Relevant bibliographies by topics / Catalan theatre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Catalan theatre'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Catalan theatre"

1

Delgado, Maria M. "Contemporary Catalan Theatre: An Introduction." Hispanic Research Journal 2, no. 1 (2001): 86–87. http://dx.doi.org/10.1179/hrj.2001.2.1.86.

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Subirós, Carlota, and Bonnie Marranca. "Writing for a Catalan Theatre." PAJ: A Journal of Performance and Art 27, no. 1 (2005): 55–60. http://dx.doi.org/10.1162/1520281052863999.

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Ragué, Maria-José. "Women and the Women's Movement in Contemporary Spanish Theatre." New Theatre Quarterly 9, no. 35 (1993): 203–10. http://dx.doi.org/10.1017/s0266464x00007922.

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The problems confronted by most women's theatre in reaching its own constituency and, when desired, gaining a wider hearing have been exacerbated in Spain by the long period of emergence from the Franco dictatorship, with its legacy of oppression. In this article, Maria–José Ragué offers an overview of the subject, outlining the historical context and exploring the work of women playwrights, then looking in particular at women's theatre groups based in Barcelona, at whose university she teaches theatre history. Maria–José Ragué is also a theatre critic and a playwright, having published Clytem
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Astles, Cariad. "Catalan puppet theatre: A process of cultural affirmation." Contemporary Theatre Review 17, no. 3 (2007): 323–34. http://dx.doi.org/10.1080/10486800701411295.

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Buffery, Helena. "The ‘Placing of Memory’ in contemporary Catalan theatre." Contemporary Theatre Review 17, no. 3 (2007): 385–97. http://dx.doi.org/10.1080/10486800701411303.

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Feldman, Sharon. "Sergi Belbel and Catalan Theatre: Text, Performance, and Identity." Contemporary Theatre Review 23, no. 2 (2013): 235–37. http://dx.doi.org/10.1080/10486801.2012.722802.

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Cochrane, Claire. "The haunted theatre." Cahiers Élisabéthains: A Journal of English Renaissance Studies 96, no. 1 (2018): 75–88. http://dx.doi.org/10.1177/0184767818774857.

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Forests, the production by the iconoclastic Spanish-Catalan director Calixto Bieito staged at the ‘Old’ Birmingham Repertory Theatre in September 2012, functions here as the starting point for an exploration of the way a radical revisioning of Shakespeare in performance stimulated through an engagement with European modernism began in this now venerable theatre over 100 years ago. What was dubbed Bieito’s ‘epic arboreal mash-up’ was I suggest haunted by the material traces of groundbreaking past performances mounted by the Rep’s founder Barry Jackson, which included the first Shakespeare in mo
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Batlle i Jordà, Carles. "Contemporary Catalan Theatre: Between the desert and the promised land." Contemporary Theatre Review 17, no. 3 (2007): 416–24. http://dx.doi.org/10.1080/10486800701417078.

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Sansano, Gabriel. "SOME TYPES OF SHORT THEATRE IN EIGHTEENTH-CENTURY VALENCIA." Catalan Review 19, no. 1 (2005): 265–84. http://dx.doi.org/10.3828/catr.19.15.

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Traditional history of theatre has doubted the existence of theatrical activity in Catalan in eighteenth-century Valencia. This article highlights the continued presence of an “informal” and Valencian theatre, made up of short pieces; it gives information about actors, audiences and the places where this activity was developed. Finally, it looks at the works staged and proposes a typology of them based on the Castilian dramatic models that the popular actors imitated and mimicked.
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Nicolau, Adriana, and Teresa Iribarren. "The Staging of Ciudad Juárez’s Feminicides: Àlex Rigola and Angélica Liddell Speak for the Victims." New Theatre Quarterly 36, no. 2 (2020): 131–48. http://dx.doi.org/10.1017/s0266464x2000024x.

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Tackling violence against women in the theatre is often a controversial matter. To identify the ethical risks that victim representation may entail, we conduct a comparative analysis of two works about Ciudad Juárez’s feminicides staged in Barcelona: 2666 (2007), an adaptation of Roberto Bolaño’s novel directed by Àlex Rigola, and House of Strength (2011) by Angélica Liddell. This article argues that while Rigola reduces victims to mere sexual objects with no narrative of their own, Liddell places the voice and resilience of Mexicans in the foreground and represents their bodies respectfully.
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Dissertations / Theses on the topic "Catalan theatre"

1

Larrad, Mark. "The Catalan Theatre Works of Enrique Granados." Thesis, Liverpool : The University, 1992. http://catalogue.bnf.fr/ark:/12148/cb37718192f.

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Santandreu, Brunet Pere Josep. "Els textos teatrals sobre la vida pública de Jesucrist al Manuscrit Llabrés." Doctoral thesis, Universitat de les Illes Balears, 2002. http://hdl.handle.net/10803/9423.

