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Journal articles on the topic 'Catalan theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Delgado, Maria M. "Contemporary Catalan Theatre: An Introduction." Hispanic Research Journal 2, no. 1 (2001): 86–87. http://dx.doi.org/10.1179/hrj.2001.2.1.86.

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2

Subirós, Carlota, and Bonnie Marranca. "Writing for a Catalan Theatre." PAJ: A Journal of Performance and Art 27, no. 1 (2005): 55–60. http://dx.doi.org/10.1162/1520281052863999.

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3

Ragué, Maria-José. "Women and the Women's Movement in Contemporary Spanish Theatre." New Theatre Quarterly 9, no. 35 (1993): 203–10. http://dx.doi.org/10.1017/s0266464x00007922.

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The problems confronted by most women's theatre in reaching its own constituency and, when desired, gaining a wider hearing have been exacerbated in Spain by the long period of emergence from the Franco dictatorship, with its legacy of oppression. In this article, Maria–José Ragué offers an overview of the subject, outlining the historical context and exploring the work of women playwrights, then looking in particular at women's theatre groups based in Barcelona, at whose university she teaches theatre history. Maria–José Ragué is also a theatre critic and a playwright, having published Clytem

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4

Astles, Cariad. "Catalan puppet theatre: A process of cultural affirmation." Contemporary Theatre Review 17, no. 3 (2007): 323–34. http://dx.doi.org/10.1080/10486800701411295.

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5

Buffery, Helena. "The ‘Placing of Memory’ in contemporary Catalan theatre." Contemporary Theatre Review 17, no. 3 (2007): 385–97. http://dx.doi.org/10.1080/10486800701411303.

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6

Feldman, Sharon. "Sergi Belbel and Catalan Theatre: Text, Performance, and Identity." Contemporary Theatre Review 23, no. 2 (2013): 235–37. http://dx.doi.org/10.1080/10486801.2012.722802.

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7

Cochrane, Claire. "The haunted theatre." Cahiers Élisabéthains: A Journal of English Renaissance Studies 96, no. 1 (2018): 75–88. http://dx.doi.org/10.1177/0184767818774857.

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Forests, the production by the iconoclastic Spanish-Catalan director Calixto Bieito staged at the ‘Old’ Birmingham Repertory Theatre in September 2012, functions here as the starting point for an exploration of the way a radical revisioning of Shakespeare in performance stimulated through an engagement with European modernism began in this now venerable theatre over 100 years ago. What was dubbed Bieito’s ‘epic arboreal mash-up’ was I suggest haunted by the material traces of groundbreaking past performances mounted by the Rep’s founder Barry Jackson, which included the first Shakespeare in mo

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8

Batlle i Jordà, Carles. "Contemporary Catalan Theatre: Between the desert and the promised land." Contemporary Theatre Review 17, no. 3 (2007): 416–24. http://dx.doi.org/10.1080/10486800701417078.

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9

Sansano, Gabriel. "SOME TYPES OF SHORT THEATRE IN EIGHTEENTH-CENTURY VALENCIA." Catalan Review 19, no. 1 (2005): 265–84. http://dx.doi.org/10.3828/catr.19.15.

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Traditional history of theatre has doubted the existence of theatrical activity in Catalan in eighteenth-century Valencia. This article highlights the continued presence of an “informal” and Valencian theatre, made up of short pieces; it gives information about actors, audiences and the places where this activity was developed. Finally, it looks at the works staged and proposes a typology of them based on the Castilian dramatic models that the popular actors imitated and mimicked.

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10

Nicolau, Adriana, and Teresa Iribarren. "The Staging of Ciudad Juárez’s Feminicides: Àlex Rigola and Angélica Liddell Speak for the Victims." New Theatre Quarterly 36, no. 2 (2020): 131–48. http://dx.doi.org/10.1017/s0266464x2000024x.

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Tackling violence against women in the theatre is often a controversial matter. To identify the ethical risks that victim representation may entail, we conduct a comparative analysis of two works about Ciudad Juárez’s feminicides staged in Barcelona: 2666 (2007), an adaptation of Roberto Bolaño’s novel directed by Àlex Rigola, and House of Strength (2011) by Angélica Liddell. This article argues that while Rigola reduces victims to mere sexual objects with no narrative of their own, Liddell places the voice and resilience of Mexicans in the foreground and represents their bodies respectfully.

