paweł. "Sceny męczeństwa i ocalenia w późnoantycznej sztuce synagogalnej." Vox Patrum 44 (March 30, 2003): 381–96. http://dx.doi.org/10.31743/vp.8093.

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The aim the article „The Scenes of Martyrdom and Salvation in Late Antique Synagogue Art" is presentation of all iconographical examples of these scenes appearing in Jewish art of late Antiquity. There are two types of them: one is showing the sacrifice of Abraham and another the prophet Daniel in lions' den. These imaginations belong to a broader range of so called „salvations scenes", which decorated mosaics, relieves and paintings of many synagogues, as well as churches and Christian catacombs.
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Presti, Olga Lo, and Maria Rosaria Carli. "Italian Catacombs and Their Digital Presence for Underground Heritage Sustainability." Sustainability 13, no. 21 (2021): 12010. http://dx.doi.org/10.3390/su132112010.

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The Italian catacombs represent one of the most interesting examples of the country’s underground built heritage. A strategic use of digital technologies can foster their sustainability by providing virtual access to local communities and tourists, as well as by transferring their value to future generations. Referring to a classification of the catacombs of Italy carried out by the Pontifical Commission for Sacred Archaeology of Vatican City, this paper analyzes the digital presence of this heritage within the contexts of social media, video sharing and navigation platforms in institutional a
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Novikoff, Alex J. ":Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism." Sixteenth Century Journal 44, no. 1 (2013): 240–42. http://dx.doi.org/10.1086/scj24245320.

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Olin, Margaret. "Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 31, no. 2 (2013): 174–77. http://dx.doi.org/10.1353/sho.2013.0007.

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Kuvatova, Valeria. "SYMBOLISM OF EARLY CHRISTIAN PRAYERS IN ROMAN, GREEK AND EGYPTIAN FUNERARY ART." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 1 (2024): 177. http://dx.doi.org/10.31857/s086919080029093-9.

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The question of semantic connections between Early Christian funerary art and texts of Early Christian prayer for the dead – Ordo commendationis animae – remains controversial. Some scholars endorse the idea that iconographic programs of Roman catacombs and Early Christian sarcophagy can be traced back to the prayer. Others highlight the distinctions between them, emphasizing, that the oldest text of the Ordo commendationis animae cannot be dated earlier than the 4th century. Both the prayer and the funerary art embody the same themes of salvation and resurrection, often depicted through share
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Dissertations / Theses on the topic "Catacombs in art"

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Sutherland, Reita J. "Prayer and Piety: The Orans-Figure in the Christian Catacombs of Rome." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24259.

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The orans, although a gesture with a long ‘pagan’ past, was easily adopted by Christians for its symbolic meanings of prayer and piety and quickly attained a number of other more nuanced meanings as it was refined and reused. By restricting the scope of this thesis to the orans in the Christian catacombs of Rome, it becomes possible to approach the figure from a multi-directional perspective, not merely concerned with what the gesture meant to the Christian, but with its literary and material pedigrees, its transition to Christian art, and its cultural significance. To this end, chapter one ex
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Ingle, Gabriela Elzbieta. "The significance of dining in Late Roman and Early Christian funerary rites and tomb decoration." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25949.

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The presented thesis examines dining practices associated with ancient funerary rites, and representations of meals that decorated Roman tombs. Evidence for dining, and its significance in mortuary rites, comes from various sources: from pagan, Christian and Jewish literary examples that describe funerary and commemorative events, and archaeological material of food remains and dining installations at the cemeteries, to pictures of meals depicted on different media: cinerary urns and altars, gravestones, frescoes, mosaics and sarcophagi. The aim of this thesis is to investigate available sourc
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Marin, Françoise. "La catacombe de Santa Lucia de Syracuse : genèse et développement." Paris 4, 2009. http://www.theses.fr/2009PA040019.

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La catacombe de Santa Lucia fait partie des principaux cimetières communautaires chrétiens de Syracuse. Elle est située au cœur du quartier d'Acradina et est reliée à un complexe ecclésiastique comprenant basilique, monastère et Eglise du Sépulcre. Elle est constituée de quatre Régions qui se développent en tache d'huile autour de la tombe sainte. Les Régions cimétériales (A, B, C, D) ont été aménagées successivement, les deux premières avant et les deux suivantes après la Paix de l'Eglise. Les Régions "A" et "B" ont été aménagées suivant les mêmes techniques architecturales. Les galeries sont
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Buhagiar, Mario. "The christianisation of Malta : catacombs, cult centres and churches in Malta to 1530 /." Oxford : Archaeopress, 2007. http://catalogue.bnf.fr/ark:/12148/cb41146227n.

