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Journal articles on the topic 'Catalan novels'
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Selfa Sastre, Moisés. "La novela juvenil de autoría femenina en la literatura catalana del siglo XXI: autoras y títulos significativos. The youth novel of female authorship in Catalan literature of the 21st century: authors and significant titles." El Guiniguada 29 (2020): 65–74. http://dx.doi.org/10.20420/elguiniguada.2020.339.
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En este artículo presentamos una panorámica de la novela juvenil de autoría femenina escrita en lengua catalana y publicada en el siglo XXI. Citaremosescritoras que componen novelas de marcado carácter realista, en los que aparecen temas relacionados con el amor y los conflictos personales y sociales, y novelas fantásticas, en las que también caben las de ciencia-ficción. El recorrido presentado nos permite hablar del excelente estado de salud que en el siglo XXI goza este tipo de literatura, si consideramos la cantidad y calidad de las obras a las que nos referiremos. In this article we present an overview of the youth novel of female authorship written in Catalan and published in the 21st century. We will cite writers who compose novels of marked realistic character, in which it appear topics related to love and personal and social conflicts, and fantastic novels, whichalso fit science fiction. The presentation allows us to talk about the excellent state of health that this type of literature enjoys in the 21st century, if we consider the quantity and quality of the referred Works.
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Alexandre Dos Santos, Armando. "Na sequência da Cançó de l´Orifany, a queda moral do herói." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 13 (June 27, 2019): 45. http://dx.doi.org/10.7203/scripta.13.15475.
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Resumo: Análise textual, contextual e psicológica de um episódio colateral, mas de grande importância da novela de cavalaria Curial e Guelfa (século XV): a Canção do Elefante e a queda moral do herói.
Palavras-chave: Curial e Guelfa, literatura catalã, cavalaria, novelas de cavalaria, queda moral
Abstract: Textual, contextual and psychological analysis of a collateral but important episode of the novel of chivalry Curial and Guelfa (15th. century): the «Song of the Elephant» and the hero´s moral decadence.
Keywords: Curial and Guelfa, Catalan literature, chivalry, novels of chivalry, moral decadence
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Epps, Brad. "The entanglement of meaning: illness, literary history, and morality in four Catalan novels." Journal of Iberian and Latin American Studies 18, no. 2-3 (August 2012): 101–27. http://dx.doi.org/10.1080/14701847.2012.795682.
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Espinós Felipe, Joaquim. "Les novel·les sobre la Transició valenciana. Una història de claudicacions i violència." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 14 (December 26, 2019): 343. http://dx.doi.org/10.7203/scripta.0.16375.
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Resum: La Transició (1975-1982) constitueix un període històric controvertit. En els darrers anys, arran del moviment 15-M, s’han revifat a l’Estat espanyol les veus critiques amb el relat oficial. En l’àmbit valencià existeix un corpus de novel·les considerable que aporta informació rellevant sobre la manera com s’ha construït la memòria de la Transició valenciana. La distància existent entre l’actualitat i els anys en què se situen els fets, així com el desconeixement de les noves generacions sobre el tema, permet que aquestes novel·les puguen ser considerades, en un sentit amplei com a novel·les històriques, al mateix nivell que les ambientades en la Guerra Civil i la postguerra. Paraules clau: novel·la històrica, literatura catalana, País Valencià, Transició. .Abstract: The Spanish Transition (1975-1982) is a controversial historical period. In recent years, following the 15-M movement, we have witnessed in Spain a revival of voices critical of the official narrative. In the Valencian area there is a considerable corpus of novels that provide relevant information on the way how the memory of the Valencian Transition has been built. The distance existing between the present and the years in which the facts took place, as well as the ignorance of the new generations on the subject, allows us to consider these novels, in a broad sense, as historical novels, at the same level as those set in the Civil War and the post-war period.Keywords: historical novel, catalan literature, Spanish Transition, Valencia.
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Escandell, Dari. "L’encaix de la narrativa sense ficció de Víctor Labrado en el paradigma de la novel·la històrica valenciana." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 14 (December 26, 2019): 329. http://dx.doi.org/10.7203/scripta.0.16374.
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Resum: L’escriptor valencià Víctor Labrado (Sueca, 1956) s’ha erigit com un dels grans referents contemporanis en el camp de la novel·la de no-ficció en català, subgènere narratiu que conjumina la intenció metanovel·lesca amb fidedignes discursos testimonials. Ara bé, ¿les obres cabdals de Labrado –peculiars, idiosincràtiques i gens usuals– poden ser considerades també, sense subterfugis ni matisos, novel·la històrica? A grans trets: trames guerracivilistes empeltades d’entrevistes, dosis generoses de periodisme documental i absència gairebé absoluta de ficció. La tècnica i l’estil propi no suposen, però, cap impediment perquè molts llibres seus siguen alhora novel·la històrica, si fem cas dels topoi convinguts per la crítica especialitzada. No debades, aquests exemplars esdevenen, al capdavall, testimoni viu d’un temps passat; vivències i peripècies de gent anònima que rescaten de l’oblit, des de la particularitat més universal, la realitat valenciana d’un segle passat vilment estigmatitzat pel conflicte civil de l’any 1936 i la dictadura consegüent. ¿N’hi ha prou amb això, però, perquè aquesta etiqueta o clixé siga atribuïble també a la resta de la seua obra i trajectòria? El present article analitza a nivell tècnic, argumental i conceptual els llibres essencials de Labrado per tal de determinar quina part de la seua novel·lística sense ficció pot o no considerar-se al seu torn novel·la històrica.Paraules clau: Víctor Labrado, novel·la sense ficció, novel·la històrica, literatura catalana, valencià.Abstract: The Valencian writer Víctor Labrado (Sueca, 1956) has emerged as one of the great contemporary references in the field of the non-fiction novel in Catalan, a narrative subgenre that combines the fictional intention with real testimonial speeches. However, can Labrado’s capital books –peculiar, idiosyncratic and unusual– be considered also, without subterfuges or hints, historical novels? Broadly speaking: are his Spanish civil war plots grafted with interviews, generous doses of documentary journalism and almost absolute absence of fiction, historical novels? Its techniques and style are no impediment to say so, if we pay attention to the topoi agreed by the specialized critic. In fact, these novels become, in short, a living testimony of our past time: they rescue from oblivion the experiences and adventures of anonymous people, from the most universal particularity, and the Valencian reality of a past century stigmatized by the civil conflict of 1936 and the consequent dictatorship. Is that enough, however, to attribute this label to the rest of his literary works? This paper analyses the techniques, the plots and the concepts of Labrado’s essential books to determine what part of his nonfiction novels may or may not be considered historical.Keywords: Víctor Labrado, nonfiction novel, historical novel, Catalan literature, Valencian
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Pujol-Valls, Maria. "Revisiting, Transforming and Transferring Robinson Crusoe and John Silver into Another Literature." Comparative Critical Studies 14, no. 2-3 (October 2017): 307–22. http://dx.doi.org/10.3366/ccs.2017.0241.
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The Catalan children's author Josep Vallverdú published two crossover stories based on Robinson Crusoe and Treasure Island. Les raons de Divendres (Friday's Reasons) (2003) gives an account of the episode of Crusoe and Friday told from the point of view of the servant, whereas El testament de John Silver (John Silver's Will) (2007) deals with the adventures of the pirate after searching for the treasure in the Caribbean. This paper demonstrates how Vallverdú uses his experience as a writer and translator to transform two canonical novels, through transposition into a contemporary context, in a way that facilitates an interaction between Catalan literature and English literature. In keeping with this exploration of literary tradition, the two sequels are also analysed as twenty-first century expressions of a Western literary tradition that abounds in adventure stories set at sea.
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Barbal, Maria. "BARCELONA, TERRA DE PROMISSIÓ: EL DESCOBRIMENT DE L’ANONIMAT." Catalan Review 18, no. 1-2 (January 1, 2004): 225–30. http://dx.doi.org/10.3828/catr.18.1-2.15.