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L'objectiu d'aquesta tesi és doble. Per una banda, hem perseguit obtenir una visió panoràmica directa de les manifestacions dramàtiques que van tenir lloc a la major part d'Europa occidental a partir de la baixa edat mitjana i fins al segle XVI, per la qual cosa hem examinat els principals textos conservats de drama litúrgic, un nombre significatiu de peces castellanes, occitanes, franceses, italianes i angleses publicades, i també la totalitat de les obres catalanes editades de l'època esmentada. A més, a fi d'aportar una aproximació teòrica als estudis sobre la història del teatre europeu me
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Wilson, Anna Elisabeth. "Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8679.

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This thesis examines the impact of Argentine theatre on Barcelona’s stage culture in the twenty-first century. Catalan theatre is caught up in conflicting cultural discourses that centre on the relation between language, politics and identity, tensions further compounded by globalisation and changing patterns of migration. Although publications in this field demonstrate the complexity of the inter-relationship of theatre to cultural identity (as with Sharon Feldman, In the Eye of the Storm [Bucknell University Press, 2009]; Maria Delgado, ‘Other’ Spanish Theatres [Manchester University Press,
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Rocamora, Aguilera Joan. "El teatre de Rossend Arús i Arderiu." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/670791.

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Rossend Arús i Arderiu (Barcelona, 1844 -1891), tot i ser conegut sobretot com a filantrop, maçó, republicà i catalanista, va produir una interessant obra literària, poc estudiada i valorada, també en la seva faceta teatral. Calia, dons, un estudi a fons del seu teatre. Compromès socialment, va participar en diverses associacions, com la Societat del Born, la Tertúlia Catalana i Lo Niu Guerrer, en què es va formar com a dramaturg fent fins i tot d’apuntador i d’actor. La seva producció teatral conservada és força extensa: més d’una cinquantena d’obres, la majoria en català (entre les castella
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Tomàs, Albina Alba. "Electra: mite i recreació en el teatre català contemporani." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/402440.

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Aquesta tesi doctoral tracta de les recreacions del mite d’Electra en el teatre català contemporani en relació amb les versions clàssiques, tot tenint en compte, també, determinades reescriptures contemporànies d’altres cultures que es poden considerar de referència. Tot i que ens centrarem en les recreacions originals del mite en llengua catalana dutes a terme al llarg del segle XX i principis del XXI, no obviarem el paper indispensable que han tingut les traduccions i les adaptacions dels textos clàssics en la introducció del tema d’Electra en el sistema literari català. Al llarg d’aquest es
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Rollet, Aymeric. "Place et fonction des référents spatiaux et temporels dans les théâtres de Josep M. Benet i Jornet et de Sergi Belbel (1989-2006)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040157/document.

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Depuis une quarantaine d’années, la nature et le degré de présence des référents spatiaux et temporels diffèrent considérablement dans le théâtre catalan, au moins selon les périodes, mais sans doute aussi selon les auteurs. À partir du milieu des années 1980, l’écriture dramatique tend en grande partie à refuser tout ancrage de l’action dramatique dans une géographie et un moment historique précis et, en particulier, à éluder les représentations de Barcelone et/ou de la Catalogne. Cette thèse se propose d’examiner le traitement des référents en question dans les pièces écrites par Josep M. Be
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Nicolau, Jiménez Adriana. "Feminismes al teatre català contemporani (2000-2019)." Doctoral thesis, Universitat Oberta de Catalunya, 2021. http://hdl.handle.net/10803/671649.

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Aquesta tesi aborda l'impacte dels feminismes en el teatre català contemporani, prenent com a objecte d'estudi el teatre representat a la ciutat de Barcelona entre els anys 2000 i 2019. A causa de la manca d'atenció crítica a les relacions entre el teatre català, el gènere i els feminismes, fonamento el meu marc analític en els estudis teatrals feministes anglosaxons, així com en les aportacions pioneres de María José Ragué Arias. La recerca comprèn l'estudi d'un conjunt molt ampli d'obres, enteses en tant que objectes espectaculars i per tant estudiades a partir de les escenificacions. La com
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Blin, Fanny. "Les Antigones espagnoles : modalités esthétiques et idéologiques des reprises de la figure mythique, de la Guerre Civile à la Transition." Thesis, Bordeaux 3, 2017. http://www.theses.fr/2017BOR30024.

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En réponse au traumatisme de la division nationale suscitée par la guerre civile et cristallisée pendant le franquisme, la figure d’Antigone resurgit avec force dans la dramaturgie espagnole. Le parcours de résistance de cette héroïne grecque devient, sous la plume des auteurs espagnols du XXème siècle, l’emblème de la « juste mémoire » (Ricœur, 2000). Partant de l’hypothèse que le corpus des Antigones espagnoles constitue un ensemble relevant d’une dynamique commune de relecture de l’histoire, cette thèse recherche, à travers un travail comparatif des structures et des symboliques, la cohéren
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Vilardell, Grimau Teresa. "Les adaptacions cinematogràfiques d’obres teatrals a Catalunya 2000-2010. Disseny i procediments compositius." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/368570.

