Relevant bibliographies by topics / Catalan poetry – 20th century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Catalan poetry – 20th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Catalan poetry – 20th century"

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Guereña, Jean Louis. "Un infierno catalán. Apuntes para una bibliografía de publicaciones eróticas catalanas clandestinas (siglo XIX-primer tercio del siglo XX)." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 3, no. 3 (June 28, 2014): 311. http://dx.doi.org/10.7203/scripta.3.3823.

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Resumen: El presente artículo colecciona un buen número de las publicaciones catalanas de tema erótico que vieron la luz clancestinamente durante el siglo XIX y principios del XX. Palabras clave: bibliografía, erotismo, catalán, renaixença, siglo XIX, siglo XXAbstract: This article collects a good number of Catalan publications with a erotic topic that came out clandestinely during the 19th and early 20th centuries. Keywords: literature, eroticism, Catalan, Renaixença, 19th century, 20th century
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Pujol, Dídac. "Three Translators in Search of an Author: Linguistic Strategies and Language Models in the (Re)translation of Shakespeare’s Plays into Catalan." Multicultural Shakespeare: Translation, Appropriation and Performance 16, no. 31 (December 30, 2017): 41–59. http://dx.doi.org/10.1515/mstap-2017-0018.

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This article shows how the language of Shakespeare’s plays has been rendered into Catalan in three especially significant periods: the late 19th century, the early 20th century, and the late 20th and early 21st centuries. The first section centres on the contrast between natural and unnatural language in Hamlet, and considers how this differentiation is carried out (by linguistic techniques that differ substantially from Shakespeare’s) in a late 19th-century Catalan adaptation by Gaietà Soler. The second part of the article investigates the reasons why in an early 20th-century translation of King Lear the translator, Anfòs Par, resorts to medieval instead of present-time language. The last section of the article illustrates how and explores the motivations why Salvador Oliva’s first (1985) version of The Tempest is retranslated in 2006 using a different language model. The ultimate aim of the paper is to put forward the hypothesis that, in the case of Catalan, Shakespearean translations are both a reflection of the current state of the language and a major linguistic experimentation that shapes and creates (sometimes through a via negativa) the Catalan literary language.
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Oleart, Oriol. "From Legal Compilations to Legal Codes: A Catalan Legal History Approach (18th–20th Centuries)." International Journal of Legal Information 42, no. 1 (2014): 1–21. http://dx.doi.org/10.1017/s0731126500028225.

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This contribution deals with the evolution of the traditional Catalan legal system after the end of the Spanish War of Succession (early 18th-Century) up to the late 20th-Century. It shows how the traditional Catalan legal system survived and evolved through the end of the Old Regime to the 19th-Century constitutional system, and focuses on the traditional Catalan legal system (and law compilations) that survives beside the brand new Spanish Civil code, along with other Spanish existing regional legal regulations (due to historical surviving legal systems from pre-existing kingdoms).
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Bernal, Elisenda. "Catalan compounds." Probus 24, no. 1 (June 26, 2012): 5–27. http://dx.doi.org/10.1515/probus-2012-0002.

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Abstract In this paper, we will present an overview of compounding in Catalan, covering the founding theoretical-descriptive studies of the 20th century to the most recent scholarship. Specifically, it analyses the boundaries of compounding, considering the limits which make it possible to distinguish compounding from derivation and free syntagmas. We will also consider the various types of compounding documented in Catalan, as well as the syntactic and semantic relationships between the elements that make up a compound. Finally, we will analyse newly-created compounds that shed light on the productivity of this process of word formation.
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Cosoveanu, Mihai. "Teaching Culture through 20th Century American Poetry." Procedia - Social and Behavioral Sciences 70 (January 2013): 1204–9. http://dx.doi.org/10.1016/j.sbspro.2013.01.178.

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Van Den Berg, Gabrielle. "Perceptions of Poetry. Some Examples of Late 20th Century Tajik Poetry." Oriente Moderno 83, no. 1 (August 12, 2003): 37–56. http://dx.doi.org/10.1163/22138617-08301006.

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Šilbajoris, Rimvydas, and Justinas Marcinkevičus. "The Amber Lyre: 18th-20th Century Lithuanian Poetry." World Literature Today 59, no. 3 (1985): 466. http://dx.doi.org/10.2307/40141035.

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Niatum, Duane. "Harper's Anthology of 20th Century Native American Poetry." Wicazo Sa Review 4, no. 1 (1988): 31. http://dx.doi.org/10.2307/1409082.