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The massive emigration of people from villages, towns, and small cities to the metropolis of Barcelona in the 1960s has constituted the primary motivation for my writing. In the fol1owing article, I reflect on the various meanings that movement to the Catalan capital has for the characters in three of my novels: Pedra de tartera, Càmfora, and Carrer Bolívia. The city becomes a home and a dream; it becomes a site of anonymity full of challenges and promises; it becomes, in short, a test of adaptation. There is no real return to the point of departure, only the transformation of the individual citizen and of the urban body.
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Muñoz-Basols, Javier, and Marina Massaguer Comes. "Social Criticism through Humour in the Digital Age." European Comic Art 11, no. 1 (March 1, 2018): 107–28. http://dx.doi.org/10.3167/eca.20178110107.
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Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fonts and components of orality) and through creating ‘multimodal extensions’, intertextual relations between published books and book trailers. This analysis presents a case study of the multimodal techniques that authors use to shape and develop their work in the context of the powerful relationship between text and image in the digital age.
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Muñoz-Basols, Javier, and Marina Massaguer Comes. "Social Criticism through Humour in the Digital Age." European Comic Art 11, no. 1 (March 1, 2018): 107–28. http://dx.doi.org/10.3167/eca.2018.110107.
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Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fonts and components of orality) and through creating ‘multimodal extensions’, intertextual relations between published books and book trailers. This analysis presents a case study of the multimodal techniques that authors use to shape and develop their work in the context of the powerful relationship between text and image in the digital age.
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Muñoz-Basols, Javier, and Marina Massaguer Comes. "Social Criticism through Humour in the Digital Age." European Comic Art 11, no. 1 (March 1, 2018): 107–28. http://dx.doi.org/10.3167/eca.2018110107.
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Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fonts and components of orality) and through creating ‘multimodal extensions’, intertextual relations between published books and book trailers. This analysis presents a case study of the multimodal techniques that authors use to shape and develop their work in the context of the powerful relationship between text and image in the digital age.
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Bou, Enric. "“DECRÈPITA I TEATRAL”? ON LITERARY EXPLORATIONS OF BARCELONA." Catalan Review 18, no. 1-2 (January 1, 2004): 149–60. http://dx.doi.org/10.3828/catr.18.1-2.10.
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Two novels, Montserrat Roig’s El temps de les cireres (1976) and Luis Goytisolo’s Recuento (1973), provide numerous examples of how walking in the city can be a particularly significant experience, profoundly marked by history and politics. This article discusses the ways that Roig and Goytisolo guide their characters and readers into an urban jungle of words with a very precise purpose: the critical interpretation of space according to the values of the writer in the present. Proffering a quasi-archeological reading of a jumble of temporal traces scrawled on the walls of old buildings, Goytisolo’s narrator expresses, in a manner not unlike that of Roig’s characters, a complex mise en question of the past and the present. In Roig’s novel, what comes to the fore is the funereal-like theatricality of the old Ribera neighborhood, which functions not only as a space of habitation but also as a setting for cultural memory and the representation of Catalan history.
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Compagna, Anna Maria. "Il transfert di Curial." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 12 (December 21, 2018): 189. http://dx.doi.org/10.7203/scripta.12.13672.
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Resum: I risvolti sovranazionali riscontrati nei tre protagonisti dei romanzi del Quattrocento catalano (Jacob Xalabín, Curial e Tirant) consentono di procedere a un’analisi del Curial e Güelfa che ne sottolinea l’identità multipla e l’apertura culturale del processo di formazione del protagonista, nella sua ascesa economica e sociale. L’evoluzione del protagonista, grazie a un meccanismo psicologico, oggi riconosciuto come tale, consente il lieto fine del romanzo, diversamente da quanto avviene negli altri due, dove i protagonisti, Jacob e Tirant, rimangono sempre gli stessi. Grazie allo spostamento, al transfert, Curial non rimuove quello che lo minaccia, ma riesce a superarlo, se riguarda un altro individuo, e questo permette il suo successo finale, senza essere vittima d’impulsi interni inaccettabili.
Paraules clau: Identità/alterità, multiplo/singolo, apertura/chiusura culturale, onore/disonore, ascesa/discesa economica e sociale, rimozione/spostamento.
Abstract: The supranational implications found in the three protagonists of the novels in the “Catalan quattrocento” (Jacob Xalabín, Curial and Tirant) allow an analysis of Curial e Güelfa that underlines the multiple identity and cultural openness of the protagonist’s training process, in his economic and social rise. The evolution of the protagonist, thank to a psychological mechanism, now recognized as such, allows the happy ending of the novel, unlike what happens in the other two, where the protagonists, Jacob and Tirante, always remain the same. Thanks to the movement, to the transfert, Curial does not eliminate what threatens it, but manages to overcome it, if it is another individual, and this allows its final success, without being the victim of unacceptable internal impulses.
Keywords: Identity/alterity, multiple/single, openness/cultural closure, honor/dishonor, economic and social promotion /decline, removal/displacement
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Toral, Antonio, and Andy Way. "Machine-assisted translation of literary text." Culture & Society issue 4, no. 2 (December 31, 2015): 240–67. http://dx.doi.org/10.1075/ts.4.2.04tor.
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Contrary to perceived wisdom, we explore the role of machine translation (MT) in assisting with the translation of literary texts, considering both its limitations and its potential. Our motivations to explore this subject are twofold, arising from: (1) recent research advances in MT, and (2) the recent emergence of the ebook, which together allow us for the first time to build literature-specific MT systems by training statistical MT models on novels and their professional translations. A key challenge in literary translation is that one needs to preserve not only the meaning (as in other domains such as technical translation) but also the reading experience, so a literary translator needs to carefully select from the possible translation options. We explore the role of translation options in literary translation, especially in the context of the relatedness of the languages involved. We take Camus’ L’Étranger in the original French language and provide qualitative and quantitative analyses for its translations into English (a less-related language) and Italian (more closely related). Unsurprisingly, the MT output for Italian seems more straightforward to be post-edited. We also show that the performance of MT has improved over the last two years for this particular book, and that the applicability of MT does not only depend on the text to be translated but also on the type of translation that we are trying to produce. We then translate a novel from Spanish-to-Catalan with a literature-specific MT system. We assess the potential of this approach by discussing the translation quality of several representative passages.
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Gros Llados, Sonia. "Legia l’Eneydos e molts altres libres. Doctae puellae en el Curial e Güelfa." Epos : Revista de filología, no. 28 (January 1, 2012): 107. http://dx.doi.org/10.5944/epos.28.2012.12267.
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El objetivo de este trabajo es analizar algunos paralelos de las damas de la novela caballeresca catalana Curial e Güelfa con rasgos representativos de los modelos femeninos dominantes en la tradición erótica de los clásicos grecolatinos, en especial, el de la docta puella de los poetas elegíacos.This paper aims to analyze some parallels between ladies in Catalan chivalric novel Curial e Güelfa and female models dominating in erotic classical tradition, especially about docta puella elegiac motif.
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Soler, Abel. "«Enrique de Villena y Curial e Güelfa»." Revista de Literatura Medieval 30 (December 31, 2018): 233–49. http://dx.doi.org/10.37536/rpm.2018.30.0.74052.