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11

Wright, Sarah. "Contemporary Catalan Theatre: an Introduction. Edited by David George & John London. (The Anglo-Catalan Society Occasional Publications 9) Sheffield: The Anglo-Catalan Society, 1996. Pp. 136 + illus. £6.50." Theatre Research International 22, no. 1 (1997): 85–86. http://dx.doi.org/10.1017/s0307883300016126.

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12

Zatlin, Phyllis. "A Review ofContemporary Catalan Theatre: An Introduction,Edited by David George and John London." Contemporary Theatre Review 7, no. 3 (1998): 117–20. http://dx.doi.org/10.1080/10486809808568470.

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13

Cerdá, Juan F. "Shakespearean Performance in Catalan: Adrià Gual and the Emergence of the Theatre Director (1903–1940)." Shakespeare 16, no. 3 (2019): 313–25. http://dx.doi.org/10.1080/17450918.2019.1690567.

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14

Feldman, Sharon G. "OF APPEARANCE AND DISAPPEARANCE: THEATRE AND BARCELONA (CATALUNYA INVISIBLE, PART II)." Catalan Review 18, no. 1-2 (2004): 161–77. http://dx.doi.org/10.3828/catr.18.1-2.11.

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The relationship between place and stage, and between landscape and theatre, can be enormously revealing in terms of a playwright’s sense of self, identity, and culture. During the decades of the 1980s and 1990s, a paradoxical phenomenon occurred whereby the city of Barcelona —or Catalunya, for that matter— as an image, notion, rhetorical figure, or poetic trope seemed to have all but vanished from the contemporary Catalan stage (specifically, from the realm of text-based drama). In the new millennium, however, Barcelona is gradually becoming visible on the stage once again. The three contempo

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15

Gilabert, Gaston. "L’èxtasi poètic de Fontanella: metateatre i música a la Lloa per la Tragicomèdia pastoral d’amor, firmesa i porfia." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 11, no. 11 (2018): 178. http://dx.doi.org/10.7203/scripta.11.12592.

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Resum: En absència d’estudis monogràfics sobre la Lloa de Fontanella, aquest article n’ analitza l’estructura dramàtica, començant amb una reflexió sobre llur classificació dintre del gènere i sobre l’espai de la Barcelona del segle XVII que podria haver-la escenificat. La importància funcional que el poeta barceloní atorga a la música i al metateatre condueixen a una interpretació de la Lloa des d’un punt de vista poeticomusical, la qual cosa permet una nova lectura de certs passatges i una valoració crítica que afecta, no només a la peça en qüestió sinó a tota la Tragicomèdia pastoral d’amor

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16

Gaviña-Costero, María. "Brian Friel in Spain: An Off-Centre Love Story." Estudios Irlandeses, no. 16 (March 17, 2021): 110–24. http://dx.doi.org/10.24162/ei2021-10074.

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Spanish theatres are not prolific in the staging of Irish playwrights. However, the Northern Irish writer Brian Friel (1929-2015) has been a curious exception, his plays having been performed in different cities in Spain since William Layton produced Amantes: vencedores y vencidos (Lovers: Winners and Losers) in 1972. The origin of Friel’s popularity in this country may be attributed to what many theatre directors and audiences considered to be a parallel political situation between post-colonial Ireland and the historical peripheral communities with a language other than Spanish: Catalonia, t

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17

Thompson, Michael. "Sergi Belbel and Catalan Theatre: Text, Performance and Identity. By David George. Woodbridge: Tamesis, 2010. Pp. 220. £50/$90 Hb." Theatre Research International 37, no. 3 (2012): 289–90. http://dx.doi.org/10.1017/s0307883312000648.

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18

London, John. "Catalan Theater Without Catalan? Plays and Performances: 1939-1945." Catalan Review 23 (January 2009): 191–209. http://dx.doi.org/10.3828/catr.23.1.191.

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19

SOLÀ-SOLÉ, JOSEP M. "DON JUAN IN CATALAN THEATER." Catalan Review: Volume 1, Issue 2 1, no. 2 (1986): 115–24. http://dx.doi.org/10.3828/catr.1.2.7.