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Guyon, Jean. "Le Cimetière aux Deux Lauriers : recherches sur les catacombes romaines /." Rome : Paris : École française de Rome : Pontificio istituto di archeologia cristiana ; diff. de Boccard, 1987. http://catalogue.bnf.fr/ark:/12148/cb36626462r.

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Cappelletti, Sylvia. "The Jewish community of Rome : from the second century B.C. to the third century C.E. /." Leiden : Brill, 2006. http://catalogue.bnf.fr/ark:/12148/cb402434025.

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Zibaoui, Mahmoud. "Peintures paléochrétiennes d'Egypte : Karmouz, Wardian, Abou-Girgeh, Abou-Hennis, Bagawat." Paris 1, 2002. http://www.theses.fr/2002PA010565.

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Les vestiges de la peinture paléochrétienne funéraire d'Égypte se limitent à un ensemble réduits de décors. Détruites peu après leur découverte, les catacombes de Karmouz à Alexandrie présentaient un riche décor peint dont rien ne reste. A l'ouest de la ville, un tombeau découvert à Wardian offre des peintures qui étonnent par leur caractère mixte. Hors de la cité, le site de Kom Abou-Girgeh révélait un édifice chrétien dont les peintures en partie préservées sont aujourd'hui exposées au Musée gréco-romain. Bien plus loin, aux environs de l'antique Antinoé, derrière le village de Deyr Abou-Hen
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VAROQUI, JACQUES. "Le temoignage iconographique sur le christianisme preconstantinien." Université Marc Bloch (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR20025.

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Cette these situe l'art chretien des regions les plus anciennes des catacombes romaines de lucina, callixte, domitilla et priscilla, ainsi que celui du mausolee m de la necropole vaticane, celui du baptistere de doura-europos et des sarcophages, dans le contexte artistique global du troisieme siecle, l'evolution des techniques artistiques, la chronologie stylistique, le milieu psychosocial, philosophique, mystique et ecclesial. Elle propose une analyse semantique des representations figurees et des temoignages litteraires non chretiens et patristiques qui peuvent s'y rapporter. Sont abordees d
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Arango, Restrepo Luz. "El Alimento y la muerte en el ritual y las prácticas estéticas contemporáneas." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/460894.

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En un juego de contrapesos simbólicos, la muerte y el alimento se conjugan en el ritual de Día de Muertos y en cinco obras de artistas contemporáneos. Explorar este intersticio es el objetivo que nos hemos propuesto en esta investigación. En el ritual, indagamos sobre dos prácticas diferenciadas, la ofrenda en el altar para consumo de los muertos y el intercambio de cráneos de azúcar. En el arte contemporáneo, Joseph Beuys y Marina Abramović emplean el alimento y la materia orgánica como factores expresivos en unas obras que aspiran a vincular el ritual al arte. Además, Félix González-Torres y
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Magill, Kelley Clark. "The catacombs, martyrdom, and the reform of art in Post-Tridentine Rome: picturing continuity with the Christian past." Thesis, 2014. http://hdl.handle.net/2152/30321.

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The fortuitous discovery of early Christian images adorning the catacombs on Via Salaria in 1578 enabled scholars to address urgent, contemporary problems concerning the Catholic tradition of image veneration, which had been attacked by Protestant iconoclasts. Although the catacombs had been important devotional sites for the cult of martyrs and relics throughout the Middle Ages, the 1578 catacomb discovery was the first time that Romans connected the catacombs with the early Christian cult of images. Only after 1578 did scholars and antiquarians begin to collect and study early Christian fres
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Books on the topic "Catacombs in art"

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Wiesbaden, Museum, ed. Thomas Virnich: Fliegende Katakomben = flying catacombs. Verlag für moderne Kunst Nürnberg, 2001.

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Stützer, Herbert Alexander. Frühchristliche Kunst in Rom: Ursprung christlich-europäischer Kunst. DuMont, 1991.

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Consiglio, Francesco. Iconografia mariana nei primi secoli del cristianesimo (III-IV): Gli affreschi della catacomba di Priscilla. Arbor Sapientiae editore, 2017.

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Cioffarelli, Ada. Guide to the catacombs of Rome and its surroundings. Bonsignori, 2000.

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Teresa, Natale Maria, ed. Guide to the catacombs of Rome and its surroundings. Bonsignori, 2000.