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Resumen: Enrique de Villena (1384-1434), noble aficionado a las letras, autor bilingüe en catalán y castellano, residente algunos años (ca. 1416- 1429) de manera intermitente en la corte valenciana de Alfonso V de Aragón y Juan de Navarra, influyó en el concepto de literatura del autor de la novela caballeresca Curial e Güelfa (Enyego d’Àvalos?), escrita en catalán (Nápoles-Milán, c. 1445-1448) y relacionable con la corte italiana del Magnánimo. El Curial presenta conexiones intertextuales con la obra de Villena, además de hápax y neologismos compartidos. Su autor conoció, sin duda, Los dotze treballs d’Hèrcules (Valencia, 1417) y parodió errores mitográficos de la Eneida romanceada, glosada y moralizada por Villena (Valencia, 1427-1429), dos obras a las que alude implícitamente en la suya. Ambos escritores difundieron el ideal del vir scientificus Hércules (Coluccio Salutati) como alegoría del esfuerzo que los caballeros sçientíficos/scientífichs ponían en estudiar los clásicos greco-latinos para crecer en virtud. Y ambos parece que anticiparon un «virgilianismo político» interpretable como la idea de embellecer literariamente los hechos históricos para eternizar la gloria militar en un digno formato.Palabras clave: Literatura catalana medieval, Enrique de Villena, Curial e Güelfa, Enyego d’Àvalos, Eneida glosada.Abstract: Enrique de Villena (1384-1434), a nobleman keen on arts, a bilingual author in Catalan and Spanish, who lived for some years (ca. 1416- 1429) –in a sporadic way– in the Valencian court of Alfonso V of Aragon and John of Navarre, had an influence on the concept of literature to the author of the chivalric novel Curial e Güelfa (Enyego d’Àvalos?), written in Catalan (Naples-Milan, ca. 1445-1448) and which could be related with the Italian court of the Magnanimous. The Curial displays intertextual connections with Villena’s work, apart from shared hapaxes and neologisms. The author was aware of –undoubtedly– Los dotze treballs d’Hèrcules (Valencia, 1417) and parodied mythographic mistakes from the romanced, glossed and moralised Aeneid by Villena (Valencia, 1427-1429), two works that he alludes to implicitly in his own. Both writers spread the ideal of the vir scientificus Hercules (Coluccio Salutati) as an allegory of the effort the sçientíficos/scientífichs knights put on studying the Greek-Latin classics to grow up in virtue. And both seem to anticipate a «political virgilianism» which could be interpreted as the idea of embellishing literarily the historical events to perpetuate the military glory in a respectable format.Keywords: Medieval Catalan literature, Enrique de Villena, Curial e Güelfa, Enyego d’Àvalos, glossed Aeneid.
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Gros Lladós, Sònia. "Sobre la presència de Boccaccio en el Curial e Güelfa: la novella X.8." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 2, no. 2 (December 16, 2013): 192. http://dx.doi.org/10.7203/scripta.2.3091.
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Resum: Les darreres investigacions sobre la novel·la cavalleresca catalana Curial e Güelfa subratllen de forma unànime la qualitat literària de l’obra i la riquesa de la cultura literària del seu autor, en especial en relació als autors clàssics i italians. Entre els italians, nombrosos estudiosos han remarcat el paper cabdal de Boccaccio, i en particular del Decameron, com a model d’escriptura i com a intermediari de la tradició clàssica, per a l’autor anònim català. En aquest treball oferim una mostra de la presència de la novella X.8 en el text català, tot resseguint ambdues narracions, i observant l’encaix en el nou context narratiu que duu a terme l’autor anònim del Curial. Això ens permet, a més, valorar la relació de la novel·la cavalleresca i la traducció catalana del Decameron de 1429.Paraules clau: Curial e Güelfa, Boccaccio, Decameron, novella X.8Abstract: The latest research on the Catalan chivalric novel Curial e Güelfa has highlighted unanimously the literary quality of the work and the richness of the literary culture of its author, in particular in relation to the classical and Italian writers. Among the Italians, many scholars have stressed the crucial role of Boccaccio, and in particular of the Decameron, as a literary model and as an intermediary in the classical tradition, for the anonymous Catalan author. In this work we offer a view of the presence of the novella X.8 in the Catalan text, following both narratives, and observing the fitting in the new narrative context that carries out the anonymous author of Curial. Besides, this allows us to appreciate the relationship of the chivalric novel and the Catalan translation of the Decameron of 1429.Keywords: Curial e Gu?elfa, Boccaccio, Decameron, novella X.8
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Llop Garcia, Lluna L. "Maria Chapdelaine en Catalogne." Çédille 4 (April 1, 2008): 143. http://dx.doi.org/10.21071/ced.v4i.5385.
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Con este estudio nos proponemos dar cuenta de las peculiaridades de las ediciones en lengua catalana de la novela de Louis Hémon, Maria Chapdelaine, así como el lugar preponderante que ocupa dentro del conjunto de traducciones catalanas de la literatura de Quebec.
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Estany Freire, Lara. "Los efectos de la censura franquista sobre la traducción catalana de narrativa en los años sesenta: una perspectiva panorámica." TRANS. Revista de Traductología, no. 24 (December 22, 2020): 245–62. http://dx.doi.org/10.24310/trans.2020.v0i24.9179.
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Este artículo se basa en los resultados obtenidos del análisis de los expedientes de censura de las novelas traducidas al catalán, publicadas a lo largo de los años sesenta, en el marco de la tesis doctoral «La censura franquista i la traducció catalana de narrativa als anys seixanta». Tras seleccionar las obras traducidas a lo largo de la década, hemos construido un corpus que nos ha permitido investigar de forma exhaustiva las repercusiones de la censura sobre la traducción catalana durante ese periodo. Mediante el examen de los informes conservados en el Archivo General de la Administración (AGA) y la lectura comparativa de los originales —o galeradas— y las versiones definitivas correspondientes, hemos reunido un conjunto de datos con el que pretendemos demostrar dicho control.
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Poch Olivé, Dolors. "EL Viaje de Julio Verne al español y al catalán." Quaderns de Filologia - Estudis Literaris 22 (January 7, 2018): 217. http://dx.doi.org/10.7203/qdfed.22.11260.
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Este trabajo examina las características de las traducciones de las obras de Jules Verne al español y al catalán, especialmente su Voyage au centre de la Terre (1864). Las primeras traducciones de este relato al español se realizaron en 1867 y 1868. Se estudian aquí los rasgos lingüísticos de dichas versiones que se ajustan al concepto de “traducción” propio del siglo XIX. La primera traducción al catalán de una novela del autor es del año 1926 y la primera versión del Viatge es de 1959. La publicación en catalán entre 1910 y 1920 de algunos relatos inspirados claramente en Verne, escritos por autores catalanes, muestra que los lectores de Cataluña leían a Verne en español. El estudio indaga las circunstancias en las que se produce esta situación.
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TORRES-TAMARIT, FRANCESC, and CLÀUDIA PONS-MOLL. "Enclitic-induced stress shift in Catalan." Journal of Linguistics 55, no. 2 (October 8, 2018): 407–44. http://dx.doi.org/10.1017/s0022226718000427.
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In this paper we provide a novel and unified formal analysis of the stress microvariation found in verb–enclitic groupings in Barcelona Catalan, with stress stability, in Formentera Catalan, with stress shift to the penultimate and the last syllable of the whole sequence, and in Mallorca and Menorca Catalan, with stress shift to the last syllable. We argue that stress shift in Formentera Catalan conforms directly to the unmarked pattern of nominal stress in Catalan, that is, a right-aligned moraic trochee, with the constraintAll-Feet-Rightundominated, leading to final and penultimate stress. In Barcelona Catalan, the effects of this constraint are inhibited by an anti-alignment constraint prohibiting the right edge of a foot from coinciding with the right edge of a clitic. In Mallorca and Menorca Catalan, stress shift is also understood as a strategy to meet the unmarked nominal stress pattern of Catalan, although in these dialects the anti-alignment constraint is also undominated, leading to catalexis, in this case a melodically empty mora, and thus to final stress.
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Font Espriu, Marta. "Reseña de Barbara Łuczak: Espacio y memoria. Barcelona en la novela catalana contemporánea [review of Barbara Łuczak: Espacio y memoria. Barcelona en la novela catalana contemporánea. Wydawnictwo Naukowe UAM. Poznań 2011. Págs. 282." Studia Romanica Posnaniensia 40, no. 2 (January 1, 2013): 157. http://dx.doi.org/10.14746/strop.2013.402.012.
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Purnawati, Mega. "Presuposisi dalam Novel Catatan Juang Karya Fiersa Besari." SASTRANESIA: Jurnal Program Studi Pendidikan Bahasa dan Sastra Indonesia 9, no. 1 (February 16, 2021): 44. http://dx.doi.org/10.32682/sastranesia.v9i1.1793.