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20

Massip Bonet, Francesc. "La Consueta de 1709 en escena: Orígen i models d'una realitat canviant." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 3, no. 3 (2014): 98. http://dx.doi.org/10.7203/scripta.3.3791.

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Resum: El present treball proposa una aproximació a la representació del conegut com Misteri d’Elx, a partir de la Consueta de 1709, un moment especialment particular en la història d’aquest drama sacre. Paraules clau: Misteri d’Elx, tesatre assumpcionista, teatre religiós, literatura catalana, Edat modernaAbstract: This paper proposes an approach to the Misteri d’Elx from the Consueta developed in 1709, a particular moment in this sacred drama history. Keywords: Misteri d’Elx, assumptionist theater, Catalan literature, religious teather, Modern Age

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21

Khaidi, Nor Azyan K. M., Siti M. Anua, Nurzafirah Mazlan, and Safaa N. Saud. "The Presence of Microbial Air Contaminants in the Operating Theatre at a Teaching Hospital in East Coast Malaysia." Open Biology Journal 9, no. 1 (2021): 11–16. http://dx.doi.org/10.2174/1874196702109010011.

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Aim: The aim of this study is to determine the presence of microbial air contaminants in the operating theatre at a teaching hospital. Objective: Airborne microbial level in operation theatre is one of the significant risks in hospital as it can increase the surgical site infection and nosocomial infections. Background: Duo SAS Super 360 Air Sampler was used to collect the airborne samples in triplicate each for nutrient and MacConkey agar at eight operation rooms and two corridors for morning and evening sessions. Sampling was conducted for three months and repeated every two months. Microbio

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22

Benet i Jornet, Josep Maria. "DEL DESERT A LA TERRA PROMESA: 40 ANYS DE LITERATURA DRAMÀTICA A BARCELONA." Catalan Review 18, no. 1-2 (2004): 231–36. http://dx.doi.org/10.3828/catr.18.1-2.16.

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Celebrated playwright Josep Maria Benet i Jornet offers a personally inflected overview of the last forty years of theater in Catalonia. A strong defender of textually based productions, Benet notes that the Catalan language, marginalized under Franco, does not exactly come booming center stage once the dictator disappears. Whether in its strictly commercial or more experimental and independent forms (or in combinations thereof), theater in Catalonia appeared to have little room for Catalan authors, living or dead. By the mid-1980s, however, the situation had changed, and the authors of theatr

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23

GEORGE, DAVID. "IN-BETWEENNESS AND HYBRIDITY: IDENTITY AND LINGUISTIC DELECTATION IN SERGI BELBEL’S MEXICATAS." Catalan Review 35, no. 1 (2021): 111–30. http://dx.doi.org/10.3828/catr.35.6.

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Sergi Belbel’s as yet unpublished play, Mexicatas, premiered in late 2018. In the spring of that year a group of eight Mexican actresses, who now live in Catalonia and are members of the theater group Cor de Maguey, approached Belbel and asked him to write a play about their experiences as Mexican immigrants. My essay examines the collaborative process and the ensuing spectacle. It considers questions of personal and social identity, the attitudes of the Mexican immigrants to the Catalan language and customs, and the humor that derives from these, all within an encompassing framework of in-bet

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24

Martí Mestre, Joaquim. "Els fraseologismes en l’obra dramàtica d’Eduard Vidal i Valenciano." Revista de lenguas y literaturas catalana, gallega y vasca 24 (January 15, 2020): 81. http://dx.doi.org/10.5944/rllcgv.vol.24.2019.26408.

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En aquest article s’estudien les unitats fraseològiques en l’obra dramática d’Eduard Vidal i Valenciano, un dels impulsors del teatre català contemporani. El caràcter costumista i realista d’aquest teatre comporta un treball elaborat sobre el llenguatge, que inclou una rica fraseologia, reflex del llenguatge popular i col·loquial. Seguint el mètode filològic i els coneixements de la lexicografia històrica, centrem el nostre estudi especialment en les unitats fraseològiques no enregistrades en els diccionaris o que adquireixen en Vidal un sentit diferent al conegut, i, tenint en compte els estu

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25

Milhous, Judith, and Robert D. Hume. "Opera Salaries in Eighteenth-Century London." Journal of the American Musicological Society 46, no. 1 (1993): 26–83. http://dx.doi.org/10.2307/831805.