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Krupat, Arnold, and Duane Niatum. "Harper's Anthology of 20th Century Native American Poetry." Wicazo Sa Review 4, no. 2 (1988): 48. http://dx.doi.org/10.2307/1409280.

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Wilson, Norma C., and Duane Niatum. "Harper's Anthology of 20th Century Native American Poetry." American Indian Quarterly 14, no. 2 (1990): 211. http://dx.doi.org/10.2307/1185085.

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Dissertations / Theses on the topic "Catalan poetry – 20th century"

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Diaz-Vicedo, Noelia. "Constructing feminine poetics in the works of a late-20th-century Catalan woman poet : Maria-Merce Marcal." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612562.

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Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North America. I first trace the poetic reception of Sappho and Catullus in the oeuvres of the four authors separately. I define and evaluate the role of the respective appropriations within each author’s work and poetics. I then contextualise the four case studies within the Italian and North American literary histories. Finally, through the new outlook afforded by the comparative angle of this thesis, I uncover some of the hidden threads connecting the different types of classical lyricism transnationally. The thesis shows that the course of classical lyricism takes two opposite aesthetic directions in Italy and in North America. Moreover, despite the two aesthetic trajectories diverging, I demonstrate that the four poets’ appropriations of Sappho and Catullus share certain topical characteristics. Three out of four types of classical lyricism are defined by a preference for Sappho’s and Catullus’ lyrics which deal with marriage rituals and defloration, patterns of death and rebirth, and solar myths. They stand out as the epiphenomena of the poets’ interest in the anthropological foundations of the lyric, which is grounded in a philosophical function associated with poetry as a quest for knowledge. I therefore ultimately propose that ‘classical lyricism’ may be considered as an independent historical and interpretative category of the classical legacy.
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Delshad, Ja'far. "Religion, politics and poetry in Najaf in the early 20th century." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503512.

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Bennett, Sarah. "The American contexts of Irish poetry, 1950-present." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.

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Ellis, Toshiko 1956. "The modernist dilemma in Japanese poetry." Monash University, School of Asian Languages and Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8720.

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Lindesay, Tamar. "The sound of the city collapsing : the changing perception and thematic role of the ruin in twentieth-century British and American poetry." Thesis, University of South Wales, 2003. https://pure.southwales.ac.uk/en/studentthesis/the-sound-of-the-city-collapsing(a371d1ec-c3ea-407a-a1f3-227d87559b3f).html.

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Twomey, Leslie Karen. "The immaculate conception in Castilian and Catalan poetry of the fifteenth century : a comparative thematic study." Thesis, University of Hull, 1995. http://hydra.hull.ac.uk/resources/hull:3458.

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Travis, Isabelle. "The poetry of pain : trauma, madness and suffering in post-World War II American poetry." Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553108.

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Wan, Yu-pui, and 溫羽貝. "Time and space in Zheng Chouyu's Poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B3963405X.

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Quintanilla, Octavio. "Love Poem with Exiles." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28465/.

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Love Poem with Exiles is a collection of poems with a critical preface. The poems are varied in terms of subject matter and form. In the critical preface, I discuss my relationship with poetry as well as the idea that we inherit poems, and that if we are inspired by them, we can transform them into something new.
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Books on the topic "Catalan poetry – 20th century"

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Margarit, Juan. Cálculo de estructuras. Madrid: Visor Libros, 2005.

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Geddes, Gary. 20th-century poetry & poetics. 3rd ed. Toronto: Oxford University Press, 1985.

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1940-, Geddes Gary, ed. 20th-century poetry & poetics. 3rd ed. Toronto, Ont: Oxford University Press, 1985.

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The 20th century in poetry. New York: Pegasus Books, 2012.

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Neubauer, Raymond L. The banquet of eternity: 20th century psalms. Petersham, Mass: St. Bede's Publications, 1996.

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Garcia, Josep Miquel. From Gaudí to Tàpies: Catalan masters of the 20th century. [Barcelona]: Generalitat de Catalunya, Departament de Cultura, 1996.

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Millus, Donald. Wading south: Fishing the 20th century, part II. Tabor City, NC: Atlantic Pub., 2001.

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Praises & dispraises: Poetry and politics, the 20th century. New York, N.Y., U.S.A: Viking, 1988.

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Praises & dispraises: Poetry and politics, the 20th century. New York, N.Y., U.S.A: Penguin Books, 1989.

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Bradley, George. The Yale younger poets anthology. New Haven: Yale University Press, 1998.