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Penelitian ini bertujuan untuk 1)Mengidentifikasi jenis-jenis presuposisi yang terdapat dalam novel Catatan Juang karya Fiersa Besari. 2) Menganalisis makna pada presuposisi yang terdapat dalam novel Catatan Juang karya Fiersa Besari. Pendekatan yang dipakai dalam penelitian ini adalah penelitian kualitatif. Metode yang digunakan dalam penelitian ini adalah metode dengan analisis deskriptif. Teknik analisis data dalam penelitian ini adalah dokumentasi melalui teknik baca dan teknik catat. Sumber data pada penelitian ini adalah adalah novel Catatan Juang karya Fiersa Besari. Berdasarkan analisis data penelitian yang dilakukan peneliti, dapat disimpulkan bahwa terdapat enam jenis presupposisi dengan jumlah data sebanyak 263 tuturan yang termasuk dalam presuposisi di dalam novel Catatan Juang karya Fiersa Besari. Jenis presuposisi yang ditemukan yaitu presuposisi eksistensial, presuposisi leksikal, presuposisi faktual, presuposisi, presuposisi non-faktual, dan presuposisi konter-faktual. Terdapat 73 tuturan presuposisi eksistensial, 42 tuturan presuposisi faktual, 97 tuturan presuposisi leksikal, 1o tuturan presuposisi non-faktual, 23 tuturan presuposisi struktura, dan 18 tuturan presuposisi konter-faktual dalam novel Catatan Juang karya Fiersa Besari.
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González Sanz, Carlos. "Los cuentos novela en Aragón y La Rioja (España)." Estudis de Literatura Oral Popular / Studies in Oral Folk Literature, no. 4 (December 17, 2015): 49. http://dx.doi.org/10.17345/elop201549-61.
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<p>Como paso previo para la presentación del repertorio de los relatos recogidos y de los cuentos tipo catalogados en Aragón y La Rioja —en este último caso, a partir de la colaboración del autor en la clasificación de los cuentos recopilados y editados por el folclorista Javier Asensio en esta comunidad autónoma—, se propone una reflexión acerca del subgénero de los cuentos novela. Para ello se parte de la definición que Carme Oriol ofrece en su obra <em>Introducció a l’etnopoètica. Teoria i formes del folklore en la cultura catalana</em> y se tienen en cuenta las críticas a la etnopoética que Luis Beltrán expone en «Géneros y estéticas en la literatura tradicional», de las que se concluye que, junto a las características de los cuentos novela o cuentos de ingenio que señala Carme Oriol, deben considerarse también su carácter de género bajo, su naturaleza mixta serio-cómica y la naturaleza idílica de los relatos del conflicto familiar. Por lo que respecta a los cuentos novela aragoneses y riojanos, se destaca, en particular, que una amplia mayoría de ellos responden claramente a la función educativa y sapiencial propia de este género, siendo el ingenio y el buen consejo los principales valores que ofrecían a sus receptores.</p><p>***</p><p>Com a pas previ per a presentar el repertori dels relats recollits i dels contes-tipus catalogats a Aragó i La Rioja — en aquest darrer cas, a partir de la col·laboració de l’autor en la classificació de les rondalles recopilades i editades pel folklorista Javier Asensio en aquesta comunitat autònoma—, es proposa una reflexió sobre el subgènere de les rondalles d’enginy. Es parteix per a fer-ho de la definició que Carme Oriol dóna en la seva obra <em>Introducció a l’etnopoètica. Teoria i formes del folklore en la cultura catalana</em> i es tenen en compte les crítiques a l’etnopoètica que Luis Beltrán exposa a «Géneros y estéticas en la literatura tradicional», concloent que, juntament amb les característiques de les rondalles d’enginy que assenyala Carme Oriol, s’han de considerar també el seu caràcter de gènere baix, la seva naturalesa mixta seriosa i còmica i la naturalesa idíl·lica dels relats del conflicte familiar. Pel que fa a les rondalles d’enginy aragoneses i de La Rioja, es destaca, en particular, que una àmplia majoria d’aquestes responen clarament a la funció educativa i sapiencial, pròpia d’aquest gènere, sent l’enginy i el bon consell els principals valors que aquestes rondalles oferien als seus receptors.</p>
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Wells, Caragh. "THE FREEDOM OF THE AESTHETIC: MONTSERRAT ROIG’S USE OF THE CITY IN RAMONA, ADÉU." Catalan Review: Volume 21, Issue 1 21, no. 1 (January 1, 2007): 87–99. http://dx.doi.org/10.3828/catr.21.4.
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This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.
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Laswaniyah, Marfuah. "Feminism Study of the Novel “Catatan Juang” by Fiersa Besari." Journal Corner of Education, Linguistics, and Literature 1, no. 1 (August 9, 2021): 28–33. http://dx.doi.org/10.54012/jcell.v1i1.4.
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This study aims to explain the feminism of the Suar character in the novel “Catatan Juang” by Fiersa Besari in terms of liberalist feminism and post-modern feminism. This research method is a qualitative descriptive method. The source of data in this research is the novel "Catatan Juang" by Fiersa Besari. The research data is in the form of the depiction of the main character in the novel. The results of this study indicate that,1) the liberal feminism of the Suar character who wants to be considered equal to men through strengthening in the public space, and 2) the post-modern feminism of the Suar character which shows the equality of men and women based on language and thought patterns.
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Casas i Deseures, Mariona. "L’actuació discursiva d’un mestre novell en una classe de llengua catalana: gestió de l’aula i construcció del coneixement." Bellaterra Journal of Teaching & Learning Language & Literature 1, no. 1 (February 27, 2010): 67. http://dx.doi.org/10.5565/rev/jtl3.36.
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Gatell Pérez, Montse, and Teresa Iribarren Donadeu. "GUERRA CIVIL ESPAÑOLA Y CONDICIÓN DE LA MUJER EN LA NOVELA CATALANA: PEDRA DE TARTERA , DE MARIA BARBAL." Alpha (Osorno), no. 45 (December 2017): 157–70. http://dx.doi.org/10.4067/s0718-22012017000200157.
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RAMON-CASAS, MARTA, CHRISTOPHER T. FENNELL, and LAURA BOSCH. "Minimal-pair word learning by bilingual toddlers: the Catalan /e/-/ɛ/ contrast revisited." Bilingualism: Language and Cognition 20, no. 3 (November 18, 2016): 649–56. http://dx.doi.org/10.1017/s1366728916001115.
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Twelve-month-old bilingual and monolingual infants show comparable phonetic discrimination skills for vowels belonging to their native language/s. However, Catalan–Spanish bilingual toddlers, but not Catalan monolinguals, appear insensitive to a vowel mispronunciation in familiar words involving the Catalan–Specific /e/-/ɛ/ contrast. Here bilingual and monolingual toddlers were tested in a challenging minimal-pair word learning task involving that contrast (i.e., [bepi]-[bɛpi]). Both groups succeeded, suggesting that bilinguals can successfully use their phonetic categories to phonologically encode novel words. It is argued that bilinguals’ impoverished vowel representations in familiar words might be the result of experiential input factors (e.g., cognate words and mispronunciations due to accented speech).
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Palomo Reina, Cristian. "Una comparativa dels conceptes ‘Espanya’ i ‘Catalunya’ a inicis del segle XVIII." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 14 (December 26, 2019): 83. http://dx.doi.org/10.7203/scripta.0.15859.