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Until the last fifteen years, very few salaries have been known for Italian opera singers or ballet dancers in eighteenth-century London. Two major new sources are presented here for the first time: Chancery testimony concerning salaries in the 1780s, and a series of manuscript annotations giving salaries of principals for eight seasons between 1796 and 1808. Added to recent discoveries concerning the first decade of the century, the Royal Academy of Music in the 1720s, and Chancery testimony about the pay scale in the 1760s, this information makes an overview possible. The top and bottom of t

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26

Rigobon, Patrizio. "La cultura catalana a Itàlia: el cas de Cesare Giardini." Cercles Revista d Hist�ria Cultural, no. 22 (2019). http://dx.doi.org/10.1344/cercles2019.22.1004.

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This paper looks at aspects of the life and work of the Italian Catalanophile Cesare Giardini (Bologna 1893–Milan 1970) up until the 1930s. Giardini’s initial activity as an actor afforded him the chance to travel to Barcelona in 1912 with the theatre company of the great Italian actress Lyda Borelli. During the month that Giardini spent in Barcelona, he was able to get in touch with a number of representatives of Catalan culture despite his considerable youth. In the 1920s, he began working with the Milan publishing firm Edizioni Alpi, which published Italian translations of Catalan works, su

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27

Thambu, Nadarajan. "POTENSI UNSUR-UNSUR TEATER FORUM DALAM PEMBENTUKAN INSAN MENYELURUH: DAPATAN KAJIAN KUALITATIF KELAS PENDIDIKAN MORAL (POTENTIAL OF FORUM THEATRE IN FORMING A HOLISTIC HUMAN BEING: QUALITATIVE FINDINGS FROM MORAL EDUCATION CLASS)." Muallim Journal of Social Science and Humanities, January 2, 2019, 77–95. http://dx.doi.org/10.33306/mjssh/07.

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Dalam proses pengajaran dan pembelajaran media dramatik seperti Teater Forum boleh dikelaskan sebagai bahan media konkrit dan sifatnya menyerupai keadaan sebenar. Media dramatik ini boleh menukar pengalaman abstrak dalam pengajaran dan pembelajaran kepada pengalaman konkrit untuk melahirkan manusia yang holistik dari aspek pemikiran, perasaan dan tindakan. Artikel ini membincangkan potensi Teater Forum dalam membentuk manusia holistik seperti yang digariskan oleh Falsafah Pendidikan Kebangsaan. Sebanyak 12 peserta terlibat dalam kajian kualitatif ini. Data dikumpul melalui pemerhatian, temu bu

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28

Ezeador, C. O., P. C. Ejikeugwu, S. N. Ushie, and N. R. Agbakoba. "Isolation, Identification And Prevalence Of Pseudomonas Aeruginosa Isolates From Clinical And Environmental Sources In Onitsha Metropolis, Anambra State." European Journal of Medical and Health Sciences 2, no. 2 (2020). http://dx.doi.org/10.24018/ejmed.2020.2.2.188.

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This study was aimed to isolate and identify Pseudomonas aeruginosa and to determine the prevalence rate of isolated P. aeruginosa in Hospitals in Onitsha. Isolates of P. aeruginosa were recovered from both clinical and environmental sources using Cetrimide agar, Blood agar, Mueller-Hinton agar and MacConkey agar. All the inoculated plates were incubated at 37°C for 24-48 hours and growth was evaluated on these media. Isolates were identified on the basis of standard bacteriological methods like morphology, colonial characteristics, smell in culture, haemolysis, as well as pigment production o

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29

Downing, Leanne. "Sensory Jam." M/C Journal 9, no. 6 (2006). http://dx.doi.org/10.5204/mcj.2685.

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   Sticky, messy and nauseatingly saccharine, the sensory properties of jam may be a long way from the stylized corporate polish of Australia’s multi-billion dollar film exhibition industry, yet the history of Australian cinema space will be forever indebted to the Victoria Preserving Company; one-time producer of the humblest of sweet treats. Through an analysis of Melbourne’s Jam Factory cinema complex, this article explores the unusual intersection of jam, sensory gratification and contemporary Australian cinema-going at the dawn of the 21st century. Encompassing the histo

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