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Book chapters on the topic "Catalan poetry – 20th century"

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Casanovas, Pompeu, Montserrat Corretger, and Vicent Salvador. "Catalan Identities: Literature, Social Commitment, and Political Engagement in the 20th Century." In The Rise of Catalan Identity, 1–16. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18144-4_1.

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Bacardí, Montserrat. "Translation from Spanish into Catalan during the 20th century." In Less Translated Languages, 257–68. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/btl.58.22bac.

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Garrett, John. "The Early 20th Century: T. S. Eliot." In British Poetry Since the Sixteenth Century, 185–99. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-27937-1_12.

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Webster, Peter. "Music, Art and Poetry: 1944–1955." In Church and Patronage in 20th Century Britain, 85–118. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_4.

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Congost, Rosa. "22. The social dynamics of agricultural growth. The example of Catalan emphyteusis in the eighteenth century." In Property Rights, Land Markets and Economic Growth in the European Countryside (13th-20th Centuries), 439–54. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.rurhe-eb.4.00158.

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Belasky, Paul. "“Pochveniks”—“The Poets of The Soil”: The Geological School of 20th Century Poetry in Leningrad, USSR (St. Petersburg, Russia)." In Soil and Culture, 173–204. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2960-7_12.

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Vidal, Adolf Piquer. "Catalan Identity in the 20th Century Novel." In Advances in Religious and Cultural Studies, 150–64. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6614-5.ch011.

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The 20th century is definitely the consolidation of Catalan literary movements in which Catalan identity plays a fundamental role. Modernism and avant-garde movements prompted a renewal of literary genres. The Spanish Civil War (1936-1939) was a point of conflict that led to the exile of most writers in Catalan. However, they continued publishing their works in Catalan. That´s the case of La Plaça del Diamant by Mercé Rodoreda and Cròniques de la veritat oculta by Pere Calders. That process of exile came to an end between 1962 to 1975 (death of Franco). Terenci Moix, Montserrat Roig, and others belonged to a generation called “generació literària dels setanta.” Most of them were born in Spanish postwar, educated in Francoism, concerned to recover the Catalan national identity, democratic politics, and social liberation of women and gay people.
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Lilja, Eva. "182. Metrics in 20th century poetry." In The Nordic Languages, Part 2, edited by Oskar Bandle, Kurt Braunmüller, Ernst Hakon Jahr, Allan Karker, Hans-Peter Naumann, Ulf Teleman, Lennart Elmevik, and Gun Widmark. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110197068-064.

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Oriol, Carme. "Patronage and Traditional Culture in the Early 20th Century." In Advances in Religious and Cultural Studies, 137–49. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6614-5.ch010.

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In the 1920s, the industrialist and humanist Rafael Patxot i Jubert (1872-1964) promoted and sponsored four cultural patronage projects on Catalan folklore. These were the Obra del Cançoner Popular de Catalunya, the Masia Catalana, the Llegendari Popular Català, and the Refranyer català. The aim of the projects was to collect large corpora of materials to showcase the vast wealth of traditional Catalan culture. In this chapter, the author studies the third of these projects, the Llegendari Popular Català (a collection of folk Catalan legends), by analyzing the importance of this private initiative, the competitions held to promote the collection, and the results achieved by the project. The author also evaluate the importance of one award-winning legend collection from the first competition – that presented by the modernist architect Cèsar Martinell.
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O'Donoghue, Bernard. "5. Poets and readers." In Poetry: A Very Short Introduction, 112–24. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199229116.003.0005.

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‘Poets and readers’ is concerned with the respective roles of poets and readers in the creation of meaning as well as the function of critics and readers: a function that has attained increasing prominence in the 20th century and since, with the emergence of theories of reader response and the reception of poetry. Is the term poet reserved for a kind of elect or is it a name anyone can aspire to? The whole question of authorship and authority is also considered: whether the poem generally—or ever—speaks in the voice of the poet, and how that voice may relate to its audience.
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Conference papers on the topic "Catalan poetry – 20th century"

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Steklyannikova, Svetlana. "Russian Poetry In German Anthologies From Second Half Of The 20Th Century." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.450.

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Zhou, Ya. "COLOR NAMING IN RUSSIAN AND CHINESE POETRY (BASED ON 20TH CENTURY POETIC TEXTS)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-38.

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Bykova, A. M. "Between painting and literature: 3 types of ekphrasis in Polish poetry of the 20th century (analysis of selected examples)." In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-78.

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Xiang, Yu. "Analysis on the Creative and Artistic Features of Ancient Poetry Art Songs in the First Half of 20th Century." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.69.

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Journal articles Dissertations / Theses Books
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