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André Bazin va afirmar, en el context de la composició de les adaptacions cinematogràfiques d’obres de teatre que el teatre era un “fals amic”. Nosaltres hem indagat perquè. La investigació ha utilitzat el corpus d’adaptacions cinematogràfiques (2000-2010) de textos teatrals escrits a Catalunya, per analitzar dins de l’àmbit de la dramatúrgia i la posada en escena teatral i cinematogràfica, les especificitats de la composició de les adaptacions cinematogràfiques de textos teatrals. L’enunciació del text teatral i les funcions del text principal i el secundari, així com també els diversos m
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Barrera, Jofré María Consuelo. "La mujer como personaje teatral: reflejo y evolución de la figura femenina en las dramaturgas catalanas (1975-2011)." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/147256.

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Con esta investigación hemos querido dar un reconocimiento a la autoría femenina en el teatro catalán mediante los personajes femeninos creados por trece autoras dentro del periodo de 1975 a 2011, y que tuvo como principal objetivo confirmar la existencia de un Personaje Femenino Redondo, es decir, un personaje excepcional que no es solo reflejo del mundo que se ha representado, sino que más bien, una creación que se aleja del colectivo de una época siendo un personaje más humano, permitiendo así la ausencia de conatos. El grupo seleccionado correspondió a las autoras más significativas en
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Books on the topic "Catalan theatre"

1

Sergi Belbel and Catalan theatre: Text, performance and identity. Tamesis, 2010.

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Molné, Magí Sunyer i. Lucrècia: Tragèdia contemporània. Arola editors, 2005.

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García, Roberto. Indecent. Edicions 62, 2004.

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Bravo, Isidre. L' escenografia catalana. Diputació de Barcelona, 1986.

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Massip, Jesús Francesc. Història de teatre català. Arola Editors, 2007.

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El mètode Grönholm. Proa, 2005.

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Melendres, Jaume. La direcció dels actors: Diccionari mínim. Institut del Teatre, Diputació de Barcelona, 2000.

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Melendres, Jaume. La direcció dels actors: Diccionari mínim. Institut del Teatre, 2000.

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Berger, Verena. Theater und Sprache: Das katalanische Theater zwischen Diktatur und Demokratie. Edition Praesens, 1999.

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Boreu, Francesc Foguet i. El teatre català en temps de guerra i revolució (1936-1939): A propòsit de Mirador i Meridià. Institut del Teatre de la Diputació de Barcelona, 1999.

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Book chapters on the topic "Catalan theatre"

1

Paradiso, M., S. Galassi, and S. Garuglieri. "The Catalan vaults of Roberto Gottardi's School of Theater in Havana: Some discoveries on the construction technique." In History of Construction Cultures. CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-131.

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Surtz, Ronald E. "Spain: Catalan and Castilian drama." In The Theatre of Medieval Europe. Cambridge University Press, 1991. http://dx.doi.org/10.1017/cbo9780511819834.013.

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Orazi, Veronica. "Teatre Lliure, En Procés." In Advances in Religious and Cultural Studies. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6614-5.ch017.

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En Procés is a project resulting from the collaboration between Lluís Pasqual and Joan Yago. They invited 11 Catalan playwrights to compose as many short plays on the facts relating to the referendum of October the 1st 2017, based on three principles: 10-minute duration, no set design, and involvement of up to three actors. The project reaffirms the social role of theatre and renews the model of the Teatro de urgencia, capable of recording history and immediate reality. It, however, transcends the context in which it was conceived and is projected into a global dimension, because it reflects universal social, humanitarian, and political principles. The chapter studies the techniques and strategies with which each author has interpreted and recreated the episodes that inspired him/her, emphasizing the close link between politics, society, theatre, and identity.
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Duprey, Jennifer. "Memory and Urban Landscapes in Contemporary Catalan Theater." In New Spain, New Literatures. Vanderbilt University Press, 2010. http://dx.doi.org/10.2307/j.ctv17vf6x8.7.

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Presotto, Marco. "La presencia del teatro clásico español en el mundo árabe Entrevista con Zidan Abdel-Halim Zidan (Universidad de Al Azhar, El Cairo)." In Biblioteca di Rassegna iberistica. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-490-5/011.

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This article presents the text of an interview held in 2019 with the Egyptian Hispanist Zidan Abdel-Halim Zidan about translations of Spanish classical theater in the Arabic language, in an attempt to offer a first approach to this editorial corpus as a whole. In appendix, Halim Zidan also offers a brief bio-bibliographic catalog of the main translations into Arabic and a bibliography of known editions.
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