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Resum: En aquest article realitzarem una anàlisi quantitativa, semàntica i comparativa dels conceptes ‘Espanya’ i ‘Catalunya’ en les seves formes terminològiques singulars i plurals pròpies dels idiomes català, castellà i llatí, contingudes en els dietaris institucionals del Consell de Cent de Barcelona i de la Diputació del General de Catalunya. La cronologia analitzada serà l’albada del segle XVIII, període convuls en què es produí la mort del monarca hispànic Carles II d’Àustria (1700), l’entronització dels Borbó (1701) i la consegüent guerra de successió per la Monarquia d’Espanya (1702-1715) que es batallà al Principat de Catalunya entre 1704 i 1714. Els resultats de l’estudi ofereixen noves perspectives sobre alguns aspectes del debat historiogràfic desfermat per la celebració del Tricentenari del 1714, i que gira al voltant de com era la identitat col·lectiva dels catalans a inicis del segle XVIII.Paraules clau: Història conceptual, Espanya, Catalunya, Barcelona, Guerra de Successió espanyola.Abstract: In this article we will carry out a quantitative, semantic and comparative analysis of the concepts ‘Spain’ and ‘Catalonia’ in its singular and plural forms of the Catalan, Spanish and Latin languages, contained in the institutional diaries of the Consell de Cent of Barcelona and the Deputation of the General of Catalonia. The chronology analysed will be the start of the 18th century, a period in which the death of the Spanish monarch Charles II of Austria (1700), the enthronement of the Bourbons (1701) and the consequent war of succession for the Monarchy of Spain (1702-1715) that was fought in the Principality of Catalonia between 1704 and 1714. The results of the study offer new perspectives on some aspects of the historiographical debate unleashed by the celebration of the Tricentenary of 1714, which revolves around the collective identity of Catalans at the beginning of the 18th century.Keywords: Conceptual history, Spain, Catalonia, Barcelona, War of Spanish Succession.
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Alaini, Nining Nur. "KOSAKATA BUDAYA TRADISI PENANGKAPAN KOTEKLEMA DI LAMALERA DALAM NOVEL “SUARA SAMUDRA, CATATAN DARI LAMALERA” SEBAGAI SALAH SATU ALTERNATIF PENGAYAAN KOSAKATA BAHASA INDONESIA." MABASAN 12, no. 2 (December 4, 2018): 122–36. http://dx.doi.org/10.26499/mab.v12i2.56.
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The three local languages mentioned in the National Language Policy formulated in the Language Politics seminar organized by the Language Center (now the Agency for Language Development and Development) in 1999 function as a language symbols including a symbol of regional identity, and a symbol of regional pride; a mean of communication in the family and local communities, and a mean of supporting regional culture and as a supporter of regional literature and Indonesian literature. As a means of supporting the Indonesian language, regional languages have a dominant role in enriching the Indonesian vocabulary. This paper will describe the cultural vocabulary in the tradition of capturing the koteklema in Lamalera in the novel of "Suara Samudra, Catatan dari Lamalera", as one of the alternative of Indonesian vocabulary enrichment. The novel of "Suara Samudra, Catatan dari Lamalera", by Maria Matildis Banda, reveals a cliché theme often appears and is raised in Indonesian novels about the relationship of two lovers due to social status differences. The novel is interesting as it is written in a traditional village setting, tradition and culture of fishing and whaling in Lamalera. This novel is an ethnographic novel that presents the traditions and culture of Lamalera through the physical and cultural background of fishermen in Lamalera. Maria Matildis Banda conveys local color through literature. His language, diction, and power of speaking in a local dialect enrich the literary treasures of Indonesia. This condition is one of the reasons for the importance of 'adopting' the registers in the novel into the Indonesian vocabulary, so that Indonesian language can further develop itself in order to play a maximum role as a means of communication in various domains of the usage, as well as play an increasingly steady role as a language amplifier for an identity and character of the nation.
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Riba, Caterina, and Carme Sanmartí. "La recepción de tres novelas de George Sand en España a través de sus ediciones y (re)traducciones." Çédille, no. 18 (2020): 623–47. http://dx.doi.org/10.25145/j.cedille.2020.18.25.
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This article is an analysis of the Spanish and Catalan retranslations of three works by the French writer George Sand (1804-1876): La mare au diable, Un hiver à Majorque and La petite Fadette. This study looks both at various factors and at a number of interre-lated individuals and groups, all of which played a role in determining the fate of these works. The analysis includes a look at the consequences of the inclusion of the author’s works on the Index Librorum Prohibitorum and at the effects of the Franco regime’s censorship. There is also a discussion of the feminist movement’s embrace of this author, the fact that her life and work have become the focus of tourist attractions, the publishing practices associated with her books and the main challenges involved in translating the works.
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Pastor Briones, Vicent. "Les edicions catalanes del Pierres de Provença: Estat de la qüestió." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 7, no. 7 (June 29, 2016): 52. http://dx.doi.org/10.7203/scripta.7.8055.
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Resum: La novel·la anònima Pierres de Provença ens arriba des d’un original francès escrit a mitjan segle XV passant per algunes traduccions castellanes i catalanes que van fer-se des de principis del segle XVI. Malgrat la poca atenció que li ha dedicat la crítica literària en general, les aventures del cavaller Pierres i la gentil Magalona han comptat amb lectors de forma continuada fins al segle XIX. Aquest relat cavalleresc és un dels pocs títols que conformen el catàleg de la prosa impresa en català en l’època moderna, i és, per tant, força convenient fer una adequada catalogació de les edicions per tal de confegir un cens acurat que permeta estudiar l’obra i bastir-ne una edició crítica. Hem pogut establir un llistat d’onze edicions verificades pels bibliògrafs, de les quals només se’n conserven nou. La cronologia de les edicions és, a hores d’ara, aproximada, exceptuant-ne les que fan constar la data d’impressió a la portada: 1650, 1683 i 1908. Paraules clau: Pierres de Provença, edicions, català, segles XVII-XVIII Abstract: The anonymous novel Pierres de Provença has come to us from a French original written in the mid-fifteenth century through some of the Spanish and Catalan translations carried out since the beginning of the sixteenth century. Despite the little attention that it has received from most historians of literature, the adventures of the knight Pierres and the beautiful Magalona have had readers uninterruptedly up to the nineteenth century. This short chivalric story is one of the few works that make up the catalog of the Catalan prose of the modern period, and therefore it is quite convenient to make a thorough cataloguing of the editions made in order to establish an accurate census that allows to study the work and build up a critical edition. We have been able to establish a list of eleven editions verified by the bibliographers, of which only nine have been preserved. The chronology of most of the editions is, by now, just approximate, except those that have a specified date print on the cover: 1650, 1683 and 1908. Keywords: Pierres de Provença, editions, Catalan, XVII-XVIIIth centuries
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TARAU, PAUL. "Compact serialization of Prolog terms (with catalan skeletons, cantor tupling and Gödel numberings)." Theory and Practice of Logic Programming 13, no. 4-5 (July 2013): 847–61. http://dx.doi.org/10.1017/s1471068413000537.
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AbstractWe describe a compact serialization algorithm mapping Prolog terms to natural numbers of bit-sizes proportional to the memory representation of the terms. The algorithm is a ‘no bit lost’ bijection, as it associates to each Prolog term a unique natural number and each natural number corresponds to a unique syntactically well-formed term.To avoid an exponential explosion resulting from bijections mapping term trees to natural numbers, we separate the symbol content and the syntactic skeleton of a term that we serialize compactly using a ranking algorithm for Catalan families.A novel algorithm for the generalized Cantor bijection between ${\mathbb{N}$ and ${\mathbb{N}$k is used in the process of assigning polynomially bounded Gödel numberings to various data objects involved in the translation.
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Manera, Carles, Eloi Serrano, José Pérez-Montiel, and Màrian Buil-Fabregà. "Construction of Biophysical Indicators for the Catalan Economy: Building a New Conceptual Framework." Sustainability 13, no. 13 (July 4, 2021): 7462. http://dx.doi.org/10.3390/su13137462.
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The main objective of this work is to create an environmental vision of the Catalan economy based on various indicators. To do this, we started from the fundamental idea of obtaining new metrics to measure impacts on the economy. The methodology used is focused on the systematization of descriptive statistics and econometric review. In this sense, GDP and GDP per capita are valued as chrematistic units, and biophysical variables are incorporated. For the period 2000–2016, the figures for energy consumption, CO2 emissions, energy intensity of the economy and water consumption were collected. In addition, demographic evolution and the Gini index were also ordered as factors that contribute to explaining not only population trajectory but also some of the social factors. Greater technological efficiency in regard to environmental aspects is intuited as sensitive to the economic cycle. The study is novel in the panorama of the regional economy of Spain, by incorporating biophysical variables to the applied economic analysis.