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Fabrizio, Bisconti, and Mazzoleni Danilo, eds. The Christian catacombs of Rome: History, decoration, inscriptions. 3rd ed. Schnell & Steiner, 2009.

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Fabrizio, Bisconti, and Mazzoleni Danilo, eds. The Christian catacombs of Rome: History, decoration, inscriptions. Schnell & Steiner, 1999.

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Society, International Catacomb, ed. Vaults of memory: Jewish and Christian imagery in the catacombs of Rome : an exhibition. International Catacomb Society, 1985.

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Pergola, Philippe. Le catacombe romane: Storia e topografia. Carocci, 1999.

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Ferrua, Antonio. The unknown catacomb: A unique discovery of early Christian art. Geddes & Grosset, 1991.

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Book chapters on the topic "Catacombs in art"

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Smith, Eric C. "Art and Heterotopia." In Foucault’s Heterotopia in Christian Catacombs. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137468048_5.

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Zimmermann, Norbert. "Catacombs and the Beginnings of Christian Tomb Decoration." In A Companion to Roman Art. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch23.

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Siano, S., F. Fratini, M. Mascalchi, G. Patrizi, and B. Mazzei. "CHAPTER 2. Study and Laser Uncovering of Hypogean Early Christian Wall Painting of Roma's Catacombs of Santa Tecla and Domitilla." In Science and Art. Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781839161957-00028.

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Zimmermann, Norbert. "Catacomb Painting and the Rise of Christian Iconography in Funerary Art." In The Routledge Handbook of Early Christian Art. Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-2.

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Center for Land Use Interpretation. "Terminal Atomic." In Making the Geologic Now. punctum books, 2012. https://doi.org/10.21983/p3.0014.1.41.

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Though the underground nuclear catacombs for America’s spent nuclear fuel are yet to be created, radioactive tombs of America’s various nuclear programs already exist today, with more to come. Most are repositories for the remains of uranium mills, processing facilities, weapons plants, and contaminated tailings, bulldozed into engineered isolation mounds designed to limit contact with their surroundings for hundreds of years. There are dozens of these mounds, across the country from Pennsylvania to Arizona, built mostly by the Depart-ment of Energy, and maintained by their Legacy Management o
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Fiocchi Nicolai, Vincenzo. "Considerazioni sui più antichi monumenti cristiani di Albano (Roma): basilica costantiniana e catacomba di S. Senatore." In Strumenti per la didattica e la ricerca. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0376-0.20.

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Recent geophysical research and an analysis of the architectural structures actually recognisable in the current cathedral church of Albano Laziale (Rome), dedicated to S. Pancrazio, allow us to confirm the hypothesis, already advanced at the end of the 19th century, that the basilica is nothing other than the ancient church built by the emperor Constantine in the city of Appia, dedicated to St. John the Baptist, as we know from the Liber Pontificalis. Dimensions of the church are also significant in this sense, completely mirroring those of the Constantinian basilica discovered a few years ag
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Bondar, Kseniia M., Yurii Yu Bashkatov, Ruslan V. Khomenko, Serhii V. Didenko, Iryna V. Tsiupa, and Serhii A. Popov. "Geophysical Survey in Support of Archaeological Rescue Excavations at Industrial Area of Kremenchuk Magnetic Anomaly in Ukraine." In One World Archaeology. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-57900-4_18.

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AbstractThis study represents results of first archaeo-geophysical prospection at the area of Kremenchuk Magnetic Anomaly (Poltava region, Ukraine). Pre-excavation magnetometer survey, electrical resistivity tomography (ERT) and ground-penetrating radar (GPR) measurements were performed on archaeological sites which are planned to be destroyed in near future due to development of iron ore quarries and construction of mine sites. Investigated archaeological monuments comprise settlements and burial mounds—kurgans—dated to Bronze and Early Iron Age occupying relatively high terrains in the flood
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"The Catacombs of Rome." In The Cambridge Encyclopaedia of Late Antique Art and Archaeology. Cambridge University Press, 2025. https://doi.org/10.1017/9781009535090.013.

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Peppard, Michael. "Origins of Catholic Biblical Art." In How Catholics Encounter the Bible. Oxford University PressNew York, 2025. http://dx.doi.org/10.1093/oso/9780190948696.003.0006.