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Pudjiati, Danti, and Ernawati Ernawati. "The Notes Procedures of Translating Islamic Terms in I Am Malala Novel." Buletin Al-Turas 22, no. 1 (January 31, 2016): 169–82. http://dx.doi.org/10.15408/bat.v22i1.7224.
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AbstractThe writers focus on the analysis of notes procedures, that is, the translation procedure in translating Islamic terms in I Am Malala novel published in 2014and translated by Ingrid Dwijani Nimpoeno. They described notes procedures applied by Indonesian translator to translate the terms. They applied descriptive qualitative method to analyze the data based on Newmark’s procedure of notes. Besides, they utilize the mono lingual and bilingual dictionaries to support the analysis of the meaning in source and target language.The terms are divided into two categories: terms as knowledge and as worship. This reveals that nine terms translated by using notes within the text (one notes as an alternative to translated word, one notes as a participial group, one notes as an adjectival clause, one notes in brackets, two notes as a noun in apposition, three notes in parentheses); one term translated by using notes within the text (as an adjectival clause) and notes or glossary at the end of book; and third, one term translated by using notes at bottom of page (footnote) and notes or glossary at the end of book. In other words, the procedure of notes within the text is the most dominant---Abstract Penulis fokus pada analisis mengenai prosedur pemberian catatan/keterangan terkait penerjemahan istilah-istilah keislaman dalam novel I Am Malala yang terbit tahun 2014 yang diterjemahkan oleh Inggrid Dwijani Nimpoeno. Kajian ini akan menggambarkan prosedur yang digunakan oleh penerjermah Indonesia dalam menerjemahkan istilah keislaman. Metode yang digunakan dalam analisis pada tulisan ini adalah metode kualitatif deskriptif yang mengacu pada prosedur Newmark. Selain iut, juga digunakan kamus satu dan dwi bahasa untuk mendukung analisis penerjemahan dalam bahasa sumber dan bahasa sasaran. Istilah keislaman dibagi dua kategori, yaitu istilah ilmu pengetahuan dan istilah ritual. Kajian ini menunjukkan bahwa ada sembilan terjemahan istilah yang diberi catatan dalam teks (satu catatan sebagai terjemahan alternatif, satu catatan sebagai kelompok bagian, satu catatan sebagai klausa ajektif, satu catatan dalam kurung, satu catatan sebagai kata benda oposisi, tiga catatan dalam dua garis kata sisipan); satu terjemahan istilah menggunkan catatan dalam teks sebagai klausa ajektif, dan terdapat catatan atau glosari di akhir buku. Ketiga, satu terjemahan istilah menggunakan catatan kaki dan catatan atau glosari di akhir buku. Dengan kata lain, prosedur pemberian catatan yang dominan adalah di dalam teks.
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Maryam, Siti. "POLA BAHASA GENERASI MILENIAL DALAM NOVEL CATATAN HATI SEORANG ISTRI KARYA ASMA NADIA." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 5, no. 1 (July 26, 2019): 46–55. http://dx.doi.org/10.47269/gb.v5i1.80.
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Abstrak: Penelitian ini mengkaji pola atau karakteristik bahasa generasi milenial dalam novel Catatan Hati Seorang Istri (CHSI) karya Asma Nadia dan hal-hal yang memengaruhinya. Oleh sebab itu, tujuan penelitian ini yaitu mendeskripsikan pola bahasa generasi milenial pada novel tersebut dan beberapa faktor yang memengaruhi kemunculannya. Landasan teori yang digunakan meliputi alih kode, campur kode, dan interferensi. Adapun metode yang digunakan dalam penelitian ini yaitu metode deskriptif kualitatif. Sumber data dalam penelitian ini adalah novel CHSI. Hasil penelitian menunjukkan bahwa terdapat alih kode, campur kode, dan interferensi. Alih kode terdiri atas alih kode ke dalam dan alih kode ke luar. Alih kode ke dalam yang ditemukan berupa alih kode bahasa Indonesia ke bahasa Ambon atau bahasa Jawa. Alih kode luar berupa alih kode bahasa Indonesia ke bahasa Inggris atau bahasa Arab. Campur kode terdiri atas tiga jenis yaitu campur kode ke dalam (bahasa Jawa dan Betawi), campur kode luar (bahasa Inggris dan Arab), dan campur kode campuran (bahasa Inggris, bahasa Arab, dan bahasa Jawa). Hasil penelitian juga menunjukkan adanya interferensi pada tataran morfologi. Dilihat dari faktor yang memengaruhinya, alih kode dan campur kode terjadi karena adanya peralihan pokok pembicaraan, penggunaan ragam nonformal, tutur bahasa rendah, keterbatasan padanan kata, dan penggunaan istilah yang lebih populer. Sementara itu, faktor yang memengaruhi adanya interferensi adalah kebiasaan penggunaan bahasa ibu.Kata Kunci: pola, milenial, alih kode, campur kode, interferensiAbstract: This research examines about patterns or characteristics of the millennial generation language in the novel Catatan Hati Seorang Istri (CHSI) by Asma Nadia and things took. Therefore, the purpose of the study is to describe the millennial generation pattern language in the novel and some of the factors that affect its appearance. The cornerstone of the theory being used i.e. instead of code, mixed code, and interference. As for the methods used in this research was the qualitative descriptive method. The data obtained through the novel CHSI. The results of the research there are over code, mixed code, and interference. Instead the code is composed of over code in a language such as existence of Ambon and the Java language. Instead the code outside the English when it shows up and the Arabic language. So also in the mix of code consists of three types of mixed code in IE there are Javanese and Betawi, mix the code out there is the language of the United Kingdom and Arabs and mix the mixture contained code English, Arabic language, and the Java language. Research results also show the presence of interference on the morphological level. Then, the factors that affect the occurrence over the code and the mix of code among them; the transition of the staples of the talk, the use of colloquial language, said spectrum is low, the limitations of the matching word, and the more popular use of the term. Meanwhile, the factors that influence the presence of interference that is due to the terbawanya habits in the use of the mother tongue.
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Sukmawati, Wahyu Mamik Ika. "REPRESENTASI GENDER DALAM NOVEL “CATATAN HATI SEORANG ISTRI” KARYA ASMA NADIA (KAJIAN FEMINISME)." EDU-KATA 5, no. 2 (August 31, 2019): 187–94. http://dx.doi.org/10.52166/kata.v4i2.1021.
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The purposes of the research were (1) to describe injustice of a woman or wife (2) to describe a struggle of a woman or wife (3) to describe the effect of injustice toward a woman or wife. Then, it would be the first step in struggling prespective of gender and to complete the analysis of gender injustice.This research used descriptive qualitative method that explained all element about the kinds of method and the approach. The data of the research were quotes, description, and expression which consist of norm in Catatan Hati Seorang Istri novel by Asma Nadia. In data analysis, the writer used a descriptive analysis and a content analysis and also the conclusions.The result of the research was carried out to show that the Catatan Hati Seorang Istri novel had many stories about exploitation of aman or husband toward a woman or wife and the struggle of a woman or wife to her rights.Based on the research, it could be concluded that a woman or wife still had ability to struggle her rights. Therefore, it supposed to a woman or wife not to doubt in struggling the gender equality.
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Mayasari, Gilang Hanita, Lina Meilinawati Rahayu, and M. Irfan Hidayatullah. "GAMBARAN SEKSUALITAS DALAM NOVEL TRILOGI RONGGENG DUKUH PARUK JILID CATATAN BUAT EMAK KARYA AHMAD TOHARI (Sexuality Illustration in Catatan Buat Emak as a Part of The Trilogy of Novel Ronggeng Dukuh Paruk Written by Ahmad Tohari)." METASASTRA: Jurnal Penelitian Sastra 6, no. 1 (March 14, 2016): 22. http://dx.doi.org/10.26610/metasastra.2013.v6i1.22-33.
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Artikel ini menggambarkan wacana seksualitas yang terdapat dalam novel trilogi Ronggeng Dukuh Paruk jilid Catatan Buat Emak karya Ahmad Tohari. Wacana tersebut dibedah dengan melihat peristiwa-peristiwa yang dialami para tokoh. Selain itu, wacana seksualitas juga dikaitkan dengan mitos yang berkembang di masyarakat Dukuh Paruk sebagai latar tempat novel. Hal ini menunjukkan bahwa mitos berperan penting dalam pembentukan wacana seksualitas. Mitos disakralkan karena sejak ada telah disepakati dan diyakini oleh masyarakat setempat. Analisis ini juga menunjukkan bahwa mitos bergantung pada lokasi dan kondisi sehingga daerah satu dengan daerah lain memiliki mitos berbeda. Mitos ronggeng sebagai ikon kesuburan dan kemakmuran masyarakat Dukuh Paruk menyebabkan Srintil, tokoh utama novel ini harus melakukan ritual-ritual khusus. Ritual-ritual inilah yang kemudian menjadi salah satu yang saya analisis dalam bingkai wacana seksualitas.Abstract:This paper aims at describing sexuality discourse in Catatan Buat Emak as a part of the trilogy of Ronggeng Dukuh Paruk written by Ahmad Tohari. The discourse was observed by notic- ing the events experienced by characters in the novel. In addition, it is connected to the myths developed in the community of Dukuh Paruk where the story happened. It shows that the myth plays as an important role in the formation of the discourse. Myths are often sacred because they have always been agreed and believed by the local people. This analysis also suggests that the myth depends on the location and condition so that it is different in one areas from others . The myth of Ronggeng as an icon of fertility and prosperity of the Dukuh Paruk makes Srintil, the main character in the novel, has to do special rituals. These rituals are kinds of sexuality discourse issues that is put into the analysis.
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García Rodríguez, Joseph. "FRAESCAT: propuesta de un diccionario electrónico de fraseología bilingüe español‑catalán." Zeitschrift für romanische Philologie 137, no. 2 (June 1, 2021): 514–41. http://dx.doi.org/10.1515/zrp-2021-0020.
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Abstract Phraseography, understood as the discipline that deals with phraseological units in general or specialized dictionaries of one or more languages, is still an area to be discovered, especially in bilingual contexts. Therefore, the main objective of this research is to propose an electronic lexicographical work of phraseology in Spanish‑Catalan, given that currently there is no such dictionary for the two mentioned languages. Based on the previous studies on phraseology and electronic phraseology, we reflect on the characteristics that these works should contain, and we examined the dictionaries already published in this format in the Hispanic context. Taking into account the above, the study that follows will focus on the proposal of a dictionary that combines the most significant novelties in both current lexicography and computational linguistics, in order to create a work that collects efficiently, novel and dynamic, the information corresponding to the phraseological units of the two languages concerned here. In short, the contribution of this article aims to fill a gap in the field of lexicography, in general, and bilingual phraseography, in particular.
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Payne, Jack, Paul McKeown, Gabriele Kociok-Köhn, and Matthew D. Jones. "Novel hybrid aluminium(iii)–catalen complexes as highly active catalysts for lactide polymerisation: towards industrial relevance." Chemical Communications 56, no. 52 (2020): 7163–66. http://dx.doi.org/10.1039/d0cc02733b.
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Prats, Joaquim. "La Universitat de Cervera: Un projecte reformista frustrat." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 15 (June 10, 2020): 241. http://dx.doi.org/10.7203/scripta.15.17573.
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Resum: La universitat de Cervera, fundada per Felip V, suposà una fita important per a Catalunya: per un costat, naixia com un projecte borbònic de futur i, per un altre, significava que les universitats catalanes històriques havien estat abolides, en virtut de la política repressora del nou monarca. El present article analitza aquella institució i el fracàs d’aquell projecte. La creació de la Universitat ha de situar-se en un context reformista de tall centralista, propi de les noves monarquies europees que van prendre com a imatge la cort i l’acció en política interna de Lluís XIV. Tanmateix, amb el pas dels anys, aquella proposta es va veure frustada.
Paraules clau: Universitat de Cervera, orígens, declivi, Catalunya, segle XVIII
Abstract: The University of Cervera, founded by Philip V, was an important milestone for Catalonia: on the one hand, it was born as a Bourbon project for the future and, on the other, it meant that historic Catalan universities had been abolished, under the policy repressive of the new monarch. This article discusses that institution and the failure of that project. The creation of the University must be situated in a reformist context of a centralist nature, typical of the new European monarchies that took as their image the court and action in domestic politics of Louis XIV. However, over the years, that proposal was thwarted.
Key words: University of Cervera, foundation, declivity, Catalonia, 18th. century
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Fianti, Selfie. "KELUAR DARI ZONA NYAMAN ALA TOKOH SUAR DALAM NOVEL CATATAN JUANG KARYA FIERSA BESARI." SUAR BETANG 15, no. 2 (December 23, 2020): 209–18. http://dx.doi.org/10.26499/surbet.v15i2.212.
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Abstract This study aims to describe the way out of your comfort zone in the style by Suar character in the novel Catatan Juang by Fiersa Besari which is a representation of real life. Focus of the study is emphasized on the character of Suar when she finally decides to get out of the comfort zone that shackles of her. To study the character Suar in the novel Catatan Juang, this study used a qualitative descriptive method with content analysis techniques. This qualitative descriptive method is used with the intention of producing a description in the form of words through observed research. The result of research can be concluded that Suar managed to get away from all the routines that she had been complaining about in order to achieve her dream of becoming a film maker. Her struggle ia not easy, but she kept trying hard and finally proved that stepping out of your comfort zone isn’t a bad thing. This is inseparable from the encouragement and influence of motivational words in a book that she accidentally found on public transportion, with title “Catatan Juang” owned by Juang Astrajingga.
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Coromina Pau, Eusebi. "Las primeras traducciones al catalán y al español de La Princesse de Clèves (1678). Un clásico francés que abre paso a la novela moderna." TRANS. Revista de traductología, no. 20 (October 30, 2016): 41–55. http://dx.doi.org/10.24310/trans.2016.v0i20.2063.
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Nicolau, Adriana, and Teresa Iribarren. "The Staging of Ciudad Juárez’s Feminicides: Àlex Rigola and Angélica Liddell Speak for the Victims." New Theatre Quarterly 36, no. 2 (May 2020): 131–48. http://dx.doi.org/10.1017/s0266464x2000024x.
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Tackling violence against women in the theatre is often a controversial matter. To identify the ethical risks that victim representation may entail, we conduct a comparative analysis of two works about Ciudad Juárez’s feminicides staged in Barcelona: 2666 (2007), an adaptation of Roberto Bolaño’s novel directed by Àlex Rigola, and House of Strength (2011) by Angélica Liddell. This article argues that while Rigola reduces victims to mere sexual objects with no narrative of their own, Liddell places the voice and resilience of Mexicans in the foreground and represents their bodies respectfully. Adriana Nicolau is completing her doctoral studies on ‘Feminisms in contemporary Catalan theatre’ at Universitat Oberta de Catalunya (UOC) in Barcelona. Her publications include articles for Feminismo/s. Teresa Iribarren is an assistant professor at UOC, where she is the Director of the Catalan Literature, Publishing, and Society research group. Her current research focuses on narratives of violence and the promotion of human rights in literature.
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Jiménez Gómez, Cristina. "Política y escritura de frontera en La hija extranjera de Najat El Hachmi: la migrante como paria." Studia Romanica Posnaniensia 47, no. 1 (March 15, 2020): 43–54. http://dx.doi.org/10.14746/strop.2020.471.004.
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The autofictional novel La hija extranjera (2015), by the Catalan-Moroccan author Najat El Hachmi, is linked to the figure of exclusion and to what, in particular, Hannah Arent called “modern pariah”. Her literary writing vindicates a border thinking and the vision of a fragmentary, multiple and plural migrant female subject –contrary to the unitary male hegemonic subject – that shows, in Jacques Rancière’s terms, the close relationship that literature maintains with politics.