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Abstract Chapters 5, 6, and 7 show how the Bible is passed on through Catholic visuality, embodiment, storytelling, and poetry—in short, through a Catholic imagination. These chapters look first at the Bible in Catholic visual and dramatic arts (chapters 5 and 6) and then turn to the world of poetry, fiction, song, and screen (chapter 7). Chapter 5 describes the early “canon” of biblical art. It traces the origins of Catholic biblical art from the Roman Empire, where artisans’ choices for sarcophagi, catacombs, and eventually grand mosaics established an artistic biblical canon. That cluster o
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Cecalupo, Chiara. "Papal Political Uses of the Art of the Catacombs (Sixteenth through Nineteenth Centuries)." In Medieval Art, Modern Politics. De Gruyter, 2024. https://doi.org/10.1515/9783111436821-008.

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Conference papers on the topic "Catacombs in art"

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Tanasi, Davide, David Cardona, S. Hassam, et al. "Preliminary results from remote sensing surveying at the Abbattija tad-Dejr Catacombs (Rabat, Malta)." In 2022 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2022.050.

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Galone, Luciano, Sebastiano D'Amico, Emanuele Colica, Jonathan Borg, and David Cardona. "Non-invasive investigation and digital reconstruction of a small catacomb complex in Rabat (Malta)." In 2022 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2022.084.

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Dyachenko, Alexander. "AN �NTHROPOLOGICAL MARKER FOR MIGRATIONS IN CATACOMB CULTURE ARCHAEOLOGICAL COMPLEXES FROM THE LOWER VOLGA KURGAN CEMETERIES." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/2.2/s06.002.

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Суханов, Е. В. "POLISHED POTTERY OF THE NON-ALAN POPULATION OF THE SALTOVO-MAYAKI CULTURE FROM THE MIDDLE DON RIVER: SELF-PRODUCED OR IMPORTED WARES?" In Вестник "История керамики". Crossref, 2020. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-316-9.79-90.

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Большинство погребальных памятников второй половины VIII – начала X в. на Среднем Дону представлено двумя типами объектов. К первому относятся катакомбные могильники, оставленные аланами. Ко второму типу относятся ямные могильники, которые нельзя связать с каким-то определенным раннесредневековым этническим объединением. Донские аланы, оставившие катакомбные могильники, существенно отличались от носителей ямного обряда своим происхождением, морфологическим обликом и хозяйственно-культурными традициями. Несмотря на эти различия, керамика катакомбных и ямных могильников Среднего Дона имеет много
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N., Stepanova. "CENSERS OF THE EARLY BRONZE AGE FROM THE ALTAI MOUNTAINS." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.26.

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Incense burners belong to the category of rare finds. They were found in the burials of the Afanasievo culture, Kurotinsky and Pokrovsky types, less often in ritual constructions. Similar items were found in several settlements. Comparative analysis showed that the main differences relate to the design of the pallet (legs). Kurotinskiye differ from the afanasievskiye ones in the absence of handles and, as a rule, are not ornamented. Altai Afanasievo products are less diverse in the design of the pallet compared to the Yenisei ones. They also differ from the Okunevsky ones in the design of the
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Мусеибли, Н. А. "Leyla-Tepe Culture Settlement of Galayeri." In Горы Кавказа и Месопотамская степь на заре бронзового века. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-296-4.216-225.

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В статье представлены результаты раскопок поселения лейлатепинской культуры Галаери, которое находится на территории Габалинского района Азербайджанской Республики. Корни данной культуры связаны с северомесопотамскими и восточноанатолийскими традициями позднего халколита. Культурный слой поселения Галаери вскрыт на площади 400 м2 . Максимальная мощность слоя на раскопанном участке составила 3,2 м. Выявленные постройки сложены из нестандартных ломтей глины. Выявлены полуземлянки, вкопанные в материковый грунт. Одна из полуземлянок, вероятно, служила святилищем. Обнаружено более 20-ти захоронени
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Андреева, М. В. "СОСТАВ И СТРУКТУРА НАБОРОВ ИНВЕНТАРЯ В ПОГРЕБЕНИЯХ ВОСТОЧНОМАНЫЧСКОЙ КАТАКОМБНОЙ КУЛЬТУРЫ". У Горы Кавказа и Месопотамская степь на заре бронзового века. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-296-4.203-215.

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Насыщенность погребений предкавказской (манычской) катакомбной культуры вещами позволяет предполагать в наборах погребального инвентаря потенциально важный источник для историкокультурных реконструкций. Статья посвящена обсуждению коэффициентов корреляции, отражающих частоту совместного нахождения артефактов, построению и интерпретации графов взаимосвязи предметов в комплексах. Исследование проведено на материалах базы данных, включившей описания материалов 486 индивидуальных погребений взрослых и детей. В расчет принимался только показатель наличия/отсутствия находки данного вида в погребении
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