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Stanley, Maureen Tobin. "’PARLO…’: A CATALAN VOICE FROM THE HOLOCAUST: WRITER AND SURVIVOR OF MAUTHAUSEN JOAQUIM AMAT-PINIELLA SHATTERS FRANCOIST MANDATED SILENCE." Catalan Review: Volume 21, Issue 1 21, no. 1 (January 1, 2007): 69–86. http://dx.doi.org/10.3828/catr.21.3.
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Following the retreat to France of half a million Spaniards in the winter of ’38/39 and as a result of the Nazi occupation, 10,000-15,000 Spaniards were deported to concentration camps. Among them was the writer Joaquim Amat-Piniella (1913-1974). His novel K.L. Reich, whose title alludes to the stamp impressed on all objects within the Nazi Reich’s concentration camps, creates a fictional world that reflects the realities within Mauthausen. That author writes in a draft (without date), that with this story his wish was not to focus on the horrors, but rather to document (“manar un record”), and to relate the historical catastrophes of “cruelty, misery, suffering, but also hope.” His poetic work Les llunyanies (The Far Away Lands) also reveals what Amat denoted as his “white hour,” an awakening of conscience and consciousness, the insistence on what is human and humane precisely because he was able to endure four and a half years of brutality. In addition to his novel and poetry, Amat-Piniella’s political efforts following his liberation promoted the reconciliarion that resulted from a sense of justice. With his poetry, this native of Manresa expressed the gamut of his affective responses to Mauthausen. With K.L. Reich, Amat-Piniella gives voice to the Republicans whose exile led to a concentrationary sentence. With his activism, he did everything possible to vindicate the ex-prisoners and obtain for them their due “indemnización” (compensatory damages) and thus overcome the obstacles imposed by the repressive forces. In spite of numerous hurdles, Amat was triumphant.
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Sunyer, Magí. "The Inheritance of Modernisme: Antoni Fuster i Valldeperes." Journal of Catalan Intellectual History 1, no. 11 (October 1, 2017): 43–54. http://dx.doi.org/10.1515/jocih-2016-0004.
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AbstractThis article explores the characteristics of the literature of writers who, when literary Catalan modernism had died out, used many of the features of the movement in their work. An analysis of the costumbrism-based novel Perot i l’Estel (1932), by Antoni Fuster Valldeperes, shows the return to the debate on madness, the expression of individual standpoints and the portrayal of a wide range of revolutionary ideals, the main themes of which are Catalanism, universalism, Republicanism and anarchism.
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de Prada Pérez, Ana. "Theoretical implications of research on bilingual subject production: The Vulnerability Hypothesis." International Journal of Bilingualism 23, no. 2 (March 29, 2018): 670–94. http://dx.doi.org/10.1177/1367006918763141.
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In this paper we propose a new hypothesis for the formal analysis of cross-linguistic influence, the Vulnerability Hypothesis (VH), with the support of data from subject personal pronoun use in Spanish and Catalan in Minorca, and contrast it to the Interface Hypothesis (IH). The VH establishes a categorical–variable continuum of permeability, that is, structures that show variable distributions are permeable while those that exhibit categorical distributions are not. To test the predictions of the VH, Spanish language samples were collected from 12 monolingual Spanish speakers, 11 Spanish-dominant bilinguals, and 12 Catalan-dominant bilinguals, and Catalan language samples from 12 Catalan-dominant speakers. Following a variationist comparative analysis, 4,466 first person singular (1sg) and 1,291 third person singular (3sg) tokens were coded for speech connectivity, verb form ambiguity, and semantic verb type. The language-external variable included in the analysis was language group (Spanish monolinguals, Spanish-dominant bilinguals, Catalan-dominant bilinguals, and Catalan controls). Results indicated that speech connectivity is the highest ranked variable in the Spanish control group (most categorical variable), while ambiguity and verb type are ranked lower, with only ambiguity reaching significance. The VH would, therefore, predict bilinguals would be similar to monolinguals in the most categorical variables, in this case, speech connectivity. This is in contrast to the IH, which would predict bilinguals would exhibit difficulty with the pragmatically driven distributions (e.g. speech connectivity), while they would show no contact effects or lesser effects with distributions at the lexico-semantic interface with syntax (e.g. verb form ambiguity and verb type). The prediction of the VH bears out in our data. Bilinguals do not differ with respect to speech connectivity. Ambiguity, on the other hand, is no longer significant in the bilingual groups and verb type reaches significance with 1sg (and not with 3sg) subjects. These results are discussed, redefining the concepts of convergence and simplification from language contact research to adapt to the variationist analysis used. Simplification is specified as the reduction of lower ranked predicting variables, while convergence is defined as an increase in parallels across languages with respect to the variables that are significant, their effect size (variable ranking), and the direction of effects (constraint ranking). Regarding language group, it was not returned as significant in 1sg data. Thus, the groups did not differ in their rates of overt pronominal expression. Differences, however, emerged across groups in the 3sg data, where bilinguals used significantly more overt pronominal subjects than monolinguals do. This paper contributes to current discussions in the fields of language contact, second language acquisition, and bilingualism, introducing a new hypothesis and contrasting it with the IH. In addition, it contributes to variationist approaches by examining a novel community of bilingual speakers.
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Faridatus, Faridatus soleha. "Tempramen Analysis In The novel Catatan Juang by Fiersa Besari (Ludwig Klages Personality)." Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) 2, no. 2 (August 12, 2020): 97–106. http://dx.doi.org/10.33752/disastri.v2i2.836.
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This study aims to describe the temperament of characters in the Fighting Notes novel by using Ludwig Klages's personality theory. The focus of this research is on the temperament of the characters contained in the Note Juang by Fiersa Besari. Tempramen is a trait that a person has in him when he will do something, Klages divides the temprament into two parts, namely sangraminis tempraments and pleghmatic tempraments. This study uses descriptive qualitative research methods which means a research method that does not use numbers or calculations, this qualitative approach is used with the aim of producing word form descriptions from research that has been observed, in addition this study uses library techniques to get data on research observed. Data analysis in this study used hermeutic analysis with several stages, namely reading objects, marking data found on objects, coding data and analyzing all data with Ludwig Klages's personality theory. The results of this research in the Notes Fighting can be concluded that there are sangunis and pleghmatis tempraments but are inclined to sangunis tempraments that are experienced by many Suar figures.
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Chamnongpol, Sangpen, Paiboon Vattanaviboon, Suvit Loprasert, and Skorn Mongkolsuk. "Atypical oxidative stress regulation of a Xanthomonas oryzae pv. oryzae monofunctional catalase." Canadian Journal of Microbiology 41, no. 6 (June 1, 1995): 541–47. http://dx.doi.org/10.1139/m95-072.
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Catalase is an important oxidative stress protective enzyme. We have shown in Xanthomonas oryzae pv. oryzae that catalase has atypical regulation in response to stresses and growth conditions. The superoxide generators paraquat and menadione at subinhibitory concentrations for growth were potent inducers (8.3 and 10.4 fold, respectively) of the catalase of X. oryzae pv. oryzae. In contrast, H2O2 under all conditions tested was a poor inducer of catalase. It gave a maximum induction level of 2.4 fold, while ascorbate produced an intermediate level of induction (4.5 fold). Unexpectedly, methyl methanesulphonate, a DNA methylating agent and mutagen, was a potent inducer of catalase (8 fold). Catalase induction required de novo synthesis of the enzyme and aerobic growth but it was independent of growth phase. Catalase induction by superoxide generators and methyl methanesulphonate was due to increasing synthesis of the 80 000 Da monofunctional catalase. Similar patterns of catalase induction by various agents were observed in all Xanthomonas strains tested, except that paraquat did not induce catalase in the strains with high paraquat resistance. The data illustrate novel aspects of catalase regulation in Xanthomonas strains that differ from that in other microbes. This may have important consequences for plant–microbe interactions.Key words: oxidative stress response, catalase regulation, phytopathogen.